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Charles Martin is a poet of dazzling formal dexterity. Deep realizations flow through his fluent lines and stanzas, in which our present condition is clarified by allusions to our past. A poem on a computer virus at the Millennium invokes earlier monstrous invasions in the alliterative meter of Beowulf, the horror of 9/11 is summoned by tercets as in The Inferno. The clarity, the precision of Martin's language makes his poems accessible and memorable. This is the work of a master.