Silent in the Sanctuary (Lady Julia Grey Series #2)
  • Silent in the Sanctuary (Lady Julia Grey Series #2)
  • Silent in the Sanctuary (Lady Julia Grey Series #2)

Silent in the Sanctuary (Lady Julia Grey Series #2)

4.3 84
by Deanna Raybourn

View All Available Formats & Editions

fresh from a six-month sojourn in Italy, Lady Julia returns home to Sussex to find her father's estate crowded with family and friends— but dark deeds are afoot at the deconsecrated abbey, and a murderer roams the ancient cloisters.

Much to her surprise, the one man she had hoped to forget—the enigmatic and compelling Nicholas Brisbane—is among

…  See more details below


fresh from a six-month sojourn in Italy, Lady Julia returns home to Sussex to find her father's estate crowded with family and friends— but dark deeds are afoot at the deconsecrated abbey, and a murderer roams the ancient cloisters.

Much to her surprise, the one man she had hoped to forget—the enigmatic and compelling Nicholas Brisbane—is among her father's houseguests… and he is not alone. Not to be outdone, Julia shows him that two can play at flirtation and promptly introduces him to her devoted, younger, titled Italian count.

But the homecoming celebrations quickly take a ghastly turn when one of the guests is found brutally murdered in the chapel, and a member of Lady Julia's own family confesses to the crime. Certain of her cousin's innocence, Lady Julia resumes her unlikely and deliciously intriguing partnership with Nicholas Brisbane, setting out to unravel a tangle of deceit before the killer can strike again. When a sudden snowstorm blankets the abbey like a shroud, it falls to Lady Julia and Nicholas Brisbane to answer the shriek of murder most foul.

Read More

Editorial Reviews

Publishers Weekly

Fans and new readers alike will welcome this sparkling sequel to Raybourn's debut Victorian mystery, Silent in the Grave(2007). Left homeless by fire, wealthy widow Lady Julia Grey has been recuperating in Italy. With Christmas approaching, Julia returns to England, where she joins her large and eccentric family at their equally large and eccentric ancestral estate, a former monastery that retains some monkish ghosts. Nicholas Brisbane, a private enquiry agent with whom Julia has shared both a heated embrace and a stint at detection, is among the holiday houseguests, and to Julia's astonishment Brisbane is in line for a title andengaged. Then a local curate is murdered in the former church sanctuary, and a set of priceless pearls goes missing. Headstrong and clever Julia joins Brisbane in investigating the crimes, deciphering his personal situation in the process. Readers may wish for a bit more romantic development, but the complex mystery, a delightfully odd collection of characters and deft period details produce a rich and funny read. (Jan.)

Copyright 2007 Reed Business Information
Library Journal

Returning to Sussex after six months in Italy, Lady Julia finds Bellmont Abbey, her family's home, full of Christmas visitors, including the newly engaged Nicholas Brisbane, the man she has dreamed about since they together solved her husband's murder (Silent in the Grave). When the new curate is found murdered in the chapel and Lady Julia's cousin is the prime suspect, she finds herself embroiled in another investigation while encouraging the attentions of a young Italian aristocrat. Raybourn has written the perfect novel-full of family squabbles, danger, and a romance in the making-for a wintry afternoon's reading. Recommended for patrons who crave Victorian mysteries of manners. Raybourn lives in Virginia.

—Jo Ann Vicarel
Kirkus Reviews
The March family has the reputation of being wild as March hares, but when it comes to murder they are no fools. Lady Julia Grey (formerly March) is in Italy with two of her brothers, recovering from the murder of her husband and her own near-death in a fire (Silent in the Grave, 2007). When Lord March sends for Julia's brother Lysander, recently married to an Italian beauty, they all return home to Bellmont Abbey, a huge estate built 700 years ago as a Cistercian monastery. Julia is surprised to discover among her father's guests Nicholas Brisbane, the enigmatic private investigator she had grown to love during the investigation of her husband's murder. Brisbane is accompanied by his attractive but apparently silly fiancee, a woman Julia is sure he could never marry. Among the other guests are Julia's sisters, Emma and Lucy, the latter recently engaged to wealthy Sir Cedric Eastley; Eastley's cousin; Julia's Italian friend Count Fornacci; her uncle Fly; and worldly Lucian Snow, his curate. Soon Lucy is found holding a bloody candlestick above the body of Snow. Julia's valuable pearls are stolen. And a ghost walks the Abbey's dark passages. Julia turns sleuth over the violent objections of Brisbane, their relationship sizzling as they trade barbs and information. A sassy heroine and a masterful, secretive hero. Fans of romantic mystery could ask no more-except the promised sequel.

Read More

Product Details

Publication date:
Lady Julia Grey Series, #2
Edition description:
Product dimensions:
5.13(w) x 8.00(h) x 0.92(d)

Read an Excerpt

"Well, I suppose that settles it. Either we all go home to England for Christmas or we hurl ourselves into Lake Como to atone for our sins."

I threw my elder brother a repressive look. "Do not be so morose, Plum. Father's only really angry with Lysander," I pointed out, brandishing the letter from England with my fingertips. The paper fairly scorched my skin. Father's temper was a force of nature. Unable to rant at Lysander directly, he had applied himself to written chastisement with great vigour.

"The rest of us can go home easily enough," I said. "Just think of it—Christmas in England! Plum pudding and snapdragon, mistletoe and wassail—"

"Chilblains and damp beds, fogs so thick you cannot set foot out of doors," Plum put in, his expression sour. "Someone sobbing in the linen cupboard, Father locking himself in the study after threatening to drown the lot of us in the moat."

"I know," I said, my excitement rising. "Won't it be wonderful?"

Plum's face cracked into a thin, wistful smile. "It will, actually. I have rather missed the old pile—and the family, as well. But I shall be sorry to leave Italy. It has been an adventure I shall not soon forget."

On that point we were in complete agreement. Italy had been a balm to me, soothing and stimulating at once. I had joined two of my brothers, Lysander and Eglamour—Plum to the family—after suffering the loss of my husband and later my home, and very nearly my own life. I had arrived in Italy with my health almost broken and my spirit in a sorrier state. Four months in a warm, sunny clime with the company of my brothers had restored me. And though the weather had lately grown chill and the seasons were turning inward, I had no wish to leave Italy yet. Still, the lure of family and home, particularly at Christmas, was strong.

"Well, who is to say we must return permanently? Italy shall always be here. We can go to England for Christmas and still be back in Venice in time for Carnevale."

Plum's smile deepened. "That is terribly cunning of you, Julia. I think living among Italians has developed a latent talent in you for intrigue."

It was a jest, but the barb struck too close to home, and I lowered my head over my needlework. I had engaged in an intrigue in England although I had never discussed it with my brothers. There had been an investigation into my husband's death, a private investigation conducted by an inquiry agent. I had assisted him and unmasked the killer myself. It had been dangerous, nasty work, and I told myself I was happy to be done with it.

But even as I plunged my needle into the canvas, trailing a train of luscious scarlet silk behind it, I felt a pang of regret—regret that my days were occupied with nothing more purposeful than those of any other lady of society. I had had a glimpse of what it meant to be useful, and it stung now to be merely decorative. I longed for something more important than the embroidering of cushions or the pouring of tea to sustain me.

Of my other regrets, I would not let myself think. I yanked at the needle, snarling the thread.

"Blast," I muttered, rummaging in my work basket for my scissors.

"We are a deceptively domestic pair," Plum said suddenly. I snapped the threads loose and peered at him. "Whatever do you mean?"

He waved a hand. "This lovely villa, the fireside, both of us in slippers. I, reading my paper from England whilst you ply your needle. We might be any couple, by any fireside, placidly whiling away the darkening hours of an autumn eve."

I glanced about. The rented villa was comfortably, even luxuriously appointed. The long windows of the drawing room overlooked Lake Como, although the heavy velvet draperies had long since been drawn against the gathering dark. "I suppose, but—"

What I had been about to say next was lost. Morag, my maid, entered the drawing room to announce a visitor.

"The Count of Four-not-cheese."

I gave her an evil look and tossed my needlework aside. Plum dashed his newspaper to the floor and jumped to his feet. "Alessandro!" he cried. "You are a welcome sight! We did not expect you until Saturday."

Morag did not move, and our visitor stepped neatly around her, doffing his hat and cape. They were speckled with raindrops that glittered in the firelight. He held them out to Morag who looked at him as though he had just offered her a dead animal. I rushed to take them.

"Alessandro, how lovely to see you." I thrust the cape and hat at Morag. "Take these and brush them well," I instructed. "And his name is Fornacci," I hissed at her.

She gave me a shrug and a curl of the lip and departed, dragging the tail of Alessandro's beautiful coat on the marble floor as she went.

I turned to him, smiling brightly. "Do come in and get warm by the fire. It has turned beastly out there and you must be chilled to the bone."

He gave me a look rich with gratitude, and something rather more as well. Plum and I bustled about, plumping cushions and making him comfortable with a chair by the fire and a glass of good Irish whiskey. Alessandro had never tasted whiskey until making the acquaintance of my brothers, but had become something of a connoisseur in the months he had known them. To begin with, he no longer made the mistake of tossing his head back and drinking the entire glass at one gulp.

After a few minutes by the fire he had thawed sufficiently to speak. "It is so good to see you again," he said, careful to look at Plum as well as myself when he spoke. "I am very much looking forward to spending Christmas with you here." His English was terribly fluent, very much better than my Italian, but there was a formality that lingered in his speech. I found it charming.

Plum, who had poured himself a steady glass of spirits, took a deep draught. "I am afraid there has been a change in plans, old man."

"Old man" was his favourite nickname for Alessandro, no doubt for its incongruity. Alessandro was younger than either of us by some years.

The young man's face clouded a little and he looked from Plum to me, his silky dark brows knitting in concern. "I am not invited for Christmas? Shall I return to Firenze then?"

I slapped Plum lightly on the knee. "Don't be vile. You have made Alessandro feel unwelcome." It had been arranged that Alessandro would come to us in November, and we would all spend the holiday together before making a leisurely journey to Venice in time for Carnevale. There was no hope of such a scheme now. I turned to Alessandro, admiring for a moment the way the firelight licked at his hair. I had thought it black, but his curls shone amber and copper in their depths. I wondered how difficult it would be to persuade Plum to paint him.

"You see, Alessandro," I explained, "we have received a letter from our father, the Earl March. He is displeased with our brother Lysander and wishes us all to return to England at once. We shall spend Christmas there."

"Ah. How can one argue with the call of family? If you must return, my friends, you must return. But know that you will always carry with you the highest regard of Alessandro Fornacci."

This handsome speech was accompanied by a courtly little bow from the neck and a noble, if pained, expression that would have done a Caesar proud.

"I have a better idea, and a very good notion it is," Plum said slowly. "What if we bring Alessandro with us?"

I had just taken a sip of my own whiskey and I choked lightly. "I beg your pardon, Plum?"

Alessandro raised his hands in a gesture I had seen many Italians employ, as if warding something off. "No, my friend, I must not. If your father is truly angry, he will not welcome an intruder at this time."

"Are you mad? This is precisely the time to bring someone outside the family into the fold. It will keep him from killing Lysander outright. He will behave himself if we cart you back to England with us. The old man has peculiar ideas, but he is appallingly hospitable."

"Plum, kindly do not refer to Father as 'the old man'. It is disrespectful," I admonished.

Alessandro was shaking his head. "But I have not been invited. It would be a great discourtesy."

"It would be a far greater discourtesy for Father to kill his own son," Plum pointed out tartly. "And you have been invited. By us. Now I must warn you, the family seat is rather old-fashioned. Father doesn't hold with new ideas, at least not for country houses. You'll find no steam heat or even gaslights. I'm afraid it's all coal fires and candles, but it really is a rather special old place. You always said you wanted to see England, and Bellmont Abbey is as English as it gets, dear boy."

Alessandro hesitated. "If I may be so bold, why is his lordship so angry with Lysander? Surely it is not—"

"It is," Plum and I chorused.

Just at that moment, sounds of a quarrel began to echo from upstairs. There was a shout and the unmistakable crash of breaking crockery.

"But the earl, he cannot object to Lysander's marriage to so noble and lovely a lady as Violante," Alessandro put in, quite diplomatically I thought.

Something landed with a great thud on the floor, shivering the ceiling and causing the chandelier above our heads to sway gently.

"Do you suppose that was one of them?" Plum inquired lightly.

"Don't jest. If it was, we shall have to deal with the body," I reminded him. Violante began to shriek, punctuating her words with tiny stamps of her heel from the sound of it.

"I wonder what she is calling him. It cannot be very nice," I mused.

Alessandro gave an elegant shrug. "I regret, my understanding of Napolitana, it is imperfect." He dropped his eyes, and I wondered if he understood more than politeness would allow him to admit.

"Probably for the best," Plum remarked, draining the last of his whiskey.

"Do not finish off the decanter," I warned him. "Lysander will want a glass or two when they have finished for the evening."

"Or seven," Plum countered with a twitch of his lip. I gave him a disapproving look. Lysander's marital woes were not a source of amusement to me. I had endured enough of my own connubial difficulties to be sympathetic. Plum, however, wore a bachelor's indifference. He had never said so, but I suspected his favourite brother's defection to the married state had rankled him. They had travelled the Continent together for years, roaming wherever their interests and their acquaintance had directed them, exploring museums and opera houses and ruined castles. They wrote poetry and concertos and painted murals on the walls of ancient abbeys. They had been the staunchest companions until Lysander, having left his thirtieth birthday some years past, had spotted Violante sitting serenely in her uncle's box at La Fenice. It was, as the Tuscans say, un colpo di fulmine, a bolt of lightning.

It was also a bit misleading. Upon further investigation, Lysander discovered Violante was Neapolitan, not Venetian, and there was quite simply nothing about her that was serene. She carried in her blood all the warmth and passion and raw-boned energy of her native city. Violante was Naples, and for a cool-blooded, cool-headed Englishman like Lysander the effect was intoxicating. He married her within a month, and presented Plum and me with a fait accompli, a sister-in-law who smothered us in kisses and heady jasmine perfumes. For my part, I found her charming, wholly unaffected if somewhat exhausting. Plum, on the other hand, was perfectly cordial and cordially perfect. Whenever Violante stepped from a carriage or shivered from the cold, Plum would offer her a hand or his greatcoat, bowing and murmuring a graciously phrased response to her effusive thanks.

And yet always he watched her with the cool detachment one usually reserves for specimens at the zoological garden. I often thought there might be real fondness there if he could unbend a little and forgive her for coming so precipitously into our lives.

But Plum was nothing if not stubborn, and I knew a straightforward approach would only cause him to dig his heels into the ground like a recalcitrant pony. So I endeavoured to distract him with little whims and treats, cajoling him into good temper in spite of himself.

And then we met Alessandro, or to be accurate, I met Alessandro, for he was a friend of my brothers of some years' duration. Rome had been too hot, too noisy, altogether too much for my delicate state when I first arrived in Italy. My brothers immediately decided to quit the city and embark on a leisurely tour to the north, lingering for a few days or even weeks in any particularly engaging spot, but always pushing on toward Florence. We settled comfortably in a tiny palazzo there, and I began to recover. My fire-roughened voice smoothed again, never quite as it had been, but not noticeably damaged. My lungs were strengthened and my spirits raised. Lysander felt comfortable enough to leave us to accept an invitation for a brief trip to Venice to celebrate the private debut of a friend's opera. Plum pledged to watch over me, and Lysander departed, to return a month later after endless delays and a secret wedding, his voluble bride in tow.

Alessandro had kept us company while Lysander was away, guiding us to hidden piazze, revealing secret gardens and galleries no tourists ever crowded. He drove us to Fiesole in a beribboned pony cart, stopping to point out the most breathtaking views in that enchanted hilltop town, and introduced us to inns in whose flower-drenched courtyards we were served food so delicious it must have been bewitched. Plum always seemed to wander off, sketchbook in hand to capture a row of cypresses, stalwart and straight as a regiment, or the elegant curve of a signorina's cheek, distinctive as a goddess out of myth. Alessandro did not seem to mind. He talked to me of history and culture and we practiced our languages with each other, learning to speak of everything and nothing at all.

They were the most peaceful and serene weeks of my life, and they ended only when Lysander returned with Violante, bursting with pride, his chin held a trifle higher from defiance as much as happiness. With his native courtesy, Alessandro withdrew at once, leaving us to our privacy as a newly re-formed family. There were flinty discussions verging on quarrels, where we all went quite white about the lips and I could feel the heat rising in my face. Lysander had no wish to inform Father of his marriage, thinking instead to make a trip to England sometime in the summer, bringing his surprise bride with him then. Plum and I argued forcefully against this, reminding him of his duty, his obligation, his name. And more to the point, his allowance. If Father was made to look foolish, angered too far, he could easily slash Ly's allowance to ribbons or halt it altogether. Lysander was an accomplished musician, but he was a conductor manqué, a dabbler. He had no serious reputation upon which to build a career, and without a formal education, without proper connections, his situation was impossible. He relented finally, with bad grace, and Plum penned the letter to Father, writing in Lysander's name to tell him there was a new addition to the family.

Read More

Customer Reviews

Average Review:

Write a Review

and post it to your social network


Most Helpful Customer Reviews

See all customer reviews >

Silent in the Sanctuary (Lady Julia Grey Series #2) 4.4 out of 5 based on 0 ratings. 82 reviews.
Amysmithers More than 1 year ago
amazing mystery with underlying romance. This book was as good as book 1. every character is intriguing-even the villains! Lady Jane is a strong (and a bit eccentric) heroine that you can't help but adore. Brisbane is dark and moody. Good chemistry.
Belinda_Kroll More than 1 year ago
Contrary to many of the reviews that I read on, I really liked this book precisely because the continued love-hate relationship from the previous book, Silent in the Grave, was in no way resolved, and in a way that was true to the characters. That's genius, if you ask me, because it keeps the true fans of the series panting for more. This book is funny, charming, and portrays High Victorian Society oh so well. The setting is well-written without overtaking the plot, the characters are snappy, and my favorite device is used: giving tertiary characters their own subplots that affect the whole. Read this book for a sophomore attempt that was as good (if not better) than the first, for a lesson in creating characters that don't fit in their own society and yet seem genuine to the reader, a true puzzle of a crime, a charming and funny narrator, a passionate romance with no real sense of a happy ending (must continue to read the series!), and the only series in a long time that has an alpha romance lead that doesn't make me want to shoot him. * Review originally posted at my blog, Worderella Writes: *
Guest More than 1 year ago
This book was definitely better than the last. To a point I did enjoy [book:Silent in the Grave], but the solving point I felt ruined what could have been a perfectly great mystery. But that's enough about that. I really enjoyed this one. This was not just one mystery, but several wrapped up in one. There was some romance and extreme feelings between various persons and trying to see them was a task. I enjoyed this story, and it makes me anxious to read [book: Silent on the Moor], because I believe it will be even better. The first book I would not recommend to certain audiences, but I believe that most people could read this one without much affect in a negative sense. It is much more tasteful and enjoyable. I felt as if I could see clues and piece them together, when with the first novel it was more of a jolt of information here and there. In my opinion, this author is getting better and better.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Silent in the Sanctuary is a fabulous follow up to Silent in the Grave. I found myself unable to put the book down until it was finished.
Anonymous More than 1 year ago
PatLee More than 1 year ago
I truly enjoy Dianna Raybourn's Lady Julia Grey Series. Her descriptions of the weather, the Abby home that never seems filled with enough warmth or light, the delightfully interesting characters. They are family, and have all the foibles and passions of any family. Great reading.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
KiddyLitLover More than 1 year ago
Silent in the Sanctuary gratifies Lady Julia followers by giving us more of the eccentric March family; a large, mysterious, captivating old country home as a setting; and an interesting locked door mystery. Raybourn's writing is beautiful and lives up to the expectations her first book created for us. Even though the book was full of interesting characters, spectres, and entertaining escapades, I find two drawbacks. The first is the fact that Julia and Brisbane's relationship doesn't develop or move in any direction. Their "romance" is just as frustratingly stuck at the end of the book as it was in the beginning. Their back and forth is certainly entertaining, but no progress is made between them leaving the readers at a loss. Even Julia's father admits he was hoping Brisbane would "declare himself." The second drawback is the ending. Although the mystery is solved, the ending falls a little flat both in pacing and interest. Once I reached the conclusion it wasn't gripping and I wasn't drawn to finish the book no matter what, the way I was in the first of the series. Despite these drawbacks the book is worth reading for both Lady Julia fans as well as for those readers who enjoy a good mystery.
Anonymous More than 1 year ago