Silent Joe

( 15 )

Overview

Scarred for life by a brutal father, Joe Trona found a safe haven and a loving childhood in the home of the couple who adopted him. Now he spends his days as a deputy for the Orange County sheriff's department and his nights as a driver and aide to Will Trona, the influential politician who rescued him from the Hillside Children's Home. An expert in firearms and the martial arts, Joe has been backing Will up for a long time. Still, his skill isn't enough to keep Will alive, and when his father is killed right in ...

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Overview

Scarred for life by a brutal father, Joe Trona found a safe haven and a loving childhood in the home of the couple who adopted him. Now he spends his days as a deputy for the Orange County sheriff's department and his nights as a driver and aide to Will Trona, the influential politician who rescued him from the Hillside Children's Home. An expert in firearms and the martial arts, Joe has been backing Will up for a long time. Still, his skill isn't enough to keep Will alive, and when his father is killed right in front of Joe's eyes, the young deputy vows to avenge him. But first he must find out how the kidnapping of a tycoon's daughter, a scam to line the pockets of Will Trona's political enemies, the murder of two Guatemalan immigrants, the unholy activities of a charismatic minister who's a close friend of the Trona family, and the strange alliance of two rival L.A. gangs are connected to Will's death.

Every secret Joe uncovers leads deeper into his beloved father's murky past and ultimately his own. But the reader stays right with this extraordinary man as he battles his demons and ultimately vanquishes them. Author T. Jefferson Parker (The Blue Hour, Red Light, Laguna Heat) is one of the best thriller writers working today. Fans of Michael Connelly and Dennis Lehane—and Raymond Chandler, for that matter—will appreciate Parker's ability to create a complex, fascinating, and fully realized hero whose inner reality is brilliantly revealed by his actions. Will Trona is an equally intriguing invention; while ultimately he is an enigma, we remain convinced that he is worthy of his son's devotion. Silent Joe is a mindful, intelligent novel you can't put down. It should break Parker out with the really big boys of mystery fiction, the million-sellers with the marquee names. In fact, he's a much better writer than most of them, and unlike many, he never tells the same story twice. —Jane Adams

Winner of the 2002 Edgar Allan Poe Award for Best Novel.

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Editorial Reviews

From Barnes & Noble
The Barnes & Noble Review
Beginning in the mid-1980s, T. Jefferson Parker has been one America's most intelligent, consistently reliable crime writers. His eight previous novels, which include the Edgar-nominated Red Light, constituted a singular achievement that is enhanced even more by the addition of Silent Joe.

Silent Joe bears a clear -- and clearly acknowledged -- resemblance to Jonathan Lethem's Motherless Brooklyn. Parker's hero, Joe Trona (a spiritual analogue of Lethem's Lionel Essrog), is horribly scarred in infancy when his drunken father pours battery acid on his face. Joe then spends five years in an orphanage before being adopted by Will and Maryann Trona. When we first encounter him, he is 24 years old and possesses an unshakable loyalty to his adoptive parents. By day, Joe works as a sheriff's deputy. By night, he serves as his father's bodyguard, accompanying Will -- an Orange County supervisor -- on his nocturnal rounds.

Early on, an enigmatic night mission goes spectacularly wrong when unidentified gunmen murder Will Trona. Wracked by guilt, Joe initiates an investigation into his father's secret life and the surprising circumstances behind his death. His investigation encompasses a fraudulent kidnapping, several related deaths, numerous acts of blackmail, and the gradual revelation of a wide-ranging conspiracy involving a powerful cabal of Orange County business and political leaders. Along the way, Joe uncovers previously hidden aspects of his father's character, fumbles his way into the first romantic relationship of his life, and discovers the truth about his own mysterious origins.

Silent Joe is a remarkable novel that features a compelling and constantly evolving protagonist. Beneath his damaged exterior and well-mannered, carefully constructed persona, Joe Trona conceals a first-rate intellect and a highly developed sensibility, qualities that become increasingly evident as events unfold. Through Joe, Parker examines complex issues of love and loyalty, faith and family, ethics and personal identity, all within the context of a gripping, suspenseful narrative. Silent Joe is contemporary crime fiction at its absolute best. I urge you to give it a try. (Bill Sheehan)

Bill Sheehan reviews horror, suspense, and science fiction for Cemetery Dance, The New York Review of Science Fiction, and other publications. His book-length critical study of the fiction of Peter Straub, At the Foot of the Story Tree, has been published by Subterranean Press (www.subterraneanpress.com).

Wall Street Journal
T. Jefferson Parker, whose affecting Silent Joe is . . . full of quirks and great surprises.
Los Angeles Times
A pro, that's what T. Jefferson Parker is. His plots are intricate, keenly crafted, clearly mapped . . .
Publishers Weekly - Publisher's Weekly
Parker (Red Light) lowers the volume from his usual roar and adds a subtle backbeat to this bittersweet thriller about a man's anguished search for his father's killer. Joe Trona is a dutiful son, but horrible facial scars have made him an outcast. He lived in an orphanage until he was adopted at five by Will Trona, a powerful politician in Southern California's Orange County. As a hulking teenager and later as a young man, Joe became Will's right-hand man running errands, extracting revenge on enemies, protecting his flank all the while living a lonely life because of his disfigurement. One night, Joe drops his guard for a moment, and Will is gunned down. Despite aggressive investigations by the FBI and sheriff's department, Joe seeks his own vengeance. He starts sifting through his father's life and gradually discovers that Will brokered secret deals, blackmailed enemies, had extramarital affairs and in his final days appeared to be involved in the kidnapping of an 11-year-old girl. Joe's investigation becomes a personal voyage, casting light on the dark corners of his own past and allowing him to start overcoming the crushing indignity that his injury has forced him to endure. Capped by a violent yet poignant finale, the plot is loaded with familiar Parker themes a faithless government, the heavy hand of big business and the corruption of the wealthy. Parker's tone, however, is more pensive this time. He crafts an intricately layered story reaching beyond his usual domain into more personal territory, at times evoking the work of Ross MacDonald. Copyright 2001 Cahners Business Information.
Library Journal
Silent Joe is a guy's mystery. It is full of fast cars, guns, macho men, and supportive women, all beautiful, of course. Twenty-four-year-old deputy Joe Trona bears the scars, physical and emotional, of a disfiguring childhood injury. He witnesses the murder of his adoptive father, a prominent Orange County, CA, politician and is determined to find and bring to justice those responsible. Joe is an interesting and compelling hero; his personal struggles and his attempts to solve the murder keep the listener actively engaged. The complex plot has many threads, which ultimately come together in a satisfying, if not surprising, conclusion. It features the dark side of the southern California scene, with corrupt government officials and businessmen, rival Asian gangs, illegal immigrants, and even a televangelist all playing a part. James Daniels does an excellent job with the large number of characters and effectively captures the somewhat dark mood. This very entertaining production is highly recommended for all popular audio collections. Christine Valentine, Davenport Univ., Kalamazoo, MI Copyright 2001 Cahners Business Information.
From The Critics
When he was nine months old, his father poured acid on his face, scarring Joe for life. For the next four years, Joe lived in an orphanage until Will and Mary Ann Trona adopted him. Twenty years later, Joe works as a jailer for the Orange County prisons system and as a driver-bodyguard for his beloved father Will, now a county superintendent. Joe drives Will to a dark area where the latter picks up a frightened twelve-year-old girl named Savannah. However, before they leave, gang members accost them, killing Will. Joe kills two of them while Savannah flees into the night. Joe quickly learns that the deadly Cobra Kings murdered Will. Joe finds out that Savannah was a kidnapping victim, but cannot see the link to Will. Feeling guilty over his failure to protect Will and a need to rescue Savannah, Joe begins to make inquiries. His investigation takes Joe way beyond the Cobra Kings to an uglier picture of his benefactor and a return to his own childhood nightmares. Silent Joe is a fabulously complex blending of psychological suspense with a private investigative tale that works because of the main character. The suspense-loaded story line centers on the heroic, but scarred (emotionally as much as his visage) Joe, who is learning more about himself, and his adoptive father and family even while deliberately stepping deeper into danger. T. Jefferson Parker always writes a page-turner, but this is the award-winning author's best novel and hopefully Joe will return for another engagement.
Kirkus Reviews
"The Acid Baby," the media dub him when his sociopathic father douses him with battery acid, ravaging half his face. But then little Joe gets lucky. He's adopted by Will and Mary Trona, who nurture, love, and salvage him. Though the emotional and physical scars are there to stay, Joe has become a young man of promise. Predictably shy about his face, Silent Joe is a bit more understated than most, but he's smart, competent, and eager to follow in the footsteps of Will, who was a cop for 20 years before widening his horizons to become a rough-and-tumble politico in California's plush Orange County, a man with powerful friends and dangerous enemies. Though he depends on the adopted son who's become a cop himself, Will has his own penchant for playing each hand close to the vest. And one ominous night, when heavy money is disbursed to enigmatic figures and Will seems less than his confident self, Joe is filled with premonitory unrest. Events prove him right when Will stumbles into an ambush and is gunned down. Joe takes out two of the shooters but knows that the real killers are elsewhere, protected by money and influence. He knows as well-and soon everyone does-that he won't rest until he smokes them out. For all his taciturnity, Joe makes an eloquent and persuasive action hero. His story could have been pared down without harm, but, still, this is another highly professional score from a savvy veteran (Red Light).
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Product Details

  • ISBN-13: 9780786890033
  • Publisher: Hyperion
  • Publication date: 4/28/2002
  • Format: Mass Market Paperback
  • Edition description: Reprint
  • Pages: 400
  • Sales rank: 312,722
  • Product dimensions: 4.25 (w) x 6.75 (h) x 1.25 (d)

Meet the Author

T. Jefferson Parker

T. Jefferson Parker is the award-winning author of nine previous novels, including Silent Joe, The Blue Hour, and Red Light—which was nominated for an Edgar Award for best novel. He lives in Fallbrook, California.

Biography

One of the best loved crime writers of our time, T. Jefferson Parker was born in Los Angeles and has lived all of his life in Southern California. The poster boy for Orange County, he enjoyed an almost idyllic childhood bodysurfing, playing in Little League, and enjoying family outings with his parents and siblings. He was educated in public schools in Orange County and received his bachelor's degree in English from the University of California, Irvine, in 1976. (He was honored in 1992 as the University's Distinguished Alumnus.)

His writing career began in 1978 as a cub reporter on the weekly newspaper, The Newport Ensign. After covering crime, city hall, and local culture for the Ensign, Parker moved on to the Daily Pilot newspaper, where he won three Orange County Press Club awards for his articles. During this time, he filed away information he would later use to develop characters and plot points for his novels.

Published in 1985, Parker's first book, Laguna Heat, was written in whatever spare time he could find during his stint as a reporter. The book received rave reviews and was made into an HBO movie starring Harry Hamlin, Jason Robards and Rip Torn.

Since that auspicious beginning, Parker has made a name for himself with smart, savvy bestsellers dealing with crime, life, and death in sunny Southern California. In 2001, he hit the jackpot with Silent Joe, a bittersweet thriller that won the Mystery Writers of America's coveted Edgar Award for Best Novel. In 2004, he repeated the feat with Califoria Girl, making him one of only two writers (the other is James Lee Burke) ever to have won two Best Novel Edgars. Among other honors and accolades, Parker has won the Los Angeles Times Book Prize for Best Mystery/Thriller and the Southern California Booksellers Award for Best Novel of the Year. His books continue to score big on the national bestseller lists.

Good To Know

The "T" in Parker's name doesn't really stand for anything. His mother once told him she thought it would look good on the presidential letterhead!

In an interview with hardluckstories.com, Parker explained how his definition of noir has altered: "It seems to me that since 9/11 our appetites for darkness have shrunk a little. Mine have. I know that as a writer I've tried to bring more breadth and humanity to my stories. I think when all is said and done, a noir attitude is fine, but it's still just an attitude, a pose.

Parker's first wife, Catherine, died of a brain tumor at a very young age. He has since remarried happily.

In an interview with Harlan Coben, Parker was asked about the state of crime writing, i.e., what's wrong and what's right with it. "I think the Achilles heel of mystery/crime writing is character," he responded. "You have to have good characters—and sometimes I think mystery writers rely to heavily on plot and velocity of plot at the expense of characters."

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    1. Hometown:
      Fallbrook, California
    1. Date of Birth:
      December 26, 1953
    2. Place of Birth:
      Los Angeles, California
    1. Education:
      B.A. in English, University of California-Irvine, 1976
    2. Website:

Read an Excerpt

Chapter One


"Drive hard, Joe. Mary Ann's blue again, so I want to be home by ten."

This from the boss, Will. Will Trona, Orange County Supervisor, First District. Mary Ann is his wife.

"Yes, sir."

"Talk while you drive. Are you carrying?"

"The usual."

Will was on edge again. Lots of that lately. He sat down beside me like he usually did. Never in the backseat unless he was in conference. Only in the front, where he could watch the road and the gauges and me. He loved speed. Loved coming out of a turn with his head thrown back against the rest. He'd always ask me how I did it, go that fast into a turn and keep the car on the road.

And I always gave him the same answer: "Slow in, fast out," which is the first thing they teach you about curves in any driving school. A good car can do things most people think are impossible.

We headed down from Will's home in the Tustin hills. It was evening in the middle of June, the sun hanging in a pink haze of clouds and smog. Lots of new mansions up there, but Will's house wasn't one of them. Supervisors make a decent salary, plus some perks. Orange County is one of the most expensive places in the country. Will's place was a tear down by the new standards of the neighborhood. Just old and plain, nothing wrong with it besides that.

In fact, it was a good house. More than good. I know because I grew up in it. Will's my father, kind of.

"First stop is the Front," he said, checking his watch. "Medina's finally peeking out the windows again."

He talked without looking at me. Leaned back his head, eyelidshalf down, but his eyes moving. He usually looked like he was disappointed with what he saw. Like he was judging it, trying to find a way to make it better. But there was also something affectionate in his expression. Pride of ownership.

Will reached down between his feet and snapped open his leather briefcase. He took out the black calendar, set the briefcase back on the floorboard, then started scribbling with a pen. He liked to talk while he wrote. Sometimes it was to himself, and sometimes it was to me. Growing up with him since I was five, working nights for him since I was sixteen, I've come to know when he's was talking to me or talking to himself.

"Medina's getting a second chance. He registers five hundred illegal aliens to vote, they tell a Times reporter that they're illegals, but they're allowed to vote in a United States election. Allowed to, because Medina told them they could. And they all voted for me, because Medina told them to. Now, what am I supposed to do with that?"

I'd already thought about it. I checked the rearview as I answered. "Distance yourself. Five hundred votes isn't worth the scandal."

"That's shortsighted, Joe. Mean spirited and stupid is what it is. I get the whole Latino vote thanks to Medina, and you think I should toss him overboard? Who taught you to treat your friends like that?"

Will's always teaching. Testing. Revising. Arguing it out. Saying things to see how they sound, to see if he believes them or not.

I've learned to see some things Will's way. Other things I'll never learn. Will Trona made me what I am, but even Will can only do so much. I'm less than half his age. I've got a long way to go.

But one thing Will taught me is to make up your mind fast and put the whole weight of your being behind that decision. Instantly. Later, if you have to change your mind, put all your weight behind that decision. Never be afraid to be wrong. Will hates only two things: indecision and stubbornness.

So I said, "You need the Latino vote to carry the First District, sir. You know that. And those votes won't go away. They love you."

Will shook his head and wrote again. He's a handsome man, good build, strong in the neck and deep in the chest, with hands that got strong and dark working summers in construction, helping himself through school after Vietnam. Black hair combed back, gray on the sides, blue eyes. When he looks at you it's the same expression he gets in the car, head back a little, almost sleepy, but the eyes are alert. And if he smiles, the lines of his fifty four years frame it in a way that convinces people that he knows and likes them. Most of the time, he does.

"Joe, pay attention to Medina tonight. Mouth shut, eyes open. You might actually learn something."

Mouth shut, eyes open. You might actually learn something.

One of Will's earliest lessons.

He closed the calendar and slid it back into the briefcase. Clicked it shut. Looked at his watch again. Then he leaned against the headrest and lowered his eyelids halfway and watched the white middle-class boulevard of Tustin become the barrio of Santa Ana.

"How was work today?"

"Quiet, sir."

"It's always quiet in there. Until there's a fight or a race riot."

"Yes."

By day, I'm a deputy for the Orange County Sheriff's Department. I work the Central Jail Complex, as do all new deputies. I've worked the jail four years now. Another year, I'll qualify for reassignment to patrol and start becoming a real cop. I'm twenty-four years old.

I became a deputy because Will told me to. That's what he was, until he got elected supervisor. Will told me to become a deputy because he thought it would be good for me, and because he thought it would be useful for him to have a "kick ass son" in the sheriff's department.

Down on Fourth Street, not far from the jail where I work, there's the Hispanic American Cultural Front. It's Jaime Medina's outfit. HACF does good things — distributes money and goods to the Hispanic poor, offers scholarships and stipends for needy students, expedites immigration, shelters families in crisis, all that.

But because of this misunderstanding about when Medina's almost-citizens could vote, the DA is considering closing down the place on charges of conspiracy and election fraud. They raided the HACF building last week for records. Front page picture of guys in suits lugging cardboard boxes to a van.

Will shouldn't have been going there, with an investigation pending. And he's good friends with the DA, Philip Dent — one more reason to keep his nose clean while the investigation played out. But Will also represents Medina's district on the Board of Supervisors, a district you can't win without the Hispanic vote and Hispanic dollars. Another political pinch, one of the thousands in any supervisor's life. Sooner or later he'll have to take a stand, because, as Will taught me early on, politics is action.

"Joe, Jennifer is going to have something for us. While I'm talking to Jaime, put it in the trunk and lock it."

"Yes, sir."

I turned left off the boulevard, checking the mirrors again, looking out at the Zapateria on one corner, the bridal store on the other with all the white-laced mannequins in the window. I studied the cars behind us, the people on the sidewalk. I was a little nervy myself that evening. Something in the air? Maybe. Maybe nothing that obvious. Even with the windows up and the air conditioner blowing you could hear the Mexican music jumping from the Discoteca. A polka on mescaline. A dark-faced man in a white cowboy hat and boots stopped at the curb to let us turn, maybe recognizing Will Trona's car, maybe not, his face a walnut deadpan that had seen everything and was no longer impressed by any of it.

Then into a dirt parking lot in the shade of a huge pepper tree, facing the back door of the HACF headquarters. We stepped into the pleasant heat and Will, dressed in his usual trim dark suit and carrying his leather briefcase, led the way in.

The back doors were locked so Will rapped hard.

"Open up, Jaime! La Migra!"

The door cracked open, then swung all the way.

"As usual, you're not funny," said Jaime. He was a slender young man with stooped shoulders, tortoiseshell eyeglasses and khaki trousers that looked two sizes too big. "The racists raid me and you run away."

"So now I'm back. Let's do business. I'm in a hurry."

Medina turned and walked down the hall, Will following, then me.

They went into the office and Jaime shut the door behind them, acknowledging me for the first time with a hurried nod as the door shut. I'm used to being ignored, prefer it. With a face like mine, you don't want people paying attention to you. One of the first things Will taught me was that people were far less eager to gawk at me than I thought they were. He said that most people were afraid to even look. He was right. That was nineteen years ago, when he first took me into his home.

I went down the hall, through a set of saloon doors and checked the work room. There were six stations: desk, phone, stacks of papers, and three chairs at each for clients. American flag on one wall, Mexican one on the other, travel posters, soccer posters, bullfight posters.

Quiet.

No clients since the raid.

No workers since the raid, except Jennifer, the assistant director under Jaime.

"Good evening, Miss Avila." I took off my hat.

"Mr. Trona. Good evening."

She came over, offered her hand and I shook it. She's a black-haired beauty, thirty, divorced with two. Smooth fingers. Wearing a man's white cotton shirt tucked into her jeans, small waist, nice straight shoulders, black boots. She changed to an apple red lipstick a few months back, after a year of cinnamon brown.

"Will must be here."

"They're in Jaime's office."

She looked past me down the hall, just a reflexive glance, then walked back to her desk. Jennifer is taken with the boss. This is one of the many secrets I'm not supposed to know. The world is layered with them.

She said, "That thing for you is over by my chair."

"I'll get it, thank you."

It was a U.S. Open tennis bag, a big black one with a blazing yellow ball on it. Heavy. I carried it back out to the car and set it on the asphalt while I disarmed the alarm and opened the trunk. Then I set it in and spread a blanket over it, locked the trunk again, set the alarm.

Back inside I got a magazine from the lobby, then rolled a chair into the hallway and sat outside Jaime Medina's office.

Medina: You've got to talk to Phil Dent, man. . . .

Will: I know him, Jaime. I don't own him.

Medina: Right . . . that's not your job, my . . . friend. . . .

Jennifer walked past me, fresh with scent, and leaned into the office without knocking.

"Coffee, beer? Hi, Will."

"Coffee, please."

She whisked by me without a look, then back again a minute later with a couple of mugs in one hand and a carton of milk in the other.

She went into the office. Will muttered something and all three laughed. She came out and shut the door and looked at me like I'd just gotten there.

"Anything for you, Mr. Trona?"

"Nothing, thank you. I'm fine."

She walked past me and back to her station.

I spread the magazine across my knee but didn't look at it. My job is to watch and listen, not read. Mouth shut, eyes open.

I heard the traffic on the boulevard. I heard the air conditioner hum. I heard a car go by with a subwoofer that you could feel in your chest. I still felt a little wrong about things, but I didn't know why. Maybe it was just Will's mood rubbing off on me. I often catch myself adopting his feelings. Maybe because he adopted me as his son. I heard Jennifer dialing a telephone.

Medina: There's all that tobacco settlement money, man . . . like a billion plus you're —

Will: That billion isn't mine, it's the county's, Jaime. I can't hand it over in a pillowcase. Didn't the ninety help?

Jennifer:Get Pearlita.

Medina: Every bit helps. But what am I going to do when it's gone? Sit and watch this place go straight to hell? We need the money for operations, Will. We need it for job training, for lawyers, for food, man, we need it for . . .

Jennifer: Okay, okay. Yeah, he's here right now.

Medina: . . . we can't even do anything when some poor pregnant Latina gets run over and killed a block from her apartment. We can't do anything when a Guatemalan kid gets shot to death by fascist Newport Beach cops. We're handcuffed, man, dead in the water.

Will: It's awful what happened, Jaime. I know it is.

Medina: Then help us find a way to help them, Will.

I heard Jennifer put the phone back in its cradle. She turned my way but I didn't look up from the magazine.

Will: You helped me find Savannah, so maybe Jack will take care of you. And the Reverend will put in a good word for you and the Front. I have already.

Medina: We need more than good words, Will.

The office door opened. Medina, face pinched, led us down the hall and shook hands with both of us at the back door. Jennifer walked us outside, left the door open behind her.

Will gave me a nod. I went to the car, started the engine and hit the air conditioner. I could see them in the side mirror, Will in his dark suit and Jennifer in her jeans and boots and crisp white shirt, standing in the light of the open door. They talked for a while. Will set his briefcase on the asphalt.

Then he shook her hand like Will's shaken a million hands: an open-palmed reach and clinch, the left hand coming forward to enclose yours while he leans his head back in a posture of welcome and possession as he smiles at you.

"I love you," she said.

I couldn't hear anything over the air conditioner, but it was easy to read her apple red lips.

Will reached into his pocket and handed her the money that I'd counted, rolled and rubber-banded for him, about the size of a half smoked Churchill: just a couple of grand to help out some of her friends.

"I love you," he said back.

We drove out of Santa Ana and into Tustin. Will directed me to Tustin High School, had me pull up alongside the tennis courts. Not much tennis action by then, just two of the courts being used.

"Joe, fetch that tennis bag out of the trunk and take it over to the middle court. Leave it on the bench."

"Yes, sir."

When I got back we sat in silence for a minute or two. Will checked his watch.

"What's in the bag, Dad?"

"Silence."

"Is that an answer or an order, sir?"

"Reverend Daniel at the Grove," he said.

The Grove Club is never called the Grove Club by its members, just the Grove. It's hidden in the south county hills, off the 241 Toll Road, then up a winding private drive and past a gate staffed by two armed guards, usually moonlighting deputies. You can't see the Grove from any public road. A canopy of enormous palm, sycamore and eucalyptus trees obscures aerial views. It has never been pictured in a newspaper or on the TV news.

I took the first few miles of the 241 at ninety miles an hour. The electronic marquee said "Take the Toll Road — Because Life is Too Short!" The marquee was the only light out there in miles and miles of dark hills. Just a couple other cars in sight.

Politically, Will fought all four of the toll roads because — although the public has to repair them, maintain them, and pay exorbitantly high tolls to drive on them — they're privately owned. The profits go into the pockets of the Toll Roads Agency. TRA sounds like a public outfit, but it's not — it's a consortium of extremely wealthy developers who are raising buildings along the toll roads before the asphalt is even dry. In south Orange County, you can watch half a city go up overnight.

There's more to the story. The TRA guys got the State Assembly to stop maintaining certain state highways in Orange County. The highways go unrepaired and unimproved through the year 2006, which guarantees customers for the toll roads because the unrepaired highways are dangerous and clotted with traffic six hours a day.

Anyway, Will lost that battle but was half glad that he did, because you can drive seriously fast on the spanking new toll roads. We use them all the time, due to Will's hatred of traffic and love of speed.

Once I got past the first toll plaza I opened her up past one twenty and Will leaned over to get a good look at the speedometer, then sat back.

He chuckled. "Yeah, Joe."

Six months ago Will and his fellow supervisors voted themselves a car allowance increase of two hundred percent, which allowed him to lease a BMW 750IL. The stock engine gets 330 horsepower out of 12 cylinders. It's a good car, fast but not quick, wakes up at sixty, stable at 160 mph, corners beautifully for a big sedan. Off the line it's not going to blow your hair back — a Saleen Cobra clobbered me at a traffic light last week.

"Ah," he said quietly. "This feels good."

I pushed the throttle through the kick-down switch and the car hesitated for a fraction of a second, then barreled up to one-thirty-five, then one-forty. This model was built with a kill switch at 155 mph, but Will had me install a Dinan Chip to override the governor. The chip also brought the horsepower up to 370. Will likes to listen to the muffled shriek of that engine under full acceleration, and so do I. When the German horses are running hard, nothing beats them for an honest ride.

"Son, sometimes I wish this road was ten thousand miles long. We could just drive for hours. Away from the Grub. I loathe the Grub."

Grub, for Grove Club — Will's contraction. He checked the time again.

"I know," I said.

Even though he loathes the Grub, the boss is a member because he needs to be a member. As a man who isn't afraid to piss on the flames of free enterprise for the occasional good of the county, Will Trona is not Grove material.

But as a politician who votes himself a stupidly expensive car to be driven at criminal speeds on semi-work-related business, he becomes Grove material.

Obviously, as the supervisor of the powerful first district, he helps run the government, and the government can influence the business interests that dominate the Grove, so the Grove needs Will, too.

Will told me he pays two grand a month membership dues, all of which is covered by patrons. Dues for public servants are "nominal" because no honest one can afford the usual costs of membership. Most of the money goes into the Grove Trust, then into its Research & Action Committee, a nonprofit 527 Organization that operates free of both the FEC and the IRS.

Every year the trust coughs up several undisclosed millions for the causes and lobbies it thinks are vital to its interests. Its interests are profit and power. But they're interested in more than those things, too. Last year, for instance, the Grove Trust donated $60,000 to the Hillview Home for Children. That's enough for two mid-level salaried positions, for one year. I think highly of Hillview, and the struggle they go through for money. Hillview was where I spent most of the first five years of my life.

Two off-duty deputies logged us in and raised the gate. The Grove sat one mile in, tucked in a valley between the hills. It's an enclosed hacienda style building, built around a large courtyard. The rounded archways of the colonnades are brick and adobe, wrapped by purple bougainvillea. The courtyard gardens and fountain are illuminated by recessed lights, and they glow from a distance like an emerald wrapped in tissue. The building itself is kept mostly dark on the outside.

I parked the car and followed Will to the entrance, where another off duty cop wrote our names onto his sheet. He was about to ask me my name when I tipped back my hat to let him see who I was. I have notoriety because of this face. It's unmistakable. What happened to it was a big story when I was a baby.

Will led the way into the dining room, shook a few hands. I stood back, folding mine in front of me. An average night at the Grub: half the tables were couples, mostly older, lots of gray hair and diamonds set off by dinner jackets and dresses. Three major developers — one commercial and two residential. A building industry lobbyist who had formerly served as supervisor. Two assemblymen, a state senator, the lieutenant governor's top aid. A four top of venture capitalists. A table of thirty something guys made billionaires by the NASDAQ.

We went up the stairs to the lounge, which is a large room with an island bar, billiards tables and booths around the perimeter.

Will took his usual booth. I chose a cue and racked the table nearest the booth, where I could entertain myself and eavesdrop without making Will's guests nervous.

I glanced up at the third floor. I could see the wide burnished staircase and the closed door to one of the hospitality suites. A waiter knocked. Hush hush stuff, up in those suites. Rich men and their dull secrets. I've spent time in all of them.

I got a good break, watched three balls clunk into their pockets.

The Reverend Daniel Alter, dapper and gray haired, arrived exactly on time. He touched my arm on his way by, but didn't say anything. I watched him shake hands with Will, slide into the booth across from him, then draw the privacy curtain.

The Reverend Daniel runs an enormous "television ministry." The broadcasts originate in his multimillion-dollar "Chapel of Light" here in Orange County, and they go worldwide. You've probably seen him on TV. Daniel's sermons are upbeat and optimistic. On his show he sells Christian products — from compact discs and inspirational videos to Chapel of Light keychains that really light up. The money that floods in is tax free and no one knows where it goes, not even Will Trona. That's what he tells me, anyway.

Reverend Daniel: Here's this.

Will: Good-good.

Reverend Daniel: The bullpen is killing us.

Will: Then score more runs. I got the bag from Jaime.

Reverend Daniel: Do you have her?

Will: I know where she is. But I'm not so sure I trust those people with her.

Reverend Daniel: What could you mean by that?

Will: We'll see what.

Reverend Daniel: You've done a wonderful thing, Will. And Jack's done his part. It's all going to work out.

A long pause then, while I banked the two ball across the felt and into a corner pocket.

Reverend Daniel: I'm counting on you. Let God work this miracle for me through you.

Will: I don't think your God wants to do any miracles for you, Daniel. You've gotten about a thousand too many as it is.

Reverend Daniel: Don't be pissy, Will. I thought this was your kind of thing. Is everything set?

Will: It's been arranged, Dan. Don't worry.

Reverend Daniel: You know, Will, the Lord really does work in mysterious ways.

Then the Reverend Daniel slid back the curtain and they both stepped out. Daniel glanced at the table, then looked at me with his half smile.

"I'd recommend the six," he said. "With plenty of follow."

Will clapped him on the shoulder and Reverend Daniel headed for the bar.

Will checked his watch.

"Let's go, Joe. We're picking up a package, making a delivery, then calling it quits. It's been a ball-buster of a day."

As we left the lounge, the Reverend sat at the bar next to a woman with shiny black hair and watched us go.

The fog rolled in as the night cooled, big swirls puffing in from the Pacific. Par for June. Down at the coast they call it June Gloom. When we got out of the hills and back into cell range, Will's phone went off.

He said, "Trona," then he listened a moment. "You got her, right?"

Listened again, then flipped the phone shut.

"Joe, we've got a package at seven thirty-three Lind Street, Anaheim. Flog this pompous piece of tin and get us over there. Boy, I'll be glad when this day's over."

"Yes, sir." I checked the mirrors, hit a hundred in less than ten seconds. "What's in this package, boss?"

"We're trying to do a good deed."

When we hit the Tustin city limits Will's phone rang again. He answered and listened. Then he said, "Things are lining up. I'll do what I can do, but I still can't turn coal into a diamond."

He flipped the phone shut, sighed.

We were almost into Anaheim when he dialed out.

"Looks like we'll be there on time," was all he said.

It was an apartment backing an alley in the ugly part of Anaheim. Will told me to park in the alley. It was so narrow another car couldn't get by unless we moved. There was a row of carports to our left, and to our right a cinder-block wall wild with graffiti. Not a creature stirring, just the fog easing along.

"Be unfriendly," he said. Which is what he said if he thought there could be trouble, or if he just wanted me to intimidate people.

Will stood behind me as I knocked with my left hand, my right up under my coat lapel on the grip of one of the two forty-five Automatic Colt Pistols I usually carry.

"Yes? Who is it?"

"Open the door," I said.

The door cracked. A woman's face, fat, squinting until she saw my face, then her eyes opened wider.

I pushed past her and stepped inside. Her hands were empty and there was no movement behind her, just the sound of a TV.

She looked at my face, then I gave her a look at what was under my coat. Her eyes moved from the gun to my face, then back again. Trapped between two horror shows. She raised her hands slowly, deciding to look at the floor.

The apartment smelled of bacon and cigarettes. Bedsheets for curtains, carpet worn to the padding, padding worn to the plywood.

"I don' know anything about this, mister. They say come and watch a girl, I come and watch a girl. I don' know —"

Will, then: "Be calm, señora. She's okay, son. Where are they?"

She nodded toward the bedroom. "She here. He no here. Watching television."

"Stay put," I said to her. "What do I do, Boss?"

"Go get her."

The girl stood up from the floor when I walked in. She was small, blonde, pale. Blue jeans and a Cirque de Soleil T-shirt, white sneakers. Twelve years old, maybe.

She studied my face. Children will do that sometimes, just stare. Often, they'll make a face, sometimes cry. Sometimes they run. I saw her eyes go afraid and her chin tremble.

"I'm Joe."

"I'm Savannah," she said very quietly.

Then she stepped forward and offered her small, quivering hand. I shook it. I pulled the brim of my hat down a little more, to help her.

"How do you do?" she asked.

"I'm not sure. Please come with me, though."

She slung a Pocahontas backpack over one shoulder and led the way out.

Going back down the stairs to the alley, I held my hand over the handle of my weapon. Will held the girl's hand.

I opened the passenger-side doors for them and waited while Will took her backpack off, strapped her in, adjusted the shoulder restraint for her small frame, showed her how the armrests tilted out of the seat back.

Of all the things that he is — husband, politician, agitator, manipulator, dreamer — I can forget that he is a father, too. An adoptive father, maybe the most generous fathers of all.

He had his hand on her shoulder, talking quietly, one foot dangling out the open door.

Headlights swerved toward us and I heard a car engine down the alley in front of me. No hurry, no threat, probably a renter heading for his carport.

"Sir, let's get going."

"I'm talking."

I heard another car coming up from behind, saw the headlight beams crawl up the shiny black trunk of the BMW.

I moved closer to the open rear door. "You should get in the car, Boss."

"I'm talking to Savannah."

I looked behind me, then ahead. Coming the same speed, no hurry, no brights. No problem?

Then both cars stopped. Eighty feet ahead, eighty feet behind. They vanished in a blanket of moving fog, then appeared again. I couldn't tell makes or models, had no chance at all on the plates.

"Possible trouble, sir."

"Where?"

"Everywhere."

I kicked Will's dangling foot in and slammed the door, got the remote pad out of my pocket.

Car doors opening. The shuffle of feet on asphalt.

In the fog-dulled wash of the headlights in front of me I saw three figures moving, growing larger. One tall, two shorter. Long coats, collars up, faces hard to see.

I threw open my door and pulled on the headlights, slammed the door closed behind me and locked everything with the remote.

I put my right hand under my jacket and on the butt of one forty-five. I turned and looked behind: two more coats emerging through the smoky headlights of their car. I put my left hand on the other ACP, which left me crossing my chest with both hands, like I was cold.

Then a deep, resonant voice from ahead, bouncing off the alley wall and the garages, hard to locate but easy to hear.

"Will! Ah, Will Trona! Let's talk."

Will was out of the car before I could stop him.

"Watch Savannah," he said. "I'll get rid of this dingleberry."

I shut the door on her and stepped after him, but he reeled and hissed straight into my face.

"I said watch the girl, Joe! So watch the girl!"

I stayed back with her but I watched him walk away, blanched white in the cross-fire of the headlight beams.

The Tall One stepped forward. I couldn't see much of his face: couldn't even guess an age. His hands were in his coat pockets.

The two guys behind me had shaded to their left, putting me between them and our car, automatic weapons held close up to their coats, barrels down.

They didn't move.

They had us and I knew it and there wasn't one thing I could do right then except stand there and watch.

Will stopped about six feet short of the guy, put his hands on his hips and spread his feet a little.

Words floated back with the engine noise and exhaust. I unlocked the car doors with the remote, reached in and killed the interior lights.

"What's going on, Joe?" asked the girl. "I can't see."

"Say nothing. Absolutely nothing."

"Okay."

. . . hard man to catch up with, Will Trona. . . ."

There was a strange cadence to the voice, an almost cheerful lilt to the syllables. Just a little off, like a second language learned later in life.

Will: "Who the hell are you?"

". . . the girl in the car?"

Will: "You with Alex?"

"You're with Alex." Laughter. "Little shit too scared to show his face, ah?"

Then Will again: "We had a deal. Get the hell out of here."

"Now the deal is this."

The Tall One leaned forward and a sharp explosion cracked through the alley. Will dropped to his knees and bent over.

I yanked open the rear door, jumped in, unbuckled Savannah and shoved her all the way across the seat.

Looking through the windshield I saw The Tall One step forward. I pushed open the far door, climbed around Savannah, dragged her out of the car by one arm.

"What's happening? Is Will okay?"

"Shhh."

Pulling on the girl, I turned to see the shining end of the Tall One's hand pointed down at Will. Another hard crack, Will's head jerking once, smoke rising up against the fog and into the glare of the headlights.

"Savannah," I whispered. "Get ready to run! Two honks is me. Two honks is me."

I picked her up and dangled her over the cinder-block wall, then let go. I heard her land, then fast footsteps. The footsteps of the men behind me got louder.

I dropped to the pavement, drew one weapon and slid back into the rear seat of the dark car. The two behind me came fast, machine guns up. They were looking at the wall, where they'd last seen me.

When they got close enough I shot them both. The left one fell hard. The right one shuddered and stopped and unleashed a wild automatic burst that jerked the firing gun back into his own face. Then a clatter and a groan.

Staying low, I backed out and spilled again onto the pavement. On elbows and knees I wriggled to the front of the car, pressing in close to the body panel, gun out ahead of me.

Even in the headlights I only saw shapes: the Tall One, the two others walking slowly toward me. And Will on the ground. Distance off. Perspective off. Everything a pale haze.

Shit, what was that?

The deep voice again: Go see.

I pointed my .45 toward the voices, watched the fog beyond the sights.

I think there's two down, over by the car.

Go see!

I inched the sights to my left, tracking the voice.

Then footsteps came at me, two sets, close together. Shapes coalescing in the headlights.

I can't see a goddamned thing!

The footsteps stopped.

Shit . . . it's Nix and Luke. Wasted, man. I'm not going in there. . . .

The fog blew open, then closed again. Strange looking men.

I heard the Tall One behind them, and his clear voice cutting through the fog.

Get back here. Now! Move!

The sound of men running, shapes illuminated in the wash of headlights.

Tall One: Get over here.

Nix and Luke are dead over there, man. . . .

I heard two sharp cracks, and two muffled thuds. Then two more shots, as twin orange comets flashed down from the Tall One's hand.

A moment later the car reversed with a chirp of rubber and jumped backwards, the bright slash of the headlights sweeping the asphalt. I saw the two men down beyond Will, one of them moving, one not. When the car backed out of the alley and roared down the street on the other side of the cinder blocks I ran.

Will was huddled on his knees, forehead to the ground, arms around his middle. Blood on his head and his clothes and the asphalt. I put my hand on his back.

"Oops," he whispered.

"Quiet, Boss. You're all right."

I ran back to the car and brought it forward. I got Will into the passenger seat. He sat up okay. Wet and heavy. Smell of metal. Blood on my face where his head had rested when I dragged him in.

One of the men that the Tall One had shot was still moving as I guided the big car around him. I tore out to Lincoln Boulevard running the late-night signals, my palm slick on the horn, clumps of fog tearing past the windows.

"You're okay, Will. You're going to be okay."

His head was back on the rest and his eyes were open to the headliner. A dull light in those eyes. Shoulder and shirt and lap full of blood.

"Hang on, Dad. Please hang on. We're almost there."

"Mary Ann."

I hit a hundred southbound. The cars seemed to rocket backwards at us. Will's head rattled when I shot across the lane dividers. Then he leaned forward like he always did, to watch the gauges and me.

"Everyone."

"Everyone what, Dad?"

He coughed a red mess onto the windshield and hung forward against his shoulder strap. Taillights rushed by.

I fishtailed down the Chapman off-ramp, ran three reds and skidded into the UC Irvine Medical Center Emergency lot, smoking to a stop on the ambulance ramp.

Will was slumped against the door. When I ran around and opened the door he fell into my arms and I carried him up the ramp, understanding that he didn't need a doctor.

I slipped to my knees but kept him balanced because it was the only thing I could do for him and I wanted to do it well. Two ER guys were running a gurney down toward us.

Hell is waiting.

I paced the emergency waiting room and the walkways outside, making the calls that needed to be made — first to my mother, Mary Ann, then to brothers Junior and Glenn.

Those were the hardest calls I'd made in my life, no contest. I couldn't tell them that Will was going to die. I couldn't tell them he was going to live. I blubbered only that he'd been shot, choking out the words.

I drove the car off the emergency ramp and parked it in the lot. The interior was urgent with the smells of blood and leather and the ugly stink of human panic.

Twenty minutes later, an emergency room doctor told me that we had lost Will.

Lost.

That word was a bullet through my heart. It told me that Will was gone now, and gone forever. It told me that I'd let down the person I loved most on this earth, that I'd failed my primary mission. And on its spiraling, smoking way through my heart and into the night, it told me I would find the people who did this to Will and I would deal with them.

I managed to call my mother and brothers again. To give them the bullet.

Too late, of course. They were already on their way to the hospital.

Against the protests of a doctor and two sheriff deputies, I got into Will's car and drove back to the Lind Street apartment.

Red lights, yellow tape, neighbors everywhere and three blankets with bodies under them. Anaheim PD was on scene. A patrolman marched at my car with a flashlight, waving me away.

I backed out and drove the dark streets and wide empty boulevards looking for the girl. I crawled along at ten miles an hour, honking twice, lightly, over and over. Up and down, going slow, brights on and all four windows down. Come out, come out, wherever you are. The fog was still thick and sometimes I couldn't even see a block ahead. Every few minutes I'd pull over, stop, honk again and listen. Watch.

I finally got Mom on my cell phone and she sounded close to panic. She was at the hospital. They wouldn't let her see him. I did my best to keep her talking and settle her down, told her to call Reverend Alter, then turned my car around for UCI Medical Center just as an Anaheim PD cruiser pulled me over. Both officers were tight, fingering their sidearms as I badged them.

"What in hell are you doing here, Deputy?"

"Looking for a girl."

"Is that blood in the car?"

"Yes, it is."

"Step out, please, slowly. Hands away from your body, Mr. Trona."


Excerpted from Silent Joe by T. Jefferson Parker. Copyright © 2001 by T. Jefferson Parker. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.


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Customer Reviews

Average Rating 4.5
( 15 )
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(11)

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Sort by: Showing all of 15 Customer Reviews
  • Posted April 7, 2010

    more from this reviewer

    My First, But Not My Last T. Jefferson Parker Book

    Will Trona, Orange County Supervisor, is gunned down in front of his 24-year-old adopted son and protector, Joe. Joe mourns the loss of his father and ponders his inability to protect him. Joe, who has facial scar tissue resulting from his father throwing acid at him as an infant, was adopted by Will and Mary Ann when he was five. Joe vows to get justice.

    Through an exciting web of kidnapping, blackmail, extortion, hired guns and violence, Joe tracks down his father's killers. A person who repels others due to his appearance, Joe also finds love in a radio reporter, June.

    The story is fast paced. The action is constant. The writing is impeccable. The story drew me in from the beginning and I couldn't wait to get to the end. I wasn't disappointed with the ending. You like the good guys, even Will, who you find out was in the thick of the blackmailing, but with good intentions. Joe is truly likeable, shy, quiet, watching but rarely talking.

    This is my first T. Jefferson Parker book. It won't be my last. That's for sure.

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  • Posted March 27, 2010

    more from this reviewer

    I Also Recommend:

    Another Imaginative Character

    I know of no author who writes such unique characters as does T. Jefferson Parker. Joe Trona (the protagonist in Silent Joe) is yet another in Parker's stable of main characters that I loved getting to know. He is the 23-year-old adopted son of a politician who spends his entire life thankful to the father who saved him from a family-less life--picked Joe from among all other children in the Home despite the acid burns that covered half of Joe's face. From that day forward, Trona hones his body to a level of strength that will defend him from future attacks and trains his mind to seek out danger to his father. But, early in the story, he fails and his father dies. Joe makes it his job to find the killers and bring them to justice.

    Throughout the story, Parker's characterization of Joe is creative, fascinating, unique. I am entertained by his take on events and enthralled by his ability to puzzle out solutions. Joe is the only fully-fleshed character in the book, but where usually that results in a flat story, in this case, Joe's quirks are more than enough. Highly recommended to anyone doing character studies or writers working on developing their skills at portraying the actors in their own novels.

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  • Anonymous

    Posted March 21, 2005

    Five Stars for a Reason

    Have you noticed that every review so far has given this book five stars? There's a good reason--it is one of the best mysteries and personality studies I've read in years. This is the type of book you are captured by right from the start and dread finishing. The characters--particularly the title character--are interesting and unique from one another, the mystery is solved through careful deduction and good detective work, and the overall story line is very original. Give yourself time and treat yourself to Silent Joe.

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  • Anonymous

    Posted September 4, 2003

    ' Another Winner '

    T.Jefferson Parker continues to amaze me! All his books are top-notch. He writes one good story after another.This one is sure to please. I strongly recommend!!!

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  • Anonymous

    Posted July 16, 2003

    Read this book!

    This was the second T Jefferson Parker novel I have read. I had finished The Blue Hour and was haunted and a bit saddened by it, so I hesitated to pick up Silent Joe. No worry. This is a great mystery and rather uplifting at that. I'm still mulling it over even as I look forward to reading more of Parker's work.

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  • Anonymous

    Posted January 24, 2003

    I miss Joe!

    I finished this book last weekend and cannot stop thinking about it. This novel is nirvana for a mystery-lover. The characters are so intense, so realistic...I think I fell a little in love with Joe. The day after I finished this book, I rushed it off in the mail to a good friend, another mystery-buff: this book is so good you will be driven to share it.

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  • Anonymous

    Posted August 2, 2001

    JOE TRONA IS ONE THE BEST CHARACTERS TO COME ALONG THIS YEAR!!!

    T. Jefferson Parker just keeps getting better and better with each novel. In his newest book, SILENT JOE, the reader is introduced to Joe Trona (a.k.a. Acid Baby), a deputy for the Orange County Sheriff Department, a bodyguard for his adoptive father, Will, and a man who was horribly disfigured by his real father as an infant. Needless to say, Joe has had to overcome adversity. He smart, tough, a trained martial artist, and a crack shot with a .45 automatic. He also deeply loves his adoptive father and would put his life on the line in a heartbeat to save him, if it ever came down to that. And it does! Will Trona, a powerful commissioner for Orange County, has made a lot of friends over the years, but he¿s also made a large number of enemies. One dark, foggy night, while acting as a go-between to help rescue a kidnapped girl from a wealthy and influential family, Will is set up to be killed. Joe, who¿s chauffeuring for his father that night, watches it happen, but is unable to do anything to save the man who raise him and loved him as few parents could. He does manage, however, to take out two of the killers before the head honcho of the group murders the rest of his men to protect his own identity and then swiftly disappears into the night. From that moment on, Joe¿s only goal is to find the answers as to why Will was set up and to put down the men behind the assassination. Over the next few weeks, as Joe starts checking into his adoptive father¿s past, he discovers things that surprise and shock him¿things that would¿ve been better left alone. He also begins to get an inkling of who might¿ve wanted to murder Will and how big the conspiracy actually is. At first the people behind Will¿s death try to buy Joe off in an attempt to make him back away from his investigation, then he¿s warned as to what might happen if he doesn¿t stop. Joe Trona knows no fear, until the woman he has quickly grown to love is threatened. The only way out of the situation is to confront the danger head on. This is a man who always carries three handguns and can kill with his bare hands in a dozen different ways. It¿s going to take a lot of firepower and a high body count to stop him from settling his vendetta against those that brought tragedy to his family and threaten the people he loves. SILENT JOE is definitely Mr. Parker¿s best novel to date, and that¿s saying a lot when you consider that he wrote RED LIGHT, WHERE SERPENTS LIE and THE BLUE HOUR. He¿s created a powerful character in Joe Trona, a man with his own inner demons to fight, a man that the reader immediately starts rooting for from page one. As Joe seeks to avenge his father, he soon realizes that the person he loved was simply a man with his own strengths and weaknesses, and that nobody is perfect. Joe still has to find a way to accept the frailties of Will Trona, while acknowledging the good that he was able to do for his community before dying. Deep within Joe, however, is a desperate urgency to finally understand who his real parents were and why his actual father threw acid onto his face and his mother later abandoned him. These are painful questions that have been kept buried for too long and now need to be brought to the surface for a resolution of some kind. The answers may bring understanding, but they won¿t ease the turmoil that has made up his life. SILENT JOE is certainly writing as its best. Mr. Parker knows how to deliver the goods with a compelling plot and strong, believable characters that keep the reader glued to each riveting page. I hope that this isn¿t the last we¿ve seen of Joe Trona. I¿d love to see him return in a another novel, maybe even joining forces with Merci Rayborn from RED LIGHT and THE BLUE HOUR. This is a character that¿s too good to limit to just one novel. He deserves at least two or three more, so bring Joe back Mr. Parker!

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  • Anonymous

    Posted June 7, 2001

    A character so simple yet so complicated at the same time

    I just read T. Jefferson Parker's new book 'Silent Joe'. What a great book! I've read his other books and enjoyed them, but this one is even better. While it's called a mystery it's really much more. It's the story of a young man who was horribly scarred as an infant by an abusive father, abandoned by his mother and raised in an institution for the early years of his life. As a young sheriff's deputy he witnesses the murder of the man who adopted him and becomes determined to find the killer. Along the way he finds his past and his future. The book is remarkable for it's ability to take you into Joe's mind. You feel his thought process, you feel his pain and see how even bad experiences can result in a good man. I found myself trying to read slowly to savor the words. Days later I can't stop thinking about it. I still think the only bad part was that it had to end.

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  • Anonymous

    Posted June 28, 2001

    Rich noir novel

    It may be hyperbole to call this Parker's best novel to date, but Silent Joe is a beautifully-written mystery novel. Parker has a master's touch at introducing information -- never holding it back for effect, but at the same time allowing it to unfold at just the right moment. Likewise, he has a master's touch at language and proves that noir writing doesn't have to be set in the 1940s to work. Very satisfying.

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  • Anonymous

    Posted March 18, 2001

    POWERFUL, AND ENTERTAINING

    Meet Joe Trona, a scarred man. As a child, Joe had acid thrown on his face by his biological father. After spending the early years of his youth in an orphanage, Joe is rescued by politician Will Trona. Tormented by the nightmares of his childhood, Joe, welcomes the love, and acceptance given to him by his new family. At age twenty-four, Joe, now a cop, is his adoptive father's biggest fan. As the ever enthusiastic supporter of Will, Joe, helps his father with his political career, but on an evening of 'night business', things go terribly wrong leaving Will dead. On what started as a rescue mission of a kidnapped girl, will turn into a storm of violence, lies, and deception...with Joe left wondering if he knew the man he called his father at all. While trying to find Will's killer, and locate the missing girl, Joe, will uncover all the secrets that Will Trona possessed, and be forced to face the painful memories of his childhood. 'Silent Joe' is another explosive novel by T. Jefferson Parker. While remaining a suspenseful, page-turning thriller, 'Silent Joe' is much more, for at the heart is the examination of love, and one man's spirit to over-come tragedy. With it's strong characters, complex plot, and powerful narrative, 'Silent Joe' races along at break-neck speed. T. Jefferson Parker has been consistent with churning out fresh, thrilling bestsellers, and 'Silent Joe' is no exception. Old fans, and new readers alike will be enthralled by the tale of Joe Trona, further cementing Mr. Parker's reputation as the writer of the thinking person's bestseller. A MUST read! Nick Gonnella

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  • Posted December 9, 2008

    more from this reviewer

    Parker's best

    When he was nine months old, his father poured acid on his face, scarring Joe for life. For the next four years, Joe lived in an orphanage until Will and Mary Ann Trona adopted him. Twenty years later, Joe works as a jailer for the Orange County prisons system and as a driver-bodyguard for his beloved father Will, now a county superintendent. <P>Joe drives Will to a dark area where the latter picks up a frightened twelve-year-old girl named Savannah. However, before they leave, gang members accost them, killing Will. Joe kills two of them while Savannah flees into the night. Joe quickly learns that the deadly Cobra Kings murdered Will. Joe finds out that Savannah was a kidnapping victim, but cannot see the link to Will. Feeling guilty over his failure to protect Will and a need to rescue Savannah, Joe begins to make inquiries. His investigation takes Joe way beyond the Cobra Kings to an uglier picture of his benefactor and a return to his own childhood nightmares. <P>SILENT JOE is a fabulously complex blending of psychological suspense with a private investigative tale that works because of the main character. The suspense-loaded story line centers on the heroic, but scarred (emotionally as much as his visage) Joe, who is learning more about himself, and his adoptive father and family even while deliberately stepping deeper into danger. T. Jefferson Parker always writes a page-turner, but this is the award-winning author¿s best novel and hopefully Joe will return for another engagement. <P>Harriet Klausner

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    Posted May 20, 2009

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    Posted March 26, 2009

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    Posted October 30, 2008

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    Posted August 12, 2009

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