Silent on the Moor (Lady Julia Grey Series #3)

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Overview

Despite his admonitions to stay away, Lady Julia arrives in Yorkshire to find Brisbane as remote and maddeningly attractive as ever. Cloistered together, they share the moldering house with the proud but impoverished remnants of an ancient family—the sort that keeps their bloodline pure and their secrets close. Lady Allenby and her daughters, dependent upon Brisbane and devastated by their fall in society, seem adrift on the moor winds, powerless to change their fortunes. But poison does not discriminate between classes.

A mystery unfolds from the rotten heart of Grimsgrave, one Lady Julia may have to solve alone, as Brisbane appears inextricably tangled in its heinous twists and turns. But blood will out, and before spring touches the craggy northern landscape, Lady Julia will have uncovered a Gypsy witch, a dark rider and a long-buried legacy of malevolence and evil.

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Editorial Reviews

Library Journal

Following Silent in the Grave and Silent in the Sanctuary, the newest book in the Lady Julia Grey series has a lot to measure up to-and it does. Freed from many of Victorian society's strictures following her husband's death, Julia feels she's found purpose assisting private inquiry agent Nicholas Brisbane, but their mutual attraction and his self-determined unsuitability keep them at a crossroads. As Julia descends on Grimsgrave, Brisbane's newly purchased estate on the Yorkshire moors, it becomes clear that it's not just the house that's rapidly falling apart-the inhabitants aren't doing well either. As the characters unravel, the mystery begins. The complex story mixes the dangerous undertones of family secrets, local lore, and the current desires of the living. After Brisbane is nearly murdered, the suspense builds to a wonderfully shocking end. Learning about Brisbane's past, a satisfying conclusion, and the promise of another book will thrill longtime fans. A great choice for mystery, historical fiction, and/or romance readers, with a strong appeal for Anne Perry buffs.
—Stacey Hayman

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Product Details

ISBN-13: 9780778326144
Publisher: Mira
Publication date: 3/1/2009
Series: Lady Julia Grey Series , #3
Edition description: Original
Pages: 480
Sales rank: 169,254
Product dimensions: 5.00 (w) x 7.90 (h) x 1.60 (d)

Meet the Author

A self-confessed Anglophile, Deanna is, in fact, a native Texan, although she now resides in Virginia with her husband and daughter. Deanna did double majors in Engliash and Hisotry at university, and the Regency and Victorian periods hold special interest for her. She is currently at work on books two and three of the silent series, and they both promise to be as exciting as Silent in the Grave.

Biography

If there is one thing that novelist Deanna Raybourn has learned, it is the old adage "write what you read." Before penning her critically hailed debut, a spellbinding historical mystery titled Silent in the Grave, she spent years struggling to perfect the romance novel. Native Texan Raybourn wrote her first romance at the age of 23. Although she did receive some attention from potential publishers, she failed to publish the book. Ultimately, she stored it away in a box in her attic. Over the next several years, that manuscript would be joined by eight more, all written in the same lusty vein. That's when she finally had the revelation that would lead to her first published novel. "I lean more towards mystery and historical fiction in my reading, so I finally decided to write what I read," she explains on her website. "Apparently THAT is the magical formula for success, in case anyone is writing this down." Two years later, she had finished Silent in the Grave and Mira Books ("known in my house as The Finest Publishing Company on The Planet," Raybourn says) picked it up.

Raybourn's sprawling debut novel takes its title from a foreboding quote in the Bible's book of Psalms: "Let the wicked be ashamed and let them be silent in the grave." This is the final threat that London society hound Sir Edmund Grey receives before he unexpectedly falls dead in the middle of a dinner party. While his wife Julia initially believes Edmund's death to be the result of a preexisting heart condition, private agent Nicholas Brisbane informs her that he believes her husband's death to be of a more insidious nature. When Julia solicits Brisbane to find the killer, they are both drawn into a dangerous mystery and drawn to each other.

Silent in the Grave garnered much praise from Raybourn's fellow writers, the online community, and the literary press for its masterfully paced suspense and historical authenticity. Karen Harper, who wrote the bestselling thriller Hurricane, applauded, "This debut novel has one of the most clever endings I've seen." Dana Stabenow of PoisenedPen.com declared that Raybourn has a "strong voice akin to Amelia Peabody's, a superbly realized setting—you'll choke on the coal smoke of Raybourn's Victorian London." Meanwhile, Publishers Weekly called Silent in the Grave a "perfectly executed debut," while Kirkus insisted, "Bring on the sequel"! That demand was promptly met, as Raybourn continues to add to her Lady Julia Grey mystery series.

Good To Know

Although Raybourn says that the ultra-busy schedule of a hot new writer does not allow for much free time, she admits that she regularly allows herself spare moments throughout the day to mourn the loss of her favorite show Will & Grace.

On her web site, Raybourn boasts, "I double-majored in history and English, which means I know how to find Jesus imagery in any book you care to give me, and then I can write a fifty-page paper about it with footnotes."

A few interesting outtakes from our interview with Raybourn:

"I taught English for three years, and my favorite lesson was my Trojan War lecture. It lasted three days. Aside from teaching, I was written up for insubordination at every job I ever had. The first book I remember writing was a diary of Marie Antoinette when I was in third grade."

"I read like a fiend. I knit badly, but I just learned to purl, so I'm hoping things will pick up. I am addicted to podcasts—I currently have 600 loaded onto my iPod that I have yet to listen to. I watch too much television, usually classic movies, the History Channel, or Will & Grace reruns. I adore astrology and am always downloading natal charts. I am a Gemini with Libra rising and a Pisces moon."

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1. Hometown:
  
  Williamsburg, Virginia
1. Date of Birth:
  
  June 17, 1968
2. Place of Birth:
  
  Ft. Worth, Texas
1. Education:
  
  B.A. in English and History, University of Texas at San Antonio, 1990
2. Website:
  
  http://www.deannaraybourn.com

Read an Excerpt

Julia Grey, I would rather see you hanged than watch any sister of mine go haring off after a man who will not have her," my brother Bellmont raged. "And Portia, I am thoroughly appalled that you would not only condone such behaviour, but abet it by accompanying Julia. You are her elder sister. You ought to set an example." I sighed and stared longingly at the whisky decanter. Portia and I had known that the summons to our father's London townhouse was a thinly-veiled ambush, but I do not think either of us had expected the attack to be so quick, nor so brutal. We had scarcely taken our seats in Father's comfortable library before our eldest brother launched into a tirade against our proposed visit to Yorkshire. Father, ensconced behind his vast mahogany desk, said nothing. His expression was inscrutable behind his half-moon spectacles.

Catching my wistful glance, Portia rose and poured us both glasses of whisky. "Take this, dearest," she urged. "Bellmont is in rare form. He will surely rail at us until supper unless he has an apoplexy first," she finished cheerfully.

Bellmont's already high colour deepened alarmingly. "You may well jest about this, but it is unacceptable for Julia to accept an invitation to stay with Brisbane at his country house. He is an unmarried man, and she is a widow of thirty. Even if you are there to chaperone, Portia, you must admit, it would be a complete violation of propriety."

"Oh, Julia hasn't been invited," Portia responded helpfully. "I was. Julia rather invited herself."

Bellmont clicked his teeth together and drew in a deep breath, his nostrils going white at the edges. "If that is supposed to offer me comfort, it is a cold one, I assure you."

Portia shrugged and sipped at her whisky. Bellmont turned to me, deliberately softening his tone. At more than forty years of age and heir to our father's earldom, he had long since grown accustomed to having his own way. It was only with his eccentric family that his success was mixed. With a cunning blend of sternness, cajolery, and logic, he was sometimes able to bend us to his will, but just as often he found himself not speaking to more than one of his nine siblings. Now he attempted an appeal to my reason.

"Julia, I understand you were quite bereft when Edward died. You were very young to be a widow, and I am sympathetic to the fact that you felt compelled to search out your husband's murderer." I raised my brows. He had not been so sympathetic at the time. When I had unmasked my husband's killer in a dramatic scene during which my town-house was burned down and I nearly lost my life, Bellmont had actually stopped speaking to me for two months. Apparently, murder is a failing of the middle classes only. Aristocrats are supposed to be above such unpleasantness.

He went on. "I realise your connection with Mr. Brisbane was a necessary evil at the time. He has proved himself a thoroughly capable inquiry agent and, mercifully, a discreet one. But your association with this man cannot continue. I do not know what Father was thinking to invite him to Bellmont Abbey at Christmas, but it was badly done, and it has given you ideas."

"And God knows women mustn't have ideas," Portia murmured into her glass. Bellmont did not even bother to look at her. We were well-accustomed to Portia's pointed asides.

I looked helplessly at Father, who merely shrugged and poured himself a glass of whisky. If Bellmont continued on we should become a family of inebriates.

"Monty," I began, deliberately sweetening my tone, "I do appreciate your concern. But Father has already explained to you Brisbane was there to pursue an investigation. He left before the family arrived for Christmas. You did not even see him. I have never invited him to accompany me to your home, nor have I ever foisted him upon you in any social situation, although he would not be entirely out of place. His great-uncle is the Duke of Aberdour, you know."

Bellmont rubbed a hand over his face, smoothing the furrows that marked his handsome brow. "My dear, his antecedents are quite immaterial. He is in trade. He is a half-Gypsy vagabond who makes his living by dealing in the sordid miseries of others. His exploits are fodder for the newspapers, and we have been dragged through those rather enough at present," he finished, shooting Father a look that was ripe with bitterness.

Father waved an indolent hand. "Do not blame me, boy. I did my best to sweep the entire matter under the carpet, as did Brisbane." That much was true. The newspapers, through Father's influence and Brisbane's connections, had taken little enough notice of the events at Bellmont Abbey, although a few rather distasteful morsels had found their way into print.

Bellmont swung round to face Father while Portia and I huddled closer to one another on the sofa and drank our whisky.

"I am not unaware of your efforts, Father. But the press have always been interested in our little peccadilloes, and you have simply not done enough to keep them at bay, particularly when you were so indiscreet as to entertain your mistress at the same Christmas party as your children and grandchildren."

"A hit, a palpable hit," Portia whispered. I stifled a giggle. Bellmont was being rather unfair to Father. He had exercised as much authority over the press in the matter as he could. Considering what had actually transpired at the Abbey, we were lucky it had not become the scandal of the century.

"Madame de Bellefleur is not my mistress," Father said, puffing his cheeks indignantly. "She is my friend, and I shall thank you to speak of her respectfully."

"It does not matter what she is," Bellmont pointed out acidly. "It only matters what they say she is. Do you have any notion how damaging such stories could be to me, to my children? Orlando is considering a run for Parliament when he is established, and Virgilia is to be presented this season. Her chances for a good match could be completely overthrown by your conduct, and it will not improve matters for her aunts to be seen chasing off to Yorkshire to stay with a bachelor of questionable reputation."

Portia stirred. "I should think the fact that I live openly with a woman would be far more damaging to her chances for a society marriage," she remarked coolly.

Bellmont flinched. "Your relationship with Jane is something to which I have become reconciled over these past ten years. It is a credit to Jane that she lives quietly and does not care to move in society."

Portia's eyes glinted ominously, and I laid a warning hand on her wrist. "Jane is the love of my life, Bellmont, not a pet to be trained."

Father held up a hand. "Enough. I will not have you quarrelling like dogs over an old bone. I thought we buried that particular issue long ago. Bellmont, you forget yourself. I have permitted you to abuse your sisters and me quite long enough."

Bellmont opened his mouth to protest, but Father waved him off. "You have a care for your sisters' reputations, and that does you credit, but I must observe for a man so often hailed as one of the greatest brains of his generation, you are remarkably obtuse about women. You've been married going on twenty years, boy. Have you not yet learned that it is easier to pull a star down from the heavens than to bend a woman to your will? The most tractable of women will kick over the traces if you insist upon obedience and, in case it has escaped your notice, your sisters are not the most tractable of women. No, if they are intent upon going to Yorkshire, go they will."

Portia flicked a triumphant gaze at Bellmont who had gone quite pale under the angry wash of red over his fair complexion. I took another sip of my whisky and wondered not for the first time why my parents had found it necessary to have so many children.

"Father," Bellmont began, but Father rose, straightening his poppy-coloured waistcoat and raising a hand.

"I know. You are worried for your children, as you should be, and I will see that their chances are not damaged by the actions of their aunts." He paused, for dramatic effect no doubt, then pronounced in ringing tones, "Your sisters will travel under the protection of their brother, Valerius."

Portia and I gaped at him, stunned to silence. Bellmont was quicker off the mark. Mollified, he nodded at Father. "Very well. Valerius is thoroughly incapable of controlling them, but at least his presence will lend the appearance of respectability. Thank you, Father." He turned to leave, giving us a piercing look. "I suppose it would be too much to ask that you conduct yourselves like ladies, but do try," he offered as a parting shot.

Portia was still sputtering when the footman shut the door behind him. "Honestly, Father, I do not see why you didn't have him drowned as a child. You've four other sons, what's one at the bottom of the pond?"

Father shrugged. "I would have drowned him myself had I known he would turn out Tory. I know you want to remonstrate with me over the suggestion of travelling with Valerius, but I want to talk to your sister. Leave us to chat a moment, will you, my dear?" he said to Portia.

She rose gracefully and turned, pulling a face at me as she went. I tried not to fidget, but I felt suddenly shy and uncertain. I smiled up at Father winsomely and attempted to divert the conversation.

"Valerius will be simply furious with you, Father. You know he hates to leave London, and he is devoted to his work with Dr. Bent. He's just bought a new microscope."

It might have been a good diversion under other circumstances. Father could rant easily for an hour on the subject of Valerius and his unsuitable interest in medicine. But he had other game afoot.

He turned to me, folding his arms across his chest. "Do not look to distract me," he said sternly. "What the devil do you mean by hunting Brisbane like a fox? Monty is right, though I would not give him the satisfaction of saying so in front of him. It is damned unseemly and shows a distinct lack of pride. I reared you for better."

I smoothed my skirts under nervous fingers. "I am not hunting Brisbane. He asked Portia to come and help him sort out the estate. Apparently the former owner left it in a frightful state and Brisbane hasn't any lady to act as chatelaine and put things in order." I opened my eyes very wide to show I was telling the truth.

"Nicholas Brisbane is entirely capable of ordering his own bedsheets and hiring his own cook," he commented, narrowing his gaze.

"There is nothing sinister afoot," I assured him. "Brisbane wrote in January to accept Portia's offer to help arrange his household. He told her to wait until April when the weather would be more hospitable. That is the whole of it."

"And how did you become involved?" Father demanded.

"I saw the letter and thought springtime on the moors sounded very pleasant."

Father shook his head slowly. "Not likely. You mean to settle this thing between you, whatever it is."

I twisted a bit of silken cushion fringe in my fingers and looked away. "It is complicated," I began.

"Then let us have it simply," he cut in brutally. "Has he offered you marriage?"

"No." My voice was nearly inaudible, even to my own ears.

"Has he given you a betrothal ring?"

"No."

"Has he ever spoken of marrying you?"

"No."

"Has he written to you since he left for Yorkshire?"

"No."

My replies dropped like stones, heavy with importance. He waited a long moment and the only sounds were the soft rustling of the fire on the hearth and the quiet ticking of the mantel clock.

"He has offered you nothing, made no plans for the future, has not even written. And still you mean to go to him?" His voice was soft now, free of judgment or recrimination, and yet it stung like salt on a wound.

I raised my gaze to his. "I must. I will know when I see him again. If there is nothing there, I will return to London by the first train and never speak of him again, never wonder what might have been. But if there is a chance that he feels for me—" I broke off. The rest of it need not be spoken aloud.

"And you are quite determined?"

"Quite," I said, biting off the word sharply. He said nothing for a moment, but searched my face, doubtless looking for any sign that I was less than resolute and might be persuaded to abandon my plans.

At length he sighed, then drained the last of his whisky. "Go then. Go under Valerius' protection, however feeble that may be, and find out if Brisbane loves you. But I tell you this," he said, folding me into his embrace and pressing a kiss into my hair, "I may be above seventy years of age, but I still fence every day and if the blackguard hurts you I will hunt him down and leave a stiletto in his heart."

"Thank you, Father. That is very comforting."

Dinner that evening was a peculiarly quiet affair. Portia was a charming hostess and kept an admirable table. She was renowned for the quality of her food and wines as well as the excellence of the company. She knew the most interesting people and often invited them to little suppers arranged to show them to perfection, like gems in a thoughtful setting. But that night there were only ourselves—Portia, her belovedJane, and me. We were all of us occupied with our own thoughts and said little, our silences punctuated with phlegmy snorts from Portia's vile pet, Mr. Pugglesworth, asleep under the table.

After one particularly nasty interlude, I laid down my knife. "Portia, must you have that dog in the dining room? He is putting me quite off my food."

She waved a fork at me. "Do not be peevish just because Bellmont took you to task today."

"Puggy is rather foul," Jane put in quietly. "I will remove him to the pantry."

She rose and collected the animal, coaxing him out with a bit of stewed prune. Portia watched her, saying nothing. They were a study in contrasts, each lovely in her own way, but different as chalk and cheese. Portia had a fine-boned elegance, coupled with the classic March family colouring of dark hair faintly touched with red and wide green eyes. She dressed flamboyantly, in colours suited to the pale alabaster of her skin, always in a single hue from head to toe.

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Silent on the Moor (Lady Julia Grey Series #3)

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Editorial Reviews

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another excellent mystery

Well Written and Atmospheric Gothic Romance

silent on the moor

Smooth, Enchanting, Delightful

ENJOYABLE BUT PREDICTABLE

Such a wonderful read.

One of my favorites in the Lady Julia saga....love the setting,

Long- Winded

My favorite of the series!

A Gothic Climax to the Trilogy....

Mesmerizing Mystery With Gothic Atmosphere

An exciting journey from start to finish!

Best one of the series....yet

Great historical romance.

Good escapist read

Fun!

Silent on the Moor

Thoroughly Satisfying

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A suburb whodunit