Silent Spring

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Overview

Rarely does a single book alter the course of history, but Rachel Carson's Silent Spring did exactly that. The outcry that followed its publication in 1962 forced the government to ban DDT and spurred revolutionary changes in the laws affecting our air, land, and water. Carson's book was instrumental in launching the environmental movement. It is without question one of the landmark books of the twentieth century.

This is a rigorous presentation of the effects of ...

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Overview

Rarely does a single book alter the course of history, but Rachel Carson's Silent Spring did exactly that. The outcry that followed its publication in 1962 forced the government to ban DDT and spurred revolutionary changes in the laws affecting our air, land, and water. Carson's book was instrumental in launching the environmental movement. It is without question one of the landmark books of the twentieth century.

This is a rigorous presentation of the effects of pesticide use as well as a call to greater awareness of our environment.

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Editorial Reviews

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Three reasons to read Silent Spring: 1. This book, first published in 1962, launched the modern environmental movement. It also earned Carson, a modest marine biologist, a slot on Time's 100 Most Influential People of the Century list. 2. It's a great read. Calling Silent Spring "well crafted, fearless and succinct," Peter Matthiessen said of its author: "Even if she had not inspired a generation of activists, Carson would prevail as one of the greatest nature writers in American letters." 3. Carson's lucid, almost lyrical expose of the indiscriminate use of pesticides is still relevant.
Publishers Weekly - Publisher's Weekly
This new edition of Carson's classic features a new introduction by Vice President Al Gore. (Sept.)
Lorus Milner
Silent Spring is similar in only one regard to Miss Carson's earlier books (Under the Sea Wind, The Sea Around Us, The Edge of the Sea); in it she deals once more, in an accurate, yet popularly written narrative, with the relation of life to environment. Her book is a cry to the reading public to help curb private and public programs which by use of poisons will end by destroying life on earth.-- Books of the Century, The New York Times review September 1962
S. H
In 1960, a woman noticed the birds had stopped singing and their population had severely decreased in her neighborhood. She summoned a friend, biologist/writer Rachel Carson, to investigate this wildlife mystery. Subsequently, in 1962, Rachel,s discoveries and efforts were brought to the forefront in her book, Silent Spring, which revealed the atrocities of pesticide poisoning. The over-spaying of DDT, dieldrin and other pest killers was poisoning the entire world of living things, humanity included. Rachel's work not only left chemical companies casting about trying to discredit her findings, but, most importantly, prompted an enormous environmental movement which continues today.
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Product Details

  • ISBN-13: 9780395453902
  • Publisher: Houghton Mifflin Harcourt Publishing Company
  • Publication date: 9/1/1987
  • Edition description: 25th Anniversary Edition
  • Edition number: 25
  • Pages: 448

Meet the Author

Rachel Carson (1907-1964) spent most of her professional life as a marine biologist with the U.S. Fish and Wildlife Service. By the late 1950s, she had written three lyrical, popular books about the sea, including the best-selling The Sea Around Us, and had become the most respected science writer in America. She completed Silent Spring against formidable personal odds, and with it shaped a powerful social movement that has altered the course of history.

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Read an Excerpt

Introduction by Linda Lear

Headlines in the New York Times in July 1962 captured the national sentiment: "Silent Spring is now noisy summer.” In the few months between the New Yorker’s serialization of Silent Spring in June and its publication in book form that September, Rachel Carson’s alarm touched off a national debate on the use of chemical pesticides, the responsibility of science, and the limits of technological progress. When Carson died barely eighteen months later in the spring of 1964, at the age of fifty-six, she had set in motion a course of events that would result in a ban on the domestic production of DDT and the creation of a grass-roots movement demanding protection of the environment through state and federal regulation. Carson’s writing initiated a transformation in the relationship between humans and the natural world and stirred an awakening of public environmental consciousness.
It is hard to remember the cultural climate that greeted Silent Spring and to understand the fury that was launched against its quietly determined author. Carson’s thesis that we were subjecting ourselves to slow poisoning by the misuse of chemical pesticides that polluted the environment may seem like common currency now, but in 1962 Silent Spring contained the kernel of social revolution. Carson wrote at a time of new affluence and intense social conformity. The cold war, with its climate of suspicion and intolerance, was at its zenith. The chemical industry, one of the chief beneficiaries of postwar technology, was also one of the chief authors of the nation’s prosperity. DDT enabled the conquest of insect pests in agriculture and of ancient insect-borne disease just as surely as the atomic bomb destroyed America’s military enemies and dramatically altered the balance of power between humans and nature. The public endowed chemists, at work in their starched white coats in remote laboratories, with almost divine wisdom. The results of their labors were gilded with the presumption of beneficence. In postwar America, science was god, and science was male.
Carson was an outsider who had never been part of the scientific establishment, first because she was a woman but also because her chosen field, biology, was held in low esteem in the nuclear age. Her career path was nontraditional; she had no academic affiliation, no institutional voice. She deliberately wrote for the public rather than for a narrow scientific audience. For anyone else, such independence would have been an enormous detriment. But by the time Silent Spring was published, Carson’s outsider status had become a distinct advantage. As the science establishment would discover, it was impossible to dismiss her.

Rachel Carson first discovered nature in the company of her mother, a devotee of the nature study movement. She wandered the banks of the Allegheny River in the pristine village of Springdale, Pennsylvania, just north of Pittsburgh, observing the wildlife and plants around her and particularly curious about the habits of birds.
Her childhood, though isolated by poverty and family turmoil, was not lonely. She loved to read and displayed an obvious talent for writing, publishing her first story in a children’s literary magazine at the age of ten. By the time she entered Pennsylvania College for Women (now Chatham College), she had read widely in the English Romantic tradition and had articulated a personal sense of mission, her "vision splendid.” A dynamic female zoology professor expanded her intellectual horizons by urging her to take the daring step of majoring in biology rather than English. In doing so, Carson discovered that science not only engaged her mind but gave her "something to write about.” She decided to pursue a career in science, aware that in the 1930s there were few opportunities for women.
Scholarships allowed her to study at Woods Hole Biological Laboratory, where she fell in love with the sea, and at Johns Hopkins University, where she was isolated, one of a handful of women in marine biology. She had no mentors and no money to continue in graduate school after completing an M.A. in zoology in 1932. Along the way she worked as a laboratory assistant in the school of public health, where she was lucky enough to receive some training in experimental genetics. As employment opportunities in science dwindled, she began writing articles about the natural history of Chesapeake Bay for the Baltimore Sun. Although these were years of financial and emotional struggle, Carson realized that she did not have to choose between science and writing, that she had the talent to do both.
From childhood on, Carson was interested in the long history of the earthh, in its patterns and rhythms, its ancient seas, its evolving life forms. She was an ecologist—fascinated by intersections and connections buttttt always aware of the whole—before that perspective was accorded scholarly legitimacy. A fossil shell she found while digging in the hills above the Allegheny as a little girl prompted questions about the creatures of the oceans that had once covered the area. At Johns Hopkins, an experiment with changes in the salinity of water in an eel tank prompted her to study the life cycle of those ancient fish that migrate from continental rivers to the Sargasso Sea. The desire to understand the sea from a nonhuman perspective led to her first book, Under the Sea-Wind, which featured a common sea bird, the sanderling, whose life cycle, driven by ancestral instincts, the rhythms of the tides, and the search for food, involves an arduous journey from Patagonia to the Arctic Circle. From the outset Carson acknowledged her "kinship with other forms of life” and always wrote to impress that relationship on her readers.
Carson was confronted with the problem of environmental pollution at a formative period in her life. During her adolescence the second wave of the industrial revolution was turning the Pittsburgh area into the iron and steel capital of the Western world. The little town of Springdale, sandwiched between two huge coal-.red electric plants, was transformed into a grimy wasteland, its air fouled by chemical emissions, its river polluted by industrial waste. Carson could not wait to escape. She observed that the captains of industry took no notice of the defilement of her hometown and no responsibility for it. The experience made her forever suspicious of promises of "better living through chemistry” and of claims that technology would create a progressively brighter future.
In 1936 Carson landed a job as a part-time writer of radio scripts on ocean life for the federal Bureau of Fisheries in Baltimore. By night she wrote freelance articles for the Sun describing the pollution of the oyster beds of the Chesapeake by industrial runoff; she urged changes in oyster seeding and dredging practices and political regulation of the effluents pouring into the bay. She signed her articles "R. L. Carson,” hoping that readers would assume that the writer was male and thus take her science seriously.
A year later Carson became a junior aquatic biologist for the Bureau of Fisheries, one of only two professional women there, and began a slow but steady advance through the ranks of the agency, which became the U.S. Fish and Wildlife Service in 1939. Her literary talents were quickly recognized, and she was assigned to edit other scientists’ field reports, a task she turned into an opportunity to broaden her scientific knowledge, deepen her connection with nature, and observe the making of science policy. By 1949 Carson was editor in chief of all the agency’s publications, writing her own distinguished series on the new U.S wildlife refuge system and participating in interagency conferences on the latest developments in science and technology.
Her government responsibilities slowed the pace of her own writing. It took her ten years to synthesize the latest research on oceanography, but her perseverance paid off. She became an overnight literary celebrity when The Sea Around Us was first serialized in The New Yorker in 1951. The book won many awards, including the National Book Award for nonfiction, and Carson was elected to the American Academy of Arts and Letters. She was lauded not only for her scientific expertise and synthesis of wide-ranging material but also for her lyrical, poetic voice. The Sea Around Us and its best- selling successor, The Edge of the Sea, made Rachel Carson the foremost science writer in America. She understood that there was a deep need for writers who could report on and interpret the natural world. Readers around the world found comfort in her clear explanations of complex science, her description of the creation of the seas, and her obvious love of the wonders of nature. Hers was a trusted voice in a world riddled by uncertainty.
Whenever she spoke in public, however, she took notice of ominous new trends. "Intoxicated with a sense of his own power,” she wrote, "[mankind] seems to be going farther and farther into more experiments for the destruction of himself and his world.” Technology, she feared, was moving on a faster trajectory than mankind’s sense of moral responsibility. In 1945 she tried to interest Reader’s Digest in the alarming evidence of environmental damage from the widespread use of the new synthetic chemical DDT and other long-lasting agricultural pesticides. By 1957 Carson believed that these chemicals were potentially harmful to the long-term health of the whole biota. The pollution of the environment by the profligate use of toxic chemicals was the ultimate act of human hubris, a product of ignorance and greed that she felt compelled to bear witness against. She insisted that what science conceived and technology made possible must first be judged for its safety and benefit to the "whole stream of life.” "There would be no peace for me, she wrote to a friend, "if I kept silent.”

Silent Spring, the product of her unrest, deliberately challenged the wisdom of a government that allowed toxic chemicals to be put into the environment before knowing the long-term consequences of their use. Writing in language that everyone could understand and cleverly using the public’s knowledge of atomic fallout as a reference point, Carson described how chlorinated hydrocarbons and organic phosphorus insecticides altered the cellular processes of plants, animals, and, by implication, humans. Science and technology, she charged, had become the handmaidens of the chemical industry’s rush for profits and control of markets. Rather than protecting the public from potential harm, the government not only gave its approval to these new products but did so without establishing any mechanism of accountability. Carson questioned the moral right of government to leave its citizens unprotected from substances they could neither physically avoid nor publicly question. Such callous arrogance could end only in the destruction of the living world. "Can anyone believe it is possible to lay down such a barrage of poisons on the surface of the earth without making it unfit for all life?” she asked. "They should not be called 'insecticides’ but 'biocides.’” In Silent Spring, and later in testimony before a congressional committee, Carson asserted that one of the most basic human rights must surely be the "right of the citizen to be secure in his own home against the intrusion of poisons applied by other persons.” Through ignorance, greed, and negligence, government had allowed "poisonous and biologically potent chemicals” to fall "indiscriminately into the hands of persons largely or wholly ignorant of their potentials for harm.” When the public protested, it was "fed little tranquillizing pills of half-truth” by a government that refused to take responsibility for or acknowledge evidence of damage. Carson challenged such moral vacuity. "The obligation to endure,” she wrote, "gives us the right to know.” In Carson’s view, the postwar culture of science that arrogantly claimed dominion over nature was the philosophic root of the problem. Human beings, she insisted, were not in control of nature but simply one of its parts: the survival of one part depended upon the health of all. She protested the "contamination of man’s total environment” with substances that accumulate in the tissues of plants, animals, and humans and have the potential to alter the genetic structure of organisms.
Carson argued that the human body was permeable and, as such, vulnerable to toxic substances in the environment. Levels of exposure could not be controlled, and scientists could not accurately predict the long-term effects of bioaccumulation in the cells or the impact of such a mixture of chemicals on human health. She categorically rejected the notion proposed by industry that there were human "thresholds” for such poisons, as well as its corollary, that the human body had "assimilative capacities” that rendered the poisons harmless. In one of the most controversial parts of her book, Carson presented evidence that some human cancers were linked to pesticide exposure. That evidence and its subsequent elaboration by many other researchers continue to fuel one of the most challenging and acrimonious debates within the scientific and environmental communities.
Carson’s concept of the ecology of the human body was a major departure in our thinking about the relationship between humans and the natural environment. It had enormous consequences for our understanding of human health as well as our attitudes toward environmental risk. Silent Spring proved that our bodies are not boundaries. Chemical corruption of the globe affects us from conception to death. Like the rest of nature, we are vulnerable to pesticides; we too are permeable. All forms of life are more alike than different.
Carson believed that human health would ultimately reflect the environment’s ills. Inevitably this idea has changed our response to nature, to science, and to the technologies that devise and deliver contamination. Although the scientific community has been slow to acknowledge this aspect of Carson’s work, her concept of the ecology of the human body may well prove to be one of her most lasting contributions.
In 1962, however, the multimillion-dollar industrial chemical industry was not about to allow a former government editor, a female scientist without a Ph.D. or an institutional affiliation, known only for her lyrical books on the sea, to undermine public confidence in its products or to question its integrity. It was clear to the industry that Rachel Carson was a hysterical woman whose alarming view of the future could be ignored or, if necessary, suppressed. She was a "bird and bunny lover,” a woman who kept cats and was therefore clearly suspect. She was a romantic "spinster” who was simply overwrought about genetics. In short, Carson was a woman out of control. She had overstepped the bounds of her gender and her science. But just in case her claims did gain an audience, the industry spent a quarter of a million dollars to discredit her research and malign her character. In the end, the worst they could say was that she had told only one side of the story and had based her argument on unverifiable case studies.
There is another, private side to the controversy over Silent Spring. Unbeknown to her detractors in government and industry, Carson was fighting a far more powerful enemy than corporate outrage: a rapidly metastasizing breast cancer. The miracle is that she lived to complete the book at all, enduring a "catalogue of illnesses,” as she called it. She was immune to the chemical industry’s efforts to malign her; rather, her energies were focused on the challenge of survival in order to bear witness to the truth as she saw it. She intended to disturb and disrupt, and she did so with dignity and deliberation.
After Silent Spring caught the attention of President John F. Kennedy, federal and state investigations were launched into the validity of Carson’s claims. Communities that had been subjected to aerial spraying of pesticides against their wishes began to organize on a grass-roots level against the continuation of toxic pollution. Legislation was readied at all governmental levels to defend against a new kind of invisible fallout. The scientists who had claimed a "holy grail” of knowledge were forced to admit a vast ignorance. While Carson knew that one book could not alter the dynamic of the capitalist system, an environmental movement grew from her challenge, led by a public that demanded that science and government be held accountable. Carson remains an example of what one committed individual can do to change the direction of society. She was a revolutionary spokesperson for the rights of all life. She dared to speak out and confront the issue of the destruction of nature and to frame it as a debate over the quality of all life.
Rachel Carson knew before she died that her work had made a difference. She was honored by medals and awards, and posthumously received the Presidential Medal of Freedom in 1981. But she also knew that the issues she had raised would not be solved quickly or easily and that affluent societies are slow to sacrifice for the good of the whole. It was not until six years after Carson’s death that concerned Americans celebrated the first Earth Day and that Congress passed the National Environmental Policy Act establishing the Environmental Protection Agency as a buffer against our own handiwork. The domestic production of DDT was banned, but not its export, ensuring that the pollution of the earth’s atmosphere, oceans, streams, and wildlife would continue unabated. DDT is found in the livers of birds and fish on every oceanic island on the planet and in the breast milk of every mother. In spite of decades of environmental protest and awareness, and in spite of Rachel Carson’s apocalyptic call alerting Americans to the problem of toxic chemicals, reduction of the use of pesticides has been one of the major policy failures of the environmental era. Global contamination is a fact of modern life.
Silent Spring compels each generation to reevaluate its relationship to the natural world. We are a nation still debating the questions it raised, still unresolved as to how to act for the common good, how to achieve environmental justice. In arguing that public health and the environment, human and natural, are inseparable, Rachel Carson insisted that the role of the expert had to be limited by democratic access and must include public debate about the risks of hazardous technologies. She knew then, as we have learned since, that scientific evidence by its very nature is incomplete and scientists will inevitably disagree on what constitutes certain proof of harm. It is difficult to make public policy in such cases when government’s obligation to protect is mitigated by the nature of science itself.
Rachel Carson left us a legacy that not only embraces the future of life, in which she believed so fervently, but sustains the human spirit. She confronted us with the chemical corruption of the globe and called on us to regulate our appetites—a truly revolutionary stance—for our self- preservation. "It seems reasonable to believe,” she wrote, "that the more clearly we can focus our attention on the wonders and realities of the universe about us, the less taste we shall have for the destruction of our race. Wonder and humility are wholesome emotions, and they do not exist side by side with a lust for destruction.” Wonder and humility are just some of the gifts of Silent Spring. They remind us that we, like all other living creatures, are part of the vast ecosystems of the earth, part of the whole stream of life. This is a book to relish: not for the dark side of human nature, but for the promise of life’s possibility.

Copyright © 1962 by Rachel L. Carson Copyright © renewed 1990 by Roger Christie Introduction copyright © 2002 by Linda Lear Reprinted by permission of Houghton Mifflin Company.

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Table of Contents

Acknowledgments
Introduction
1 A Fable for Tomorrow 1
2 The Obligation to Endure 5
3 Elixirs of Death 15
4 Surface Waters and Underground Seas 39
5 Realms of the Soil 53
6 Earth's Green Mantle 63
7 Needless Havoc 85
8 And No Birds Sing 103
9 Rivers of Death 129
10 Indiscriminately from the Skies 154
11 Beyond the Dreams of the Borgias 173
12 The Human Price 187
13 Through a Narrow Window 199
14 One in Every Four 219
15 Nature Fights Back 245
16 The Rumblings of an Avalanche 262
17 The Other Road 277
List of Principal Sources 301
Afterword 357
Index 365
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Sort by: Showing all of 12 Customer Reviews
  • Anonymous

    Posted November 18, 2002

    Hope for a bleak future

    Nature, a web of energy transfers and the movement of ambitious life, broken down yields unique fibers each their own form and style; an endless matt of differentiation. Fibers defined by an independent characteristic which life and nature depend on. Rachel Carson¿s, Silent Spring, certainly changed the perceptions of all who have read it. Carson carefully wrote Silent Spring in her own soft style which incorporates scientific evidence, theory and reasoning along with the naturalistic biological observations Carson noted herself. Although, blatant evidence shows that chemicals like the: chlorinated hydrocarbons, phosphates and organophosphates mutate genes as radiation does, inhibit functions of the body, promote cancer in all cells, halt the division of cells and pass mutated DNA on to progeny. World wide these chemicals are sprayed at rates which any form of life, including humans, in any part of the world would undoubtedly absorb enough chemical residue whether directly or indirectly for the aforementioned unnatural catastrophes to take place. Carson made it clear that these chemicals have no counterparts in nature, which means nothing exists in the realm of the Earth that could break them down. They are sturdy and last the test of time, some thousands if not millions of years. Because of this, residues enter a food web in many ways. If water is contaminated in one place, water is contaminated everywhere; therefore all living beings have residues in their system and have passed them down the line. Animals not directly hit by the poisons may feed on others that have, or feed on an animal who encountered contaminated food many years ago. The poisons build up in fatty tissues where they become concentrated and sometimes multiplied. Mothers nursing newborn infants and feeding them baby foods which contain insecticidal residues never knew it, still even today. Carson has explained that insecticides, herbicides and pesticides all deserve the classification ¿biocide.¿ She describes them as biocides because these chemicals kill not only what their prefix implies but all life. One could determine this from the mere fact that all these chemicals stemmed from the poisonous gases by the U.S. in World War II. Now that industries have control over their own regulations, life as nature intended will become extinct if not all together. Rachel Carson wrote this book almost forty years ago and realistically, nothing has changed in chemical production, or the ignorant practices of agriculture. Some chemicals have been banned, although some countries still use them and residues travel across the world back and forth. Everyday, chemicals belonging to the three aforementioned groups are newly synthesized and marketed differently. Basically the same chemicals are just physically rearranged on the molecular level. Until people consider other forms of life then their own, as well as read Silent Spring, the world is headed for disaster.

    5 out of 5 people found this review helpful.

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  • Anonymous

    Posted February 10, 2000

    Excellent - Timely!

    Rachel Carson was way ahead of her time on this one. Even though it was written some years ago, she is very current with her ideas and warnings. We have the same issues today. We as a people have still not realized that poisons are just that - poisons, whether chemical or 'organic'. This book is a 'must read' for gardeners, lawn owners, agriculturists, and government leaders! We must get away from the mind-set that the poison is the only way to attack pests. Nor are bio-controls always safe - sometimes the introduced insect or bacteria will attact not only the intended pest or weed, but others not intended and can create havoc themselves. For example, parasitic wasps do not stay in the fields where released, but also attack and kill the non-pest caterpillars of beautiful butterflies. Genetic Engineering is also not the answer - from creating superbugs and superweeds resistent to it, harming the soil, and creating hidden allergens, to harming wildlife (the GE plant's pollen can drift far and wide onto other plants, making them poisonous to animals not intended as the target). What can we use? There are pest-control methods not based on chemistry or genetics but on ecology. They work. Rotating crops. Mixing crops. Using organic fertilizers and mulches. Building up the ecosystem above the ground and in the soil so the natual predators rise and fall with the pests - doing so with a specificity that chemicals cannot match. Retiring the attitude that the almighty lawn is king. Putting the food grown to better use - if just one-third of the grains grown for animals would go to humans instead, we could prevent much of worldwide hunger. Organic gardening improves soil fertility, has fewer detrimental effects on the environment, and produces equivalent crop yields to high-intensity gardening. Natural landscaping is beautiful and comfortable to be in. Three cheers for Rachel Carson!

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted January 14, 2000

    Impact

    impact(im pakt'; n) the power to move feelings, influence thinking, etc. Silent Spring made me even more aware of the environmental toxins in our everyday life. I've alway tried to be careful and not wasteful with products I've used but I probably did not take as much precautions on my own self that I should have. I've now found a whole new respect for the safety of any chemicals I and my family use, and will be using more natural home remedies for my environmental uses. I am spreading the word on this book but Silent Spring needs to be advertised more to make more people aware of it and get more young readers interested in it. I had never heard of Silent Spring until this year on a NPR radio station, and every 'older' person I've talked to about the book knew about it and read it back in the sixties.

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted December 11, 2002

    Please read

    This book rises above political leanings. It is so meticulously researched that to try to discredit it in any way is pure ignorant obstinacy. She doesn¿t exaggerate--I think she understates the dangers of pesticide use at times in an attempt to meet the mindset of the time halfway. Be assured that you will be amazed that POISONS were spread over land and water with such abandon. I didn¿t fully realize before I read this book that Organic farming is so, so important. Thank goodness for Organic Farmers!! Farmers can make a better living and have healthier lives when they¿re not forced to use toxic chemicals. Rachel Carson also brings up another important and chilling point about the relationship between the toxic chemicals mentioned in her book and cancer. As long as chemists are coming up with ¿new & improved¿ poisons, we will always be a couple of steps behind in the battle against cancer (if not several generations behind). WHY do we allow these carcinogens into the environment and into our homes? Why do we allow ourselves to be treated this way? Like lab rats?

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted October 2, 2002

    One of the Greatest Books

    Thanks Rachel.You had catalyzed the Most Important movement in Human History.Through this landmark book Rachel achieved one of the greatest achievements of 20th century.Silent Spring is excellent book about harmful pesticides. This book inspired me for Nature and Wildlife Conservation.I recommend this book to only those who understand our common mother is Nature and common family is combination of Wildlife and Humanity.I wonder still idiots are using pesticides.One Question-Why the books written on Global warming,Ozone Layer Depletion or Water Conservation aren't as influential as Silent Spring??

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted December 18, 2000

    From a Student

    Rachel Carson started a revolution with this book and the reasons are obivious and endless. The writing style is almost poetic for enviromental safety can amaze anyone. However this is not a light reading book, so the recommendation to read it does not go out to everyone.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted July 31, 2000

    Ahead of it's Time

    This book has amazing introspective. Rachel Carson started a revolution with this book and the reasons are obvious and endless. The writing style is almost poetic and her passion for environmental saftey can amaze anyone. This book however, is not light reading so the recommendation to read it does not go out to everyone.

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  • Anonymous

    Posted April 9, 2000

    Birds, bees, apples, and trees!

    This book was very concise and introspective, but certainly not to my taste. As a novel I do not reccommend it, but if you need a research item, this is perfect! It is extremely specific. Not something you would want to read for fun.

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted April 18, 2000

    Silent Spring

    A must read environmental book.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 18, 2000

    Silent Spring

    This book made america think about pecticides

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  • Anonymous

    Posted March 3, 2009

    No text was provided for this review.

  • Anonymous

    Posted September 3, 2009

    No text was provided for this review.

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