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| Fozzy | Primary Artist |
| Billy Grey | Guitar |
| Phil Campbell | Guitar, Soloist |
| Rich Ward | Guitar, Vocals |
| Ed Aborn | Background Vocals |
| M. Shadows | Vocals |
| Nick Parsons | Background Vocals |
| Chris Jericho | Vocals |
| Frank Fontsere | Drums |
| Neil Tankersley | fender rhodes, Hammond B3 |
| Christina Starr Wherry | Background Vocals |
| Paul Di Leo | Bass |
| Terry Chism | Keyboards, Background Vocals |
| Amanda Aborn | Vocals |
| Shawn Grove | Engineer |
| Jeff Schwind | Management |
| Anthony Clarkson | Artwork, Layout |
| M. Shadows | Arranger |
| Todd Campbell | Engineer |
| Chris Jericho | Composer |
| Frank Fontsere | Drum Editing |
| Rich 'The Duke' Ward | Composer, Producer, Engineer |
| Barry Bloom | Personal Manager |
| Mark Willis | Management |
| Dan Devita | Booking |
| Glenn Shick | Mastering |
| Paul Di Leo | Engineer |
| Terry Chism | Vocal Arrangements, Orchestral Arrangements |
Editorial Reviews
All Music Guide - David Jeffries
Sin and Bones is Fozzy's third "serious" album and fifth overall, their first two being fun cover albums, filled with songs from obvious influences like Iron Maiden, Scorpions, Accept, and W.A.S.P. Note that last name, because this mighty metal machine comes courtesy of a wrestler (Chris Jericho) and a rap-metal guitarist (Stuck Mojo's Rich Ward, aka the Duke) who, along with Dio and Ozzy, dig Blackie Lawless, so don't think the word "restraint" will get thrown around here much. On the contrary, Fozzy rock over the top like Spinal Tap never happened, as the Alice Cooper-sized opener, "Spider in My Mouth," does the creepy kid, M. Night Shyamalan thing with a young girl ...