Singing Schumann: An Interpretive Guide for Performers
Singing Schumann is likely to become the standard introduction to some of the best-loved songs in the singer's repertoire. Written by a distinguished performer and internationally known teacher, the book offers astute, practical advice for bringing Robert Schumann's Lieder to life in performance. Richard Miller guides the reader through the interpretation of all of Schumann's solo and duet songs, drawing thoroughly on Schumann's compositional style and its historical background. In addition to covering the "familiar forty"--the much-performed songs Schumann composed in and around 1840 while trying to win the hand of Clara Wieck--Miller takes an in-depth look at the lesser known early and later songs. In particular, he focuses on the rich and varied repertoire of Schumann's later years, challenging the conventional view that these works reflect a decline in the composer's creative powers. Singing Schumann begins with an overview of Schumann as a song composer and then proceeds to survey the entire repertoire, song by song. It features the well-known cycles, including the Eichendorff Liederkreis, Frauenliebe und -leben, and Dichterliebe, as well as the Liederalbum für die Jugend and settings of texts by Goethe, Burns, Rückert, and Kulmann. Using numerous musical examples, Miller uncovers Schumann's characteristic compositional devices and describes his novel and experimental approaches to the interpretation of texts, often achieved through exceptionally colorful keyboard accompaniments. Musically sensitive and eminently readable, Singing Schumann is an invaluable guide for teachers, coaches, pianists, and singers.
1101402199
Singing Schumann: An Interpretive Guide for Performers
Singing Schumann is likely to become the standard introduction to some of the best-loved songs in the singer's repertoire. Written by a distinguished performer and internationally known teacher, the book offers astute, practical advice for bringing Robert Schumann's Lieder to life in performance. Richard Miller guides the reader through the interpretation of all of Schumann's solo and duet songs, drawing thoroughly on Schumann's compositional style and its historical background. In addition to covering the "familiar forty"--the much-performed songs Schumann composed in and around 1840 while trying to win the hand of Clara Wieck--Miller takes an in-depth look at the lesser known early and later songs. In particular, he focuses on the rich and varied repertoire of Schumann's later years, challenging the conventional view that these works reflect a decline in the composer's creative powers. Singing Schumann begins with an overview of Schumann as a song composer and then proceeds to survey the entire repertoire, song by song. It features the well-known cycles, including the Eichendorff Liederkreis, Frauenliebe und -leben, and Dichterliebe, as well as the Liederalbum für die Jugend and settings of texts by Goethe, Burns, Rückert, and Kulmann. Using numerous musical examples, Miller uncovers Schumann's characteristic compositional devices and describes his novel and experimental approaches to the interpretation of texts, often achieved through exceptionally colorful keyboard accompaniments. Musically sensitive and eminently readable, Singing Schumann is an invaluable guide for teachers, coaches, pianists, and singers.
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Singing Schumann: An Interpretive Guide for Performers

Singing Schumann: An Interpretive Guide for Performers

by Richard Miller
Singing Schumann: An Interpretive Guide for Performers

Singing Schumann: An Interpretive Guide for Performers

by Richard Miller

eBook

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Overview

Singing Schumann is likely to become the standard introduction to some of the best-loved songs in the singer's repertoire. Written by a distinguished performer and internationally known teacher, the book offers astute, practical advice for bringing Robert Schumann's Lieder to life in performance. Richard Miller guides the reader through the interpretation of all of Schumann's solo and duet songs, drawing thoroughly on Schumann's compositional style and its historical background. In addition to covering the "familiar forty"--the much-performed songs Schumann composed in and around 1840 while trying to win the hand of Clara Wieck--Miller takes an in-depth look at the lesser known early and later songs. In particular, he focuses on the rich and varied repertoire of Schumann's later years, challenging the conventional view that these works reflect a decline in the composer's creative powers. Singing Schumann begins with an overview of Schumann as a song composer and then proceeds to survey the entire repertoire, song by song. It features the well-known cycles, including the Eichendorff Liederkreis, Frauenliebe und -leben, and Dichterliebe, as well as the Liederalbum für die Jugend and settings of texts by Goethe, Burns, Rückert, and Kulmann. Using numerous musical examples, Miller uncovers Schumann's characteristic compositional devices and describes his novel and experimental approaches to the interpretation of texts, often achieved through exceptionally colorful keyboard accompaniments. Musically sensitive and eminently readable, Singing Schumann is an invaluable guide for teachers, coaches, pianists, and singers.

Product Details

ISBN-13: 9780198028000
Publisher: Oxford University Press
Publication date: 04/28/2005
Sold by: Barnes & Noble
Format: eBook
File size: 6 MB

About the Author

In addition to his long and distinguished performance career, Richard Miller is internationally known for master classes in systematic vocal technique and artistic interpretation. He is both Director and Professor at the Otto B. Schoepfle Vocal Arts Center at Oberlin College, and has also written several books and articles.

Table of Contents

Why This Book Was Written1. Robert Schumann as Song Composer2. Performance Practices in the Schumann Lieder3. Liederkreis (Heine), Opus 244. Myrten, Opus 255. Kerner Lieder, Opus 356. Reinick Lieder, Opus 367. Rückert Lieder (Zwölf Gedichte aus "Liebesfrühling"), Opus 378. Liederkries (Eichendorff), Opus 399. Fünf Lieder (Andersen and Chamisso), Opus 4010. Frauenliebe and -leben, (Chamisso), Opus 4211. Dichterliebe (Heine), Opus 4812. Opus 45 and Opus 5713. Opus 5314. Some Other Early Lieder: Opuses 27, 30, 31, 4915. Opus 127 and Opus 14216. Opus 5117. Opus 6418. Opus 7719. Liederalbum für die Jugend, Opus 7920. Opus 83 and Opus 8721. Sechs Gesänge, Opus 89 (von der Neun), and Opus 90 (Lenau)22. Drei Gesänge (Byron), Opus 95, and Opus 9623. Lieder and Gesänge aus Wilhelm Meister (Goethe), Opus 98a24. Sieben Lieder (Kulmann), Opus 104, Opus 107, and Vier Husarenlieder (Lenau), Opus 11725. Opus 119, Opus 125, and Maria Stuart Lieder, Opus 13526. Solos and Duets from the Ensemble Collections: Opuses 29, 34, 37, 43, 74, 78, 79, 101, 103, 112, 13827 Provenzalisches Lied, #4, Ballade, #7, Opus 139, and Der Contrabandiste, Opus 74, App.
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