Sinister Shorts

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Overview

The New York Times bestselling author of the acclaimed Nina Reilly thrillers brings her prodigious storytelling gifts to this first-ever collection of short crime fiction. From desperate housewives to hard-boiled PIs to an appearance by Nina Reilly herself, these chilling short mysteries–many appearing in print for the very first time–set the mood and ratchet up the suspense as only Perri O’Shaughnessy can.

Here are tales of love and betrayal, rage and revenge–nineteen sizzling ...

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Sinister Shorts

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Overview

The New York Times bestselling author of the acclaimed Nina Reilly thrillers brings her prodigious storytelling gifts to this first-ever collection of short crime fiction. From desperate housewives to hard-boiled PIs to an appearance by Nina Reilly herself, these chilling short mysteries–many appearing in print for the very first time–set the mood and ratchet up the suspense as only Perri O’Shaughnessy can.

Here are tales of love and betrayal, rage and revenge–nineteen sizzling stories that run the gamut from classic whodunits to winding thrillers to an unusual cozy that casts Gertrude Stein as an unlikely Miss Marple. And here Perri O’Shaughnessy has created some of her most sinister and compelling characters yet: a college student who devises an ingenious method for getting her sexy teacher’s attention . . . a haunted ex—homicide cop who takes a long walk into his blood-shadowed past in a twisting tale of brutal murder and escalating violence . . . a model wife who surprises both herself and a bothersome furnace man when she is confronted with an unacceptable ultimatum . . . a lemon tree that plays a pivotal role in the tale of a woman who at long last asserts her independence. . . .

From a blood-soaked scheme that’s born at a slot machine in Vegas to the violence that ensues when the fat lady stops singing, Sinister Shorts shows us life at its most menacing, murderous, and unbearably suspenseful. And it proves once again the unique and captivating genius of Perri O’Shaughnessy.

From the Hardcover edition.

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Editorial Reviews

Publishers Weekly
Sisters Pam and Mary O'Shaughnessy use the pen name Perri O'Shaughnessy for their Nina Reilly legal thrillers as well as for this uneven debut collection of 19 short suspense stories, only one of which involves Nina Reilly and is the only "fifty-fifty collaboration" between the pair. "The Long Walk" fittingly leads, since it was published before their first novel, Motion to Suppress (1995). There are two homages: a Gertrude Stein parody, "Gertrude Stein Solves a Mystery," which is less than successful, and "His Master's Hand," which nicely mimics the style of Dostoyevski's Notes from Underground. "Dead Money" crams a novel's worth of twists and deductions into a short story. In "Tiny Angels," an FBI agent nabs a kidnapper thanks to his wife's casual but perceptive observations. Paul van Wagoner, an investigator in the Nina Reilly novels, does brilliant work in "Success Without College." Series fans may enjoy the challenge presented in the sisters' introduction, trying to figure out which sister wrote which story. (Jan.) Copyright 2005 Reed Business Information.
Library Journal
The sister-sister team (Pamela and Mary O'Shaughnessy) that gave us the Nina Reilly thrillers offers a first-ever collection of short suspense fiction, much of which has yet to see the light of day. Copyright 2005 Reed Business Information.
Kirkus Reviews
From the writing team of the O'Shaughnessy sisters (Unlucky in Law, 2004, etc.), a collection of stories more gloomy than sinister. Did you know that everyday life can be a drag? Here are 19 demonstrations of that fascinating truth. Spouses in particular are raked over the coals. Wives get after philandering husbands, husbands dispense with suffocating wives. In "To Still the Beating of Her Heart," the happy couple race each other to see who can reach homicide first. Luckily, the collection has its share of more accomplished work. "Juggernaut" features series heroine Nina Reilly in a deftly plotted tale of a musician whose insurance scam turns discordant. The longer "Dead Money" is a pitch-perfect character study of an embittered law officer's bout with temptation. "His Master's Hand" is in the grand tradition of campfire horror stories, as chilling as it is slick. Balancing these, however, are several that are obvious, pointless or head-scratchingly ambiguous. Wit, and the change of pace that refreshes, are in short supply. A couple more in the sunny vein of "Gertrude Stein Solves a Mystery" would have helped. Here, the authors riff charmingly on unlikely sleuths Stein and Alice B. Toklas in a style they refer to as "Steinese."Uninspired, with a kind of dreary familiarity.
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Product Details

  • ISBN-13: 9780385337984
  • Publisher: Random House Publishing Group
  • Publication date: 12/26/2006
  • Pages: 320
  • Sales rank: 750,690
  • Product dimensions: 5.76 (w) x 8.99 (h) x 0.76 (d)

Meet the Author

Perri O'Shaughnessy is the pen name for sisters Mary and Pamela O’Shaughnessy, who both live in California. They are the authors of eleven bestselling Nina Reilly novels as well as a collection of short crime fiction, Sinister Shorts.

From the Paperback edition.

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Read an Excerpt

The Long Walk

At eleven the phone buzzed. Fleck had been dreaming, gazing out the window at the busy Atlanta street scene four floors below. He punched the conference button and heard the loud tinny voice of Franklin Bell calling from California. "Hey, John," Bell said. "You are a hard man to track down."

"You found me now," Fleck said. He had been relaxed; now he was uneasy. He straightened his back and the action down there snapped into sharp focus.

A woman pushing a stroller paused to extricate an angry child while Bell talked through the speakerphone.

"I got a job for you," he was saying. "The firm has a problem."

"I'm listening." His eyes stayed with the mother on the sidewalk. The child struggled out of her arms, made a break for the street.

"Just how tied up are you in Atlanta?"

"Depends," Fleck said. "What have you got?" By now he was standing, watching the woman tear after her kid.

A roaring semi blasted through Fleck's sight line. The woman launched herself into a tackle, arms out. When the truck had passed, his eyes searched for her again and found her dragging her child across the sidewalk. She picked him up, smacked his butt, and tethered him back into the stroller, tears streaming down her cheeks. Fleck sat down, turning to face the wall.

Bell said, "Pete was talking about you the other day. He liked your work on the Ibanez fraud case. I told him you were in Atlanta. He said call you. Confidentially, of course."

Law firms were like that. Discretion was the big virtue, even bigger than turning misery into money. Fleck didn't like Franklin Bell, but he liked Pete Altschuler, Bell's boss, a senior partner at Stevenson Safik & Morris, Berkeley's best-known law firm. Pete had represented him in the divorce and taken his middle-of-the-night calls, calls he was ashamed of now.

So he waited while Bell moseyed through the Berkeley weather report--hot and sunny--and talked about the fraud case, and Pete's mild heart attack, and the latest craziness on Telegraph Avenue, a shoot-out at one of the college bars, until he got back around to the reason for his call, which was to ask Fleck to catch the Delta red-eye Sunday night and meet him and Pete Monday morning to look into something important.

"I've got four more weeks on contract here," Fleck said.

He was working a temporary security job at one of the Peachtree Plaza skyscrapers. He had been in Atlanta for several months, and he liked it, the jazz, the bars, the style. In fact, he was thinking about moving here. In Atlanta, people of color could feel comfortable, could forget the race issue much of the time. In Berkeley, his hometown in California, it would always be black folks in the flats and white folks in the hills, white guilt and condescension, black rage. His ex-wife had been white. She still lived in their house on the old Grove Street, on the borderline.

"Interrupt it for a couple weeks," Bell said. He kept talking, wheedling, persuasing.

Fleck let him talk. His mind returned to the memory he had been caressing. Last night in the candlelight, and Charisse in his bed.

In his small apartment for the first time, shy with each other, they had moved together to a slow song, bodies slick with heat where they touched. Charisse had started it, dancing him toward a blowing curtain and then past it, to the door of his bedroom. He had forced himself to follow her, lighting the candles by the bed, lifting her onto the pillows. He meant to hold back his emotion, but he couldn't help himself. Groaning, he had buried himself in her soft flickers.

Toward morning, brief thunder and lightning filled the sky off his balcony. Fleck admired Charisse's body with his hands. She stirred, mumbling something. Thick drops splashed against the glass. She sat up in bed, reached over to the bedside table for her glasses, wrapped her arms around her knees, and peered out, unself-conscious.

"You ain't goin' nowhere." He had reached up to tug gently at her.

"Fleck fits you," she murmured, looking down at him. "Yellow flecks in green eyes . . . where'd those light eyes come from, your mama or your daddy? Hey, now . . . hey."

Later, he had rolled his fullback's body out of bed, embarrassed because he knew Charisse was watching him. She got up too, classic as a temple goddess wrapped in the yellow sheet, stretching her brown arms above her head and yawning. They showered and dressed, then walked together across the concrete plaza toward the concrete tower they both worked in, avoiding the puddles, not hurrying.

Charisse had said, "Having second thoughts?"

"No, ma'am. Never. Just scared of my luck," he'd answered.

"Not luck," she said. "Don't you believe in destiny? Paths always cross for a reason." They walked into the building, got into the same elevator they had met in.

"Paths cross by chance," he said. "You never know."

Charisse laughed, said, "All those chance events, all those coincidences for the last ten thousand years, all those ancestors, all those travels, all those births and deaths and tragedies and comedies, all that led to you and me meeting right here, going up. Honey, that is destiny."

He had looked at her, so small and sure and important-sounding, having to tilt her head up even in her high heels. He loved how she thought, big thoughts. He had wanted to hiss something sweet into her ear. Instead, as he stepped out, he touched her cheek, saying, "Doesn't matter why. Here we are."

Fleck wondered how long his silence had lasted. "No. I'll have to pass," he told Bell.

Now Bell paused. "We'll give you a five-thousand-dollar bonus for the rush."

"Now you have my attention. But get specific, okay?"

"Julie Mattei, remember her? Pete's legal secretary, pretty, ah, black girl, her desk right in front of Pete's door?"

He remembered Julie. He felt the familiar chilly liquid rush up his spine. "Yeah."

"She's dead," Bell said. "Beaten to death, awful thing, on a trail up behind the UC campus, up in the hills. Just before Easter. It's one of those random killings, some joker freaked on the latest street drug."

"She had a nice smile."

"Among other things," Bell said. "Three months now, and your former colleagues at the Berkeley PD still can't find the guy. They had to reopen the trail to the public. They're interviewing all the partners and staff again. They act like they suspect one of us. We're talking major PR problems. The Berkeley press is frothing at the mouth."

"Bring in a few clients," Fleck said.

Bell took him seriously. "This kind of coverage doesn't bring in the right kind of clients. Pete's upset. He got the okay to hire you to look into the murder at the last partners' meeting."

"I'm sorry to hear all this. But I don't want to come back right now, Frank."

"I'm authorized to offer a further bonus of ten grand if you locate the killer," Bell said, squeezing each word out as if it hurt him.

"Unless it's somebody at the firm," Fleck said.

"Would we be bringing you in if we thought that? Look, you know us; you know Berkeley." Another pause. Bell couldn't resist. "Come on, John, what's the big deal? You need the money, I happen to know."

"I'll call you back," Fleck said. The money, he needed. The job . . . it was wrong to go back there. Stupid, even. He hung up, thought a minute, then called Charisse, waiting impatiently for her line to clear. Finally she said, "Hello?" with that breathy Southern voice she had, and he said, "How about you fly to California with me?" She surprised the hell out of him when she said yes.

They flew out Sunday at midnight, first class. Charisse slept the whole way with her head against his shoulder. He froze his arm, not wanting to wake her up. While he sat there, he memorized her, her dark springy hair brushing his face, her full lips parted like a child's, her smooth broad forehead, her long eyelashes resting peacefully on her cheeks. The emptiness in him receded, to be replaced by something he was afraid to name.

He left her in the hotel room in San Francisco, driving his rental car against the traffic over the Bay Bridge the next day, morning sun assaulting his eyes the whole way. Atlanta had been warm and humid, but above downtown Berkeley, the East Bay hills shimmered dry yellow, the brush desiccating in the August heat. Sun baking him through the driver's window sucked the moisture out of him.

Stevenson Safik & Morris occupied the third floor of a downtown office building on Shattuck, half a mile from the UC campus. Inside, it felt too cold, too dark.

Franklin Bell hadn't changed. The smooth pasty face was crowned with a short TV-interview haircut and the muddy eyes appraised Fleck coolly. He didn't offer to shake hands. He'd done the job, brought Fleck in. There was no need to make nice anymore. He motioned at the secretary to bring some coffee, and strode off to find Pete Altschuler.

The two white lawyers came into Bell's office together a few minutes later. Pete Altschuler pumped his hand, saying how glad he was to see him. Altschuler had lost weight since the heart attack. When he smiled, the folds in his cheeks made deep parentheses; his lips had turned purplish. He sat down carefully in the other client chair. Bell frowned at both of them, then slid a heavy brown accordion folder stuffed with papers across his wide desk toward Fleck.

"The police reports. Autopsy. Photos. Lab stuff. It's all there. Take it with you," Altschuler said.

"We want you to clear the firm's name," added Bell. "Tamp the rumors. So she worked here; it's not like she got killed at her desk. No, she had to go marching around by herself out there in the hills until a crazy got at her. So much for the feminists."

A note of triumph sounded in his voice. Fleck thought, His wife's left him.

"Are the police focusing on anybody in particular here?" he asked Altschuler.

Altschuler seemed to have used up all his energy shaking hands. "Pete was just about to let her go," Bell interposed. "Her work performance wasn't up to par. She had told some of the other secretaries. She threatened to sue."

"So?" Fleck said.

"She was a flake. She told stories," Bell went on. "Never considered the consequences of her mouth."

"Ah, let's get it over with," Altschuler said in a weary voice. "You might as well hear it from me, John. We were having an affair. She wanted to break it off with me and I wanted to keep her. There were scenes. Everyone here knew about it."

"Why was she breaking it up?" Fleck said.

Altschuler shrugged. "Who knows? They never tell you the truth when they want to dump you." His voice was light, but his hands patted his thighs as if he needed comforting.

"Did you kill her?"

Altschuler's smile had turned into a grimace. "No. Guilty? Hell, yes. But not of murder."

"What about your wife?"

"You've got to be kidding. Anne never knew."

Franklin Bell's expression said, Yeah, sure. "Who else might have done it?" Fleck asked Bell. "Any ideas, Frank? Not that you knew her well, right?"

"It's no use looking for a motive," Bell said smoothly, leaning back in his swivel chair, clasping his hands behind his head, elaborately casual. "You of all people know this town, John. Every misfit with a grudge comes to Berkeley. Nobody follows the rules. Nobody leashes 'em. It was somebody she didn't even know. She met him on the trail, he had it in his head to kill somebody that morning, and there she was."

"She lived alone," Altschuler said. "Her mother lives in the city, teaches anthro at San Francisco State. She played piano, liked Japanese food, worried about her weight, decorated her desk with bottlebrush in a vase. This was a good, decent, fine girl, John."

"Have there been any other killings, attacks, anything like that, on that trail?"

"Not this one," Bell said. "But all those hill trails, bad things happen now and then. Berkeley's no exception. There was the Hillside Strangler in Santa Cruz. The Tamalpais trails are really dangerous. Hikers find bodies there every year."

"What about this trail--what is it called?"

"The college kids call it The Long Walk," Bell said. "It's about five miles, winding up from the UC stadium behind Strawberry Canyon. It's popular with the students, of course, and the hikers and the runners. At the top there's a stretch of flat granite and a rocky place they call The Cave, with a spring. They sunbathe there, rest up before going back down. It happened on a side path near The Cave."

"No witnesses."

"No witnesses, no weapon, no evidence. Somebody just grabbed her and bashed her brains in,"
Altschuler said. "It's not just for the firm, John. It's for her."

"She was a flake," Bell repeated, "and we really don't need this kind of attention."

"Why did you call me?" Fleck said. "Why do you think I can step in, when the Berkeley PD can't close it?"

"You worked there all those years. You know how it is," Altschuler said. "Other priorities. Drugs, runaways, domestic violence, foreign students getting robbed and killed, political demonstrations, the annual riots on Telegraph, the big murders, the orders to keep a low profile . . ."

Bell looked bored. He hauled himself out of the chair, said, "It's in the reports," looked at his watch. On cue, his phone buzzed. "Take care," he said. The meeting was over.

"Call me in a day or two, John," Altschuler said at the door into the hall. "Where are you going to start?"

"The Long Walk," Fleck said. He hefted the file under his arm. "You ever been there, Pete?"

"Not me," Altschuler said. His mouth opened in his long mournful face like he was about to say more, but the door closed, and Fleck was shut out.

Charisse had never been to the huge amusement park of San Francisco. That night they climbed the Coit Tower hill in a balmy sunset and ate at an Italian restaurant in North Beach. Then they drove across the Golden Gate Bridge to Sausalito and had a few drinks on the outside deck at the Reef, looking back over the dark brilliant water toward the glowing city.

Some kids leaned too far over the railing, tossing bits of sourdough. A sea lion barked itself hoarse in the shallows below the deck and Charisse ran over to look. Pelicans and gulls circled and dove. Fleck sat there, too big for the flimsy wicker chair, finishing his drink, the sharp aromatic fumes of the brandy blending with the salt tang of the air. He had read the reports. He should not be on this case.

From the Hardcover edition.

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Table of Contents

The long walk 1
Success without college 23
Dead money 43
O'Shay's special case 72
House afire 91
His master's hand 102
Gertrude Stein solves a mystery 111
The furnace man 120
Trio 132
The second head 145
Chocolate milkshake 156
The young lady 161
Juggernaut 179
The couple behind the curtain 207
Sandstorm 227
Tiny angels 239
To still the beating of her heart 253
Lemons 287
A grandmother's tale 296
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Sort by: Showing all of 2 Customer Reviews
  • Posted December 9, 2008

    more from this reviewer

    Greatvread

    Starting with the challenge by the O¿Shaughnessy sisters in their introduction to guess who wrote which tale, this terrific crime based anthology consists of eight new stories as well as eleven others previously published elsewhere but not together. The tales are fun to read especially the delightful Nina Reilly¿s sleuth story Paul van Wagoner stars in 'Success without College¿ and Gertrude Stein heads two others. Each tale is fun to follow especially when the audience learns of the crime. In addition the award winning The Long Walk is also part of the compilation. Fans of the O¿Shaughnessy siblings will appreciate their salute to the criminal mind while new readers will seek their Reilly legal thrillers, but everyone will take their fifty-fifty shot at guessing authorship. P Harriet Klausner

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    Posted January 15, 2011

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