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Sister Brother: Gertrude and Leo Stein

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Devoted, eccentric, and compelling, Gertrude and Leo Stein were constant companions, childhood to adulthood, until, finally, they spoke no more. Americans, expatriates, virtually orphans, they lived together for almost forty years, collaborating in one of the great artistic and literary adventures of the twentieth century. Sister Brother tells the story of that adventure and relationship. With a personality that drew people toward her-regardless of what they thought of her inventive, hermetic prose-Gertrude Stein...
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1996 Hardcover New jacket First Edition. New Hardcover with dust jacket, clean, tight, unmarked, (Fine with Fine Dust Jacket), First Edition, First Printing, A dual biography ... of Gertrude and Leo Stein examines their powerful relationship and smoldering rivalries and Leo's influence over Gertrude's early life, and includes a early Gertrude Stein manuscript and previously unpublished papers by Leo Stein. All orders are shipped by kbooks every business day. Read more Show Less

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E Rutherford, New Jersey, U.S.A. 1996 Hardcover New 0399141030. FLAWLESS COPY, AVOID WEEKS OF DELAY ELSEWHERE. --clean and crisp, tight and bright pages, with no writing or ... markings to the text. Read more Show Less

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Overview

Devoted, eccentric, and compelling, Gertrude and Leo Stein were constant companions, childhood to adulthood, until, finally, they spoke no more. Americans, expatriates, virtually orphans, they lived together for almost forty years, collaborating in one of the great artistic and literary adventures of the twentieth century. Sister Brother tells the story of that adventure and relationship. With a personality that drew people toward her-regardless of what they thought of her inventive, hermetic prose-Gertrude Stein dazzled and perplexed. Enigmatic, intelligent, and self-absorbed, Leo also dazzled but in his own way. One of the crucial figures in Gertrude's early years, he was the original guiding spirit of the famed salon at 27 rue de Fleurus, which continued for almost two decades. From her early days as a medical student to her first days in Paris, Gertrude was passionately driven toward the career in which she distinguished herself, demanding appreciation as an exceptional writer who knew precisely what she intended. This book shows how Gertrude slowly struggled with what became a unique voice-and why her brother spurned it.

With its wealth of new and rare material, its reconstruction of Leo's famed art collection, and its array of characters-from Bernard Berenson to Pablo Picasso-this biography offers the first glimpse into the smoldering sibling relationship that helped form two of the twentieth century's most unusual figures.

About the Author:
Brenda Wineapple is the author of Genet: A Biography of Janet Flanner and Hawthorne: A Life, which received the English-Speaking Union's Ambassador Award for the Best Biography of 2003 and the Boston Book Club's Julia WardHowe Award. She has a forthcoming book on Emily Dickinson and teaches writing in the School of the Arts at Columbia University and the MFA program at the New School University in New York

From the author of Genet: A Biography of Janet Flanner comes a fascinating dual biography of Gertrude Stein and her brother Leo, the sister-and-brother team of eccentric and compelling American expatriates who collaborated in the great art and literary adventures of this century. Photos.

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Editorial Reviews

Publishers Weekly - Cahners\\Publishers_Weekly
Just before WW I, the suffocating brother-sister relationship of the Steins ended in Paris. They never again spoke to each other. Gertrude Stein's gift for self-promotion has largely created her image. Now Wineapple the biographer of Janet Flanner-Genét looks behind it. 'It was I who was the genius,' Gertrude claimed, 'there was no reason for it, but I was, and he was not.' Siblings of German-Jewish ancestry with inherited incomes, Gertrude and Leo Stein showed little motivation to succeed at anything. Leo would drop out of law schol, Gertrude out of medical school. From their teens in Cambridge and Baltimore into their late 30s on the Continent, they remained close, often living together. In France, they collected bohemian friends and avant-garde art while trying to find themselves. Gertrude grew fat and sloppy while bullying her lesbian set; Leo became neurotic and anorexic, his sense of inadequacy growing in proportion to his sister's success. By 1913, her experimental prose built upon repetition and rhythm was already being parodied. Going nowhere when Alice Toklas moved in, Leo moved out of the already famous Paris flat hung with Picassos, Matisses and Renoirs to a cottage in Italy, taking half the pictures. Leo's loyal-but desperate-mistress would follow him. Finally, just before his death in 1947, Leo published the single book on aesthetics by which he would be remembered. The year before, he had heard about Gertrude's death only from a newspaper. Their years together are not inspiring reading, but Wineapple's account evokes their lives as never before.
Publishers Weekly - Publisher's Weekly
Just before WW I, the suffocating brother-sister relationship of the Steins ended in Paris. They never again spoke to each other. Gertrude Stein's gift for self-promotion has largely created her image. Now Wineapple the biographer of Janet Flanner-Gent looks behind it. "It was I who was the genius," Gertrude claimed, "there was no reason for it, but I was, and he was not." Siblings of German-Jewish ancestry with inherited incomes, Gertrude and Leo Stein showed little motivation to succeed at anything. Leo would drop out of law schol, Gertrude out of medical school. From their teens in Cambridge and Baltimore into their late 30s on the Continent, they remained close, often living together. In France, they collected bohemian friends and avant-garde art while trying to find themselves. Gertrude grew fat and sloppy while bullying her lesbian set; Leo became neurotic and anorexic, his sense of inadequacy growing in proportion to his sister's success. By 1913, her experimental prose built upon repetition and rhythm was already being parodied. Going nowhere when Alice Toklas moved in, Leo moved out of the already famous Paris flat hung with Picassos, Matisses and Renoirs to a cottage in Italy, taking half the pictures. Leo's loyal-but desperate-mistress would follow him. Finally, just before his death in 1947, Leo published the single book on aesthetics by which he would be remembered. The year before, he had heard about Gertrude's death only from a newspaper. Their years together are not inspiring reading, but Wineapple's account evokes their lives as never before. Apr.
Library Journal
Despite the interwoven lives of Gertrude and Leo Stein, this biography by Wineapple literature, Union Coll., Schenectady is the first to use the sister-brother relationship as the central focus. Wineapple chronicles the symbiotic lives, personalities, intellects, and temperaments of Gertrude and Leo from childhood through death. She explores the siblings' idiosyncrasies and speculations about their relationship while offering details of their educational pursuits and college lives. In the process, Wineapple reveals the era's prejudices against Jews and women and specifics about Leo's relationship with Nina Auzias. While Linda Wagner-Martin's recent biography, Favored Strangers: Gertrude Stein and Her Family Rutgers Univ., 1995, offers a more generally appealing, anecdotal writing style and emphasizes the Stein family experience, Wineapple provides a more detailed, authoritative account of the personal and intellectual lives of Gertrude and Leo. Her work is a good scholarly companion to James Mellow's standard biography, Charmed Circle: Gertrude Stein & Company 1974. For literature collections.-Jeris Cassel, Rutgers Univ. Libs., New Brunswick, N.J.
Donna Seaman
Wineapple, author of the definitive biography of Janet Flanner, illuminates the distinct and tremendously influential personalities of Gertrude and Leo Stein as well as the intricate nature of their intense but doomed relationship. Gertrude grew up fiercely ambitious, battling sexism and anti-Semitism in pursuit of a medical degree; but Leo quickly gave up on law, and it was his discovery of his passion for painting and Europe that led them to Paris, where they played pivotal, now legendary roles in the birth of modern art. Wineapple wears many hats here as she writes with equal insight and energy about Gertrude's interest in psychology and Leo's aesthetics, their sexual selves, the artists they championed, Gertrude's radical prose, and the twist of love and rivalry hidden beneath the seemingly felicitous surface of their famous if enigmatic household. Finally, we learn all the details about the abrupt and permanent demise of this unique sister-brother partnership, a falling-out precipitated as much by artistic differences as by hurt feelings.
New York Times Book Review

“Ms. Wineapple does an impressive job of setting down the facts of the Steins' eventful lives. . . . [An] ambitious biography.”—New York Times Book Review
Washington Post Book World

“Wineapple tells a dramatically compelling story; her analysis is insightful, her meticulous documentation unobtrusive. She has written an absorbing account of two extraordinary siblings.”—Washington Post Book World
San Francisco Chronicle

“Brenda Wineapple brilliantly disentwines the record of Stein's life from the image of it that Stein and her allies created. . . . Wineapple's narrative is fluent and clear . . . fascinating.”—San Francisco Chronicle
Booklist

“Wineapple illuminates the distinct and tremendously influential personalities of Gertrude and Leo Stein as well as the intricate nature of their intense but doomed relationship.”—Booklist
Boston Globe

“Drawing on rich archival sources, and interpreting them judiciously and sensitively, Wineapple gives us a fresh picture of Stein, many of her relatives, and especially the sibling to whom she was closest: her brilliant, intense brother Leo.”—Linda Simon, Boston Globe

— Linda Simon

Toronto Globe and Mail

“Sister Brother is a beautifully even-handed and penetrating treatment. This biography is indispensable for students of Gertrude Stein and of modernism, and will be a delight to lovers of art and to all those interested in what Wineapple calls ‘the romance of families.’”—Toronto Globe and Mail
Elle

“A riveting joint profile of Gertrude and Leo Stein. . . . A wild, Fauve-like canvas of a time before emotional color was muted by Prozac.”—M. G. Lord, Elle
Daily Telegraph

“Wineapple’s book explores their partnership with humour and panache. Not the least of its virtues is that, while paying ample homage to Gertrude, it does justice perhaps for the first time at length and in detail, to Leo. . . . Scrupulous, sensitive, marvellous.”—Daily Telegraph
Forward

“Eloquent”—Forward
The Guardian

“A rewarding read.”—Guardian
Chicago Tribune

“Brenda Wineapple could have called this book ‘Scenes from a Marriage’. . . . An absorbing picture.”—Chicago Tribune
Richard Howard

“A luminous, harrowing achievement for which all students of literature and art, as well as of families, are in Brenda Wineapple's debt.”

Patricia Bosworth

“Brenda Wineapple’s meticulous, scholarly, and affectionate double biography of Gertrude Stein and her brother Leo gives us the fascinating story of two glorious animals.”

Boston Globe - Linda Simon

“Drawing on rich archival sources, and interpreting them judiciously and sensitively, Wineapple gives us a fresh picture of Stein, many of her relatives, and especially the sibling to whom she was closest: her brilliant, intense brother Leo.”—Linda Simon, Boston Globe
Richard Howard

“A luminous, harrowing achievement for which all students of literature and art, as well as of families, are in Brenda Wineapple's debt.”—Richard Howard
Patricia Bosworth

“Brenda Wineapple’s meticulous, scholarly, and affectionate double biography of Gertrude Stein and her brother Leo gives us the fascinating story of two glorious animals.”—Patricia Bosworth
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Product Details

  • ISBN-13: 9780399141034
  • Publisher: Penguin Group (USA) Incorporated
  • Publication date: 4/16/1996
  • Pages: 1
  • Product dimensions: 6.42 (w) x 9.52 (h) x 1.83 (d)

Meet the Author


Brenda Wineapple is the author of Genêt: A Biography of Janet Flanner and Hawthorne: A Life, which received the English-Speaking Union's Ambassador Award for the Best Biography of 2003 and the Boston Book Club’s Julia Ward Howe Award. She has a forthcoming book on Emily Dickinson and teaches writing in the School of the Arts at Columbia University and the MFA program at the New School University in New York.
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Table of Contents

Prologue: And They Were Not Wrong     1
Disorder and Early Sorrow
Bes Almon     6
Tempers We Are Born With     30
Too Darn Anxious to Be Safe     47
Both Ones That Quite Enough Are Knowing
To Know Thyself     64
The Feminine Half     84
Evolution     100
Respectability     116
New Americans     134
Speech Is the Twin of My Vision
Gilded Cages     156
Brother Singular     170
Quod Erat Demonstrandum     188
Toward a More Quintessential Method, 1903-1905     208
In the Thick of It     227
An Alarm Has No Button
Quarreling     248
Banquets     266
I Could Be So Happy     286
A Fine Frenzy     304
Myself and Strangers, or The Inevitable Character of My Art     323
Ripeness Is All
Two     338
The Disaggregation     356
Of Having a Great Many Times Not Continued to Be Friends: A Finale     376
Epilogue: A Family Romance     393
Appendix     409
Acknowledgments     415
Notes     421
Bibliography     487
Index     501
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