Women's Voices as Historical Record
Sisters in War, by Christina Asquith, documents the lives of four women in war-ravaged Iraq. Asquith anchors her story with names and events that are the memorable war headlines of American news in 2003-2004. She then reveals truths that were not known state-side: details of events and their effect on women's lives, and how the continued American military presence affects the Iraqi people outside the enclave known as the Green Zone. Iraqi sisters Zia and Nunu experience pre-Sadam and post-Sadam Iraq, and find their daily lives, education and sense of a future interrupted and altered beyond their control. American Army reservist Heather arrives in war-ravaged Iraq, with a naïve dream and official mandate to bring American-style women's rights, as defined by American military strategists, to a traditional conservative Muslim society. She collaborates with American aid worker Manal, who understands both cultures and attempts to bridge West and Middle East in Iraq, as she has in her own life. The day-to-day details of four women's lives chillingly reveal the impact of war, in ways that more formal reports of troop movements and statistical analyses do not. We know that soldiers are horribly traumatized by war. Still, if one considers the broad cultural devastation perpetrated by war, it is written indelibly in the minds, hearts and lives of the non-combatants: most often women, children and the elderly. Civilians in war zones are murdered, gang-raped, tortured, displaced and bereft of home, food, clothing and education. Families and communities are disrupted, often destroyed. Rarely are the day-to-day details of civilian war experience honored in the recording of political change. The bystanders are unknown, stripped of identity and dignity, marginalized by historical record, and transformed into riveting anonymous photographs and textual footnotes. Asquith's telling of the inept arrogance of American military decisions reveals a narcissistic political solipsism, reminiscent of the 1958 novel The Ugly American, by Eugene Burdick and William Lederer. Tell it she does, with flawless straightforward prose that clearly exposes the suffering caused by a protracted war that did not have to happen. Asquith is equally articulate as she describes details that reveal the strength and determination of women whose choices are restricted by cultural constraints and military regulations. History books and the documentation of political conflict and war have been written primarily about powerful men, by powerful men. Even with the inclusion of women in government, on foreign battlefields and in major newsrooms, war and history are still, officially, first and foremost, male domain and enterprise. Through the writing of Sisters in War, Asquith contributes significantly to correcting this omission in historical documentation. More women's stories need to be told. There is a fifth sister in this Iraq war narrative. We can read this story because Christina Asquith, a compassionate and committed journalist, spent two years reporting from Baghdad. It is through her willingness to tell the truth of the Iraq War, that we can know Zia, Nunu, Heather and Manal. Asquith's dedication to writing has given eloquent voice to women's experience in war.
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Overview
Caught up in a terrifying war, facing choices of life and death, two Iraqi sisters take us into the hidden world of women’s lives under U.S. occupation. Through their powerful story of love and betrayal, interwoven with the stories of a Palestinian American women’s rights activist and a U.S. soldier, journalist Christina Asquith explores one of the great untold sagas of the Iraq war: the attempt to bring women’s rights to Iraq, and the consequences for all those involved.On the heels of the invasion, twenty-two-year-old Zia accepts a job inside the U.S. headquarters in Baghdad, trusting that democracy will shield her burgeoning romance with an American contractor from the disapproval of ...