Sistine Secrets: Michelangelo's Forbidden Messages in the Heart of the Vatican

( 28 )

Overview

Five hundred years ago Michelangelo began work on a painting that became one of the most famous pieces of art in the world—the Sistine Chapel ceiling. Every year millions of people come to see Michelangelo's Sistine ceiling, which is the largest fresco painting on earth in the holiest of Christianity's chapels; yet there is not one single Christian image in this vast, magnificent artwork.

The Sistine Secrets tells the fascinating story of how Michelangelo embedded messages of ...

See more details below
Available through our Marketplace sellers.
Other sellers (Hardcover)
  • All (17) from $1.99   
  • New (1) from $82.87   
  • Used (16) from $1.99   
Close
Sort by
Page 1 of 1
Showing All
Note: Marketplace items are not eligible for any BN.com coupons and promotions
$82.87
Seller since 2010

Feedback rating:

(205)

Condition:

New — never opened or used in original packaging.

Like New — packaging may have been opened. A "Like New" item is suitable to give as a gift.

Very Good — may have minor signs of wear on packaging but item works perfectly and has no damage.

Good — item is in good condition but packaging may have signs of shelf wear/aging or torn packaging. All specific defects should be noted in the Comments section associated with each item.

Acceptable — item is in working order but may show signs of wear such as scratches or torn packaging. All specific defects should be noted in the Comments section associated with each item.

Used — An item that has been opened and may show signs of wear. All specific defects should be noted in the Comments section associated with each item.

Refurbished — A used item that has been renewed or updated and verified to be in proper working condition. Not necessarily completed by the original manufacturer.

New
PAPERBACK New 0061469041 New Condition ~~~ Right off the Shelf-BUY NOW & INCREASE IN KNOWLEDGE...

Ships from: Geneva, IL

Usually ships in 1-2 business days

  • Canadian
  • International
  • Standard, 48 States
  • Standard (AK, HI)
  • Express, 48 States
  • Express (AK, HI)
Page 1 of 1
Showing All
Close
Sort by
The Sistine Secrets

Available on NOOK devices and apps  
  • NOOK Devices
  • NOOK HD/HD+ Tablet
  • NOOK
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK Study
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$11.99
BN.com price
This digital version does not exactly match the physical book displayed here.

Overview

Five hundred years ago Michelangelo began work on a painting that became one of the most famous pieces of art in the world—the Sistine Chapel ceiling. Every year millions of people come to see Michelangelo's Sistine ceiling, which is the largest fresco painting on earth in the holiest of Christianity's chapels; yet there is not one single Christian image in this vast, magnificent artwork.

The Sistine Secrets tells the fascinating story of how Michelangelo embedded messages of brotherhood, tolerance, and freethinking in his painting to encourage "fellow travelers" to challenge the repressive Roman Catholic Church of his time.

"Driven by the truths he had come to recognize during his years of study in private nontraditional schooling in Florence, truths rooted in his involvement with Judaic texts as well as Kabbalistic training that conflicted with approved Christian doctrine, Michelangelo needed to find a way to let viewers discern what he truly believed. He could not allow the Church to forever silence his soul. And what the Church would not permit him to communicate openly, he ingeniously found a way to convey to those diligent enough to learn his secret language."—from the Preface

Blech and Doliner reveal what Michelangelo meant in the angelic representations that brilliantly mocked his papal patron, how he managed to sneak unorthodox heresies into his ostensibly pious portrayals, and how he was able to fulfill his lifelong ambition to bridge the wisdom of science with the strictures of faith. The Sistine Secrets unearths secrets that have remained hidden in plain sight for centuries.

Read More Show Less

Editorial Reviews

From Barnes & Noble
On May 10, 1508, Michelangelo signed a Vatican contract to create frescoes for the ceiling of the Sistine Chapel. The original plan, calling for 12 large portraits of the Apostles, was rejected by the artist; he replaced it with a much more elaborate scheme, finally comprising approximately 300 figures. In The Sistine Secrets, Rabbi Benjamin Blech addresses the most vexatious question about this much-discussed masterpiece: Why is there not a single Christian image in this enormous artwork? Using recently discovered primary materials, Blech describes Michelangelo's secret involvement in an underground movement of interfaith freethinkers and Kabbalists. A groundbreaking history on the 500th anniversary of the majestic Sistine Chapel.
Enrico Bruschini
“Just as the work of Michelangelo in the Sistine Chapel changed forever the world of art, so will this book change forever the way to view and, above all, to understand the work of Michelangelo!”
Jonathan Harr
“This book of astounding revelations is built on careful scholarship, lucid exposition, and it is, above all, compelling reading.”
The Jewish Press
“The journey of analysis of the complex images rewards the reader with many profound insights about the artwork and the complex nature of Michelangelo’s ideas....fascinating and engaging!”
Los Angeles Times
“…(a) fascinating study of the Sistine Chapel. […] Like the best art historians, the authors give us a fresh context for the times, never hesitating to make contemporary parallels. […]This is a stimulating exploration that makes familiar masterpieces seem strange and new.”
Manchester Evening News (U.K.)
“Fascinating.... Benjamin Blech and Roy Doliner appear to have few equals when it comes to the history and detail of the fresco.... a readable and informative piece of work.”
Read More Show Less

Product Details

  • ISBN-13: 9780061469046
  • Publisher: HarperCollins Publishers
  • Publication date: 4/29/2008
  • Pages: 336
  • Product dimensions: 6.30 (w) x 9.10 (h) x 1.60 (d)

Meet the Author

Rabbi Benjamin Blech is an internationally recognized educator, religious leader, author, and lecturer. A recipient of the American Educator of the Year Award, he has been a professor of Talmud at Yeshiva University since 1966. He is the author of eleven books and has written for the New York Times, Newsweek, and Newsday. He lives in New York City.

Roy Doliner's studies span the spectrum of the humanities: languages, comparative religion, art history, Italian and Roman history, and Judaica (including Talmud, Midrash and Kabbalah). He is often called upon to act as a docent for scholars and international dignitaries to Rome and the Vatican Museums. He divides his time between Rome and New York City.

Read More Show Less

Read an Excerpt

The Sistine Secrets
Michelangelo's Forbidden Messages in the Heart of the Vatican

Chapter One

What is the Sistine Chapel?

And let them build for Me a Sanctuary, that I may dwell in their midst.
—Exodus 25:8

On February 18, 1564, the Renaissance died in Rome.

Michelangelo di Lodovico Buonarroti Simoni, known to all simply as Michelangelo, passed away at age eighty-nine in his frugal home in what is today Piazza Venezia. His body was prepared to be entombed inside the nearby Basilica of the Holy Apostles. Today, this church, Santissimi Apostoli, is an amalgam of many times and styles: its top floor is from the nineteenth century, the middle floor is seventeenth-century Baroque, and the ground floor is pure Renaissance from the second half of the fifteenth century. But what is most interesting about Michelangelo's intended burial place is that the original part of the church—the only part that existed in 1564—was designed by none other than Baccio Pontelli, the same man who planned the structure of the Sistine Chapel. The church where Michelangelo was supposed to be entombed is important for other reasons as well.

In a crypt beneath the ground-floor level of the church are the tombs of Saints James and Philip, two of the apostles going back to the life of Jesus. Deeper still, if we were allowed to dig beneath the crypt, we would soon come upon remains of ancient Imperial Rome, beneath that, Republican Rome, and finally, perhaps some of Bronze Age Rome.

This makes the church a metaphor for the entire Eternal City: a place of layer upon layer ofhistory, of accumulations of countless cultures, of confrontations between the sacred and the profane, the holy and the pagan—and of multiple hidden secrets.

To understand Rome is to recognize that it is a city swarming with secrets—more than three millennia of mysteries. And nowhere in Rome are there more secrets than in the Vatican.

The Vatican

The very name Vatican comes from a surprising source. It is neither Latin nor Greek, nor is it of biblical origin. In fact, the word we associate with the Church has a pagan origin. More than twenty-eight centuries ago, even before the legendary founding of Rome by Romulus and Remus, there was a people called the Etruscans. Much of what we think of as Roman culture and civilization actually comes from the Etruscans. Even though we are still trying to master their very difficult language, we already know a great deal about them. We know that, like the Hebrews and the Romans, the Etruscans did not bury their dead inside the walls of their cities. For that reason, on a hillside slope outside the confines of their ancient city in the area that was destined to become Rome, the Etruscans established a very large cemetery. The name of the pagan Etruscan goddess who guarded this necropolis, or city of the dead, was Vatika.

Vatika has several other related meanings in ancient Etruscan. It was the name of a bitter grape that grew wild on the slope, which the peasants made into what became infamous as one of the worst, cheapest wines in the ancient world. The name of this wine, which also referred to the slope where it was produced, was Vatika. It was also the name of a strange weed that grew on the graveyard slope. When chewed, it produced wild hallucinations, much like the effect of peyote mushrooms; thus, vatika represented what we would call today a cheap high. In this way, the word passed into Latin as a synonym for "prophetic vision."

Much later, the slope became the circus, or stadium, of the mad emperor Nero. It was here, according to Church tradition, that Saint Peter was executed, crucified upside down, and then buried nearby. This became the destination of so many pilgrims that the emperor Constantine, upon becoming half-Christian, founded a shrine on the spot, which the Romans continued to call the Vatican Slope. A century after Constantine, the popes started building the papal palace there.

What does "the Vatican" mean today? Because of its history, the name has a number of different connotations. It can refer to the Basilica of St. Peter; to the Apostolic Palace of the popes with more than fourteen hundred rooms; to the Vatican Museums complex with more than two thousand rooms; to the political/social/religious hierarchy that is considered the spiritual leadership of about one-fifth of the human race; or to the world's smallest official country of Città del Vaticano (Vatican City). It is indeed strange to consider that this tiniest country on earth, which could fit eight times over inside Central Park in New York City, contains within it the world's largest and costliest church, the world's largest and most luxurious palace, and one of the world's largest museums.

Replacing the Temple

Most fascinating of all, though, may well be a place within the ancient fortress walls of Vatican City whose symbolic meaning is unknown to almost all its visitors. Its theological significance can best be realized by noting that this Catholic effort was something explicitly forbidden to Jews. In the Talmud, the ancient holy commentaries of the greatest Jewish sages spanning more than five centuries, it is clearly legislated that no one may construct a functioning full-sized copy of the Holy Temple of Jerusalem in any location other than the Temple Mount itself (Tractate Megillah, 10a). This was decreed in order to avoid any possible bloody religious schisms, such as later happened in Christianity (Roman Catholicism; Eastern and Greek Orthodoxy; Protestantism—and their centuries of internecine warfare) and Islam (Sunni and Shi'ite, who are sadly still killing each other around the globe).

Six centuries ago, however, a Catholic architect who was not constrained by Talmudic laws did exactly that. He designed and built an incredible, full-sized copy of the inner sanctum, or the Holy of Holies, of King Solomon's Temple in Jerusalem—right in the middle of Renaissance Rome. To get the measurements and proportions exactly correct, the architect studied the writings of the prophet Samuel in the Hebrew Bible, where Samuel describes the First Holy Temple, cubit by cubit (1 Kings 6:2). This massive reproduction of the heichal, or rear section of the First Temple, still exists today. It is called la Cappella Sistina—the Sistine Chapel. And this is where more than four million visitors a year come to view the incredible frescoes of Michelangelo and pay homage to a site sacred to Christianity.

The Sistine Secrets
Michelangelo's Forbidden Messages in the Heart of the Vatican
. Copyright © by Benjamin Blech. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
Read More Show Less

Table of Contents


Foreword     vii
Preface     xv
In the Beginning
What Is the Sistine Chapel?     3
The Lost Language of Art     23
A Rebel Is Born     41
A Very Special Education     46
Out of the Garden and into the World     74
As Fate Would Have It     104
A Private Tour of the Sistine Temple
Crossing the Threshold     129
The Vault of Heaven     137
The House of David     144
The Four Corners of the Universe     157
A Company of Prophets     168
The Middle Path     187
Parting Shots     213
Beyond the Ceiling
Back on the Scene     235
Secrets of The Last Judgment     248
Later Secrets     273
"A World Transfigured"     282
Conclusion: So, What Is the Sistine Chapel?     292
Acknowledgments     307
Notes     309
Bibliography     311
Illustration Credits     312
Index     313
Read More Show Less

Customer Reviews

Average Rating 4
( 28 )
Rating Distribution

5 Star

(13)

4 Star

(6)

3 Star

(3)

2 Star

(3)

1 Star

(3)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
See All Sort by: Showing 1 – 20 of 28 Customer Reviews
  • Anonymous

    Posted August 24, 2008

    Always something to learn

    As a student of Michelangelo, here in the US and Italy, I was aware of many of the topics discussed in this book. However, there were also many that I had not known. This is an EXCELLENT book. I wanted to know more!!

    2 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 11, 2008

    Extremely innovative

    Blech and Dolinger approach the topic with a certain sincerity and innovation that should not be ignored. Certainly, their scholarship exposes an unexplored insight into the work of Michaelangelo. It is hard however to prove either way that Michaelangelo knew or didn't know about certain aspects of Jewish mysticism, or intentionally made certain statements that were ahead of his time. Nevertheless, Blech and Dolinger present a compelling argument and makes an important scholarly contribution into an already crowded field of research.

    2 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 9, 2008

    Putting the Pieces of Inspiration Together

    As an artist, The Sistine Secrets has given me a perspective into what it was like to live 500 years ago that actually makes me appreciate the time I am living in today! The book has opened my eyes to things I wasn¿t taught in school. It¿s time to re-write the art history books! I found the section on Michelangelo¿s education to be of great importance since it would inform his art making later in his life. He was taken under the wing of Lorenzo de¿ Medici when he saw his genius with a chisel and stone, and offered him a home at the de¿ Medici palace. Michelangelo learned along side Lorenzo¿s children from their master scholars: Angelo Ambrogini of Montepulciano also known as Poliziano, Marsilio Ficino and Count Giovanni Pico Della Mirandola. From them he learned the classics, Neo-Platonism, humanism, Kabala and the notion of creating a bridge between these ideologies that later influenced the Sistine ceiling. Artists are influenced by everything that surrounds them. Yes, they often have amazing imaginations and can think beyond the physical world, yet what they see and hear plays a big part in their work. Often, these influences find their way into their art even when they are not aware of it themselves ¿ it happens intuitively. Other times, it is a conscious effort to get one¿s agenda out into the world via the art. Artist¿s of all genres including novelists, musicians, playwrights and screenwriters put their concerns about the world into their work. They reflect the current status of affairs and suggest a better system beyond it. Another important factor to understand from the Sistine Secrets is that artists of Michelangelo¿s time were not allowed to sign their work! Because of this, artists like Raphael always found a way to put his portrait into his work as he did with his most important piece, the School of Athens. Michelangelo signed his work once on the Pieta and was sworn never to be so ¿vain¿ again. The vain ones were the patrons, often the Popes, who insisted that colors and emblems of their family crests could be visible in art with biblical themes. Not being able to sign a work goes against the individualistic philosophy of our time and no doubt must have made artists of Michelangelo¿s time feel like slaves to the system. I would have added personal ¿signatures¿ if given the chance. I¿m sure every true artist would, regardless of the pressure to do otherwise! The authors brilliantly spend about four pages explaining the official story the Vatican offers about the Sistine ceiling and then spends the rest of the book detailing a new interpretation. The research that no doubt was involved is phenomenal! They reference practically every book about the artist that came before and then put the pieces together like a puzzle along with what Michelangelo learned from the scholars of the de¿ Medici palace. It shows just how much Michelangelo planned and thought out what he was going to do - to leave a personal message in the heart of the Vatican, even if he was the only one besides his friends that knew it was there ... until now.

    2 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 6, 2014

    Symbol share

    Post symbols and how to do them!!!
    &#28961
    Chinese letters&# 28949-&# 28980
    Roman numerals&# 8535-&# 8565
    Arrows&# 8592-&# 8689
    All without spaces!!!!!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted February 9, 2009

    Seeing Things With Different Eyes

    Interesting!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 7, 2008

    Amazing Book!!!!!

    This book is insightful and well written. I recommend it to all.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted June 13, 2008

    I wanted to enjoy this book

    Presentation of the first half was so well done time didn't exist, from then to end Buonarroti and I have a single shared emotion.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 7, 2008

    Senationalistic bunk

    Much of his book is based on previously published material. Absolutely nothing original. Viewed from a very narrow prism by a rabbi who is now trying to pass himself off as an expert in renaissance art. A Dan Brown wannabee

    0 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted February 17, 2011

    No text was provided for this review.

  • Anonymous

    Posted November 14, 2008

    No text was provided for this review.

  • Anonymous

    Posted May 28, 2010

    No text was provided for this review.

  • Anonymous

    Posted December 16, 2008

    No text was provided for this review.

  • Anonymous

    Posted March 21, 2011

    No text was provided for this review.

  • Anonymous

    Posted July 2, 2011

    No text was provided for this review.

  • Anonymous

    Posted November 23, 2010

    No text was provided for this review.

  • Anonymous

    Posted April 12, 2010

    No text was provided for this review.

  • Anonymous

    Posted January 17, 2010

    No text was provided for this review.

  • Anonymous

    Posted October 27, 2008

    No text was provided for this review.

  • Anonymous

    Posted January 14, 2010

    No text was provided for this review.

  • Anonymous

    Posted August 20, 2011

    No text was provided for this review.

See All Sort by: Showing 1 – 20 of 28 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)