Sit, Ubu, Sit: How I Went from Brooklyn to Hollywood with the Same Woman, the Same Dog, and a Lot Less Hair

Sit, Ubu, Sit: How I Went from Brooklyn to Hollywood with the Same Woman, the Same Dog, and a Lot Less Hair

by Gary David Goldberg

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A sports-crazed kid from Bensonhurst, Brooklyn, Gary David Goldberg never imagined he’d end up in Hollywood, let alone make it big there. But as a twenty-five-year-old waiter in Greenwich Village he met Diana, the love of his life; followed her out to Northern California; then moved in and never moved out. He also, without realizing it, put himself on track to…  See more details below


A sports-crazed kid from Bensonhurst, Brooklyn, Gary David Goldberg never imagined he’d end up in Hollywood, let alone make it big there. But as a twenty-five-year-old waiter in Greenwich Village he met Diana, the love of his life; followed her out to Northern California; then moved in and never moved out. He also, without realizing it, put himself on track to found UBU Productions (named after his beloved Labrador retriever) and become a successful creator of such family sitcoms as Family Ties, Brooklyn Bridge, and Spin City.*

In Sit, Ubu, Sit, award-winning writer/producer Goldberg tells the mostly upbeat, sometimes difficult, and frequently hilarious tale of his improbable career and the people who have filled it.

A love story and a rare behind-the-scenes look at the entertainment industry, Sit, Ubu, Sit proves that it is possible to be creative and successful while holding on to your integrity, your family, and your sense of humor.

*with Bill Lawrence

From the Hardcover edition.

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Editorial Reviews

Publishers Weekly

Goldberg, a TV scriptwriter and producer, fondly recalls his rocky, improbable route to Hollywood success, including the people who helped him along the way. Funny, dry and self-deprecating, Goldberg cuts swiftly through the years, from the mid-1950s growing up in a loving extended Jewish family in Bensonhurst, Brooklyn, to his scruffy vagabonding in 1972 in Europe with his pregnant girlfriend, Diana, and their canny Labrador dog, Ubu. He sold his first scripts to TV shows in the 1970s, prompting his move from New York to California with Diana, who opened a day-care center. Goldberg took a class with scriptwriter Nate Monaster, who motivated him and helped submit his work to Los Angeles producers. Soon enough, Goldberg's scripts for the Bob Newhart Show, the Tony Randall Showand the MTM empire gave him the clout to start his own company, UBU (named for the beloved dog he eventually gave away, by the by), launching such pilots as Family Tiesfor the networks. Indeed, Goldberg's memoir is a kind of love letter to longtime partner Diana as well as to Michael J. Fox, with whom he later worked on Spin City. His professed guilt for making fistfuls of money while making people laugh renders this work effortlessly likable. (Feb.)

Copyright 2007 Reed Business Information
Library Journal

Goldberg used to write for television (from The Bob Newhart Show to M*A*S*H), and it shows. His memoir is not unlike a typical sitcom, oscillating between funny and annoying. At its best, it's a well-written, touching, and humorous reflection on a meandering life that suddenly found direction, but at its worst, it's a cloying showbiz memoir full of name-dropping and anecdotes about apartments on Central Park West and private booths at restaurants in Los Angeles. The book is chronologically all over the place, with consecutive chapters taking place decades apart, only to have later chapters come back to the time in between. This makes for a compelling contrast between the different stages of Goldberg's life, but it can be disorienting and downright frustrating if you just want to know what happens next. On the whole, though, Goldberg (also credited as the creator of Family Tiesand Spin City) delivers, and his book will be checked out by readers who enjoy witty, light memoirs that feature a few celebrity cameos. Recommended for public libraries.
—John Helling

From the Publisher
“Very funny. Very touching . . . and not a lot of big words. Gary is many things: a great boss, a smart writer, a very good basketball player . . . and now an even better author.”
—George Clooney

Sit, Ubu, Sit is a poignant, hilarious, humble book—but at its heart a true love story. I couldn’t put it down.”—Julia Louis-Dreyfus

“Gary David Goldberg has a heart the size of Brooklyn, and you’ll feel it beating on each and every page of this sweet, beautifully written love story.”
—Claire Cook, author of Must Love Dogs and Life’s a Beach

“Full of love and laughter . . . Reading Sit, Ubu, Sit is like the best walk in the park on the most beautiful day of the year with your best dog, friend, or lover. You never want the experience to end.”
—Pat Mitchell, President and CEO, The Paley Center for Media

“Funny, dry, and self-deprecating...A love letter to longtime partner Diana as well as Michael J. Fox....Effortlessly likable.”
Publishers Weekly

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Sit, Ubu, Sit
How I went from Brooklyn to Hollywood with the same woman, the same dog, and a lot less hair

By Gary David Goldberg
Copyright © 2008 Gary David Goldberg
All right reserved.

ISBN: 9780307394187

Chapter One

We're walking down the street in Athens and it's hot. Like in the Iliad hot. There are three of us. Me, Diana, and Ubu, our Labrador retriever. We've been hitchhiking around the world for ten months now, and we're trying to make our way back up to Brussels to catch a student flight over to America. Ubu, who prides himself on never having been on a leash, walks a few paces ahead. He has his big city face on. "Don't try to pet me. Don't tell me how cute I am. We're on official business."

Actually, we're on our way to the Red Cross to give blood. We're completely out of money and we'll be getting ten dollars, a glass of orange juice, and a shower. Diana, who is four months pregnant and will not be giving blood, will get the orange juice and the shower. She's excited. She can't believe she's going to get fresh juice. I can't believe we're going to get ten bucks.

The Red Cross building looks more like a souvlaki stand, but judging by the crowd gathered out in front, today's "shower-juice-American-money combo" is turning out to be a real winner. We recognize a lot of the faces from around town. The American Express office,Syntagma Square. Everyone in their early to mid twenties. Brightly dressed and covered in bangles and beads. Could be a casting call for Hair.

They welcome us into the line and we all smile, hug, do the peace sign, nod and mumble some "hey mans," and offer each other fruits and nuts. I've come to really love and admire this floating community of gentle people we've become a part of. Wherever we've gathered, from Amsterdam to Istanbul, everyone's been open and extremely generous. Willing to share everything they have, down to the very last grain of brown rice.

As we get closer to the Red Cross building, I may be imagining it, but I can swear I hear moaning coming from inside. Diana gives my hand a squeeze. "You're tough. You can do this." I'm surprised she thinks I can be so easily manipulated. And, disappointed in myself when I realize that it's working.

We edge our way forward, but at the front door we're stopped and told that Ubu has to wait outside. Though not happy, Ubu takes this in stride. On some level he was expecting it. With a big yawn of disapproval, he lies down obediently. But, then at the very last moment, he sticks one paw defiantly back into the room. He's becoming passive aggressive. I make a note to talk to him about this.

The nurse, a fortyish woman, is like every other Greek person we've ever met, unfailingly friendly and sweet. Her English is equivalent to my Greek and we quickly realize we have no idea what we're saying to each other. It doesn't matter. We're young. We're in Greece. And I'm about to give blood in a souvlaki stand. Diana gives my hand another squeeze. She really wants that juice.

We move farther into the room and I'm seated now on a little cot. I'm next in line and the guy in front of me, who's being poked at the moment, is not very happy. I hear him shout "merde" several times and, even though I flunked French twice in college, I know what that means.

The guy's becoming more agitated by the moment, and, amazingly, his coloring is beginning to resemble that of the Greek flag--blue on a white background. He begins screaming in a language that I'm pretty sure is French, bearing in mind that I did flunk it twice, and he's speaking rapidly, and I think he wants to know, "Where is the train station?"

For the first time, the idea of me fainting rears its ugly head. The fact that it's 115 degrees in this room and smells like we're inside a diesel engine is not helping. Diana gives me a little kiss for comfort. "You'll be fine."

When I regain consciousness, I'm on a blanket out in the alley. Ubu is there with me, as is Diana. Ubu gives me his "you're still my guy" look and a little lick. Diana gives me the same look without the lick. I notice that her hair is wet and she has the remnants of a cute little orange juice mustache. She holds up a ten dollar bill and she smiles. My work here is done.

In the evening we return to our campsite, which is in a park on a hill across from the Acropolis. In the morning, if you get up early enough before it opens, you can race up the four thousand steps to the top of the Parthenon, and you get to use the bathrooms there for free. While there are no camping allowed signs scattered prominently throughout this park, in typical Greek fashion these signs are not enforced. We did get one "official" visit from two policemen yesterday. But that was only to alert us they had to do their weekly "sweep" and we should be out of the park between eight and ten but we could return at ten fifteen and put the tent back up and they're sorry to bother us and they love California.

It was Diana who introduced me to the world of camping and the great outdoors. Growing up in Brooklyn, we were not really tuned in to the glories of nature and rarely experienced it firsthand. The closest you'd get was when someone told you to "take a fuckin' hike."* But, I have to say, I love it now. And in the ten months we've been on the road, I think we've slept indoors eight times.

On the island of Mykonos, we split the outdoor/indoor difference, living in a cave carved into the hillside above Paradise Beach. We had two "rooms" there. Or, actually, "one plus an alcove," is how the ad would read. We put down a rug. Hung up a madras bedspread. Forty-five hundred dollars a month in New York.

We wait for sunset now to have our dinner. This evening I'm getting a little extra attention from Ubu and Diana. They know that tonight's meal was bought with my blood, so to speak. And they want me to know how much they appreciate it.

Diana and I are vegetarians, not from any great moral concerns but rather the fact that meat's just too expensive. Ubu has not completely bought into this program, and while Diana slices vegetables, he gnaws on some stick meat he's been schlepping with him since Corfu. Without realizing, I must be looking longingly at the meat, because Ubu picks it up and moves over to the other side of Diana where he feels more safe.

Before we took off on this trip, everyone we knew had warned us, "You can't bring a dog to Europe." And, you certainly can't hitchhike with a dog. Crushed by the Nixon presidency and his policies, we had only purchased one-way tickets, not sure when, or if, we would be coming back. There was no way we were leaving Ubu behind.

It turned out to be a relatively simple matter to get him over here. Just a series of shots, which Ubu received stoically, Labrador style. A letter from our vet. And though he had to travel cargo, something for which he's not yet truly forgiven us, and we had to stand around at the airport while he did a twenty-three-minute piss when he was let out of his crate, he otherwise arrived without incident.

As far as hitchhiking goes, most people who pick us up, pick us up because of Ubu. Sometimes, they put us in the back and ask Ubu to sit up front with them. Those are his favorite rides. And I have to admit, he does know his role in those situations. He will give a paw when asked. Give a kiss. And, on a long ride in a comfortable car he will put head in lap and allow himself to be adored and loved, complimented on the softness of his fur and the beauty of his eyes. Behavior I would come to recognize later in certain television stars I'd get to work with.

The lights are coming on now at the Acropolis. Diana has spread out a beautiful batik tablecloth she made while we were living on a kibbutz in Israel. She has an artist's eye for shape and color, and she's brought an instinctive elegance and style to our vagabond life. No matter what we're having she will always put out napkins, silverware, and light a candle. It seems like overkill tonight when dinner is an eggplant, but that boarding-school training dies hard.

Diana and I have been together three years now. The first time I saw her was at my friend Ben's apartment in Brooklyn. She was seated cross-legged on the floor playing the guitar. Long hair, beautiful green eyes, she was a stewardess for Pan American, and she wasn't Jewish. "Yes, one of those," I thought. "I'd like that."

After she finished her song, I had to maneuver my way through a large group of guys who obviously felt the same way I did, but eventually I found myself standing next to her.

"Nice guitar," I said.

A lame beginning to a relationship that was going to last a lifetime, but you have to start somewhere.

"Martin," she said, looking up at me.

"My name's Gary."

"The guitar. It's a Martin."

I revise my plan to pass myself off as a musician between gigs who works in a bookstore at night and wants to be a kindergarten teacher, which I sense would work with her. In point of fact, I am a waiter at the Village Gate, a jazz club on Bleecker Street. I'm twenty-five, a part-time actor, I've been kicked out of two colleges, as well as deselected from the Peace Corps, and I've never earned enough money in any one year to file an income tax return. But I'm not sure I should lead with that.

"I know who you are," she says.


"Yes. I've been warned about you by several of your friends."

I make a note to get new friends.

"Why? What'd they say?"

"They said you were cute. But, they also said you're self-centered, shallow, and vain."

"Perhaps we need to hear from my enemies."

She smiled and she was so beautiful my knees went weak.

We agree to meet the next afternoon, not a date, nothing as serious as that. Just me, a New York native, wanting to show her, recently transferred here, some of my favorite sights in the Big Apple. The problem is, I have no favorite sights. Although I've lived in New York all my life, I've never been to the Empire State Building or the Statue of Liberty, and with Ebbets Field no longer there and Coney Island no longer safe, my favorite sights come down to Madison Square Garden and Eddie Sukenick's apartment, which has color TV.

At the Gate that night I ask Leon, one of the older guys, for help. I explain that I think I've met someone "above my station" and I want to know a "classy" place that I can take her. A place that will say I'm surprisingly sensitive, though obviously heterosexual. That there's more to me than meets the eye, which I think will be my slogan.

"What about the Cloisters?"

"I can't afford a restaurant."

"It's a museum up in Fort Tryon Park. An old convent, beautiful grounds, unicorn tapestries, antiques. Tranquil yet sensual."

I'm hoping I won't fall asleep there but it sounds promising. Maybe that's who I am. Tranquil yet sensual. Maybe that's my slogan.

The Cloisters is absolutely gorgeous. Set high up in the middle of the park. The main building is made up of portions of four medieval cloisters, which have been integrated into a museum. Hard to believe Yankee Stadium is only half a mile away.

Inside the beautiful Romanesque chapel, the paintings and the tapestries are spectacular. We rest for a moment in front of its most famous acquisition, the seven unicorn tapestries. It's unbelievably quiet. And oddly enough, it is tranquil yet sensual. Diana speaks in appropriately hushed tones.

"It's so beautiful here."

"I know."

"Do you come here a lot?"

"I do."

I can see her revising her opinion of me even as we speak. I look off dramatically into the middle distance.

"There's a tranquillity here I find satisfying. A special peace. I sometimes think I'm more myself here than anywhere else I know."

I may have gone too far but no, when I look back she's still seated. She gives my arm a squeeze. I have the decency to say no more.

We're standing outside now in the beautiful gardens, looking out across the Hudson to the New Jersey cliffs. The sun is setting in what I now realize must be the west but I've always thought of as the north.

"Thank you for bringing me here."

She puts her arm through mine and snuggles closer. I make a note to send Leon flowers.

We stand there silently for one lovely perfect moment, then she pulls apart.

"You've never been here before, have you?

"No. Not really."

"I didn't think so."

She nods and smiles sweetly. Somehow that was the right answer and somehow reassuring. We resume snuggling and watch the sun go down either in the north or in the west.

Twenty-five years later we will return to this exact spot with our second daughter, who was then eleven.

"This is it. This is the spot where Mom and Dad had our first date. Where we had our first kiss."

She looks like she's going to be ill, tries to force a smile.

"I so don't want to be here."


Chapter Two

"Don't let him get behind you."

My brother's words come out in puffy little clouds this cold December day in Brooklyn.

"Look at me."

He knows I'm not listening. I'm dreaming of glory. I'm ten years old, I'm in fourth grade, and I'm playing football on my brother's team. He's fifteen, a freshman in high school. He's my hero. I'm going to intercept this pass and run it back for a touchdown. Make him proud.

"We can give up the short pass. That's okay. Just keep everything in front of you."

I'm nodding my head as if I'm listening, but I'm already doing the postgame interview with Marty Glickman.

"I owe it all to my brother, Stanley. He's the one who gave me the chance, Marty. He's the one who always believed in me."

That part's true. My brother always looks out for me. Tries to include me. Some of his friends don't like it.

"Why's your kid brother always have to play?"

My brother defends me. He's the leader of this group so whatever he says goes. And he says I get to play.


Excerpted from Sit, Ubu, Sit by Gary David Goldberg Copyright © 2008 by Gary David Goldberg. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Meet the Author

Founder of UBU Productions and creator of Family Ties, Brooklyn Bridge, and Spin City, GARY DAVID GOLDBERG now lives in Vermont.

From the Hardcover edition.

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