Sitting in Darkness: Mark Twain's Asia and Comparative Racialization
Perhaps the most popular of all canonical
American authors, Mark Twain is famous for creating works that satirize
American formations of race and empire. While many scholars have explored
Twain’s work in African Americanist contexts, his writing on Asia and Asian
Americans remains largely in the shadows. In Sitting in Darkness, Hsuan Hsu examines Twain’s career-long archive of writings about United States relations with China and the Philippines. Comparing Twain’s early writings about Chinese immigrants in California and Nevada with his later fictions of slavery and anti-imperialist essays, he demonstrates that Twain’s ideas about race were not limited to white and black, but profoundly comparative as he carefully crafted assessments of racialization that drew connections between groups, including
African Americans, Chinese immigrants, and a range of colonial populations.






Drawing on recent legal scholarship,
comparative ethnic studies, and transnational and American studies, Sitting in
Darkness engages Twain’s best-known novels such as Tom Sawyer, Huckleberry
Finn, and A Connecticut Yankee in King Arthur’s Court, as well as his lesser-known Chinese and trans-Pacific inflected writings, such as the allegorical tale “A Fable of the Yellow Terror” and the yellow face play Ah
Sin. Sitting in Darkness reveals how within intersectional contexts of Chinese
Exclusion and Jim Crow, these writings registered fluctuating connections between immigration policy, imperialist ventures, and racism.

1120792050
Sitting in Darkness: Mark Twain's Asia and Comparative Racialization
Perhaps the most popular of all canonical
American authors, Mark Twain is famous for creating works that satirize
American formations of race and empire. While many scholars have explored
Twain’s work in African Americanist contexts, his writing on Asia and Asian
Americans remains largely in the shadows. In Sitting in Darkness, Hsuan Hsu examines Twain’s career-long archive of writings about United States relations with China and the Philippines. Comparing Twain’s early writings about Chinese immigrants in California and Nevada with his later fictions of slavery and anti-imperialist essays, he demonstrates that Twain’s ideas about race were not limited to white and black, but profoundly comparative as he carefully crafted assessments of racialization that drew connections between groups, including
African Americans, Chinese immigrants, and a range of colonial populations.






Drawing on recent legal scholarship,
comparative ethnic studies, and transnational and American studies, Sitting in
Darkness engages Twain’s best-known novels such as Tom Sawyer, Huckleberry
Finn, and A Connecticut Yankee in King Arthur’s Court, as well as his lesser-known Chinese and trans-Pacific inflected writings, such as the allegorical tale “A Fable of the Yellow Terror” and the yellow face play Ah
Sin. Sitting in Darkness reveals how within intersectional contexts of Chinese
Exclusion and Jim Crow, these writings registered fluctuating connections between immigration policy, imperialist ventures, and racism.

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Sitting in Darkness: Mark Twain's Asia and Comparative Racialization

Sitting in Darkness: Mark Twain's Asia and Comparative Racialization

by Hsuan L. Hsu
Sitting in Darkness: Mark Twain's Asia and Comparative Racialization

Sitting in Darkness: Mark Twain's Asia and Comparative Racialization

by Hsuan L. Hsu

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Overview

Perhaps the most popular of all canonical
American authors, Mark Twain is famous for creating works that satirize
American formations of race and empire. While many scholars have explored
Twain’s work in African Americanist contexts, his writing on Asia and Asian
Americans remains largely in the shadows. In Sitting in Darkness, Hsuan Hsu examines Twain’s career-long archive of writings about United States relations with China and the Philippines. Comparing Twain’s early writings about Chinese immigrants in California and Nevada with his later fictions of slavery and anti-imperialist essays, he demonstrates that Twain’s ideas about race were not limited to white and black, but profoundly comparative as he carefully crafted assessments of racialization that drew connections between groups, including
African Americans, Chinese immigrants, and a range of colonial populations.






Drawing on recent legal scholarship,
comparative ethnic studies, and transnational and American studies, Sitting in
Darkness engages Twain’s best-known novels such as Tom Sawyer, Huckleberry
Finn, and A Connecticut Yankee in King Arthur’s Court, as well as his lesser-known Chinese and trans-Pacific inflected writings, such as the allegorical tale “A Fable of the Yellow Terror” and the yellow face play Ah
Sin. Sitting in Darkness reveals how within intersectional contexts of Chinese
Exclusion and Jim Crow, these writings registered fluctuating connections between immigration policy, imperialist ventures, and racism.


Product Details

ISBN-13: 9781479815104
Publisher: New York University Press
Publication date: 02/20/2015
Series: America and the Long 19th Century , #7
Pages: 248
Product dimensions: 6.40(w) x 9.00(h) x 0.90(d)

About the Author

Hsuan L. Hsu is Professor of English at the University of California Davis and the author of Geography and the Production of Space in Nineteenth-Century American Literature and Sitting in Darkness: Mark Twain's Asia and Comparative Racialization.

Table of Contents


Contents

List of Illustrations ix

Acknowledgments xi

Introduction: “Coolies” and Comparative Racialization 1

in the Global West

1. “A Witness More Powerful than Himself ”: Race, Testimony, 27

and Twain’s Courtroom Farces

2. Vagrancy and Comparative Racialization in Huckleberry 53

Finn and “Three Vagabonds of Trinidad”

3. “Coolies” and Corporate Personhood in Those 83

Extraordinary Twins

4. A Connecticut Yankee in the Court of Wu Chih Tien: 109

Imperial Romance and Chinese Modernization

5. Body Counts and Comparative Anti-imperialism 139

Conclusion: Post-racial Twain? 167

Notes 171

Works Cited 209

Index 229

About the Author 244

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