The Sixties: Diaries, Volume Two: 1960-1969by Christopher Isherwood, Katherine Bucknell (Editor), Christopher Hitchens (Foreword by)
This second volume of Christopher Isherwood's remarkable diaries opens on his fifty-sixth birthday, as the fifties give way to the decade of social and sexual revolution. Isherwood takes the reader from the bohemian sunshine of Southern California to a London finally swinging free of post-war gloom, to the racy cosmopolitanism of New York and to the raw Australian
This second volume of Christopher Isherwood's remarkable diaries opens on his fifty-sixth birthday, as the fifties give way to the decade of social and sexual revolution. Isherwood takes the reader from the bohemian sunshine of Southern California to a London finally swinging free of post-war gloom, to the racy cosmopolitanism of New York and to the raw Australian outback. He charts his ongoing quest for spiritual certainty under the guidance of his Hindu guru, and he reveals in reckless detail the emotional drama of his love for the American painter Don Bachardy, thirty years his junior and struggling to establish his own artistic identity.
The diaries are crammed with wicked gossip and probing psychological insights about the cultural icons of the time—Francis Bacon, Richard Burton, Leslie Caron, Marianne Faithfull, David Hockney, Mick Jagger, Hope Lange, W. Somerset Maugham, John Osborne, Vanessa Redgrave, Tony Richardson, David O. Selznick, Igor Stravinsky, Gore Vidal, and many others. But the diaries are most revealing about Isherwood himself—his fiction (including A Single Man and Down There on a Visit), his film writing, his college teaching, and his affairs of the heart. He moves easily from Beckett to Brando, from arthritis to aggression, from Tennessee Williams to foot powder, from the opening of Cabaret on Broadway (which he skipped) to a close analysis of Gide.
In the background run references to the political and historical events of the period: the anxieties of the Cold War, Yuri Gagarin's spaceflight, de Gaulle and Algeria, the eruption of violence in America's inner cities, the Vietnam War, the Summer of Love, the moon landing, and the raising and lowering of hemlines. Isherwood is well known for his prophetic portraits of a morally bankrupt Europe on the eve of World War II; in this unparalleled chronicle, The Sixties, he turns his fearless eye on the decade that more than any other has shaped the way we live now.
The New York Times
- HarperCollins Publishers
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- 6.88(w) x 11.68(h) x 1.80(d)
Meet the Author
Christopher Isherwood (1904–1986) was one of the most celebrated writers of his generation. He left Cambridge without graduating, briefly studied medicine, and then turned to writing his first novels, All the Conspirators and The Memorial. Between 1929 and 1939 he lived mainly abroad, spending four years in Berlin and writing the novels Mr. Norris Changes Trains and Goodbye to Berlin, from which the musical Cabaret was based. He moved to America in 1939, becoming a US citizen in 1946, and wrote another five novels, including Down There on a Visit and A Single Man; a travel book about South America; and a biography of the Indian mystic Ramakrishna. In the late 1960s and '70s he turned to autobiographical works: Kathleen and Frank; Christopher and His Kind; My Guru and His Disciple; and October, one month of his diary with drawings by Don Bachardy.
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