The New York Times
The Skeleton Man (Philip Dryden Series #5)by Jim Kelly
For seventeen years, the Cambridgeshire hamlet of Jude's Ferry has lain abandoned, requisitioned by the Government for military training. In its thousand-year-old history, it had been famous for one thing — never having recorded a single crime. But when local reporter Philip Dryden joins the Territorial Army on exercise in the empty village, its spotless… See more details below
For seventeen years, the Cambridgeshire hamlet of Jude's Ferry has lain abandoned, requisitioned by the Government for military training. In its thousand-year-old history, it had been famous for one thing — never having recorded a single crime. But when local reporter Philip Dryden joins the Territorial Army on exercise in the empty village, its spotless history is literally blown apart. For the TA's shells reveal a hidden cellar beneath the old pub. And inside the cellar hangs a skeleton, a noose around its neck . . . Two days later, a man is pulled from the reeds in the river near Ely — he has no idea who he is or how he got there. But he knows the words 'Jude's Ferry' are important, and he knows he is afraid...
The New York Times
Series hero Philip Dryden pits his wits against the scattered former residents of an abandoned British village in his dramatic fifth outing (after 2007's The Coldest Blood). After an ancient hanged body is revealed in a pub cellar during artillery practice, Dryden, a skilled investigative journalist, finds that other things in the deserted village are not quite right. Why is an old tomb partly open? What happened to the cellar's owner in the evacuation? Dryden soon bypasses the police and launches his own investigation, putting his safety at risk. The large number of interviewees and suspects can be confusing; many appear only once or twice and their characters are vague, but they supply vital information for the careful armchair sleuth. Kelly's evocative descriptions of the flat and misty fenlands meander through a revealing look at the deterioration of contemporary village life under the stress of large-scale agriculture and rural depression. (Jan.)Copyright 2007 Reed Business Information
Amid heavy army shelling of an abandoned English village famous for never having recorded a single crime in its 1000-year history, a skeleton with a noose around its neck is discovered in the cellar of a pub. Who the dead person was and why he was left hanging lead reporter Philip Dryden into the world of the British military and the locals who were forced to give up their homes when the Ministry of Defense took over the village for maneuvers several years earlier. Kelly, winner of the 2006 British Crime Writers' Association Dagger in the Library Award, writes convoluted plots peopled with incredibly complex characters. This one should please readers who like British mysteries that delve deep into modern life. Kelly lives in Cambridgeshire, England.
Jo Ann Vicarel
-Publishers Weekly (starred review)
“Kelly enlivens his tale with a richly atmospheric setting, sharp contemporary characters, and an often biting knack for capturing the essence of people.”
-The Washington Post
“Phillip Dryden is so beautifully drawn, so credibly complex, that he makes most other contemporary mystery heroes and heroines look like fumblings on an Etch A Sketch.”
-Booklist (starred review)
“Dryden is a marvelously odd character caught in a hellish situation. [The Fire Baby] far outstrips most conventional mysteries.”
-Booklist (starred review)
“Intriguing characters and locale and wryly believable newsroom background.”
Read an Excerpt
Seventeen years later
St Swithun's Day Sunday, 15 July 2007 Whittlesea Mere
The Capri shook to the sound of snoring, and through the fly-spattered windscreen of the mini-cab Philip Dryden contemplated the Fen horizon. Humph, the driver, slept peacefully, his lips brought together in a small bow, his sixteen stone compressing the seat beneath him. Around them the drained wasteland that had once been Whittlesea Mere, an inland lake the size of a small English county, stretched beyond sight. Overhead a cloud the size of a battleship sailed across an unblemished sky.
The cab was parked in the cool shadow of a hawthorn, the only tree visible to the naked eye. They'd presented themselves at 9.00am precisely that morning at the checkpoint to Whittlesea Mere Military Firing Range, and been directed down a potholed drove to the assembly point: the wreck of a wartime tank, ferns hanging from the dark observation slit. They hadn't seen another human being since they'd been waved through the gates, which had not stopped Dryden imagining they were being watched.
The reporter smoothed down his camouflage tunic and felt the familiar anxieties crowding round. This isn't a war zone, he told himself, it's a military exercise. And I'm not a soldier, I'm a reporter. I'm here to write about it, not take part. But the sight of a line of soldiers marching towards them, raising a cloud of desert-red peat dust, made his heartbeat pick up. A trickle of sweat set out from the edge of his thick jet-black hair, down towards his eye. He brushed it aside, aware that another one would quickly take its place.
Dryden checked his watch: 10.15 am. The time had come. He fingered the webbing inside the blue combat helmet he was holding. The neat carved features of his medieval face remained static. He got out, the Capri's rusted door hinges screaming, and circled the cab to Humph's open side window.
'You can go,' he said, waking the cabbie, watching as he struggled to remember where he was and what he was doing.
'Really ...' said Humph, wiping his nose with a small pillowcase. 'Can't I stick around until they start trying to kill people?'
Dryden tried to smile. 'Just remember. Same place, five pm. And for Christ's sake don't leave me here.' Boudicca, Humph's greyhound, dozing on a tartan rug in the back seat, yawned in the heat, trapping a bluebottle. Humph turned the ignition key, the engine coughed once and started, and he pulled away at speed, leaving an amber-red cloud as he raced towards the safety of the distant checkpoint. Dryden, alone, felt the hairs on his neck bristle.
The soldiers approached the tank and at a word from an officer made temporary camp. They sat, feet in the ditch, and broke out water bottles while a billycan was set up on a portable gas ring. Winding chimneys of white smoke rose from cigarettes in the still, hot air. Dryden sensed their collective antagonism to the presence of the press, and watched, oddly fascinated, as one soldier dismantled and oiled an automatic rifle. Another stood, walked a few yards downwind and urinated into a ditch.
Sensing the calculated insult Dryden looked away and heard laughter at his back, then footsteps approaching. He turned to face a heavy man with three pips on his jacket. The officer made his way through the gorse, picking up his legs and arms as he walked, a self-conscious compensationperhaps for the onset of middle age. Dryden guessed he was in his late thirties, but a military uniform had never made anyone look any younger. The major's hair was boot-polish black and shone unnaturally, but his complexion was poor, blotched as if his face had been scrubbed with a nailbrush. Cross-checking his position on a hand-held GPS with a map in a plastic see-through wallet he noticed Dryden, and was unable to hide a frisson of annoyance.
'Dryden?' he asked. 'Philip Dryden - from The Crow?' They shook hands, the soldier's grip was surprisingly weak, the voice higher than he'd expected but holding some warmth, despite the clipped tones. 'Broderick. Major John Broderick.' He seemed embarrassed by the informality of the first name and turned to scan the horizon. 'You've signed the blood sheet?' he asked.
Dryden nodded. At the gate he'd been presented with an official form for signature which effectively removed his right to claim compensation if some idiot with a long-range peashooter turned him into a human jigsaw.
The major smiled, taking five years off his age: 'Just routine. Only with live firing we insist. Regulations. You lot in the press would be the first to get on our case if we broke the rules.'
Laughter rolled along the line of men by the ditch, and Dryden wondered what was funny. Excluded, he looked towards the north where the guns must be, hidden beyond the horizon.
'So they'll fire over our heads, right?' he asked, realizing immediately that there was little alternative. 'Sorry. Stupid question.'
The major nodded.
'When does the shelling start?' Dryden asked.
'Maroon - that's the signal flare - goes up 10.50am. They'llhit it on the pip. Ten minutes later they open fire with an eight-minute bombardment, then we go into the first line of attack and stop. Then, 11.20, another maroon, followed by a further five-minute bombardment at 11.30. Then we move forward to the targets.' Broderick rubbed his hands together. 'Pictures?'
Dryden swung round a digital camera. 'I'm a one-man band.'
'Great.' The major smiled. That was all the military was ever interested in, thought Dryden - pictures to send home, pictures for the scrapbook, pictures for the mess wall, pictures in the local paper, pictures for the MoD. Sod the words.
Broderick looked up at the sky. 'St Swithun's Day,' he said. 'Looks like we could have a good month.' The battleship cloud was a distant smudge to the east, and the rising sun was already compressing their shadows around their boots.
Dryden slapped a mosquito against the back of his hand. 'You Territorial Army too?' he asked, keen to talk about something other than the weather.
'Sure, sure. These are my men,' he said, managing not to make it sound proprietorial.
'So what do you do in Civvy Street?'
The major looked him in the face. 'Business,' he said, ducking the question.
A maroon thudded from the direction of the checkpoint, the signal that they had ten minutes before the bombardment began. The dull percussion in the sky was marked by a purple blotch and matched by a solid jolt through the earth.
The men stood and gathered round, following Broderick up onto the top of the old tank. The billycan was passed around, the tea inside reeked of tannin, had been sweetenedwith Carnation milk, and was the colour of liquid cattle manure. Dryden took a gulp, casually, knowing he was being watched.
Broderick sat on the turret, spreading out a map for the men. 'Right. Listen up. Today's exercise is live firing. This range was requisitioned in 1907. That's a century. So far the number of soldiers who have left Whittlesea Mere in a body bag is four. There is absolutely no law of nature which says one of you can't make it five, so listen.'
Dryden imagined the crumpled body bag, his own hand peeping from the folds of black plastic, blood under the fingernails. 'War games,' he thought, realizing what an obscene juxtaposition of words it was.
The major's briefing was brutally short. The Royal Artillery would bomb the two targets - twice - then the company would move in, conduct house-to-house searches, flush out insurgents, secure the target and replace the red target flags with blue. All shells would be live, all personal ammunition blank. Blue helmets denoted Blue Force - those attacking. Red Force, the enemy, was in position. Its soldiers, wooden cutout targets with concentric rings running out from the heart, wore red hats; a helpful designation Dryden could not help feeling undermined the integrity of the exercise. His own yellow armband proclaimed him a non-combatant.
'And this is our target,' said Broderick, stabbing a finger at the heart of the Fen wasteland shown on the map. 'The lost village of Jude's Ferry.'
THE SKELETON MAN. Copyright © 2007 by Jim Kelly. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address St. Martin's Press, 175 Fifth Avenue, New York, N.Y. 10010.
Meet the Author
Jim Kelly is the author of The Coldest Blood, The Fire Baby, The Moon Tunnel and The Water Clock, which was shortlisted for the CWA John Creasey Award. He lives in Ely.
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The military exercise focuses on the abandoned small village of Jude¿s Ferry off of Whittlesea Mere. Reporting on the war games is The Crow journalist Philip Dryden, who has learned the ghost town had never reported any official crime in its millennium of existence. Following the artillery shelling, a shocking sight surfaces when a grave underneath the cellar of what had been a pub has been opened. The skeletal remains of a person hung to death are found. Not expecting much from the police on this cold make that frozen case, Dryden cannot resist learning the truth about the ancient skeleton and who uncovered the tomb and why. However, the former residents are not only scattered those he interviews remain reticent not offering him much in the way of useful information. However, Dryden obstinately keeps digging until someone begins to think he is getting to close and plans on him being the second victim in the history of Jude¿s Ferry. --- This complex somewhat convoluted investigative tale is a superb whodunit as Dryden struggles with finding a nano clue at a time. The support cast is in the quadrillions with most providing cameo appearances in response to the reporter¿s inquiry. This makes it difficult to keep score yet for those who relish solving the case, they are each critical in what may seem incognizant as a puzzle part, but the whole is needed for lucid resolution. Although how Jim Kelly kept track is beyond me, THE SKELTON MAN is a terrific look at rural England where local talk is not a repression but a depression. --- Harriet Klausner