Sleeping Beauty

Sleeping Beauty

by Hayden Carruth

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Editorial Reviews

Herbert Leibowitz
Never one to follow fashion, Mr. Carruth is enamored of ideas, he trusts the cumulative eloquence of mingling elevated and plain speech. Even at their most rhapsodic, his poems maintain a classic order and restraint....''The Sleeping Beauty'' weeps, bleeds, exalts and moves in slow, swaying, ''beautiful helical rhythms.'' Its emotional range owes much to the sonnet, that unappeasable ghost treading the formal rooms of all recent American poetic sequences. -- New York Times
Publishers Weekly - Publisher's Weekly
``An ambitious and strikingly lyrical work, the long poem intertwines dream and reality, myth and history, issues of the past and present. . . . Working within the structure of the well-known tale, Carruth writes about war, politics, love and ecology with sweeping imagination and depth of feeling,'' determined PW. (Oct.)
For this revised edition of his epic meditation on the nature of Romance, first published in 1982 (Harper & Row), Carruth has added a 125th canto and clarified several others. Annotation c. Book News, Inc., Portland, OR (

Product Details

Copper Canyon Press
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5.53(w) x 7.97(h) x 0.46(d)

Meet the Author

Hayden Carruth was born on August 3, 1921, in Waterbury, Connecticut, and educated at both the University of North Carolina at Chapel Hill and the University of Chicago, where he earned a master's degree. His first collection of poems, The Crow and the Heart, was published in 1959. Since then, he published more than thirty books, including Toward the Distant Islands: New and Selected Poems (Copper Canyon Press, 2006) and Doctor Jazz: Poems 1996-2000 (2001). Other poetry titles include Scrambled Eggs & Whiskey: Poems, 1991-1995 (1996), which received the National Book Award for Poetry; Collected Longer Poems (1994); Collected Shorter Poems, 1946-1991 (1992), which received the National Book Critics' Circle Award; The Sleeping Beauty (1990); and Tell Me Again How the White Heron Rises and Flies Across Nacreous River at Twilight Toward the Distant Islands (1989). Known also for his criticism, Carruth is the author of several prose collections, including Selected Essays & Reviews (Copper Canyon Press, 1996) and Sitting In: Selected Writings on Jazz, Blues, and Related Topics (1993), as well as nonfiction works, including Beside the Shadblow Tree: A Memoir of James Laughlin (Copper Canyon Press, 1999) and Reluctantly: Autobiographical Essays (1998). He is also the author of a novel, Appendix A (1963), and has edited a number of anthologies, including The Voice That Is Great Within Us: American Poetry of the Twentieth Century (Bantam, 1970). Informed by his political radicalism and sense of cultural responsibility, many of Carruth's best-known poems are about the people and places of northern Vermont, as well as rural poverty and hardship. About Carruth and his work, the poet Galway Kinnell has said, "This is not a man who sits down to 'write a poem'; rather, some burden of understanding and feeling, some need to know, forces his poems into being. Thoreau said, 'Be it life or death, what we crave is reality.' So it is with Carruth. And even in hell, knowledge itself bestows a halo around the consciousness with, at moments, attains it." Carruth received fellowships from the Bollingen Foundation, the Guggenheim Foundation, and the National Endowment for the Arts, and a 1995 Lannan Literary Fellowship. He was presented with the Lenore Marshall Award, the Paterson Poetry Prize, the Vermont Governor's Medal, the Carl Sandburg Award, the Whiting Award, and the Ruth Lilly Prize, among many others. He taught at Bucknell University in Lewisburg, Pennsylvania and at the Graduate Creative Writing Program at Syracuse University. Carruth lived in Vermont for many years before residing in Munnsville, New York, with his wife, the poet Joe-Anne McLaughlin Carruth. He died September 29, 2008.

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