A Slepyng Hound to Wake: a novel [NOOK Book]

Overview


Praise for Hound:

"There's something charismatic and timeless about the way the story builds and McCaffrey opens Henry's life to the reader . . . McCaffrey is. . .just telling a compelling, old-school yarn, the kind of story a man who knows his literature tells."—Time Out Chicago

"For the true bibliophile, this is a book you'll love."—The Hippo

Geoffrey Chaucer said, "It is nought good a slepyng hound to ...

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A Slepyng Hound to Wake: a novel

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Overview


Praise for Hound:

"There's something charismatic and timeless about the way the story builds and McCaffrey opens Henry's life to the reader . . . McCaffrey is. . .just telling a compelling, old-school yarn, the kind of story a man who knows his literature tells."—Time Out Chicago

"For the true bibliophile, this is a book you'll love."—The Hippo

Geoffrey Chaucer said, "It is nought good a slepyng hound to wake." Henry Sullivan, bookhound, is ready to be that sleeping dog: to settle down in his new apartment and enjoy life with his new girlfriend.

But the underside of the literary world won't let him go. A bookscout sells Henry a book—and is murdered later that night. An old friend asks him to investigate a case of possible plagiarism involving a local best-selling author. To make matters worse, his violinist neighbor seems to have a stalker. And wherever Henry goes, there's a cop watching him.

Henry can read the signs: to save those he loves he has to save himself.

Vincent McCaffrey's novel Hound was chosen as a Must-Read Book by the Massachusetts Book Awards. He has owned the Avenue Victor Hugo Bookshop for more than thirty years. He has been paid to do lawn work, shovel snow, paint houses, and to be an office-boy, warehouse grunt, dishwasher, waiter, and hotel night clerk. He has chosen at various times to be a writer, editor, publisher, and bookseller. A Slepyng Hound to Wake is his second novel.

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Editorial Reviews

Publishers Weekly
In McCaffrey's compelling second mystery to feature Boston book dealer Henry Sullivan (after 2009's Hound), Henry is unsettled by the murder of a fellow "book hound" down on his luck, Eddy Perry, who just sold Henry a rare volume of Lovecraft horror stories. Later, former girlfriend Barbara Krause, the owner of Alcott & Poe, an independent bookstore, asks Henry's help in investigating a plagiarism case. Sharon Greene, one of Barbara's employees, has accused a local literary heavyweight, George Duggan, of stealing from the work of the late James Frankowski, a little-known writer with whom Sharon lived for years. Meanwhile, Barbara struggles to keep Alcott & Poe afloat in an era of recession and e-commerce. A longtime bookstore owner himself, McCaffrey places less emphasis on crime solving than on the larger question of the printed word's place in today's world. Evocative prose and characterizations will remind many of Ross Macdonald's Lew Archer novels. (July)
Library Journal
Yes, that's Chaucer's line in the title, and it's just a hint of the flavor of Henry Sullivan's (Hound) Boston, where he scouts out promising used books, sells them online, and ponders life. His introspection is interrupted when troubled book scout Eddy Perry sells him a title and then is murdered that very night. On the heels of that incident, Henry's old lover, bookstore owner Barbara, asks him to look into the possibility of a plagiarism problem involving her friend and a blockbuster-type author. (Still with me?) Longtime friend Albert and wannabe love interest Della provide the wherewithal for Henry's sleuthing, not to mention the wits to keep him alive. VERDICT There's a Woody Allen tone to this one, and you'll enjoy sharing it with bibliophiles or anyone who appreciates quirky characters. The plotting and weaving of story lines hide a clever puzzle, but most readers will forget they're reading a mystery until all the pieces fall into place at the very end. Lisa Lutz fans could like this.
Kirkus Reviews
A bookhound has too many women interested in him and too many problems to solve.

Henry Sullivan's old flame Barbara runs the failing Alcott & Poe bookstore, where he used to work before he realized he wasn't cut out for dealing with the public. Now he sells the fine volumes he collects on his website. Barbara's icy partner Sharon, looking for money to keep the store going, tells Henry that popular author George Duggan plagiarized his last bestseller from Sharon's lover, a murdered history professor. Henry ends up with a murder of his own when reformed junkie Eddy Perry, who sold him a book, is killed, apparently for the money Henry paid him, and his estate includes a manuscript of his own that Henry feels is worthy of publication. Meanwhile, Henry's current girlfriend, Della, gets involved in the mess Sharon's accusations have created. So do Duggan's lawyer and Nora Lynch of Tremont Press, who rejected the professor's manuscript but might have discussed it with Duggan. Henry finds himself in a great deal of danger just for helping an old friend.

Henry's second (Hound, 2009) is not for those who require a fast and furious story line. The strong mystery is woven into a slow-paced, philosophical discussion of the painful demise of those special bookstores whose nooks and crannies once yielded fabulous finds.

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Product Details

  • ISBN-13: 9781931520836
  • Publisher: Small Beer Press
  • Publication date: 8/9/2011
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 280
  • File size: 325 KB

Read an Excerpt

A Slepyng HOUND to Wake

a mystery
By VINCENT McCAFFREY

Small Beer Press

Copyright © 2011 Vincent McCaffrey
All right reserved.

ISBN: 978-1-931520-26-3


Chapter One

The books were like corpses, the ink of lost dreams dried in their veins. On a bad day, Henry Sullivan felt like a mortician salvaging the moldering flesh of small decaying bodies to be preserved for a proper burial. But on a good day, though there seemed to be fewer of those of late, he might save something which left him giddy.

Henry pulled the second box free from a mat of cat hair and dust beneath the bed, and peeked beneath the lid.

"Yes!"

The foul odor of the mattress too close to his face made him swallow the word along with the impulse to gag.

A month before, after lifting the spoiled leaves of disbound volumes abandoned in a basement beneath the seep of a ruined foundation, he had uncovered loose pages sheltered by a collapsed box of empty Croft Ale bottles. Separating the layers until the fetor of mold had made him dizzy, he had salvaged a bundle six inches thick of cream colored rag paper broadsides, announcements, and advertisements, all in French. They had been discarded by a print collector interested only in the engravings originally meant to illustrate the words. And in the heart of that, Henry had found a first printing of The Declaration of the Rights of Man and the Citizen.

Those rare sheets were sold now to the highest bidder, but they were a part of the romance Henry imagined about himself. It was still his belief that long before Foucault and Derrida, when words still offered a common meaning, the world could be changed by the content of a few fragile pages. And this was why Henry Sullivan loved his job.

And this happened every once in awhile, more often to him than others, he thought, because he had a nose for it.

Henry pushed a broom handle into the depths of the crevice below the bed frame. Again he heard the hollow strike on a box.

It had to be done. He lowered himself onto his belly and reached further with his hand. The cardboard lip of the box broke free as he attempted to pull it to him. He lay still then and considered other options as he sipped breath at a small stream of fresh air flowing close to the floor from the wide open window. The drone of cars on the interstate obscured all sound.

Sometimes, flashlight in hand, the breath of mildew could be imagined as the stench of cheap oil burning low over the blackened brass of a lamp. Sure, he had as good an eye for value as any other book dealer, but it was his nose he depended on. Like a good hound, he was drawn by the smell of books, and a rare book seemed to smell that much sweeter to him. Usually his finds were little more than some early work of a once popular author, like the Patricia Wentworth he had snagged at a church rummage sale a couple of weeks before. But just the previous Saturday, he had picked over a yard sale conducted by Harvard graduate students and found a single ex-library volume of bound Harper's magazines from 1852 with the first published portion of Melville's Moby Dick.

What were his options? He could think of no other way.

Henry stood, braced himself, and lifted the wide bed free at one end, wheeling it toward the open space before the door, blocking an easy escape. Dust and odor wafted upward.

The lids of the remaining boxes made him think of small coffins exposed amidst a graveyard of settled refuse. He lifted them carefully one by one to avoid a further stirring of dust as much as to contain the possibility that they would break suddenly under their own weight.

This morning's discovery in Medford, only blocks from Tufts University, was slightly less literary. Here an embankment of three-story houses guarded a patched asphalt trough of road, narrowed further by parked cars and uncollected mounds of trash, all in the shadow of Interstate 93. What once were single-family homes now housed two and three loosely tied human gatherings, but none who cared enough to trim a shattered hedge or paint a rotting sill. It was here, cocooned in the faded green asbestos shingles of a post-World War Two renewal, he had found shoe boxes filled with paperbacks from the late 1940s and early '50s—as new as the day they were bought, read once and stashed away beneath a bed.

How could a human being sleep in the same bed for fifty years? The books beneath the bed and in the closet were the only ones not soaked by the spray of cats who had lived in the house as feral lords over the old fellow who had been found dead the week before. Choked by the smell, Henry wanted to leave from the first moment he entered. He gagged more than once as he pushed at lumps of old clothes with the broomstick he had grabbed from the kitchen below.

Books were stacked everywhere; the too frugal accumulation of years of library sales, yard sales, church sales, and probably curb side pickings. Magazines swam loose from broken bundles over the pilings of book club editions and chunky Readers Digest condensed volumes.

The man's sister was adamant.

"Garbage. What you don't take is goin' in the dumpsta. I think the peoples next door is goin' ta buy the place and tear it down."

She had called Ready Refuse Removal and hired Albert Hamilton to dispose of the junk. Albert had called Henry, as he always did when he found books.

"The place is crawling with books," Albert had said on the phone, leaving out more important detail. Henry had to discover for himself that it was mostly just the cockroaches that moved.

But the only books he could salvage were the ones in the shoe boxes—twenty-four shoe boxes in total—pushed beneath the bed years ago, perhaps forgotten, and thankfully ignored by the cats. The cats, gone now, had once belonged to the man's wife. She had occupied the rest of the small house until she had passed away herself only the previous year.

In the closet of the bedroom, wrapped in plastic grocery bags and scotch taped against the ambient filth, were hundreds of pornographic novels. Henry left those behind. He was not up to the numbing process of checking each title to see if it had been written during the struggling years by some now famous author. Nor was he interested in getting calls from the sleazy types who dealt in that subterranean literary world. Pornography was the paper-thin gratification of a life spent in a room. It was a part of the book trade he could live without.

Henry shifted the mattress back again into its corner and carried his meager find to the open air of the porch to wait. He didn't bother to look more closely at the books for fear of soiling them with his hands. Instead he studied the line of equally broken houses across the street and considered the nature of things from this angle in his life.

Things were not so bad. Not at all. But what was he up to? In the longer run, was something like this really worth it? Perhaps he would be happy with a real job. Then again, maybe not. Probably not. Definitely not.

Junior Hamilton, a white dust mask splayed like a bandage over his dark face, came by again and again with barrel loads of trash headed for the big truck. Usually talkative, Albert's son was silent in his unhappiness. This was not the kind of job even a curious seventeen-year old could appreciate.

Finally, Albert took a break from the stench of the house for lunch and drove Henry home, leaving Junior on the porch with the brown bag of sandwiches Alice had wrapped for them in wax paper. Albert hunched forward as he drove, the black skin of one forearm resting on the steering wheel highlighted by dried sweat. Though Henry was not a small man and only two years younger, sitting beside Albert made him feel like a boy riding with his father.

Henry's idle thoughts about the house made him more than a little sad for the human race, and a dispirited silence had overcome Albert as well. Henry looked for something better to talk about.

"It was the cover art that saved them. The titillation. They're mostly Popular Library editions. With some Dells I think. Odd. He kept them away from the rest because he was probably a connoisseur of Earle Bergey and Rudolph Belarski pulp art. Busty women in lurid color. Beautiful stuff but pitiful to think about in the context."

Albert was unsympathetic to Henry's prudishness. "At least he kept 'em whole. Not like the print collector you told me about who dumped the books in his basement after he razor cut all the pictures out to sell."

This was true. What was the difference between the copper plate engraving of William Hogarth and the four-color process of Earle Bergey, when reduced to the commerce of interior decoration? What was the difference between a street hooker and the call girl who worked the Ritz? The smell?

Still, Henry wondered, could the final value of a lifetime be a bunch of cheap paperbacks? He had to ask, "What's happening to all the furniture? Can it be salvaged and refinished?"

With the big truck stuttering in low gear as it drifted in the midday traffic, Albert let out a long unhappy breath and squinted against the sun. "Sure, I guess. But it's cheap stuff. Machine-made for factory workers a hundred years ago. Looks nice from a distance, but the veneer's peeling up. It's worn out. I made a couple of calls. Bernie got over there pretty quick this morning when he heard you were coming to look at the books. He's still sore—you know?—about you snagging that Morris chair last year. But he told me this stuff is all worthless, and I couldn't find anybody else interested in coming over to salvage it."

Albert would know. Albert could see the value in things. Henry knew there was no need to worry over what couldn't be saved.

"I like my chair. I think of Helen Mawson every time I sit in it. And I like my lamp. It puts the light right down where I want it when I'm reading. Bernie can shove it."

Albert grunted in perfect harmony with the motor.

"Yeah, well. I'll tell ya what. You won't believe what Alice is up to. She's gone out and bought a great big album. She's got all of Helen Mawson's letters mounted in mylar, like Junior and Danny do with their comic books. This is the woman who won't let me keep a newspaper more than a week. She's read some of those damn letters five or six times. She reads them in bed at night. I wish to hell sometimes I never found that stuff."

Henry looked out over the roofs of the cars on Massachusetts Avenue all the way to Harvard Square. More even than the filth, the sheer quantity of human congestion got to him sometimes. It was easy to imagine Helen Mawson's world and feel it must have been better than this. And still, every time Albert called him now, there was that momentary thought that maybe this time would be like that. It was foolish, of course. Most of the houses Albert cleaned out were not as bad as Medford, but they were seldom even nearly as precious as the little room in Dedham had been.

"Funny. I don't think I've been the same since I read those letters. I'm with Alice on that."

Henry tried to rub more of the crust of dried sweat and filth from his hands onto his pants. He said, "Anyway, thanks for giving me a call. I'll see you at Tim's tomorrow. And thanks for the ride."

Albert's squint became a frown, the direction of his thought clearly changed. "Your little truck fixed yet? You want to try and save any of that furniture, you can have it. Although I don't know where you'd put it. That place you live in is too damned small."

Henry knew where this was going.

"Not yet. The garage isn't done with it. Benny's ordering a part from some guy in Louisiana." Henry paused before adding the important detail—the detail he might as well get out now while they were both depressed. "And I told him to put his garage name on the side so the commercial plates would be good."

Henry's 1952 Chevrolet truck was a sore point between them. He had outbid Albert for the truck at an estate auction that spring.

Albert groaned unhappily. "I could have done that. You could have parked it with me and I could have put my name on the door."

There were already three trucks parked in the driveway at Albert's house in Dorchester. His son, Junior, drove the old Grumman delivery van. Alice had taken a liking to Albert's new Ford 150 since her old Buick died, so Albert drove the 350 pretty much everywhere now. He never had that far to go in any case.

Henry objected, "I don't think Alice would approve of that."

"Alice doesn't have the final say."

"No, you have the final say. And your final words are 'Yes, Alice.' "

Albert hit the palm of his hand against the steering wheel.

"That's a fine little truck ..."

It was. That 1952 Chevy wasn't as bulky as the newer trucks, but it rode as high as most, and it was prettier. It would haul any lot of books Henry wanted to buy, but his desire to own it had come from somewhere else.

Henry had not known how much he wanted an old pickup like that until he saw it in the driveway at the house where the auction was held. He had grown up with a picture of a truck just like it. Even now the picture was on the desk where the bills were paid at his father's house in Brookline—a black and white Kodak picture with deckled edges of a young girl, trapped in time between glass and a plain wood frame. She was perhaps twelve years old then, standing on the running board of that truck, waving with one hand at the camera, smiling, her teeth already uneven, overalls worn white at the knees, the fingers of the other hand locked on the wood of the side gate. His grandfather Mac was in the driver's seat, stern as ever, his gaze straight ahead over the steering wheel. Henry knew he would have paid as much as he had to for the truck that day at the auction, and been happy with the price.

Henry said, "You want to get a beer now instead?"

Albert's face went from irritated to unhappy.

"Junior's waiting on me back at that pit. I can't. And Myron's in the hospital again. I'm going over for a visit later."

"That's not good."

"No."

"Any idea how long?"

Albert shook his head. "Myron never was in a hurry. He'll string it out. He's discovered daytime TV. Never made it to the golf course this summer. He uses that new nine iron I bought him to turn the TV off and on and to scratch his back.... A month, maybe."

Myron had been retired for almost twenty years. At least he had made the most of it since he passed the business on to Albert. He lived year round on the Cape now, where the snow melted earlier, and Henry had heard him brag last year that he had taken to using fluorescent golf balls so he could find them in the last drifts.

Henry could think of nothing more worth saying before Albert pulled the truck up by the gate at Mrs. Murray's.

His apartment filled the second floor of the small clapboard house, and he carried the shoe boxes up in four loads. Mrs. Murray had waved at Albert as he turned the truck around and then watched Henry skeptically from her garden at the side after he said only "Hello." She was not a nosey sort of landlady, and she had spoken only one additional word, "Shoes," with no hint of question or irony, when he made his third trip down to the porch to collect his lot.

Henry washed his face and hands in the sink before spreading a blue cloth over his kitchen table. He then opened several of the boxes and placed the small paperbacks nearly edge to edge with their covers face up. Standing on a chair with his digital camera suspended in a rigging of thin rope which he otherwise used for drying his underwear and socks, he could fit about twenty covers into a single frame with all important detail preserved. He steadied the camera and snapped his first shot, corrected the height, and took another. In less than an hour he had twenty-four good shots of all four hundred and ten books. Another five hours was spent typing up the publisher's number, the title, the author, and the illustrator. This and the digital photographs he posted on his website almost immediately—but not before eating a liverwurst sandwich and drinking a beer while again admiring the lurid color covers. He posted a link to the books in an email he sent out to his regulars customers. The email was cryptic. There was no need for lengthy descriptions in this case.

"Some bodies of books for somebody to love." He said the words out loud to be sure.

(Continues...)



Excerpted from A Slepyng HOUND to Wake by VINCENT McCAFFREY Copyright © 2011 by Vincent McCaffrey. Excerpted by permission of Small Beer Press. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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