Slouching Towards Kalamazoo
It is 1963 in an unnamed town in North Dakota, and Anthony Thrasher is languishing for a second year in eighth grade. Prematurely sophisticated, young Anthony spends too much time reading Joyce, Eliot, and Dylan Thomas but not enough time studying the War of 1812 or obtuse triangles. A tutor is hired, and this "modern Hester Prynne" offers Anthony lessons that ultimately free him from eighth grade and situate her on the cusp of the American sexual revolution. Anthony's restless adolescent voice is perfectly suited to De Vries's blend of erudite wit and silliness-not to mention his fascination with both language and female anatomy-and it propels Slouching Towards Kalamazoo through theological debates and quandaries both dermatological and ethical, while soaring on the De Vriesian hallmark of scrambling conventional wisdom for comic effect.
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Slouching Towards Kalamazoo
It is 1963 in an unnamed town in North Dakota, and Anthony Thrasher is languishing for a second year in eighth grade. Prematurely sophisticated, young Anthony spends too much time reading Joyce, Eliot, and Dylan Thomas but not enough time studying the War of 1812 or obtuse triangles. A tutor is hired, and this "modern Hester Prynne" offers Anthony lessons that ultimately free him from eighth grade and situate her on the cusp of the American sexual revolution. Anthony's restless adolescent voice is perfectly suited to De Vries's blend of erudite wit and silliness-not to mention his fascination with both language and female anatomy-and it propels Slouching Towards Kalamazoo through theological debates and quandaries both dermatological and ethical, while soaring on the De Vriesian hallmark of scrambling conventional wisdom for comic effect.
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Slouching Towards Kalamazoo

Slouching Towards Kalamazoo

Slouching Towards Kalamazoo

Slouching Towards Kalamazoo

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Overview

It is 1963 in an unnamed town in North Dakota, and Anthony Thrasher is languishing for a second year in eighth grade. Prematurely sophisticated, young Anthony spends too much time reading Joyce, Eliot, and Dylan Thomas but not enough time studying the War of 1812 or obtuse triangles. A tutor is hired, and this "modern Hester Prynne" offers Anthony lessons that ultimately free him from eighth grade and situate her on the cusp of the American sexual revolution. Anthony's restless adolescent voice is perfectly suited to De Vries's blend of erudite wit and silliness-not to mention his fascination with both language and female anatomy-and it propels Slouching Towards Kalamazoo through theological debates and quandaries both dermatological and ethical, while soaring on the De Vriesian hallmark of scrambling conventional wisdom for comic effect.

Product Details

ISBN-13: 9780226143897
Publisher: University of Chicago Press
Publication date: 06/01/2005
Series: Phoenix Fiction Series
Edition description: 2nd ed.
Pages: 246
Product dimensions: 5.25(w) x 8.00(h) x 0.70(d)

About the Author

Peter De Vries (1910-1993), the man responsible for contributing to the cultural vernacular such witticisms as "Nostalgia ain't what it used to be" and "Deep down, he's shallow," was, according to Kingsley Amis, "the funniest serious writer to be found on either side of the Atlantic." But De Vries's life and work was informed as much by sorrow as by wit, and that dynamic is nowhere better seen than in his classics Slouching Towards Kalamazoo and The Blood of the Lamb. First published in 1982 and 1965, respectively, these novels reemerge with their sharp satire and biting pain undiluted by time.

Read an Excerpt

Slouching Towards Kalamazoo


By Peter De Vries

The University of Chicago Press

Copyright © 2005 Derek De Vries
All rights reserved.
ISBN: 978-0-226-14389-7



CHAPTER 1

My old eighth-grade teacher, Miss Maggie Doubloon, said she was half Spanish, half French, and half Irish, a plethora of halves not entirely unnoticed by some of the brighter pupils. Joke though it was, it well expressed her superabundance of spirits, the verve and fire—sheer spitfire, fire-in-the-belly fire—that made her in the end decide that that golden oldie, The Scarlet Letter, had long been due for an overhaul; must, in fact, be dragged forcibly out of the gray, chill, toxic riverbottom fog of Puritan morality and up into the sunlight of sexually liberated twentieth-century America. To be sure, such stormy petrel stuff was only an intensification of the author's own implied disapproval of the colonial austerity he was depicting, but Hawthorne's "liberalization" left ninety-five percent of the way still to go. A man for whom the Boston Unitarianism of his day was a little far out isn't going to waltz you into the twentieth century. The modernization Miss Doubloon effected wasn't something she wrote—she lived it. That naturally involved committing Hester Prynne's sin, in a North Dakota city of which the mayor, a precursor of today's Moral Majority, said on hearing she had assigned The Scarlet Letter to us eighth-graders, "We're gonna tighten our Bible Belt! We're gonna show 'em we're the buckle of that belt!" Perhaps you share my secret taste for old-fashioned windbags. In any case I got the message. I must absent me from felicity awhile, and in this harsh world draw my breath in pain, to tell Maggie Doubloon's story. So here goes.

In the beginning was the word. Once terms like identity doubts and midlife crisis become current, the reported cases of them increase by leaps and bounds, affecting people unaware there is anything wrong with them until they have got a load of the coinages. You too may have an acquaintance or even relative with a block about paperhanging or dog grooming, a highflown form of stagnation trickled down from writers and artists. Once my poor dear mother confided to me in a hollow whisper, "I have an identity crisis." I says, "How do you mean?" and she says, "I no longer understand your father." Now we have burnout, and having heard tell of it on television or read about it in a magazine, your plumber doubts he can any longer hack it as a pipefitter, while a glossary adopted by his wife has turned him overnight into a sexist, to say nothing of a male chauvinist pig, something she would never have suspected before she encountered the terminology. The word was made flesh.

Rapid-fire means of communication have brought psychic dilapidation within the reach of the most provincial backwaters, so that large metropolitan centers and educated circles need no longer consider it their exclusive property, nor preen themselves on their special malaises. The assumption that nobody twitches in Cedar Rapids may not bear close scrutiny, nor that Oklahoma dogcatchers are free of existential dread. Far from it. A close neighbor of ours in my North Dakota home town, which I will call Ulalume, considered a good night's sleep one from which he did not awaken with his feet on the pillow, and our mayor, not the nonesuch I've quoted about tightening the Bible Belt, but his predecessor, thought an administration well begun one in which he rose to deliver his inaugural address free of the delusion that he was wearing a tam-o'-shanter. My poor dear mother later went through a midlife crisis she might successfully have skirted had she not got wind of the expression, and, in consequence, the fashion. And by that time we in Ulalume, in the boonies there, had, of course, our share of star underachievers.

I was one. I had come by the distinction early, three or four classes before our eighth-grade Miss Doubloon decided to single me out for special attention. Previous teachers had liked me, but she was the only one ever to give me an apple, to my recollection. Rather than eat it for my lunch, I took it home and cut it into slices which I slathered with peanut butter, a favorite delicacy, munching the combination while immersed in erotic fantasies featuring Miss Doubloon naked as a jaybird, or as a figure in a Cranach print I had slipped into my civics book.

Notice of a strongly sensual nature is, I think, early given. Signs of a Dionysian temperament emerged in my case as far back as high-chair days, when I took pleasure in squishing a peeled banana in my fist and watching the pulp extruded through the crevices between my fingers, which might then be licked off my hand or flung at one or another of the cautionary mottoes hung about the walls of our house. Most of these posed religious sentiments, having been passed down from my clergyman grandfather to my father, also a minister of the Protestant faith. There was a kitchen calendar with a leaflet for each day, an inspirational homily to be digested a moment after being torn off and before being thrown away. It became a favorite target of the fruit pulp, breakfast porridge, and mashed potatoes pitched at the walls from my throne, in bare handfuls at first, and later, when manual and motor skills began to develop, catapulted from a spoon or fork. There was an embossed representation of Jesus gaudily colored and sprackled with gilt, shown descending on clouds of glory to earth, where he would "judge the quick and the dead." With the onset of speech comprehension, I took this to mean that nobody was fast enough to give Him the slip; that evildoers expecting to show Him a clean pair of heels instead of a pure heart would be hopelessly outclassed, inevitably collared, and given what-for. Later when my father read The Hound of Heaven aloud to us, with pitiless expression, the Thompsonian image of a sprinting savior was but the natural alteration, realized with nice fluidity, of my own conception of Christ as a fleet-footed human gazelle, padding easily along in the wake of puffing shortcomers and transgressors. Only the fugitive was now on the lam from mercy and forgiveness, rather than retribution, as the motivation imperceptibly shifted gears between the flying principals.

It was snowing in Ulalume as I gazed out the window from my eighth-grade seat, waiting that Friday afternoon after school, with Miss Doubloon, for my parents to arrive for a scheduled conference vis-à-vis my under-attainments. The school was on the south end of town, near a lake which I will string along with myself by calling the dank tam of Auber. Assorted abominations from a paint factory had brought us well abreast of the national pollution level, and perhaps a nose ahead.

"You might be studying the chief products of Venezuela in your geography book," Miss Doubloon called over from her desk, where she was scribbling comments on English themes turned in that day. Her handwriting was like driven sleet, blown in steely diagonals off the edge of the page. The note to my parents suggesting this conference, which I had trudged home with a few days before, had advanced such familiarity with her penmanship as I had gained from remarks scrawled on the margins of my own papers. A curious thing, she had two handwritings—and two signatures—markedly dissimilar. There was one in which the characters were unconnected, and one "cursive" script in which they flowed together, though both were composed of straight and angular lines scarcely relieved by a curve. I supposed the difference was "significant," though God knew of what. Split personality? It was too early to tell. A script pitched so sharply to the right as hers, at an angle as horizontal as it is vertical, is considered by handwriting analysts to be a sign of extroversion. But hold it. Miss Doubloon is left-handed.

"Your parents were very nice about this. Some are quite angry when you criticize their jewels about anything. If they're falling behind in anything, it must be the teacher's fault blah blah blah. He's not being motivated to blah blah blah. I suggested a conference like this to some other parents last week and all hell broke loose."

"That's from Paradise Lost."

"What?"

I called more loudly from my seat near the back of the room, "That expression, 'all hell broke loose,' it's from Paradise Lost. Few people know that."

"So that's how you've been neglecting your homework," Miss Doubloon said with a smile—a smile like three dollars' worth of popcorn. "Reading John Milton."

"My father reads things to us. He's a great one for that family tradition, reading aloud. He takes all the parts and makes the welkin ring."

"The what?"

"Welkin. The vault of heaven."

"He chews gum while he says 'welkin.' I suppose since it's 'after school' I can't ask you to dispose of it," she said, again with the explosive smile, the lips bursting like a crimson pod discharging its white seeds. "A jurisdictional technicality. But it's curious why some people are always chewing gum. You know it's been called oral masturbation. I think we're both mature enough to talk this way. You know I'm not a Victorian schoolmarm, and my, oh, 'psychological' analyses aren't necessarily digs."

"As Spinoza said, 'Neither to weep nor to laugh, but to understand.'"

"What are we to do with you?"

There was a silence broken only by the faint scratch of her pencil on the theme papers. Then she observed:

"Your father's a very imposing man. He has the look of an actor. With that chiselled profile and that wavy iron-gray hair. In a sense he is an actor. I go to hear him preach now and again, though I'm not formally religious."

"Neither am I."

"What?"

"He's a great mimic. He does a marvelous God. And his Satan! Why don't you come some Christmas Eve and share the Christmas Carol with us," I said, true to my habit of slipping in a little lubricant whenever I could. Any device to help me through a graduation thrown in doubt by my lack of classroom performance. I had been kept back a year in the seventh grade thanks to time spent reading Joyce and Proust that should have gone into homework, and so here I was in the eighth still, at age fifteen.

We lapsed into the silence that had preceded this exchange, one now broken by the faint slobbering of radiators that set up a train of associations further darkening my line of thought. If I didn't get into high school soon, when, if ever, would I get into college? Lights blooming at dusk along the Quad. Girls with convertibles. The glee club singing "Brown October Ale." Swallowed oysters retracted on the end of a string by potential fraternity brothers. Limburger set by wits on dormitory radiators. None of this would be mine if I didn't haul up my socks and get with it.

Miss Doubloon rose and walked to the window, where she stood nursing her elbows as she gazed outward into the lightly falling snow. She seemed to give a faint shudder before coming out with one of those suddenly assertive, even savage, remarks of which she was capable. They were often out of left field, but this one was sequential, albeit after a gap allowing for private rumination of an apparently acrimonious nature.

"Christmas today. The very thought of it makes me want to lie down on the ground and howl like a dog."

"Me too," I responded. This was wholly untrue; you can't make Christmas too commercial for a growing boy, if that was the objection correctly divined. But I must curry favor with a vengeance these days, and besides, I figured it probably the part of sophistication to be either blasé or negative about the holidays. I sucked my teeth as though this were Larchmont and crossed my legs insouciantly into the aisle. "Will you go home or spend it in Ulalume?"

She turned her head. "Where?"

I laughed apologetically at the slip, riffling the pages of my geography, which I had opened without exactly poring over it. "It's what I call this burg. Think of it as. This section right here is the misty mid-region of Weir."

Miss Doubloon snorted concurrence while I appreciated her flanks, which remained in profile during this crucial exchange. "I couldn't agree with you more. Here come your parents now. Yes, cuts a fine figure of the, well, classic kind, your father. And they say a small woman can be pretty but not beautiful, but your mother belies that. In that Chesterfield and Homburg your father should be one of the ten best-dressed men."

"He was even spiffier when he was young. I'll show you some snapshots if you'd like."

"That won't be necessary."

"Did you know that Mahatma Gandhi was a fop in his youth?" I called over.

Miss Doubloon here turned her head again, less in the spirit of inquiry than with a frown of impatience at all this ill-timed and burdensome erudition. She also seemed to emit a sigh, but with the sibilance of the radiators overlaying it, it was hard to tell.

"Where do you get all this information when you should be studying the chief products of Venezuela?"

"Around. I keep my ear to the ground. Few people know that—about Gandhi, I mean. The figure we know and revere as a holy man in a loincloth once went around London in a frock coat and top hat, twiddling a walking stick, the works. Can you imagine? Nevertheless, I kid you not."

"A headful of amassed facts—probably picked up from Reader's Digest fillers in your dentist's office—does not an education make. Information is not knowledge, nor is knowledge wisdom, me bucko. You can keep your nose buried in the encyclopedia and still not be able to sniff the east wind."

"Yes'm."

Perhaps sensing that she had been overly harsh with a scholar doing his best to impress teacher, or just to keep the conversational ball rolling, Miss Doubloon came over and, pausing beside me in the aisle, ran her fingertips along the back of my neck. She tickled the skin under the pointed tip of a curl at its base. "You need a haircut—my beamish boy."

I raised my head, smiling upward at her. "You hate your—hate it here, don't you?"

"In Ulalume? I didn't say that."

"You've inferred it."

"Implied it," she said, glad to recover the offensive. "I imply something, you infer it. Just as you flaunt your wealth, but flout convention. Two sets of words people constantly confuse. Not that I did—imply any such thing." She poked a stiff finger at the geography. "What have you learned about South America?"

"That they have a lot of horses there, and probably eat them, as they do in this country too, if the truth were known. Even the statistics we have show that five percent of all Americans partake of horse hamburger. Not in the Southwest, of course, where they ride them. One ought not, you know, eat a means of transportation."

"He chews gum while he makes aphorisms." Despair was her portion.

She wandered over to a window closer by and stood gazing out of that. She heaved her shoulders upward and dropped them in a long sigh.

"This steeping yourself in complicated other interests while neglecting your homework, doesn't that give you anxieties about your future? You're a contradictory creature, Anthony Thrasher. Doesn't that ever give you pause?"

"Au contraire. I find it exciting to discover and explore divergent and even warring elements within myself, and exhilarating to pursue the adventure of synthesizing them into a coherent and viable whole, what I believe Eliot has called a balance of contrarieties."

"Jesus Christ," I thought she said under her breath, but couldn't be sure. She sighed again and, looking over her shoulder, indicated the book before me with a jerk of her head. "The chief products of Venezuela, s'il vous plaît."

I bent resolutely over the text. "Venezuela has valuable deposits of petroleum, gold, iron ore, manganese, copper, coal, asphalt, diamonds, and salt," I read. "More than six hundred kinds of trees cover a rugged countryside, yielding rare woods, wild rubber, chicle for chewing gum, and balata, a gum used for wire insulation ..."

"Your absentee record is no doubt a contributing factor," said the Doubloon from the desk to which she had returned, and where she consulted an attendance record. "Your mother thinks you catch those colds because of your insistence on taking your shower in the morning instead of at night, and then running off to school with your pores open. You ought to take your nice hot bath at night, Anthony. Why don't you?"

"I like to fare forth fresh, if only for the alliteration."


(Continues...)

Excerpted from Slouching Towards Kalamazoo by Peter De Vries. Copyright © 2005 Derek De Vries. Excerpted by permission of The University of Chicago Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Contents

1 / The Scarlet Letter,
2 / One Flesh,
Afterword,

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