Small Corners [Bonus Tracks]

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Editorial Reviews

All Music Guide - Dave Thompson
Placing his rock & roll revival on hold for a few days, Cliff Richard and his regular band decamped to Abbey Road studios in January 1977 to cut a new inspirational album, Small Corners. With Richard himself producing, the entire album was bashed out in just three days, January 17-19, and the finished thing would retain that spontaneous air to emerge the most enjoyable and, in many ways least pious, of all Richard's religious offerings. Highlights are the two lightest-hearted numbers, "Good on the Sally Army" and "Why Should the Devil Have All the Good Music," but a lovely version of "When I Survey the Wondrous Cross" is also sterling stuff -- in fact, the weakest ...
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Editorial Reviews

All Music Guide - Dave Thompson
Placing his rock & roll revival on hold for a few days, Cliff Richard and his regular band decamped to Abbey Road studios in January 1977 to cut a new inspirational album, Small Corners. With Richard himself producing, the entire album was bashed out in just three days, January 17-19, and the finished thing would retain that spontaneous air to emerge the most enjoyable and, in many ways least pious, of all Richard's religious offerings. Highlights are the two lightest-hearted numbers, "Good on the Sally Army" and "Why Should the Devil Have All the Good Music," but a lovely version of "When I Survey the Wondrous Cross" is also sterling stuff -- in fact, the weakest number on the album is that selected as its one and only single, "Yes He Lives." Much of the credit for the album's strength must go to the musicians, who hit every number with the same force they normally employed on the rock records, but Richard himself seems determined that the fans should enjoy themselves, too, and the result is an album that fits snugly in alongside the remainder of his late-'70s output. [The 2007 reissue includes four bonus tracks.]
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Product Details

  • Release Date: 4/17/2007
  • Label: Emi Europe Generic
  • UPC: 094638197126
  • Catalog Number: 381971

Album Credits

Performance Credits
Cliff Richard Primary Artist, Vocals, Background Vocals
Bryn Haworth Guitar
Terry Britten Guitar
Stuart Calver Background Vocals
London Community Gospel Choir Vocals
Paul Moessl Keyboards
Keith Murrell Background Vocals
Tessa Niles Background Vocals
Frank Ricotti Percussion
Steve Stroud Bass
Alan Tarney Bass
Graham Todd Keyboards
Brian Bennett's Heat Exchange Percussion, Drums
Peter May Drums
Tony Rivers & the Castaways Background Vocals
Paul Dunne Guitar
John Frederick Perry Background Vocals
John Clark Guitar
Technical Credits
Kris Kristofferson Composer
Larry Norman Composer
Cliff Richard Composer, Producer
Norrie Paramor Composer
Annie Herring Composer
Haydn Bendall Engineer
Terry Britten Composer
Tony Clark Engineer
Richard Hewson String Arrangements
Andy Hill Composer
Mike Jarrett Engineer
Gerry Kitchingham Engineer
Simon May Composer
Paul Moessl Programming, Producer, String Arrangements
Michael Read Composer
Ben Robbins Engineer
Peter Sinfield Composer
Bruce Welch Producer
Keith Bessey Remastering
Gered Mankowitz Concept
Andrew Greasly String Arrangements
Nigel Goodall Liner Notes, Engineering
Peter May Programming
Peter Lewry Liner Notes, Engineering
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Customer Reviews

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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Yes He Lives

    After Sir Cliff stood up at a Billy Graham rally in the UK, he remarked that he couldn't find any 'Christian' music he liked. That was until he met gospel rocker Larry Norman, with whom he has since performed and repeatedly welcomed to the UK. This is considered Cliff's third gospel album, but it's his only rocker, and includes three Norman covers. "Why Should the Devil Have All the Good Music" is also on the Cliff 1970s CD. Also on the original record were Kris Kristofferson's country hit, "Why Me", written for and about Johnny Cash, and songs by Malcolm and Alwyn, Second Chapter of Acts, and Randy Stonehill. The M&A choice could be better, given the fantastic material on their Fool's Wisdom album. There are also good cuts by Terry Britten, a long time writer for Cliff, Tina Turner, and other artists, ending with Cliff's take on the hymn, "When I Survey the Woundrous Cross". The bonus tracks include Cliff's single of the song Eddie Money made his own, "Peace in Our Time". Unlike some recently knighted pop stars, Sir Cliff has used his influence to help the oppressed in the UK and the world, attempting bring about the hope expressed in the title of the last song.

    1 out of 1 people found this review helpful.

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