| Josh Abbott Band | Primary Artist |
| Josh Abbott | Indexed Contributor, Acoustic Guitar, Vocals |
| Milo Deering | Mandolin |
| Rocky Gribble | Banjo |
| Tommy Young | Organ |
| Jerry Saracini | Drums |
| Bradley Knight | Organ |
| Erik Herbst | Acoustic Guitar, Keyboards, Baritone, cowbell |
| Kacey Musgraves | Background Vocals |
| Preston Wait | Fiddle, Electric Guitar |
| Clay Corn | Organ |
| James Hertless | Bass, Background Vocals |
| Caleb Keeter | Electric Guitar |
| Austin Davis | Banjo |
| Ed Villanueva | Drums |
| Bob Parr | Engineer |
| Bill Smith | Digital Editing |
| Jerry Saracini | Drum Technician |
| Josh Abbott | Composer |
| Erik Herbst | Producer, Engineer |
| Clementi | Composer |
| Brandon Rhyder | Composer |
| Clawson | Composer |
Editorial Reviews
All Music Guide - Steve Leggett
It's tempting to view Josh Abbott as a half-generation-on version of Steve Earle. Abbott definitely fits into that wonderfully maverick line of Texas singers and songwriters that includes Earle, Terry Allen, and so many others. So, yeah, he sounds a lot like Earle sometimes, with tightly observed songs that tell the stories of small-town, blue-collar Texas folks trying to deal with life, love, and the desperate pursuit of redemption and happiness. It's country, yes, but it's a quirky kind of country, often more like Tom Petty & the Heartbreakers with fiddles and banjos than it is like George Strait. And as Abbott and his band's third album shows, when it works, it ...