Trimming away some of the overt Afro-Cuban rhythms that distinguished
Black Fire,
Andrew Hill turned in a dense, cerebral set of adventurous
post-bop on his second
Blue Note session,
Smoke Stack. Comprised entirely of original
Hill compositions,
Smoke Stack is in the middle ground between
hard bop and
free jazz -- it isn't as loose and dissonant as free, but with its long, winding modal improvisations and hazy song structures, it's a lot less accessible than
bop. It also isn't as successful as
Black Fire, which worked similar territory with edgier results. Part of the problem is that
Hill simply meanders throughout most of
Smoke Stack, wandering off into quietly discordant sections that turn in on themselves. It's subdued music that requires concentration, but doesn't necessarily reward such effort. Even with its faults,
Smoke Stack is far from an unworthy record --
Hill's insular, intellectual style may be occasionally frustrating, but his playing is frequently provocative and challenging, and his backing group of
Richard Davis (bass),
Eddie Khan (bass), and
Roy Haynes (drums) offer sympathetic support. However, it's an album that promises more than it delivers. ~ Stephen Thomas Erlewine
