Smonk
Smonk odia a las cabras y a los irlandeses. Tiene un Winchester y gasta un bastón de empuñadura de marfil con una espada oculta. Lleva cuatro o cinco revólveres repartidos por la ropa, munición de sobra, cartuchos de dinamita y un cuchillo en una bota. Luce varias cicatrices de bala en el hombro derecho, una en cada antebrazo y otra en el pie izquierdo, perdigonazos por toda la espalda y una cuchillada en la tripa. Tiene gota, bocio, gonorrea, sífilis, azúcar en la sangre, neuralgia y fiebres intermitentes. También malaria, tuberculosis, un ojo de cristal y una infinita sed de venganza. Evavangeline odia a los caballos. Es una puta, huérfana y fugitiva, de quince años aficionada al gatillo y al aguardiente. Disfrazada de hombre, huye de una patrulla de fanáticos religiosos a través de un país devastado por la rabia, la sequía y la guerra. Sus destinos coincidirán en Old Texas, un pueblucho perdido y dejado de la mano de Dios en el sudoeste de Alabama, poblado de viudas y niños muertos, que oculta un horrible secreto.
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Smonk
Smonk odia a las cabras y a los irlandeses. Tiene un Winchester y gasta un bastón de empuñadura de marfil con una espada oculta. Lleva cuatro o cinco revólveres repartidos por la ropa, munición de sobra, cartuchos de dinamita y un cuchillo en una bota. Luce varias cicatrices de bala en el hombro derecho, una en cada antebrazo y otra en el pie izquierdo, perdigonazos por toda la espalda y una cuchillada en la tripa. Tiene gota, bocio, gonorrea, sífilis, azúcar en la sangre, neuralgia y fiebres intermitentes. También malaria, tuberculosis, un ojo de cristal y una infinita sed de venganza. Evavangeline odia a los caballos. Es una puta, huérfana y fugitiva, de quince años aficionada al gatillo y al aguardiente. Disfrazada de hombre, huye de una patrulla de fanáticos religiosos a través de un país devastado por la rabia, la sequía y la guerra. Sus destinos coincidirán en Old Texas, un pueblucho perdido y dejado de la mano de Dios en el sudoeste de Alabama, poblado de viudas y niños muertos, que oculta un horrible secreto.
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Overview

Smonk odia a las cabras y a los irlandeses. Tiene un Winchester y gasta un bastón de empuñadura de marfil con una espada oculta. Lleva cuatro o cinco revólveres repartidos por la ropa, munición de sobra, cartuchos de dinamita y un cuchillo en una bota. Luce varias cicatrices de bala en el hombro derecho, una en cada antebrazo y otra en el pie izquierdo, perdigonazos por toda la espalda y una cuchillada en la tripa. Tiene gota, bocio, gonorrea, sífilis, azúcar en la sangre, neuralgia y fiebres intermitentes. También malaria, tuberculosis, un ojo de cristal y una infinita sed de venganza. Evavangeline odia a los caballos. Es una puta, huérfana y fugitiva, de quince años aficionada al gatillo y al aguardiente. Disfrazada de hombre, huye de una patrulla de fanáticos religiosos a través de un país devastado por la rabia, la sequía y la guerra. Sus destinos coincidirán en Old Texas, un pueblucho perdido y dejado de la mano de Dios en el sudoeste de Alabama, poblado de viudas y niños muertos, que oculta un horrible secreto.

Product Details

ISBN-13: 9788419288332
Publisher: Dirty Works
Publication date: 11/11/2022
Sold by: Bookwire
Format: eBook
Pages: 256
File size: 827 KB
Language: Spanish

About the Author

About The Author
TOM FRANKLIN (1963) nació y se crió en Dickinson, una comunidad no incorporada del condado de Clarke, en la zona central del sur de Alabama, no muy lejos de Monroeville, hogar de Harper Lee. Alguien le dijo una vez que un pueblo es donde para el tren. En Dickinson no paraba. Apenas 300 habitantes y dos iglesias baptistas, una para negros y otra para blancos. Muchos rifles y cazadores furtivos. Mal sitio si no te gusta matar. Algo parecido al villorrio de Faulkner. Infancia de jugar en la espesura y tratar de huir con la imaginación de las cosas que sangran: cómics de Marvel y DC. Espacio: 1999 y Galáctica Estrella de Combate. Edgar Rice Burroughs y Conan el Bárbaro. Familia muy devota, pentecostales que manifiestan su fe con curaciones milagrosas y hablando en lenguas desconocidas, «todo menos la manipulación de serpientes». Franklin recuerda que para protegerse del pecado, tuvo que arrojar a las llamas su preciada colección de libros de Tarzán. En el colegio y en el instituto, malas notas. Pésimo en álgebra. Stephen King. Luego trabajos duros. Operador de maquinaria pesada en una fábrica de arena. Inspector de residuos tóxicos en una planta química. «Trabajar años como una mula para dueños millonarios de fábricas en Detroit, mal pagado, sudando, respirando polvo de sílice, junto a hombres de espaldas arruinadas que heredaron el trabajo de sus padres y que jamás consideraron la posibilidad de ir a la universidad, hombres muy dados al insulto racista». De noche empleado en el depósito de cadáveres de un hospital, de día asistiendo a clases de escritura creativa en la Universidad del Sur de Alabama. En 1998 conoce a su esposa, la poeta Beth Ann Fennelly. Al año siguiente gana el prestigioso premio Edgar Award por el relato «Furtivos» y publica su primer libro. James Franco ha comprado los derechos para adaptar al cine tres de sus obras. El tren sigue sin parar en Dickinson.

Read an Excerpt

Smonk

A Novel
By Tom Franklin

HarperCollins Publishers, Inc.

Copyright © 2006 Tom Franklin
All right reserved.

ISBN: 006084681X

Chapter One

The Trial

It was the eve of the eve of his death by murder and there was harmonica music on the air when E. O. Smonk rode the disputed mule over the railroad tracks and up the hill to the hotel where his trial would be. It was October the first of that year. It had been dry and dusty for six weeks and five days. The crops were dead. It was Saturday. Ten after three o'clock in the afternoon according to the shadows of the bottles on the bottle tree.

Amid the row of long nickering horsefaces at the rail Smonk slid off the mule into the sand and spat away his cigar stub and stood glaring among the animal shoulders at his full height of five and a quarter foot. He told a filthy blond boy holding a balloon to watch the mule, which had an English saddle on its back and an embroidered blanket from Bruges Belgium underneath. In a sheath stitched to the saddle stood the polished butt of the Winchester rifle with which, not half an hour earlier, Smonk had dispatched four of an Irishman's goats in their pen because the only thing he abhorred more than an Irish was an Irish goat. By way of brand the mule had a fresh .22 bullet hole through its left ear, same as Smonk's cows and pigs and hound dog did, even his cat.

That mule gits away, he toldthe boy, I'll brand ye balloon.

He struck a match with his thumbnail and lit another cigar. He noted there were no men on the porches, downstair or up, and slid the rifle from its sock and snicked the safety off. He backhanded dust from a mare's flank to get her the hell out of his way (they say he wouldn't walk behind a horse) and clumped up the steps into the balcony's shade and limped across the hotel porch, the planks groaning under his boots. The boy watched him: his immense dwarf shape, shoulders of a grizzly bear, that bushel basket of a head low and cocked, as if he was trying to determine the sex of something. His hands were wide as shovels and his fingers so long he could palm a man's skull but his lower half was smaller, thin horseshoe legs and little feet in their brand-new calf opera boots the color of chocolate, loose denim britches tucked in the tops. He wore a clean pressed white shirt and ruffled collar, suspenders, a black string tie with a pair of dice on the end and a tan duck coat. He was uncovered as usual--hats made his head sweat--and he wore the blue-lensed eyeglasses prescribed for sufferers of syphilis, which accounted him in its numbers. On a lanyard around his neck hung a whiskey gourd stoppered with a syrup cork.

He coughed.

Along with the Winchester he carried an ivory-handled walking cane with a sword concealed in the shaft and a derringer in the handle. He had four or five revolvers in various places within his clothing and cartridges clicking in his coat pockets and a knife in his boot. There were several bullet scars in his right shoulder and one in each forearm and another in his left foot. There were a dozen buckshot pocks peppered over the hairy knoll of his back and the trail of a knife scored across his belly. His left eye was gone a few years now, replaced by a white glass ball two sizes small. He had a goiter under his beard. He had gout, he had the clap, blood-sugar, neuralgia and ague. Malaria. The silk handkerchief balled in his pants pocket was blooded from the advanced consumption the doctor had just informed him he had.

You'll die from it, the doctor had said.

When? asked Smonk.

One of these days.

At the hotel door, he paused to collect his wind and glanced down behind him. Except for the boy slouching against a post with his balloon, an aired-up sheep stomach, there were no children to be seen, a more childless place you'd never find. Throughout town the whorish old biddies were pulling in shutters and closing doors, others hurrying across the street shadowed beneath their parasols, but every one of them peeping back over their shoulders to catch a gander at Smonk.

He pretended to tip a hat.

Then he noticed them--the two slickers standing across the road beside a buckboard wagon covered in a tarp. They were setting up the tripod legs of their camera and wore dandy-looking suits and shiny derbies.

Smonk, who could read lips, saw one say, There he is.

Inside the hotel the bailiff, who'd been blowing the harmonica, put it away and straightened his posture when he saw who it was coming and cleared his throat and announced it was no guns allowed in a courtroom.

This ain't a courtroom, Smonk said.

It is today by God, said the bailiff.

Smonk glanced out behind him as if he might leave, the hell with the farce of justice once and for all. But instead he handed the rifle over, barrels first, and as he laid one heavy revolver and then another on the whiskey keg the bailiff had for a desk, he looked down at the gaunt barefaced Scot in his overalls and bicycle cap pulled low, sitting on a wooden crate, the sideboard behind him jumbled with firearms deposited by those already inside.

Smonk studied the bailiff. I seen ye before.

Maybe ye did, the man said. Maybe I used to work as ye agent till ye sacked me from service and my wife run off after ye and cast me in such doldrums me and my boy Willie come up losing ever thing we had--land, house, barn, corn crib, still, crick. Ever blessed thing. Open up ye coat and show me inside there.

Smonk did. You lucky I didn't kill ye.

The bailiff pointed the rifle. That 'n too.

Continues...


Excerpted from Smonk by Tom Franklin Copyright © 2006 by Tom Franklin. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

What People are Saying About This

Philip Roth

“I am amazed at Tom Franklin’s power”

David Milch

“An edgy, quirky, bawdy look at the days of cowboys and shootouts, Smonk is the real deal.”

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