Snakeskin Road

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Overview

In this powerful and moving new novel by James Braziel, author of Birmingham, 35 Miles, a woman begins a harrowing journey of survival along a passage of terror—and hope.…

They call it Snakeskin Road. An ever-changing network of highways, rivers, and forgotten trails, it’s used by profiteers of a grim new traffic in human cargo. The catastrophic climatic changes that transformed the Southeast into a vast, inhospitable desert have left its desperate inhabitants with no choice but...

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Snakeskin Road

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Overview

In this powerful and moving new novel by James Braziel, author of Birmingham, 35 Miles, a woman begins a harrowing journey of survival along a passage of terror—and hope.…

They call it Snakeskin Road. An ever-changing network of highways, rivers, and forgotten trails, it’s used by profiteers of a grim new traffic in human cargo. The catastrophic climatic changes that transformed the Southeast into a vast, inhospitable desert have left its desperate inhabitants with no choice but indentured servitude. Jennifer Harrison is among those destined for the farms, mines, casinos, and brothels of the midwestern “Free Zones.” Carrying the unborn child of her deceased husband, Mathew, Jennifer hopes that in three years’ time she’ll be free to reach Chicago—and a world better than the one she is leaving.

Along with a thirteen-year-old refugee entrusted to her care, Jennifer begins a hazardous pilgrimage across a countryside of barricaded city-states, lawless camp towns, marauding gangs, and what’s left of a corrupt government. But nothing she faces is more dangerous than a man named Rosser—a ruthlessly opportunistic bounty hunter determined to bring her back to Birmingham. In a world where hope is always a mile ahead, Jennifer has one last chance before the road disappears forever.

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Editorial Reviews

Publishers Weekly
A dystopian novel of the American South set in 2044, Braziel’s latest recounts family dramas against a Mad Max–style backdrop. A tear in the ozone layer has turned the Southeast into an inhospitable desert where pregnant protagonist Jennifer is quarantined, though she’s determined to escape from Alabama and join her mother in Chicago. Along the way, Jennifer endures a horrific bus crash, the sudden transformation of Birmingham into a wasteland and placement as an indentured servant at an Illinois brothel. She also becomes the reluctant guardian of Mazy, a young girl whose mother has abandoned her. Braziel paints a dark picture of a world where corpses are left unburied and slavery (based on class, not race) is a part of life, and while the novel is filled with creepy imagery—a household with encroaching desert sand finding its way indoors; the handling of poisonous snakes during a church service—it also suffers from a too-deliberate lyricism that obfuscates the narrative or devolves into hoary Southern colloquialism. There’s no shortage of postapocalyptos this summer; this one unapologetically sits on the far dark end of the spectrum. (Aug.)
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Product Details

  • ISBN-13: 9780553385038
  • Publisher: Random House Publishing Group
  • Publication date: 7/28/2009
  • Edition description: Original
  • Pages: 336
  • Product dimensions: 5.10 (w) x 8.20 (h) x 0.80 (d)

Meet the Author

James Braziel’s short fiction has appeared in over a dozen literary journals, including the Berkeley Fiction Review and the Chattahoochie Review. His poetry has twice been nominated for the Pushcart Prize, and he was the recipient of the Individual Artist Grant from the Georgia Council for the Arts. He currently teaches creative writing at the University of Cincinnati.
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Read an Excerpt

Snakeskin Road

A Novel
By James Braziel

Bantam

Copyright © 2009 James Braziel
All right reserved.
ISBN: 9780553385038
Chicago 2044


Delia took her hands and swept the edge of the bed, wiping away what few wrinkles were there, then sat down, and stared at the wall. There was no sound from the kitchen, no water coming up from the furnace, nothing from the apartments below, the ones boxed on either side, the one above, no sound except her cat, Pearl, footing into the room, wandering behind her on the white bedspread, paws catching in fabric. She looked from the edge of the bed to the south wall and listened to the absence pool around her until she could do it no more.

Her sister, Bobbie, was working. She worked all day as a city-state interpreter for Chicago, and stayed out evenings as much as she could, anything not to be lonely "like you," she admonished Delia with her long jaw set open, breathing in, waiting for a challenge. But Delia would just firm her lips, lock them shut. They had a lifetime of sisterhood behind them and had shared an apartment for nine years, yet seldom found ways to comfort each other. Bobbie's resentments of her older sister no longer made sense—with Delia at fifty-six and Bobbie at fifty-two, they were going the other direction, age now a liability rather than a privilege. Surely, her younger sister needed comfort, though she never said so and never offered. Deliadid.

Sometimes in this silence, she heard her first husband, Everett, calling for her as if he were in the living room waiting, and simply wanted her company. But Everett had died in the clay mines at Bogalusa years ago when a thunderstorm brushed over him and drowned him. He was eighty feet down, buried in Mississippi mud.

Sometimes Terry, her second husband, called for her. He had always greeted Delia after his night-digging by gathering her up in his skinny arms, his hands too thin to hold anything right, lifting and lifting—what a skinny man should never have the balance and strength to do.

"Put me down. We're not kids," she had demanded. It was the kind of lift that hurt. But the moment he let go, Delia inhaled as deep as she could, trying to breathe him back closer. He could be standing right there, calling, "Baby. You so sweet, my baby," in that sing-sweep voice of his, scratchy, sweeping like a broom across the floor, and still be too far.

He died in Alabama, coughing up blood and clay, those skinny arms shaking. "I can't hold down my breath," he said to them, the other workers at the mine. "Help me breathe." But they couldn't, they told Delia, and they were sorry for his passing, So sorry, Mrs. Philips, as if apologies could erase his death, his voice, his touching her. She still held them responsible, and God.

Jennifer was the only one left in the Southeastern Desert—her daughter and Everett's daughter by blood, and every bit of Terry's child, too. After Terry passed, Delia migrated to Chicago, the Saved World, and moved in with Bobbie. Jennifer stayed behind to marry Mathew Harrison, a clay rock miner like both Delia's husbands. He worked the Alabama River.

"Why don't you come north?" she had pleaded. "The desert will never give you a fair life, Jen. It can't." That was nine years ago, 2035, and she hadn't seen her daughter since.

There was no communication allowed between families halved by the Saved World and Southeastern Desert except by letters. It had been that way since 2014 when the government created the border and patrolled it after a tear in the ozone and the dust-bowl winds refused to change pattern, to heal. The government censored what her daughter mailed to Chicago, and, she knew, what she sent down, but still Delia was able to make out her daughter's handwriting and enough of the sentences to know her girl was alive.

Most of the time, most every day, Jennifer's absence, the full length and shape of it, stretched north to south along the wall thinly, unbearably, weighted in counted seconds—one—fifty, three hundred, six hundred. Where was Jennifer exactly on the Alabama and Coosa rivers? Nine hundred, one thousand—What town? What home had she found to live in? Was she okay?—until Delia got tired of counting.

Jennifer had sent a letter in April, saying that Mathew's father had passed, and she would be coming to Chicago, that she would talk Mathew into it. There's nothing here for him now, Mama.

So Delia cleaned the spare room and bought her daughter a dress, a pattern of yellow and blue flowers, a spring dress, and laid it across the mattress, with yellow shoes on the floor, matching. Then she waited. It was too much to hope—that they would finally come. But every day for months she walked in and looked at that dress and shoes, saw Jennifer pick the corners up, lift it over her shoulders and down, shake out her long black hair, and smile. In the garden of that dress, all their distance gone—they could make amends.

Jennifer's last letter had arrived in June—she was taking the bus to Birmingham and from there, flying to Chicago. She had saved enough money and had her visa, but she wasn't sure if Mathew would come.

It was early November now, getting colder. She hadn't heard from Jennifer, hadn't opened the spare room since August, the dress flat and empty as the sheets. Bobbie said the room held too much loneliness and never went in.

Each day the new cold seeped into the apartment, into her room, and bedspread. By January the cold would fray her skin and splinter into her bones. Another winter Delia wanted no part of. She no longer even bothered to change out of her nightgown and robe.

Each day, after her breakfast and coffee, she walked back to the bed, pressed out its wrinkles, sat down, and stared into the wall, the flat taupe color, hoping for a letter, wondering where her daughter was. Delia had written and written, but Jennifer hadn't replied.

Someone knocked at the front door. It wasn't Bobbie—she had a key. Besides, it was too early for her. Maybe a package, or the landlord, or a neighbor. She hated it when the neighbors wanted to borrow something—sugar or shoes or a solar bulb. Just because she was home all day on a government pension, that didn't mean she was a hotel clerk.

Delia tied her robe and rubbed Pearl, who was bumping her head into Delia's hand for a scratch. The more she obliged, the harder the cat pushed until, "Okay, okay," Delia said to the knocking, and left the room, checking to see who was in the hallway—a woman—and opened the front door. It was a young woman, but no one's daughter in the apartment building she recognized, wearing a torn gray dress, her hair cut short like a man's peach fuzz. So thin, the cheekbones in her face had swollen against her sunken cheeks. The girl was shivering. Filthy.

At first Delia thought she must be one of the homeless. They snuck into the bottom apartments from time to time, especially when the richer neighborhoods had a street purge. One tenant had shot a homeless man asking for money in the entranceway. But this was the twenty-first floor. None of the homeless had gotten past the first floor and wandered up here. Then Delia saw it, the girl's arms wrapped tight around a black stationery box. It was the box she had given Jennifer before her daughter's wedding. I'll write every week, Jennifer had promised, and until June she had done just that.

"Who are you?" Delia asked the girl. This wasn't how the government told you about your dead, someone in tattered clothes carrying the deceased's belongings.

"I'm Mazy," the girl answered, reaching into her pocket. She brought out a crumpled sheet of paper and handed it over, then slipped back into the hall, a long stride back. Delia stepped toward her. She wasn't going to allow the girl to just leave.

"I can see the resemblance in you two," Mazy said. "All that hair." She smiled. "And that grace through your eyes and cheeks, how it comes out in the light. She comes from you."

"Is she here?" Delia asked, and stepped out further. She realized she was breathing faster and she stared down the hallway, its tunnel of light-shade-light, but there was no one.

"No, ma'am." The girl shook her head.

"Where is she?"

"I wish I could answer that, ma'am. I wish she was here now. She made me promise I'd come find you."

The drop in the girl's voice sunk into Delia's stomach, the hum of the words vanishing back into disappointment too familiar and numbing.

Mama, the crumpled paper read—

I'm not going to make it to Chicago today. But this is Mazy Elis. Take care of her—promise me that. She is only fifteen and has been in my care for months now. I hope I'll still get to you, but if I don't, here is my box, your wedding gift to me, I'm giving to Mazy until she finds you and gives you my letters. I have tried to send them and been unable. They are my last details, Mama, my last trace if I shouldn't get to Chicago. And Mazy, she holds traces of me. I have to get Mazy out now. Take care of her. Promise.

I love you,
Jennifer

"What happened?" Delia said. "She was supposed to take the bus."

"The bus never made it to Birmingham," the girl explained.

"You knew her, then?"

"I knew her in Alabama and later in Cairo, Illinois. But I don't know where Jen is any longer. We got separated." The girl shook her head, kept looking off to the side, shivering, that dress ripped and frayed. There was dried blood and dirt on her legs and arms. "I'm sorry. I wish I could tell you. Wish I knew."

Maybe this last thing, her daughter not able to make it here, maybe this would be the thing to break Delia. How much longer could she keep staring at that wall each day, soundless, empty?

"I just want her to be here," Delia said.

"I understand. I want that."

She told the girl to come inside and took her where the bathroom was, and said for her to get a shower, did she want one? A bath, the girl said. Delia got her towels and snatched up the flower dress on the bed without thinking on it and handed it to Mazy and left her to bathe. She checked the kitchen pantry and refrigerator for food, something to fix her daughter's friend a good supper—maybe even chicken—they had a frozen bag of bread crumbs and chicken—something she hadn't cooked in a long time.

Then the fury of energy left her. She plopped down on the couch, the box sitting heavy in her hands like a black heart. Its surface was scratched, the lacquer completely gone at the feet and edges. She rubbed across the lid but couldn't smooth it any and pulled the latch.

On top were envelopes sealed and torn, mostly addressed to Delia Philips, 355 Turner Avenue, Apt. 2118, Chicago, each with a date—June 22, 23, July, September—they were all wrinkled like the contents had gotten soaked, but all of it was in order. She almost began to cry.

Jennifer always organized her things. It was something they shared—but crying wouldn't do any good.

Some of the envelopes were addressed to Mathew and underneath she found letters that she had sent Jennifer, old letters, none of the new ones, and a notebook of drawings, and a book of poems: The Red Suitcase. She would ask the girl later to tell her what she knew and where Jennifer was. Maybe she was close. That made Delia even more anxious. The government wouldn't help, not even her sister could help. All she had of Jennifer was this girl, these letters.

June 22, 2044, the envelope on top read. Delia recognized the faded green color of the paper. Stationery she had mailed to Jennifer for her birthday. She twisted the edge back and forth until it opened.


Talladega National Forest
June 22, 2044

Dear Mama,
The bus is on its side, and we're trapped within it, trapped within a dust storm. One man has already died because he fell against the window—we all fell against the windows or into the gray ceiling—but it was the way he struck the glass, somehow, some place on his skull vulnerable, rattling. It's not that there was blood, Mama, not from him anyway. He just didn't move again. I grabbed my stomach, but there was no cramp, nothing there, nothing that made me feel the baby had been hurt, thank goodness. Yes, Mama, I'm pregnant. I wanted to surprise you with the news when I got to Chicago. And I'm okay but alone. Mathew didn't come with me. I was dizzy. That's all. I kept grabbing at the seat, the side of it like I was drowning, trying to lift—I felt that way—waiting for the sky to turn upright.

Then this man crawled around me, his name's Darl, he went over to the other man and said, Are you okay, buddy? Come on, buddy.

Darl shook the man's shoulder, but he didn't move. His face was pressed up against the glass, and just outside, the desert floor that wouldn't give, holding us up, the man's neck bent at the wrong angle.

I think he broke his neck, Darl said.

Everyone wanted it to be a broken neck—not something that happened to his mind, because we had all hit the windows or fallen over the seats like tossed clothing, like clowns, bumped into something, and we were okay and wanted to continue to be okay. Yes, there was one person with a cut ear, glass still in her hair, the skin stretched over the bones of her face, but nothing deep, nothing that couldn't be fixed. A woman named Lavina had a pair of tweezers and she picked at the glass, the pieces that had gotten down into the cuts, while her daughter held the flashlight and a small jar.

Be still, honey, Lavina said to the woman whenever she flinched, then dropped a sliver into the jar. You be still, too, she told her daughter. The girl's hands kept -shaking.

Two people with concussions were carried to the rear and set down on the windows, heads stretched on the bubble of the ceiling so they could breathe, revive. We all thought if they were turned a certain way, if they were left alone long enough, then maybe, maybe something in them would reconnect and be fixed. They mumbled and shook. It was dark. We all moved to the front so we didn't have to see them except for Darl—he moved back and forth from the hurt ones to us.

Continues...
Excerpted from Snakeskin Road by James Braziel Copyright © 2009 by James Braziel. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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  • Posted July 2, 2009

    more from this reviewer

    James Braziel paints a dark, gloomy future landscape

    In 2044 recently widowed Jennifer Harrison is pregnant and desperately needs to return to her hometown Chicago where her mom lives. Currently she is in the vast desert of what was once the southeastern United States; the entire region destroyed by a hole in the Ozone layer. However to become free she needs to escape Birmingham and become an indentured servant for three years in the Midwest.

    She travels up the Snakeskin Road used by human traffickers. Her bus crashes and she becomes guardian of thirteen year old Mazy. As they struggle northward on the deadly trail, Rosser the ruthless bounty hunter pursues them as no one leaves Birmingham alive. In Illinois Jennifer is indentured to a brothel where she believes she can survive three years if Rosser is not a customer.

    Mindful of his own work, BIRMINGHAM, 35 MILES, James Braziel paints a dark, gloomy future landscape especially the expanding desert widening like a new Ice Age that makes Mad Max look like a still life. The story line is fast-paced because anything less means unburied death for those who dawdle. Jennifer is terrific as a heroine on the run with a teen to protect; but it is Rosser who steals the show as a futuristic Tom Loker before the Quaker revelation in Uncle Tom's Cabin. Although the too many regional idioms and southern dialect anchor the locale, it detracts from the post-apocalyptic view of the journey north on SNAKESKIN ROAD; a path with no conductors, only killing traffickers and desperate escaped slaves dare venture on this lethal "Underground Railroad".

    Harriet Klausner

    Was this review helpful? Yes  NoThank you for your feedback.   Report this reviewThank you, this review has been flagged.
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