Snatch

by Gregory Mcdonald

Overview

This is a single volume containing two comic novels about kidnapping from best-selling, award winning author of FLETCH.
Two brilliant kidnapping novels appearing here for the first time in three decades - and the first time ever in a single volume. Two precocious eight-year-old boys...two teams of kidnappers, in way over their heads...two opportunities for mayhem, danger, and the trenchant social satire no crime writer has ever delivered like Gregory Mcdonald.

Product Details

ISBN-13:	9781785651830
Publisher:	Titan
Publication date:	02/07/2017
Series:	Hard Case Crime
Sold by:	Penguin Random House Publisher Services
Format:	eBook
Pages:	448
File size:	2 MB

About the Author

Gregory Mcdonald was an American mystery writer known for his character Irwin Maurice Fletcher, an investigative reporter who preferred the nickname "Fletch." Two of the Fletch books earned Edgar Awards from the Mystery Writers of America: Fletch was named Best First Novel in 1975, and Confess, Fletch won for Best Paperback Original in 1977. Mcdonald would go on to write seven more Fletch novels. This became the 1985 movie of the same name starring Chevy Chase.

Editorial Reviews

★ 12/19/2016
Kidnappings link two exceptional crime novels, Snatched and Safekeeping, by Mcdonald (1937–2008), best known for his Fletch and Flynn series. In Snatched, an incompetent thug named Spike seizes eight-year-old Toby Rinaldi, the precocious son of a foreign dignitary stationed in New York City. The folks funding Spike want to manipulate Toby’s father into killing a U.N. resolution. In Safekeeping, an orphan of aristocratic heritage, eight-year-old Robby Burnes, travels during WWII from London to Manhattan, where he’s placed in the care of cynical journalist Thadeus Lowry. While searching for his school one morning, Robby falls into the wrong hands. Both novels showcase Mcdonald’s wit, but it’s the latter that really shows his versatility. Mcdonald gleefully mixes Dickensian characters and Charles Lederer–style dialogue (Lowry explains that New York apartments are “a few rooms for which pay endlessly, but never come to possess”). This compendium volume will please fans and casual readers alike who want to see the range that Mcdonald was capable of beyond his most famous creations. (Feb.)

Publishers Weekly

Kidnappings link two exceptional crime novels, Snatched and Safekeeping, by Mcdonald (1937–2008), best known for his Fletch and Flynn series...Both novels showcase Mcdonald’s wit, but it’s the latter that really shows his versatility. Mcdonald gleefully mixes Dickensian characters and Charles Lederer–style dialogue ...This compendium volume will please fans and casual readers alike who want to see the range that Mcdonald was capable of beyond his most famous creations. 
—Publishers Weekly (Starred Review)

This twin-pack proves that Mcdonald successfully devoted his creative and satiric energies to stories other than those featuring Fletch or Flynn. So along with the undeniable entertainment they provide, the two novels resurrected in SNATCH might cause fans of Fletch/Flynn to search deeper into Mcdonald’s backlist of published works. —Bookgasm

Hard Case Crime is at it again, and here the publisher combines two books by Gregory Mcdonald that were last published over 30 years ago. Kidnapping is the theme that links both – in Snatched, an eight-year-old called Toby Rinaldi is kidnapped by a thug called Spike to gain leverage on the boy’s father, a diplomat at the UN in New York. The second story, Safekeeping, is about the kidnapping of Robby Burns, a boy of aristocratic heritage who is in New York during World War II for safekeeping. It’s out 7 Feb with a cover to suit its old school pulp content. - Crime Fiction Lovers

"This compendium volume will please fans and casual readers alike who want to see the range that Mcdonald was capable of beyond his most famous creations." - Publishers Weekly

“MacDonald does a truly fine job of blending menace and mirth, and action with cutting social and political commentary.” - Mystery Scene

"Although I enjoyed the second story more than the first, both are pretty good.  Like most of McDonald’s work, it’s an easy ready – suitable for a lazy Sunday afternoon or a day at the beach." -Soap Boxers

"Snatch, as the collection is named, is an excellent jumping-on point for anyone yet to experience the creative genius of Gregory McDonald. For the rest of us, it’s a reminder that it has been a while since we last visited with Fletch." - Reader Dad

"Mcdonald uses the viewpoint of an intelligent child to give a satirical tour of class and race in mid-century US and the satire is at times quite pointed.
 
But it may be the almost Dickensian parade of people and places that stays in the mind longest.
 
These are two books that should never be out of print, and at a bargain price."- Morning Star Online

"Wonderfully adept at weaving in new characters, Mcdonald takes a simple melody and orchestrates it into a cacophony of noise. It demands your attention." Hits the Fan

 “a great read” Borg.com review

“dependably good Mcdonald snarky noir” Atomic Junk Shop

From the Publisher

2016-12-15
A diplomat's son and a young member of the British nobility are kidnapped in capers that don't go as planned in this rerelease of two mysteries by the late Mcdonald.The books, originally published as Who Took Toby Rinaldi? (1978) and Safekeeping (1985), give evidence of being written under the influence of O. Henry's classic short story "The Ransom of Red Chief," in which a kidnap victim proves such a handful that the kidnappers negotiate with the parents to accept the return of their child. Neither of the kids in these books approaches that level of hellaciousness. In the first, renamed Snatched for this volume, the victim is the son of a British diplomat taken to prevent the passage of a controversial measure at the United Nations. In the second, a young British boy is evacuated to New York City during World War II and winds up in the clutches of an evil cop and his scheming wife. This book shows traces of wanting to be Oliver Twist, and while Oliver was a cipher, too, a cipher at the heart of a ribald comic caper is a vacuum. Neither of the stories really takes off, and neither of the boys comes to life. Each of them tends to get lost amid the competing plot shards. In Snatched, some of those shards involve moments when the boy is in real fear for his life, and the unpleasantness leeches out the disreputable fun the book is aiming for. Both of these complicated plots feel like rough drafts of the more polished entertainment they might have been.

Kirkus Reviews