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| The Specials | Track Performer |
| The Stranglers | Track Performer |
| Massive Attack | Track Performer |
| Oasis | Track Performer |
| Bobby Byrd | Track Performer |
| 10cc | Track Performer |
| Madonna | Track Performer |
| The Herbaliser | Track Performer |
| Overseer | Track Performer |
| Alan Ford | Track Performer |
| Maceo & the Macks | Track Performer |
| Mirwais | Track Performer |
| Vinnie Jones | Track Performer |
| Gary Moore | Engineer |
| Madonna | Composer |
| Steven Levy | Mastering |
| John Murphy | Producer |
| Huey "Piano" Smith | Composer |
| Matthew Vaughan | Executive Producer |
| Johnny Vincent | Composer |
| Noel Gallagher | Producer |
| Ian Neil | Mastering |
Editorial Reviews
All Music Guide - Diana Potts
Following in the form of the actual movie, Snatch's soundtrack starts off with a musical bang and a couple minced-up words from Brad Pitt. The album catapults itself into high speed with the heavy, electronic sounds of Klint and Overseer to a full-on schizophrenic music highway. Taking a note from soundtrack heavyweights like Pulp Fiction and Richie's soundtrack for his Lock, Stock and Two Smoking Barrels, Snatch's is sprinkled with dialogue clips from the movie to give more power to the songs. Richie's taste for extreme music collectives is what makes his soundtracks so pleasing and timeless; starting with heavy electronica to the Latin tango of "Hernando's Hideaway," the ...