Before Jonathan Baylis wrote auto-bio comix, he interned at Marvel Comics, Valiant/Acclaim Comics, and was an Associate Editor at Topps Comics. His comics have been published locally in New York City in Free Comics NYC, The Comical Magazine, & The Comedians Magazine. “So… Only Nixon Could’ve Gone to China” was the first comic story to be published in The Florida Review. His first fiction story with David Beyer was published by Arcana Press in Dark Horrors 2. Jonathan & T.J. Kirsch had a couple of two-pagers published in “I Saw You… Missed Connections” and “Side B: The Music Lovers Anthology”. He has since collected most of his stories into the self-published, “So Buttons” series, of which there are three issues and a holiday special in print. More stories can be found at www.sobuttons.com
So Buttons #3: So Horror-Ble (larger Nook Color edition)by Jonathan Baylis
Brooklyn, New York – August 18, 2010 - His work has been compared to that of the late autobiographical comics writer Harvey Pekar, but for the third volume of his work, So Buttons #3: So Horror-ble, critically acclaimed author Jonathan Baylis
- LendMe LendMe™ Learn More
SO DISTURBING! – Indie comics auteur Jonathan Baylis brings a more macabre approach to So Buttons #3
Brooklyn, New York – August 18, 2010 - His work has been compared to that of the late autobiographical comics writer Harvey Pekar, but for the third volume of his work, So Buttons #3: So Horror-ble, critically acclaimed author Jonathan Baylis is taking a somewhat different approach, presenting fictional tales of a more eerie vein.
Featuring a Danny Hellman cover inspired by EC Comics Tales from the Crypt, So Buttons #3 opens on ground familiar to fans of Baylis’s work, as the writer keeps to his auto-bio–storytelling roots. But it is a story rife with horrific underpinnings. In “So… I Went to L.A.,” the writer and a former girlfriend discover a body during what was supposed to be a relaxed, intimate getaway to solidify their relationship. Thus, it serves as the perfect transitional piece into the realm of horror. Thomas Boatwright’s moody art sets the tone, nicely balancing the real world with the terrifying thoughts of “what could be” that fill the couple’s heads.
Vampire fans disillusioned by the over-saturation of the genre in recent years will revel in the second story’s decidedly different take on the bloodsucking theme. “In the Old Fashioned Way” is a tale with a disturbing premise that leads to a terrifying twist. Artist David Beyer Jr., who’s collaborated with Baylis on the author’s previous two volumes, has a straightforward style which makes the unsettling nature of the tale all the more pronounced..
David Beyer Jr. stays onboard for the volume’s third feature, “In the Head, Please!,” a story first presented as a six-pager in Arcana’s “Dark Horrors #2” anthology, but expanded with greater depth and effect to eight pages. Again, Baylis tackles a seemingly tired genre—this time zombies—in a wholly new and refreshing way, a way that acclaimed Billy Dogma creator and The Quitter collaborator—with Harvey Pekar—Dean Haspiel quoted as being “Fucked” and having “a nice twist.” Beyer employs a style more reminiscent of classic EC Comics, utilizing a thicker brush stroke, and richer, deeper grey tones, fittingly suited to the story’s more grotesque bent.
Baylis wraps up the anthology on a lighter note that displays both his skewed sense of humor and his passion for films. In “In the Heat of Battle,” Baylis celebrates the recent discovery of Thomas Edison’s Frankenstein with a offbeat tale of how a “familiar” movie lover’s incessant ramblings whilst playing chess with a zombie ultimately prove his undoing. Artist T. J. Kirsch’s deft hand and muted palette compliment the two-pager brilliantly. It’s twisted tale that serves as a fitting transitional piece to So Buttons #4, which Baylis promises to be “an auto-bio/film mashup!”
Meet the Author
Most Helpful Customer Reviews
See all customer reviews