Gary D. Schmidt is the author of more than fifteen books for children and young adults including Lizzie Bright and the Buckminster Boy, which received both a Newbery Honor and a Printz Honor, and The Wednesday Wars, which received a Newbery Honor. He lives in Alto, Michigan.
Daniel Minter has illustrated a dozen books for children including Ellen’s Broom, which received a Coretta Scott King Illustration Honor. He lives in Portland, Maine.
Gary D. Schmidt is a professor of English at Calvin College in Grand Rapids, Michigan. He received both a Newbery Honor and a Printz Honor for
Lizzie Bright and the Buckminster Boy and a Newbery Honor for
The Wednesday Wars. He lives with his family on a 150-year-old farm in Alto, Michigan, where he splits wood, plants gardens, writes, and feeds the wild cats that drop by.
Daniel Minter is a multidisciplinary artist working across different mediums. He is a painter and sculptor who is an illustrator at heart. His work is often symbolic and explores broad concepts that are linked to social justice issues, often while weaving in spiritual themes from the African diaspora. “There are difficult stories to tell that are easy to not talk about. Many involve racism, displacement, and bias historically experienced by most people of African descent,” Minter says. “Artwork can provide a starting point for looking deeper, by first inspiring the emotional response to the aesthetics.” Minter has illustrated many children’s books, including Ellen’s Broom, which won a Coretta Scott King Illustration Honor. He’s drawn to children’s books because they allow him to insert something of his own story in the artwork. “It is important that children sometimes see characters that look like them and characters that look different from them in the books they read,” says Minter. He cofounded and created the bas-relief sculptures that mark the Portland Freedom Trail, a self-guided walking tour of notable sites related to the Underground Railroad and abolitionist movement. “The work I do is my way of making sense of the world through the lens of my people,” Minter says. “The work is also a way of engaging the community and giving them a window to understanding who I am enough to see that my work also carries a reflection of them.”
