With
Prison Bound,
Social Distortion began to metamorphasize from a rather ordinary L.A. hardcore band into a
roots rock band willing to make with more than their share of the attitude, and this process continued on their self-titled third album (which was also their major-label debut). Musically,
Mike Ness and company had learned to split the difference between
rockabilly and
Ramones-style
punk, not unlike fellow L.A. vets
X, and if
Ness couldn't sing or write with the skill or the resonance of
John Doe,
"Story of My Life" and
"It Coulda Been Me" sound a lot more personal and deeply felt than anything on
Mommy's Little Monster, and
"Ball and Chain" and
"So Far Away" prove he could crank out a respectable
honky tonk number if he put his mind to it. Thanks to
Epic's sponsorship, the group had more time and money at their disposal for
Social Distortion than on their previous albums, and producer
Dave Jerden made the most of it;
Mike Ness and
Dennis Danell's guitars sound lean, sharp, and powerful;
Ness's vocals are better controlled than ever before; and
Christopher Reece's drums have a tight snap that suits both the
thrashier numbers as well as the slower,
blusier tunes.
Social Distortion isn't a great
roots rock album, but it's a pretty good one, and it's better and more affecting than anything this band had cranked out before. ~ Mark Deming
