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| Daniela Mercury | Primary Artist, Primary Artist, Keyboards, Vocals |
| Tita Alves | Background Vocals |
| Fred Dantas | Trombone |
| Angélique Kidjo | Vocals |
| Will Mowat | Keyboards |
| Ramiro Musotto | Percussion |
| Joatan Nascimento | Trumpet |
| Sandra Park | Violin |
| Cesário Leony | Bass |
| Rowney Scott | Tenor Saxophone |
| Vitor | Percussion |
| Paulinho Calbas | Background Vocals |
| Phil Myers | Trumpet |
| André Becker | Alto Saxophone, Baritone Saxophone |
| Marcelo Brasil | Drums |
| Gilmar Gomes | Percussion |
| Daniela Mercury | Arranger, Producer |
| Emilio Estefan Jr. | Producer |
| Andres Levin | Producer |
| Will Mowat | Arranger, Producer |
| Ramiro Musotto | Percussion Arrangement |
| Joatan Nascimento | Brass Arrangment |
| Juan Vincente Zambrano | Producer |
| Suba | Programming |
| Soli | Engineer |
Anonymous
Posted October 1, 2010
This album is wonderful! You cannot help but to get up and dance and sing to it. I love it! It is very upbeat, full of energy, with a couple of slow beautiful song. I recommend it to any one who loves to dance, sing and be happy. Every song is great!
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Editorial Reviews
All Music Guide - Chris Nickson
Call this a bid for the big time by the queen of axé music, and one of Brazil's biggest stars. By enlisting the talents of one of Latin music's biggest producers, Emilio Estefan, Jr., it's nothing less than an attempt to crack the lucrative American market. The question is, can she do it -- adding the gloss and sheen -- without losing her roots? And from the first moments of the first track, the answer is apparently yes. The snares and percussion are crisper than on any of her earlier releases, firing the cuts along with a real directness, while the horn arrangements have a real zip about them that frames her powerful, emotive voice, as on Caetano Veloso's celebratory ...