Like 1998's
Khmer,
Solid Ether is an unusual addition to the
ECM catalog, reflecting the Norwegian trumpeter's continued fascination with
drum'n'bass,
jungle, and other underground
club genres.
Molvaer's work in this idiom is indicative of a new wave sweeping Europe and Scandinavia, where boundaries between
jazz and
electronica are being creatively blurred by a growing number of forward-thinking artists. (The trend is catching on in the States as well.)
Molvaer's trumpet is consistently in the forefront, as is the case in the music of his French contemporary,
Erik Truffaz. This will inevitably prompt comparisons with
Miles Davis, and
Molvaer indeed credits
Davis as a major influence in his musical development. The music on this record, however, sounds nothing like
Davis ever played nor could have foreseen. (That said, in all likelihood he would have heartily approved.) With its driving beats, spare-to-barren harmonies, and dense atmospherics and samples,
Solid Ether breaks completely with traditional notions of
jazz performance. Most of its tracks segue directly from one to the next, creating a seamless "mix" in the style of much experimental
dance music. While ten guest artists are credited in addition to
Molvaer (including guitarist
Eivind Aarset and
DJ Strangefruit, aka
Paal Nyhus), they don't often play clearly delineated "parts" or solos. One exception is the two-part
"Merciful," which pairs
Molvaer's piano with the vocals of
Sidsel Endresen, bringing
Annette Peacock to mind. Not everyone will "get" this kind of music, and die-hard jazzers might laugh it off as an inconsequential fad. But it's actually a seismic innovation that is just getting started. ~ David R. Adler
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