Character-driven fiction that is for literature lovers
So, how does a 27-year old man working on a doctorate in particle physics write an achingly lovely book about loneliness, family, and alienation? By being a close observer of the human condition, and by writing prose that pulls you further into the book. (I've lost sleep over this book--the "only one more chapter" turned into several on more than one night.) Shaun Whiteside, Giordano's translator, deserves credit for the kind of translation that did not make me feel I was missing anything by not reading it in the original Italian.
In some ways, I wish this was not a first novel, and I wish Giordano was older. Why? Because as his characters get older, and surpass Giordano's current age, something feels lost. The tremendous empathy with which he writes about his characters' adolescence made me, his reader, nod with recognition. But as his characters move further into their adulthood, part of the suspension of disbelief was broken for me--not all writers are able to write about a time of life that they have not experienced, and toward the end of the book, I felt the distance between Giordano and his characters widening.
Okay. That's the major criticism. Let me tell you about the things that Giordano does well.
This is character-driven literary fiction, which means that the plot is secondary to the development of the people of whom he writes. (Those of you looking for a "rippin' good yarn" would be best to skip this book.)
Instead, it's the moments of subtle beauty--an emotion described in visceral terms, a scene painted in water-color language--that would catch the breath in my chest.
Mattia is a twin brother to Michele, a little girl with mental disabilities. Mattia, shy and hyper-intelligent, is lonely. It's not that he's exactly "shunned" by his classmates, as much as he is avoided because he and Michele are seen as a package deal, (meaning that if you invite one to an event, you must invite the other. Thus, at the opening of the novel, Mattia has been in school for several years and has never been invited to a friend's birthday party.
One day, one of his classmates finally breaks the taboo, and both children are invited to the party. But Mattia is torn. He knows that if Michele comes to the party, she will ruin Mattia's chances for ever being invited to another party, and so, Mattia makes a decision that forever changes his family's life. Left to live with the guilt of Michele's exit from the world, and, as if to make amends, Mattia finds ways to torment himself physically almost every day.
Alice is the daughter of a pushy father who wants his girl to be a champion skiier. Unable to say no to her father, in an attempt to get out of competing one day, she wanders off the trail, shatters her leg, and the surgical attempts to rebuild her broken body leave her covered with scars. Having lost control of a hip and leg that don't perform correctly, Alice attempts to discipline her body through other means.
Alice and Mattia, of course, become friends--or as close to friendship as each is capable of.
For Alice and Mattia, the high school years were an open wound that had seemed so deep that it could never heal. They had passed through them without breathing, he rejecting the world and she feeling rejected by it, and eventually they had noticed that it didn't make all that much diffference. They had formed a defective and asymmetrical friendship, made up of long absences and much si
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