Some Danger Involved (Barker & Llewelyn Series #1)

Some Danger Involved (Barker & Llewelyn Series #1)

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by Will Thomas

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An atmospheric debut novel set on the gritty streets of Victorian London, Some Danger Involved introduces detective Cyrus Barker and his assistant, Thomas Llewelyn, as they work to solve the gruesome murder of a young scholar in London's Jewish ghetto. When the eccentric and enigmatic Barker takes the case, he must hire an assistant, and out of all who answer an ad

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An atmospheric debut novel set on the gritty streets of Victorian London, Some Danger Involved introduces detective Cyrus Barker and his assistant, Thomas Llewelyn, as they work to solve the gruesome murder of a young scholar in London's Jewish ghetto. When the eccentric and enigmatic Barker takes the case, he must hire an assistant, and out of all who answer an ad for a position with "some danger involved," he chooses downtrodden Llewelyn, a gutsy young man with a murky past.
As they inch ever closer to the shocking truth behind the murder, Llewelyn is drawn deeper and deeper into Barker's peculiar world of vigilante detective work, as well as the heart of London's teeming underworld. Brimming with wit and unforgettable characters and steeped in authentic period detail, Some Danger Involved is a captivating page-turner that introduces an equally captivating duo.

Editorial Reviews

From the Publisher
"What lucky readers will find in Some Danger Involved, by sure-footed first-time novelist Will Thomas, is a vibrant gumshoe full of contradictions and wit, equally at ease among London's highest society and its lowest denizens...Thomas's storytelling is top-notch, generously filled with humor and attention to detail. He brings to life a London roiling with secret leagues, deadly organizations, and hidden clubs."
— Ron Bernas, Detroit Free Press

"The characters are fresh and appealing and the setting strong and original...While we get to know young Llewelyn pretty well, there is still a lot to be learned about his enigmatic employer, which we hope will be revealed in books yet to come."
— Tom and Enid Schantz, The Denver Post

"An exciting page-turner...I look forward to their next adventure!"
— Anne Perry, New York Times bestselling author of No Graves as Yet and The Whitechapel Conspiracy

"Adds an appealing new duo to the hall of paired detectives...A colorful ride...terrific."
—John Orr, San Jose Mercury News

"Will Thomas explores wonderful uncharted territory...true believers who go along for the ride will hate to see it end."
— Marilyn Stasio, The New York Times Book Review

Marilyn Stasio
A hideous crime in London's Jewish ghetto -- the crucifixion of a rabbinical student who resembles images of Christ -- gives these playfellows a fine excuse to plunge into the mysterious world of the Victorian underground. Although the plot is impossibly thick with intrigue and danger, true believers who go along for the ride will hate to see it end.
The New York Times
Publishers Weekly
Modeled after the adventures of Sherlock Holmes, but with a verve all its own, this debut mystery introduces a likable pair of sleuths and explores the Jewish quarter of Victorian London. Fresh, self-effacing Thomas Llewelyn is a plucky lad down on his luck (he was booted out of Oxford and served eight months in prison for petty theft) when he becomes the unlikely assistant to idiosyncratic Cyrus Barker, a patently Holmesian private detective with an enigmatic background in China. Hardly has Llewelyn settled into his new quarters in his employer's residence when he is called upon to assist Barker in an investigation of the crucifixion death of a young Jewish scholar. The convoluted tale leads through the tightly circumscribed Jewish ghetto, as it appears that the murder may be the overture to a pogrom by vicious anti-Semitic factions. Barker's methods ("You see, I try to throw a web over London and sit like a spider in the midst of it all, my fingers on the strands") and Thomas's tone (" `I must admit, sir,' I confessed, `that I doubted you a little' ") may owe much to Sir Arthur Conan Doyle, but the author's lively, learned tour of the various foreign enclaves of 19th-century London is notably contemporary. Besides initiating Llewelyn into the rigors of detective work, Barker introduces his young associate to a number of exotic cuisines, Chinese and Italian among them. Such period curiosities and the growing friendship between Llewelyn and Barker are the chief delights of this engaging novel. Agent, Maria Carvainis. (June) Copyright 2004 Reed Business Information.
Library Journal
A first novelist and librarian, Thomas shows his expertise in Victorian crime fiction in an engaging mystery that invites sequels (he has written for Ellery Queen's Mystery Magazine and Sherlock Holmes publications). In 1884 London, young widower Thomas Llewelyn, an Oxford student who was wrongly incarcerated at Oxford Prison, is unable to find work and is ready to commit suicide when he's hired as the new assistant to private enquiry agent Cyrus Barker. As advertised, the position has "some danger involved": the previous incumbent was killed, and Llewelyn is soon shot at while assisting Barker in investigating the crucifixion of a Jewish teacher and rabbinical student who strongly resembled Jesus. Hired by a prominent Jewish leader to solve the murder and determine whether this and other recent incidents foreshadow a pogrom against the Jews of London, Barker and Llewelyn are at risk as they prowl the city, stopping to dine at intriguing restaurants. Thomas spins a fine tale, nicely atmospheric and building in suspense, with a pair of enquiry agents (don't call them detectives) who will win fans of the genre. Recommended for all mystery collections. [Thomas was profiled in "Shelf Life: Librarians Who Write," LJ 2/15/04. Ed.] Michele Leber, Arlington, VA Copyright 2004 Reed Business Information.
Kirkus Reviews
A private eye hits the mean streets of Victorian London. Newcomer Cyrus Barker is hulking and anvil-fisted, yet no slouch at ratiocination either. He's supported here by a budding Boswell, Thomas Llewelyn, out of Oxford University and just out of Oxford Prison (eight months on a trumped-up larceny rap). Thomas has only recently come aboard, but he seems to have been born to the sleuthing craft, and his is the discerning and deeply admiring lens through which we watch London's foremost enquiry agent (he abjures the term "detective") operate. Their debut case involves a particularly gruesome homicide with hate-crime overtones: the crucifixion of Jewish student Louis Pokrzya. Is the brutal murder the work of the venomous Anti-Semite League? wonders the Jewish Board of Deputies as it commissions Barker to investigate. Perhaps so, perhaps not, replies Barker, with his customary caution, while acknowledging that this is "not the safest time to be a Jew in London." Trailed by his eager assistant, Barker sets about trying to "learn" the murdered student, not by any means an easy task. Though attractive and intelligent enough, Louis was a man who apparently preferred life on the periphery, a man who kept his secrets and made few close friends. But maybe a single serious enemy?Thomas's dark and dangerous London, impeccably researched, comes alive much more fully than his bland and underimagined cast. Agent: Maria Carvainis

Product Details

Publication date:
Barker & Llewelyn Series, #1
Edition description:
Sales rank:
Product dimensions:
5.40(w) x 8.00(h) x 0.80(d)

Read an Excerpt

Chapter One

ASSISTANT to prominent enquiry agent. Typing and shorthand required. Some danger involved in performance of duties. Salary commensurate with ability. 7 Craig's Court.

So ran the advertisement in the "situations vacant" column of The Times for the fourth day straight. On the first day, a Monday, I had arrived early, but not early enough. A long queue of hopeful clerks was already spilling out into Whitehall Street. So many applicants were ahead of me, and so eminently more suitable did some of them appear, that after a quarter hour's turn I abandoned my place and went in search of more realistic prospects. The Tuesday advertisement was, I assumed, mere thoroughness on the part of the employer; at a shilling a line, he could afford to advertise for two days, though the position might be filled on the first. On Wednesday, I was intrigued, but my attention was drawn to a situation in Hammersmith for which I believed I might be better suited, one that didn't offer "some danger involved in performance of duties." But when the request appeared the fourth day, I exclaimed over the newspaper in the Reading Room of the British Museum and vowed to try my luck again. Like young Arthur standing before the Sword in the Stone, I assumed I couldn't fail worse than anyone else.

I set down my pasteboard suitcase on the pavement at the end of the queue and looked at the line of applicants. They seemed identical to the gentlemen from the first day. I am sure that many of them were better qualified than I, but none was as desperate. The cheap suitcase at my feet contained all that I owned in the world, all that was left that could not be pawned. That morning, I had abandoned the garret I occupied, several days in arrears of my rent, with but threepence to my name, which I squandered on a tin cup full of chalky coffee and one of the thick slices of bread and butter they call "doorsteps," at a stall in Covent Garden. This was to be my final day of hunting for a situation. If I was not gainfully employed by seven o'clock that evening, I planned to take one last look from atop Waterloo Bridge at the premier city in Christendom, then snuff this guttering candle with a long jump into the Thames. Truth be told, I almost wished for the release, for my shattered faith still clung to the belief that I might be reunited with my wife, dead now almost a year. It was a trade I would only too gladly make.

Although I did stand in line, pushing my suitcase forward every minute or two, my hopes were not sanguine. There is a look which comes into a prospective employer's eye when he glances through your references and comes across the words "Oxford Prison." It's not a happy look, but an interesting one: first the eyes pop open with astonishment; then the brows knit together in a solid scowl; finally one brow raises sardonically, as if wondering how you have the brass to go on breathing after such a disaster. There may be further ocular calisthenics, but I was usually out the door by that time, one step ahead of the boot. At first I had agonized over these dismissals, but lately I'd just grown bored with them. One can only go through so much eye popping before it begins to pall.

There was a high brick wall beside us, and unlike the other applicants, I took the opportunity to shelter myself from the cold March wind. Somewhere on the other side, I heard a sound, the soft, rhythmic slap of rubber on brick. Someone was practicing tennis, or a child was playing ball. I thought it bitterly ironic that not five feet away someone was enjoying his life, while I was so close to forfeiting my own. I was beyond the stage of anger, however, and merely prodded my suitcase forward another few inches, with the toe of my boot. As I reached the steps of the building, I noticed a dustbin off to the side. I felt it was an omen and tossed the suitcase into it. What need had I now for a few threadbare collars and some moldy books of poetry?

Finally, I squeezed my thin frame through the door, into a kind of waiting room. Inside, the applicants were seated in a row, across from a bored-looking fellow behind a desk, his face buried in the Police Gazette. He took my name and asked me to be seated, as if the request were a complaint. I had never been in the offices of a "prominent enquiry agent" before, but the room looked much like several antechambers of bureaucrats and barristers that I had visited in the area, during my long search for work. When I entered I felt a tension in the room beyond the mere suspense of waiting for an interview.

"This is a rum one, no mistake," an older applicant said to me in a low voice, as soon as I sat down in a newly vacated chair.

"Rum?" I asked. "How so?"

"His nibs here announces each candidate, who goes in through that yellow door there. Then they come out madder than a wet hornet. Some come out right away, some in five minutes, some ten, but each one acts like he's been horsewhipped. This fellow must be a regular tartar. It's no wonder he can't find someone to fill the post. If you can't stomach the interview, however will you get on with the situation itself?"

It was just as my neighbor had foretold. Each applicant went through the yellow door behind the desk with the fatalism of French noblemen going to the guillotine. Some were ejected immediately, indignant at being dismissed with a cursory glance. Others returned after a few minutes, with a scowl on their faces, and after a longer wait, one fellow stormed through the office amid a volley of curses and slammed the outer door, making us all jump. When it was my neighbor's turn, he tipped me a sly wink and sauntered in. After a few minutes he returned, favored us all with a bow, placed his silk hat atop his head, and walked out with a droll smile on his face.

"Llewelyn," the bored man behind the desk announced, consulting his list. It was my turn in the lion's den. I wiped my hands on my trousers, swallowed, and walked through the door.

The chamber I entered was well furnished and dominated by a large desk and chair. Bookshelves lined most of the walls, but the heavy tomes shared the space with vases, statues, and objets d'art, most of them oriental in style. As I came in, the tall chair swiveled around to face me, and its occupant stood and pointed to a place on the Persian carpet in front of the desk. I moved to the spot and stood.

My prospective employer came from behind the desk, without bothering to offer his hand, and began to walk in a slow, clockwise circle around me, as one does when considering a horse. The light streaming in from the bow window behind me served to illuminate any patches, repairs, or weaknesses in my apparel and boots. He came about in front of me, having completed his circuit, and I was prepared for my immediate dismissal. Instead, still silent, he began a second revolution, counterclockwise this time. I had a different sensation now, as if we were two boxers in a prize ring. I would not have been surprised if he had shied a blow at my head.

"You're a black little fellow," he said at last, in a deep, raspy voice. "Welsh, I take it?"

It was true, but I took offense anyway. I am not tall (the fellow was a head taller than I), and I do have the black hair and swarthy skin of my once great race, the true Celts of Britain, but I didn't care for the way he phrased it. I could see only too easily what had put so many of my competitors in a lather. I was desperate, however, and inured to hardship, and so I merely nodded.

He held out a hand, palm upward, and I gave him my entire history laid bare in print. I waited for the eye popping. Here it goes, I thought. I shall be out in the dustbin with my suitcase in ten seconds.

"Thomas Llewelyn. Read at Magdalen College, Oxford, in Classics, and at Oxford Castle, picking oakum," the man rumbled. Or was that a chuckle?

He walked around behind the desk again and, turning his chair away from me, he sat. That was it. I was dismissed. At least his eyes hadn't popped, or perhaps they had. I couldn't see them. I gathered the papers, which he had tossed on the desk, thinking the Thames must be cold this time of year.

"Describe me, Mr. Llewelyn." This came from the depths of the chair.


"I'm still speaking English, am I not? I haven't switched to Mandarin or Javanese, have I? I said, 'Describe me!' "

I marshaled my thoughts. "Yes, sir. You are about forty years of age, I believe, stand six foot two inches tall, and weigh about fifteen stone. You have a large mustache which extends down to your jawline and are wearing a pair of round, smoky spectacles with sidepieces. There is a scar dividing your right eyebrow. Your hair is black and combed to one side, the right side, I believe. Your face is pitted and seamed by what I assume was smallpox."

"Boils. Do not theorize. Continue."

"You are dressed in a dark gray morning coat, as I recall. Your trousers are striped in shades of gray, and your black pumps are highly polished. Oh, and your accent is Scottish, but it is not very thick. Lowland, perhaps."

I thought I had acquitted myself rather well, but the man turned his chair back to me without expression or remark. He reached into a desk drawer and slid a small notebook and pencil toward me.

"Take a letter, Mr. Llewelyn:

Cyrus Barker

7 Craig's Court

Whitehall, London

13 March 1884

Mr. Wilhelm Koehler

The Albany

Dear Mr. Koehler:

Have received your letter of the eleventh. My client has met with me regarding the conditions therein. I have encouraged him to publish the document in your possession, which he has reconstructed with my aid, and it shall appear in this evening's edition of the Standard. Any further attempts at blackmail shall be similarly declined. Should you feel it necessary to meet with my client in person, please be advised that he is now accompanied by Mr. James 'Bully Boy' Briggs, and that your face would no longer be your entrée into society's drawing rooms after such an encounter.

Your humble servant,

Cyrus Barker, etc."

Mr. Barker reached down behind the desk, and came up with a small typewriting machine in his hands, and placed it on the blotter. It was a Hammond and just new. He pulled back his large leather chair and offered me a seat in front of the machine. Typing and shorthand required, indeed.

"Paper?" I asked, as I sat down on the edge of the chair.

"First drawer left."

I put a piece of paper into the machine and began to type the letter he had dictated. I am not fast, but I am competent and careful. I made no mistakes. As I was typing his name at the bottom, Barker took an envelope from the drawer and placed it beside the machine. I pulled the freshly typed letter from the roller, returned the machine to its former place on the floor, and reached for the inkstand. He was testing my penmanship as well as getting some business done, not a bad trick with dozens of applicants. I set down the addresses in my best hand, then pulled open the middle drawer and retrieved a stamp, which, I admit it was luck, happened to be there. I licked the stamp and affixed it, then waited for my next instruction. Barker's brows disappeared in a frown beneath the disks, then he opened another drawer and removed a small sponge, which sat in a shallow dish of water there. He sealed the envelope and placed it on the right-hand corner of the desk. I noted that it was exactly half an inch from the front edge and the same distance from the side. Coupled with his scrupulously neat appearance, his fastidiousness made me think that he would make someone a most exacting employer.

Again, Barker made no comment but turned and opened a door on the opposite side of the chamber from the entrance, beckoning for me to follow. We walked down a rather featureless corridor of yellow doors until we came to the end. Barker opened the last and led me into a small, bare outdoor courtyard, surrounded by brick walls and covered in ancient paving stones. The icy March wind toyed with the dead leaves in the corners of the little square. He directed me to a bare wall, while he himself walked in the opposite direction, to where an open wicker basket stood against the brick. As I neared the wall, I recognized it as the other side of the one I had sheltered against while waiting to get in. I ducked just in time, as the first ball struck the wall an inch from my head.

He hadn't given me any instructions, but I assumed the object of Barker's little game was not to be struck by the ball. The basket was full of them, small, black spheres of hard India rubber, and I was determined not only that would I not be struck, but also that none would get by me. Barker proved himself a wicked hurler. I had been a competent goaltender on the football team in my village in Wales, and I caught or batted away every ball that came in my direction. Barker went through the entire basket. As I slapped what I assumed was the last one back at him, I saw one more missile coming my way. I was reaching for it when I realized it was not a ball at all. By the telltale glint of silver, it was a knife heading straight for my breast. I barely dodged out of the way as it flew past and struck the wall with a loud smack. It, too, was made of India rubber, cunningly painted.

We stood and looked at each other. I was breathing heavily, creating clouds of vapor in the cold spring air. Barker did not appear to be taxed in any way by his exertions and stood immobile, contemplating me. For a moment, I thought of repeating the words of the angry applicant who had slammed the door, with a few choice ones of my own thrown in. I mastered myself, however, and said, "I presume you shall inform me when the situation is filled. Good morning, sir." Then, with as much dignity as my five-foot-four-inch frame could muster, I bowed and marched from the courtyard.

I stalked through the empty corridor, past the blind doors, through Barker's chambers, and into the waiting room. All the applicants stared at me apprehensively. I opened the outer door and was considering a hearty slam that would rattle the door frame, when I heard a voice over my shoulder. Barker's voice.

"The situation is filled. You gentlemen may go. Jenkins, mind the office until I return." With a nudge in the small of my back, he pushed me forward, out onto the step.

"You look like you could do with some lunch," he said, conversationally.

"I have the position?" I asked, astounded.

"Never any doubt." He leaned out over the balustrade and retrieved my case from the dustbin. "Don't forget your belongings. Come, we'll take a hansom cab."

Copyright © 2004 by Will Thomas

Meet the Author

Will Thomas is the author of Some Danger Involved, the first novel featuring Cyrus Barker and Thomas Llewelyn, and now a Barry and Shamus Award nominee. He lives with his family in Oklahoma.

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