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Tony Earley has a voice and a sensibility that cuts to the heart of the way we live today. He's not smug, he's not self-consciously hip, he's not flashy. He writes in a deceptively simple style, yet his work reveals a complex mind, a empathetic heart, and a questing spirit.
In Somehow Form a Family, Earley writes about finding a place in a world without losing sight of where you came from. In his late 30s, he is neither a Boomer nor a GenXer. He stands with one foot in the rural South and one foot in the ersatz suburbia of the Brady Bunch. Candidly discussing his struggles with clinical depression, he confronts the big issues-God, death, civilization, family-with grace and wit, without glibness or evasion. Whether he's imagining his mountaineer grandmother's only foray into the wider world, tracking ghosts with a parapsychologist and finding his dead sister, or dodging suicide, Earley has clearly lost patience with the knee-jerk irony so prevalent around young writers today. His is a journey into authenticity, from faith through unbelief and into a new faith-a journey "toward whatever miracle comes up next."
On one side of us lived Mr. and Mrs. White. They were old and rich. Their driveway was paved. Mrs. White was the president of the town garden club. When she came to visit Mama she brought her own ashtray. Mr. White was almost deaf. When he watched the news on television, it sounded like thunder in the distance. The Whites had an aluminum travel trailer in which you could see your re?ection. One summer they hitched it to their Chrysler and pulled it all the way to Alaska.
On the other side of us lived Mack and Joan. They had just graduated from college. I thought Joan was beautiful and still do. Mack had a bass boat and a three-tray tackle box in which lurked a bristling school of lures. On the other side of Mack and Joan lived Mrs. Taylor, who was old, and on the other side of Mrs. Taylor lived Mr. and Mrs. Frady, who had a ?erce dog. My sister, Shelly, and I called it the Frady dog. The Frady dog lived a long and bitter life. It did not die until well after I had a driver's license.
On the far side of the Whites lived Mr. and Mrs. John Harris; Mr. and Mrs. Burlon Harris lived beyond them. John and Burlon were ?rst cousins. John was a teacher who in the summers ?xed lawn mowers, including ours, in a building behind his house. Burlon reminded me of Mr. Greenjeans on Captain Kangaroo. He kept horses and let us play in his barn. Shelly once commandeered one of his cats and brought it home to live with us. Burlon did not mind; he asked her if she wanted another one. We rode our bicycles toward Mr. Harris's house as if pulled there by gravity. We did not ride in the other direction; the Frady dog sat in its yard and watched for us.
In July 1969, we did not have much money, but in the hierarchy of southern poor, we were the good kind, the kind you would not mind living on your road. We were clean. Our clothes were clean. My parents worked. We went to church. Easter mornings, Mama stood us in front of the yellowbell bush and took our picture. We had meat at every meal--chicken and cube steak and pork chops and ham--and plenty of milk to drink. We were not trashy. Mrs. White would not sit with her ashtray in the kitchen of trashy people. Trashy people lived in the two houses around the curve past Mr. Harris's. When Daddy drove by those houses we could see that the kids in the yard had dirty faces. They were usually jabbing at something with a stick. Shelly and I were not allowed to ride our bicycles around the curve.
I knew we were poor only because our television was black and white. It was an old Admiral, built in the 1950s, with brass knobs the size of baseballs. Its cabinet was perfectly square, a cube of steel with a painted-on mahogany grain. Hoss on Bonanza could not have picked it up by himself. It was a formidable object, but its vertical hold was shot. We gathered around it the night Neil Armstrong walked on the moon, but we could not tell what was happening. The picture ?ipped up and down. We turned off the lights in the living room so we could see better. We listened to Walter Cronkite. In the distance we could hear Mr. White's color TV rumbling. We changed the channel and listened to Huntley and Brinkley. We could hear the scratchy radio transmissions coming down out of space, but we could not see anything. Daddy got behind the TV with a ?ashlight. He said, "Is that better? Is that better?" but it never was. Mama said, "Just be thankful you've got a television."
After the Eagle had landed but before the astronauts opened the door and came out, Mack knocked on the door and asked us if we wanted to look at the moon. He was an engineer for a power company and had set up his surveyor's transit in the backyard. Daddy and Shelly and I went with him. We left Mama sitting in the living room in the blue light of the TV. She said she did not want to miss anything. The moon, as I remember it, was full, although I have since learned that it wasn't. I remember that a galaxy of lightning bugs blinked against the black pine trees that grew between our yard and that of the Whites. Mack pointed the transit at the sky. Daddy held me up so I could see. The moon inside the instrument was startlingly bright; the man in the moon was clearly visible, although the men on the moon weren't. "You can't see them or anything," Mack said, which I already knew. I said, "I know that." I wasn't stupid and did not like to be talked to as if I were. Daddy put me down. He and Mack stood for a while and talked. Daddy smoked a cigarette. In the bright yard Shelly chased lightning bugs. She did not run, but instead jumped slowly, her feet together. I realized that she was pretending to walk on the moon, pretending that she was weightless. The moon was so bright, it cast a shadow at her feet. I remember these things for sure. I am tempted to say that she was beautiful in the moonlight, and I'm sure she was, but that isn't something I remember noticing that night, only a thing I need to say now.
Eight, maybe nine months later, Shelly and I rode the bus home from school. It was a Thursday, Mama's day off, Easter time. The cherry tree in the garden separating our driveway from that of the Whites was in brilliant, full bloom. We could hear it buzzing from the road. One of us checked the mailbox. We looked up the driveway at our house. Something was wrong with it, but we couldn't tell what. Daddy was adding four rooms on to the house, and we were used to it appearing large and un?nished. We stood in the driveway and stared. Black tar paper was tacked to the outside walls of the new part, but the old part was still covered with white asbestos shingles. In the coming summer, Daddy and a crew of brick masons would ?nish transforming the house into a split-level ranch style, remarkably similar to the one in which the Bradys would live. I loved the words split-level ranch-style. To me they meant "rich."
Shelly and I spotted what was wrong at the same time. A giant television antenna had attached itself to the roof of our house. It was shiny and tall as a young tree. It looked dangerous, as if it would bite, like a praying mantis. The antenna slowly began to turn, as if it had noticed us. Shelly and I looked quickly at each other, our mouths wide open, and then back at the antenna. We sprinted up the driveway.
In the living room, on the spot occupied by the Admiral that morning, sat a magni?cent new color TV, a Zenith, with a twenty-one-inch screen. Its cabinet was made of real wood. Gomer Pyle, U.S.M.C. was on. I will never forget that. Gomer Pyle and Sergeant Carter were the ?rst two people I ever saw on a color television. The olive green and khaki of their uniforms was dazzling. Above them was the blue sky of California. The sky in California seemed bluer than the sky in North Carolina.
We said, "Is that ours?"
Mama said, "I'm going to kill your daddy." He had charged the TV without telling her. Two men from Sterchi's Furniture had showed up at the house that morning with the TV on a truck. They climbed onto the roof and planted the antenna.
We said, "Can we keep it?"
Mama said, "I don't know," but I noticed she had written the numbers of the stations we could get on the dial of the Channel Master, the small box which controlled the direction the antenna pointed. Mama would never have written on anything she planned on taking back to the store.
The dial of the Channel Master was marked like a compass. Channel 3 in Charlotte lay to the east; Channel 13 in Asheville lay to the west. Channel 7 in Spartanburg and Channel 4 in Greenville rested side by side below them in the south. For years these cities would mark the outside edges of the world as I knew it. Shelly reached out and turned the dial. Mama smacked her on the hand. Gomer grew fuzzy and disappeared. I said, "Mama, she broke it." When the dial stopped turning, Mama carefully turned it back to the south. Gomer reappeared, resurrected. Jim Nabors probably never looked better to anyone, in his whole life, than he did to us right then.
Mama sat us down on the couch and laid down the law. Mama always laid down the law when she was upset. We were not to touch the TV. We could not turn it on, nor could we change the channel. Under no circumstances were we to touch the Channel Master. The Channel Master was very expensive. And if we so much as looked at the knobs that controlled the color, she would whip us. It had taken her all afternoon to get the color just right.
| Introduction | ||
| Somehow Form a Family | 1 | |
| Hallway | 19 | |
| Deer Season, 1974 | 51 | |
| Shooting the Cat | 57 | |
| The Quare Gene | 67 | |
| The Courting Garden | 81 | |
| Ghost Stories | 87 | |
| A Worn Path | 113 | |
| Granny's Bridge | 127 | |
| Tour de Fax | 137 |
I should have known San Francisco wasn't going to be a Tony Earley town when I pulled into the parking lot and saw, stretched from one end of the bookstore to the other, a banner that proclaimed WELCOME DAVID SEDARIS! in letters roughly the height of Sedaris himself. (He was coming the next day.) I was with my wife, Sarah, who had flown out for my birthday, and my friend, Dennis.
"Nice sign," Dennis said.
"David Sedaris is very funny," Sarah said. "We saw him in Nashville."
"There's nobody here," I said. "There aren't even any cars here."
"Six," said Dennis.
"Stop whining," Sarah said. She comes from a long line of dour Scots and doesn't suffer writers gladly.
"You're not pretty when you whine," Dennis said.
"I'm not whining."
"Actually, yes, you are."
"I wish we didn't have to leave tomorrow," said Sarah. "I'd love to see David Sedaris.
"Welcome!" said the shift manager. "We're so pleased to have you. We love your book."
She wasn't fooling me.
"We have a few minutes before your signing. Can I get you anything?"
"Maybe you should eat something," Sarah said.
"I want a sandwich," I said. "A chicken sandwich."
"He has low blood sugar," Sarah said. "He gets cranky when he goes without eating."
"I'm not cranky."
"Actually, yes, you are," Dennis said.
The manager led us to a table outside. I pulled out my cell phone.
"Who are you calling?" Sarah asked.
"My publicist. David Sedaris and I shouldn't be within five hundred miles of each other."
"You mean, you shouldn't be within five hundred miles of him," Dennis said.
"Put down that phone," Sarah said.
I stuck the phone in my pocket. "Well, of course David Sedaris is going to be huge in San Francisco," I said. "But I'd like to see how many people he gets in Raleigh."
"Actually, he's from Raleigh," Sarah said. "I imagine he does really well in Raleigh."
"Okay, then, Asheville. I'd like to see how he does in Asheville."
Dennis and Sarah stared at me sadly.
"Fine then. Forest City. I bet that at Fireside books in Forest City, North Carolina, I kick David Sedaris' butt."
"That's where you're from, right?" Dennis asked.
I nodded.
Dennis thought for a minute. "Okay," he said, "I might give you that one."
"Damn right," I said.
I paced back and forth in a small stock room, listening to the shift manager introduce me over a PA system that seemed entirely too loud for a deserted bookstore.
"I'm not going out there," I said.
"Tony..." said Sarah.
"I mean it. There are only six people at this thing, and I brought two of them with me. It's humiliating."
"So it's not a big crowd," Sarah said. "So what? There are four people out there who came to see you. What about them?"
"I don't care."
"Yes, you do."
"Well, okay, I do, a little. But don't get comfortable. I'm going to read eight minutes, then we're getting the hell out of here."
"Hi," I said into the microphone.
"Hi," said a man sitting in the front row. "I'm Don and this is my wife, Hope."
"Hi Don. Hi Hope." The two women sitting in the back didn't introduce themselves. "I'm going to read from Jim the Boy."
"We're looking forward to it," said Hope.
After I had read a page or two, I saw Don gently elbow Hope in the ribs. They looked at each other and nodded. They liked it. More important, they liked me. I began to read directly to them. Don and Hope became beloved children I was reading to sleep, the congregation of a church I pastored, favorite teachers I wanted only to please. I read every sentence as if something depended on it. I forgot about Dennis and Sarah and the two women in the back. I almost forgot about David Sedaris. And, lo and behold, when I finished reading, Don and Hope bought seven books.
"You were wonderful," Hope said at the signing table.
"Thank you."
"We had never heard of you until just now," she added. "But we're so glad we stayed."
"I'm glad you stayed, too," I said.
"Oh, you don't know how much," said Sarah. (Tony Earley)
Copyright © 2002 by Algonquin Books of Chapel Hill
Anonymous
Posted March 16, 2008
This book might mean the most to a certain person, but I loved it! Mr. Earley's book is a collection of essays about his life and childhood. I think it's wonderfully written and a true joy!
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Overview
Tony Earley has a voice and a sensibility that cuts to the heart of the way we live today. He's not smug, he's not self-consciously hip, he's not flashy. He writes in a deceptively simple style, yet his work reveals a complex mind, a empathetic heart, and a questing spirit.
In Somehow Form a Family, Earley writes about finding a place in a world without losing sight of where you came from. In his late 30s, he is neither a Boomer nor a GenXer. He stands with one foot in the rural...