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Something Bad

Something Bad

3.0 16
by Richard Satterlie

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A young man must remember his past to save his family's future in this thrilling novel. Gabe Peterson's memories go no earlier than when he was 12 years old, yet when a strange little man comes to town, he feels an odd sense of familiarity. Mysterious natural disasters start claiming lives, and the events soon trigger glimpses of the past for Gabe. Once a tragic event


A young man must remember his past to save his family's future in this thrilling novel. Gabe Peterson's memories go no earlier than when he was 12 years old, yet when a strange little man comes to town, he feels an odd sense of familiarity. Mysterious natural disasters start claiming lives, and the events soon trigger glimpses of the past for Gabe. Once a tragic event of his youth is recalled, Gabe can see that his family is next in danger and must race to save them before it's too late.

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Medallion Media Group
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3 MB

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Something Bad

By Richard Satterlie

Medallion Press, Inc.

Copyright © 2007 Richard Satterlie
All right reserved.

ISBN: 978-1-933836-13-3

Chapter One

Boyston, Tri-Counties, 1982

Gabe leaned forward in the confessional and eased the door open a crack. Light from the church flowed into the dark chamber in a narrow slash. He squinted the altar into view. In two years of early morning visits to the All Saints Catholic Church, Father Costello had never been late.

That wasn't the only thing wrong with today. The air carried an abnormal chill for this far into the spring. Gabe had overheard his father talk about it-this growing season had more than its fair share of unexpected thunderstorms and strong, dust-laden winds. And then there were the fogs. They rarely extended more than a mile from the swamp up north, and hardly ever as far as Boyston. But this year, they were enveloping the town two or three times a week. Today's was a doozy.

Gabe squirmed in the confessional, which he jokingly called the inhouse. It was the same size as the outhouse his grandfather had built at their farm. And even though the farmhouse had indoor plumbing, his father had maintained the structure for sentimental reasons-to teach a lesson on appreciation for what one has, his father had often said.

Gabe pushed the door open a little farther, enough to open a crack on the hinge side. Enough to get a view of the massive double front doors of the church. Nothing there either. He let the door slide shut. The hard wooden seat, and the near blackness, would help him think of another sin or two.

He wasn't Catholic but he liked the idea of confessing his sins. The recurring comfort of the lifted burden and the cleansing feeling of official acknowledgement and forgiveness gave him a sense of reverent calm. As he had done so many times, he had left home early to ride his bike to town to confess his week's worth of moral hiccups to Father Costello before heading up the street to join his family at the Lutheran church service.

Their interactions didn't have the formality of the official sacrament. Father Costello was just a good friend. In the confines of the dark confessional, with a screen between him and the good father, twelve year-old Gabe could talk about anything, especially things he was uncomfortable discussing with his real father.

A door slammed and an unrecognized, high-pitched voice brought Gabe out of his search. It came from the back room, behind the altar. He pushed on the door and squinted at the business end of the church. For an unsettlingly long time, no one appeared, but he could hear the voice, muffled, at a distance.

I could run for it, he thought. But the inhouse was closer to the altar than the front doors, and the huge latch that bolted the doors was hard to throw open in a rush. His mind was made when the door of the back room opened and Father Costello walked out, in full white robe, followed by a small man, only three-quarters of the Father's height. The small man leaned forward as he walked, apparently to counterbalance a half-full gunnysack that was slung over his right shoulder. A red stain wimpled the bottom of the sagging sack.

Gabe slid his butt back on the inhouse seat and closed the door to the narrowest crack that would allow a view of the two men. His breathing echoed in the small, dark space, so he switched to mouth breathing to avoid the occasional nose whistle that sounded an exhalation.

The small man dropped the sack on the first step of the altar and walked to the side of the church, out of Gabe's sight. He reappeared in only a few seconds, carrying a bare metal chair that he unfolded and placed at the front, center of the altar. He motioned to Father Costello, who walked to it, robot-like, and sat, feet together, hands on his thighs.

Gabe leaned closer to the gap. Father Costello's eyes seemed to follow the small man, but they were wide, unblinking, like the eyes of hypnotized people in the old black- and-white television movies.

The small man reached into the sack and pulled out a limp animal. It looked like a dog. He placed it on the top step, to Father's right, and fished his arm into the sack again. Over the next minute, he pulled two more animals from the bag. One was definitely a cat. Then, he brought the sack to the center of the altar, right in front of Father Costello, and reached in. The bottom of the sack went limp when the object was lifted.

Gabe's forehead pressed into the door as he strained to see, but his visual angle, and the railing of the first row of pews, prevented a clear view. Whatever kind of animal it was, it didn't have fur. He was sure of that. The brief glimpse he got was of an animal about the size of a small dog, but with grayish-pink, wrinkly skin. Once it was set down, all he could see through the wrought iron railing was the tip of one of its appendages. He stopped down his eyes with an exaggerated squint, but the image still blurred.

An idea struck-a trick from school that allowed a better focus at a distance. He pinched the tips of his two thumbs and two forefingers together into a square and peered through the pinhole created by the space between the tips of the four digits. The view of the altar sharpened, but it didn't help. The obstructions still prevented a full view. He pushed the door open a little more with his forehead and looked through his fingertips again. A little more came into focus. He pushed farther. When the image cleared, an involuntary breath sucked his lungs full. His back hit the rear wall of the inhouse just as the slit of light narrowed and extinguished. Knees to his chest, he strained for his next breath. He thought he saw toes.

Gabe's mind swirled, accompanied by a dizziness that nearly turned the feeble light that seeped around the edges of the inhouse door to pitch black. When the sensation passed, he leaned forward for another peek.

This time, his vision was tuned to an acuity that was almost painful, as if vision were his only fully functional external sense. It was silent in the church, and there were no smells.

In the close quarters of the inhouse, Gabe's internal world was anything but quiet. The lub-dup of each heartbeat reverberated as if branches of his heart extended to every part of his body. And the tensile stretch of his lungs, on each inhalation, felt like the rasp of wood dragged across cement, until it gave way to a twang of elastic recoil and an exhalation. In the darkness, he was keenly aware of the position of his own body parts-every joint spoke to him of its position-and he knew if he moved one, it would scream its swing.

He inched the door outward to enlarge the crack and gasped again.

Father Costello sat perfectly still on the bare metal folding chair. All around him were animal parts and blood. The pieces were so small, and so carefully carved, it was impossible to tell what they had been in life. Gabe saw they half surrounded the priest in an arc that ran from one end of the altar to the other, and that they were being purposely arranged, as if to highlight the altar, or to degrade it.

Gabe's eyes flicked to the artist, who was engrossed in his work on the carpeted canvas. The strange looking little man didn't change his evil grin as he went about his task. Precise and efficient at his craft, no blood seemed to spill beyond where he wanted it to go. The knife he wielded appeared sharp enough to cut through bone without perceptible resistance, and it cut so swiftly blood flowed from its cuts without the slightest splatter, forming enlarging, smooth-edged pools. Everything was rounded-the pieces of flesh, the pools of blood, the semicircular arrangement of parts around the altar. Just like the features of the little man, there were no sharp edges.

Gabe was mesmerized by the developing masterpiece. And by the way the little man carefully placed each new severance and then paused to scan the altar, as if he were gaining a wide perspective on his artwork.

Gabe pinched himself. The pain was real. Blood flowed from each of the little man's cuts-it was real. This wasn't a dream.

When Gabe regained his focus, the little man was at the far side of the altar. With a stiff-necked spin, the man shuffled up to Father Costello, his evil grin unchanging, like a painted on clown face. A small voice echoed, the only sound in the cavernous church.

"You don't want to miss this part." The man's lips barely moved when he spoke. "I've saved the best for last."

Father Costello didn't react. Not even an eye blink.

"That's right, Father. You look right here. You think you've defeated me? I can assure you that I always take the game in the end."

The man lifted a gold communion chalice toward Father Costello.

"This is HER blood, shed for me because of your sins."

He extended both of his arms, so his small body formed a cross, with the chalice still gripped in his right hand. A loud "Ha" sound reverberated in Gabe's ears, and the chalice flew from the man's still hand. It impacted the Father's chest with a dull thud, spilling its crimson contents down the front of his white robe and up onto his neck and face.

Gabe's eyes widened and the scene blurred, then came back into sharp focus. Droplets of blood fell to the carpet in slow motion. One drop suspended from the priest's chin for an agonizing instant, gaining volume, before releasing, then splattering onto the lap of his satin robe.

The little man stepped forward and picked up the chalice and turned it in his grip, inspecting it from every angle. "Now, for the final touch to my masterpiece."

Gabe wanted to look away. To curl up in the corner of the inhouse and turn his mind to another time and place. But it wouldn't turn. He felt the same sense of perverse curiosity that captured him a year ago when he had witnessed a head-on collision on State Route 27. A passenger in one of the cars went through the windshield, all the way to his ankles, and his leaking, lifeless body colored the white hood with streaks of maroon, like painted-on flames of a hot rod, but going in the wrong direction. He had felt sickened then, but he couldn't look away.

Gabe's eyes flicked to the animal pieces and their surrounding pools. The blood that spilled on the royal blue carpet drew the red and blue hues to a neutral, dull gray. But the blood that adorned the white, satin robe of the priest emitted a metallic sheen that resonated to an intensity that was hard to look at straight on. His eyes returned to the primary actor in this gruesome play.

The little man reached down and pulled Father Costello's left hand from its resting place on the father's thigh, and turned it palm up. He placed the stem of the chalice across the palm and pushed the father's fingers closed around it, then gently lowered the hand back to the thigh. When the little man stepped back, Father Costello's grip on the chalice had a slight tremor, like he was straining, strangling it.

"You're ready, now," the man said. He pivoted and ambled toward the front doors of the church. "I'd like to stay and watch the show, but my services are needed elsewhere. I hope to see you again, later rather than sooner." The church doors unlatched with a dull metallic clunk.

Gabe jumped. Nudging the inhouse door, he peered toward the front doors. Pressing his head a little closer to the hinge-side crack, so his forehead was against the door, he strained to expand his field of view.

Something hard smacked against the door and slammed it shut. Gabe screamed. His head ricocheted off the sidewall, and then the back wall of the confessional, and he slumped to the floor with a loud thud. His head spun and a stinging sensation crept up his back.

The door of the cubicle swung wide open, and the invading light lent more confusion to his sensory world. Both hands extended toward the light-he tried to shade his eyes and fend off the blurred image at the same time. He squinted between his spread fingers. A small, round head hovered above him. It was backlit with the harsh light of the church, but he made out high arching eyebrows and a strange, tight-lipped grin. And the scars. Both corners of the mouth had thick scars that turned upward, forcing the face into the wicked smile. But the rest of the face didn't smile. The eyes were black with anger. Or evil.

Gabe pulled his knees up to his chest and folded his arms over his head and face. And prayed.

A high-pitched voice came from above, with a Yankee accent. "You'll forget what you saw today if you know what's good for you."

The spin of Gabe's world accelerated and then went dark.

* * *

He didn't know how long he'd been out, but it was dark again in the inhouse. The church was still. Too still. Then, a commotion registered, muted, off in the distance, as if filtered to a cacophony of unrecognizable frequencies. He peeked through the door crack, at Father Costello, who sat paralyzed, eyes wide. This time, the scene was surreal.

The sun had broken the sills of the east windows, casting multi-colored beams across the altar through stained glass images of saints, who stood glaring in disgust. Faint noises of a gathering congregation filtered through the windows and closed doors of the church. Gabe wanted to run, but he didn't dare.

The din increased with each passing second, and he imagined the impatient group, awaiting the traditional and symbolic opening of the church doors. A doorknob turned, and a muffled voice echoed. "It's unlocked."

The doors of the church opened wide and a slow wave of horrified gasps swept into the church. Gabe shifted to the other side of the door. The morning glare from the doorway spilled a V-shaped beam across the altar, spotlighting the little man's artwork, and Father Costello's frozen body.

Back to the hinge side of the door. People flowed in, moving along the walls, avoiding direct movements toward the altar. Within minutes, the group framed the back and two sidewalls of the church.

When the influx of the now-hushed group slowed, a man's voice boomed in the cavernous room. "Father Costello?"

Gabe lunged back to the other crack just as Father Costello's paralysis lifted. The chalice fell to the floor with a muted bell ring as he stood on wobbly legs. Without saying a word, he pivoted and hurried into the back room. The back door of the church slammed.

Gabe slid back on the inhouse seat and the door bounced to a rest. A moment later, bright light flooded the inhouse again. He lifted his arms against the luminescence and flailed, trying to fend off something he vaguely remembered as threatening. He wasn't quite sure what it was. There were voices, different voices, seemingly off in the distance.

"There's someone in here." A deep one.

"It's a boy." A little higher in tone.

"Who is it?" A woman's voice?

He flailed his arms as hands touched him, pulled him from his sanctuary, lifted him up, and placed him on a hard wooden pew. He curled into a fetal position and crossed his hands over his head and face. And more voices aimed at him.

"Is he all right?"

"What happened here?"

"Did you see anything?"

"Who is it?"

In answer to his prayers, the room went black again.


Excerpted from Something Bad by Richard Satterlie Copyright © 2007 by Richard Satterlie. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Richard Satterlie is a professor of marine biology at the University of North Carolina and has been a Fulbright Scholar and a Guggenheim Fellow. He is the author of many scientific articles, as well as the novel Phoenix. He lives in Wilmington, North Carolina.

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Something Bad 3 out of 5 based on 0 ratings. 16 reviews.
Anonymous More than 1 year ago
This is a case of "you get what you pay for" (it was a free nook book). I really wanted to like to book, but I only kept reading it to see if it would get better. There were some things in the story that didn't make any sense, nor were they ever explained. For example, the main character hadn't ever heard of McDonald's. I mean, really? In this day and age? The characters were all one-dimensional, and seemd pretty simple-minded as well. I have another book by this author that I will not be reading.
Anonymous 6 months ago
322 Nook pages. DW
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Anonymous More than 1 year ago
Can I post here? I might be locked out.
NookGirlPA More than 1 year ago
Four Stars I was surprised at the poor reviews this book received. I enjoyed it and gave it a 4 star review. Just to clarify why the main character wouldn't know about McDonald's is because he wasn't able to leave Tri Counties after the age of 12. It was only as an adult that he was able to drive past the city line. It was a thought provoking book. Can't give too much away, but to me it was worth the read.
Anonymous More than 1 year ago
Well it was free! But I could not enjoy it!
Anonymous More than 1 year ago
Very interesting and leaves me wanting more
Anonymous More than 1 year ago
I am not a big fan of paranormal so this was not my favorite book.
rather_read_than_eat More than 1 year ago
I have to agree with Anonymous, I kept reading hoping to see if something would happen, but the ending was very anticlimactic. As far as the McDonalds thing goes , Gabe never ventured out of the tri-County area and he does mention having heard of McD’s on TV - he just have never actually been in one. I'll also skip this author thank you .
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Anonymous More than 1 year ago
I know a little about Creepypasta and want to ask a question. Who is Slenderman? And what does Pokemon have to do with Creepypasta? Please answer at pyro result one.
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Anonymous More than 1 year ago
Walks to result 3