The New York Times
Something in the Air: Radio, Rock, and the Revolution That Shaped a Generationby Marc Fisher
When television became the next big thing in broadcast entertainment, everyone figured video would kill the radio star–and radio, period. But radio came roaring back with a whole new concept. The war was over,
A sweeping, anecdotal account of the great sounds and voices of radio–and how it became a bonding agent for a generation of American youth
When television became the next big thing in broadcast entertainment, everyone figured video would kill the radio star–and radio, period. But radio came roaring back with a whole new concept. The war was over, the baby boom was on, the country was in clover, and a bold new beat was giving the syrupy songs of yesteryear a run for their money. Add transistors, 45 rpm records, and a young man named Elvis to the mix, and the result was the perfect storm that rocked, rolled, and reinvented radio.
Visionary entrepreneurs like Todd Storz pioneered the Top 40 concept, which united a generation. But it took trendsetting “disc jockeys” like Alan Freed, Murray the K, Wolfman Jack, Cousin Brucie, and their fast-talking, too-cool-for-school counterparts across the land to turn time, temperature, and the same irresistible hit tunes played again and again into the ubiquitous sound track of the fifties and sixties. The Top 40 sound broke through racial barriers, galvanized coming-of-age kids (and scandalized their perplexed parents), and provided the insistent, inescapable backbeat for times that were a-changin’.
Along with rock-and-roll music came the attitude that would literally change the “voice” of radio forever, via the likes of raconteur Jean Shepherd, who captivated his loyal following of “Night People”; the inimitable Bob Fass, whose groundbreaking Radio Unnameable inaugurated the anything-goes free-form style that would come to define the alternative frontier of FM; and a small-time Top 40 deejay who would ultimately find national fame as a political talk-show host named Rush Limbaugh.
From Hunter Hancock, who pushed beyond the limits of 1950s racial segregation with rhythm and blues and hepcat patter, to Howard Stern, who blew through all the limits with a blue streak of outrageous on-air antics; from the heyday of summer songs that united carefree listeners to the latter days of political talk that divides contentious callers; from the haze of classic rock to the latest craze in hip-hop, Something in the Air chronicles the extraordinary evolution of the unique and timeless medium that captured our hearts and minds, shook up our souls, tuned in–and turned on–our consciousness, and went from being written off to rewriting the rules of pop culture.
From the Hardcover edition.
The New York Times
The Washington Post
- Random House Publishing Group
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Meet the Author
Marc Fisher, whose column appears in The Washington Post three times each week, reports and writes about local, national, and personal issues. His blog, “Raw Fisher,” and his online chat program, “Potomac Confidential,” appear on washingtonpost.com. He also writes “The Listener,” a radio column in the Post’s Sunday Arts section. Fisher is author of After the Wall: Germany, the Germans and the Burdens of History. He has won numerous journalism awards from the Associated Press, the Overseas Press Club, the Society of Professional Journalists, and many other organizations. Fisher lives in Washington with his wife and their two children.
From the Hardcover edition.
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Most Helpful Customer Reviews
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Something In The Air is the best book I've read all year. Its compelling stories and elegant narrative blend to form a book everyone should read. Fisher takes the audience from the Golden Age of radio to today, telling stories of deejays like Cousin Brucie and all-night storytellers like Jean Shepherd. Written with particular excellence is the story of the book Shepherd and listeners praised despite the fact that it did not actually exist.
In my hometown of Chicago, the big Top 40 DJ was Larry Lujack and every kid imitated him. Every city had somebody like that on the radio, and this book is the first one that explains what that attraction was all about and why our popular culture has lost that sense of everyone being together. Great characters from all around the country in this book, including Jean Shepherd, Bob Fass, Tom Donahue and more. But most importantly, this is a book that explains what happens to old media when a new technology takes over.