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Overview
Poetry. The American poet/critic Bill Knott, speaking of Tom Clark's new work, has pointed to "the flow, the melodic momentum, the words in their intricate meaning(s), it's all done with such subtle touches, [the poet] in perfect control of his technique." Clark writes of "how the film over words/Loses its toxic power in certain lights..." This new clearer, more candid illumination--from which "the skin of empire drifts off/Like a poison that's evaporated"--he would discover in the imagination of a pure poetic state of dream, reverie and play, emerging palpably out of the "slipstream blankness" of the empty canvas/page and out of the things of an immediate human and natural world. A poet...