Song to a Seagull

( 2 )

Editorial Reviews

All Music Guide - David Cleary
Joni Mitchell's debut release is a concept album. Side one, subtitled "I Came to the City," generally exhibits songs about urban subjects that are often dour or repressed in some way. "Out of the City and Down to the Seaside," by contrast, is a celebration of nature and countryside, mostly containing selections of a charming, positive, or more outgoing nature. What sets this release apart from those of other confession-style singer/songwriters of the time is the craft, subtlety, and evocative power of Mitchell's lyrics and harmonic style. Numbers such as "Marcie," "Michael From Mountains," "The Dawntreader," and "The Pirate of Penance" effectively utilize sophisticated ...
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Editorial Reviews

All Music Guide - David Cleary
Joni Mitchell's debut release is a concept album. Side one, subtitled "I Came to the City," generally exhibits songs about urban subjects that are often dour or repressed in some way. "Out of the City and Down to the Seaside," by contrast, is a celebration of nature and countryside, mostly containing selections of a charming, positive, or more outgoing nature. What sets this release apart from those of other confession-style singer/songwriters of the time is the craft, subtlety, and evocative power of Mitchell's lyrics and harmonic style. Numbers such as "Marcie," "Michael From Mountains," "The Dawntreader," and "The Pirate of Penance" effectively utilize sophisticated chord progressions rarely found in this genre. Verses are substantive and highly charged, exhibiting careful workmanship. "Song to a Seagull" has graceful and vivid lyrics about the joys of freedom set to a haunting, wide-ranging vocal line. Conversely, "Cactus Tree" explores the downside of a no-strings-attached approach to life, the fear of committing to a relationship ironically wedding these words to a hopeful melody and pulsating guitar texture. "Marcie" utilizes poignant, twisting music set to desolately lonely lyrics about a jilted woman; the recurrent use of red and green imagery in the verses is especially clever. Character studies such as "I Had a King" and "Nathan la Franeer" are painfully bleak in contrast to the lithe domestic scene of "Sisotowbell Lane" and the winsomely reserved love song "Michael From Mountains." Unusual in her oeuvre are the overlapping dialogue prose manner of "The Pirate of Penance" and the jaunty honky tonk stylings of "Night in the City." Mitchell sings in a light, gossamer, at times diffident manner; vocal harmony is sparingly employed here. David Crosby's production is simple and effective. This excellent debut is well worth hearing.
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Product Details

  • Release Date: 10/25/1990
  • Label: Warner Bros / Wea
  • UPC: 075992744126
  • Catalog Number: 6293

Album Credits

Performance Credits
Joni Mitchell Primary Artist, Primary Artist, Guitar, Piano, Keyboards, Vocals, Banshee
Steve Stills Bass, Guitar
Lee Keefer Banshee
Technical Credits
Joni Mitchell Artwork, Cover Art
David Crosby Producer
Ed Thrasher Art Direction
Art Cryst Engineer
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Customer Reviews

Average Rating 5
( 2 )
Rating Distribution

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Sort by: Showing all of 2 Customer Reviews
  • Posted October 1, 2010

    more from this reviewer

    I Also Recommend:

    Joni's first

    Joni Mitchell has such a unique voice and writing style that there is no one you can accurately compare her to and her albums tend to be either absolute classics or just forgettable. This one, her first, is definitely a classic.

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  • Anonymous

    Posted October 1, 2010

    Fresh New Face!

    Of all the Joni Mitchell albums I have, this is my favorite. This is pure Joni, the poet who can take you thousands of miles away with her expressive lyrics, mystical melodies, and unique harmonies. The alternate tunings of her guitar lend an absolutely magical touch to this CD. It needs to be remastered, as the recording quality is not the best. Maybe soon, Joni?

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Sort by: Showing all of 2 Customer Reviews