Songs for a Teenage Nomad

Songs for a Teenage Nomad

3.9 51
by Kim Culbertson

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What is the soundtrack of your life?See more details below


What is the soundtrack of your life?

Editorial Reviews

From the Publisher
""Immediately I was sucked into Calle's head, her music, her story and her voice... I was literally in tears at the end... Read this book if you want something real; if you want it to touch the center of your heart and blossom... If you just want to read a damn good book."" - Lit Bites

""This is Culbertson's first novel and like a mixed tape you play over and over, you can fall into the words and lose yourself in their grip."" - Bri Meets Books

""This novel deftly explores the search for identity that all teens experience, and adds the challenge of finding out who you are when there are obstacles in the way."" - Ms. Yingling Reads

""The use of songs and lyrics to guide the story creates a new rhythm in each chapter."" - Spot to Read

""Both music and words flow beautifully throughout Songs for a Teenage Nomad, written by Kim Culbertson. The songs lead the reader into the story linking the past to the present and in so doing, build a fragile connection between a mother and a daughter. I'm fourteen and my Mom is thirty-nine and we both loved it! We can't wait for her next book!"" - Mother Daughter Book Club

""Wow. This book was just...fantastic. Fexcellent, fawesome, and every other good adjective that starts with 'f.'"" - Frenetic Reader

""I seldom review books for young adults but recently read a YA novel that's so good it had to be shared. Songs for a Teenage Nomad by Kim Culbertson [is]... so beautifully written I couldn't resist telling you about it. The plot is exciting, the characters are realistic, and the writing is beautiful and poetic. I highly recommend this book for teens who like to read."" - On Words

""It's an unforgettable story that music lovers in particular will appreciate, but every teenager trying to find their place in the world should read because they will definitely relate to Calle."" - Life, Words, & Rock 'n' Roll

School Library Journal
Gr 8–10—All her life, 15-year-old Calle and her mother have moved from town to town as her mother has moved from relationship to relationship. The only constant in the teen's life is music and the song journal she keeps to write down her thoughts and the memories inspired by tunes she was listening to at different points in her life. Calle has always kept to herself, never forming attachments, but in the northern California town of Andreas Bay, she finds herself making friends and feeling the first stirrings of love for Sam, a boy with secrets of his own. When she accidentally finds an old letter addressed to her from her father, a man who abandoned Calle and her mom when she was a baby, she begins to question everything her mother has told her about the past. Wrestling with these thoughts, the normal highs and lows of high school, and her developing feelings for Sam are enough to send the surprisingly stable teen into an emotional tailspin. She struggles to understand and balance her past and present, and find just where she fits in. This is an appealing, well-written book, and Culbertson captures the rhythms of teen life with realistically developed characters. Calle is smart, likable and genuine, and readers will root for her.—Terrie Dorio, Santa Monica Public Library, CA
Kirkus Reviews

Calle is attending her 12th school in eight years due to her mother's history of picking bad boyfriends. Though she tries to keep herself separated from her peers, she ends up friendly with her new school's drama kids. She also attracts the attention of a hot-yet-moody jock named Sam. Things are looking up in Calle's social department, but at home she finds a three-year-old letter from her father, hidden by her mother, that leads to her mother's revelation of why they really move around so much. At the same time, Sam is running hot and cold because he has secrets of his own. Amateur, mawkish writing does nothing to help the book's central problems of too many plots and one-dimensional characters. Too often, the voice comes across as melodramatic rather than emotionally mature, especially when Calle opens every chapter with a snippet of her memories. Though Calle credits herself as a songwriter, she appears to have no musical talent, nor do any of her songs ever come to light. Dull, even for die-hard music junkies. (Fiction. YA)

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Product Details

Sourcebooks, Incorporated
Publication date:
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Barnes & Noble
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File size:
1 MB
Age Range:
12 - 17 Years

Read an Excerpt

From Chapter One

...the air smelling like honeysuckle, I dangle my arm from the passenger window, aware only of the honeysuckle air, Indigo Girls on a scratchy radio, and a white sun. And that every­thing we own has been packed into the back of a battered orange moving van...again...

"My dad named me Calle after a cat he had in college that ran away. He really loved that cat. I always thought that was funny since he was the one who ran away from me...and my mom."

"Calle? With just the "e" at the end? Not C-A-L-L-I-E?" the counselor asks.

"Just an 'e.' It's how he spelled the cat's name. The Smith part's easy, though."

Mr. Hyatt, the counselor, shifts in his seat and scribbles some­thing on a yellow legal pad. He has on a Mickey Mouse tie and red shoes. Vans. I've seen the uniform before. Mickey tie because he has to wear a tie but doesn't want students to think he's stuffy. Vans because they're Vans. The nameplate on his desk says "Hyatt Way," like a street sign.

I watch him write, making sure I don't say more than I should. I always give away too much information, and sometimes it gets me in trouble. My mother once said I inherited this from my father. I don't remember him, have never even seen his picture. I take her word for it. And don't ask questions about him. It just makes her mad.

But the talking thing. I'm working on it. I've always admired the type of kid who can sit in silences and not need to fill them. There is one of those silences now.

"Your mom is remarried?" He flips through the manila folder with my name written in black marker on the tab.

"Yeah. Rob."

"Rob," he repeats, over-rounding the letters. Raawwbb. Annoying.

"He works in computers and stuff." Actually, I have no idea what Rob does for a living, but I figure he probably has a computer wherever he works. He married my mom a month ago in San Diego where we used to live. She'd known him only four months. Now we live here. Andreas Bay, a snag in the Northern California coastline. The only thing I know is that he drives a Ford like all the others and makes a bunch of promises like all the others.

"How'd you guys end up in Andreas Bay?" Mr. Hyatt looks up from my folder, his pen poised.

"Same way we find every town. My mom tosses a penny onto a map of California, and we go wherever it lands." He nods and pretends this isn't strange. Usually that story gets at least a raised eyebrow.

He finishes writing, caps his pen, and pushes my new schedule across the desk. "You like to write?" He points at the journal in my lap, with its faded purple velvet cover that looks like corduroy pants.
I instinctively clasp a hand over the cover. "It's my song journal."

"Song journal?"

"Last year, I started writing down memories I get from songs. I hear one, mostly older songs, and I write down the memory it brings. Like glimpses of my life as I remember it. Snapshots." His nod is directed over my shoulder. A black-haired girl in a Betty Boop T-shirt and skinny jeans hovers by the door. I shrug. "It's just something I do."

"Cool. Sounds really cool." Trying too hard.

"My mom's not the type to keep photo books. So I sort of have to keep my own version."
I don't tell him I'm hunting for the Tambourine Man who plagues my dreams.

 - -

"You're sure you don't want a nicer shirt to wear?"

In the mirror, I look at my mother, perched on the side of the tub, holding a coffee mug the size of her head. Her dark hair is wet from the shower and combed back away from her face.

I spit toothpaste into the sink. "I like what I'm wearing," I say for the third time. Swirling water around my mouth, I stare at my reflection. Faded blue T-shirt, jeans, brown eyes, shoulder-length brown hair. I look the same as I always do. A blurry, ordinary version of the beauty sitting behind me.

People say I look like her but it's in an out-of-the-corner-of-your-eye sort of way. We both have dark hair and eyes, but her genes lined up in the right order; her dark hair thick, her eyes wide. Her angles drawn straight, her limbs long. My genes used some sort of splatter method for me, with everything not quite in the right spot. People notice my mom no matter what she's doing. If I wanted to be noticed, which I usually don't, I'd have to hire a band and some fireworks.

"First days are so critical," she continues, sipping out of her trough.

I catch her eye in the mirror. "I think I know something about first days."

This shuts her up. For about one second.

"You'll be fine," she says. "It's like riding a bike."

"What is?"

"First days."

I roll my eyes. My mother has a tendency to launch into speeches that start sounding like the bad television she watches. I say nothing. I don't want to encourage her.
"The school is beautiful," she says, trying a different tack.

I nod, leaning in to inspect what looks like it might be a pimple on my left cheekbone. "Ocean view. Not bad."

"You'll really like it here." She tightens the sash of her yellow terry robe with her free hand. "It's a really nice town. Small, inde­pendently owned stores. A real community."

"You've been reading way too many billboards for subdivisions off the freeway," I say.

She frowns into her coffee. "I just think it's really cute. Rob loves it here."

"Rob sits in an office all day. He eats boring for breakfast."

"Calle..." I can see her start to falter, the tears just around the corners of her large eyes.
I back off.

"It's great," I say, and she smiles over her coffee. "Cute." Though I wonder how cute it will be when she realizes that she's not a tourist and that she actually lives here.

I take a last look in the mirror before walking into the hallway for my backpack. She follows me out, her bare feet slapping against the ceramic tiles. "You're sure you don't want to borrow my red shirt with the Buddha? The cute one with three-quarter-length sleeves?"

"I'm sure," I say, slinging my backpack over my shoulder and trying not to roll my eyes. Two years ago in seventh grade, she convinced me to wear a green dress the first day. I spent the next four months as "Gumby." No thanks.

She gives up. "Okay, sweetie." She leans over to give me a peck on the cheek, the one that's not getting a pimple. "Good luck on your first day!"

I open the door and smile back at her. She looks genuinely hopeful for me, the way she always does when we come to a new place. She even packed me a lunch. 

"Thanks," I say, holding up the brown sack. Giving a little wave, I pull the front door closed behind me.

Outside, drowning out the sound of gulls, I pull on my head­phones-Jack Johnson's guitar soothing the frenzy of nerves in my gut-and begin the eight-block walk to school, buoyed by the cool sea air. I take in the green hills and the small, flat-roofed houses, and spot a flash of ocean as I round the last corner toward the school. It's actually one of the more beautiful places we've landed, and I sigh, wondering how long I'll get to have this view.

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