Songs We Sing

( 3 )

Editorial Reviews

All Music Guide - Marisa Brown
It makes sense why Brushfire Records co-founder Jack Johnson signed Matt Costa to his label. Costa's debut album, Songs We Sing, is acoustic guitar-based music, that, even when talking about sadder things, retains its lighter, happier character; music that could only be made in the Pacific sun, a lot like Johnson's. Costa's lyrics are all about love, either lost or found or forgotten, and he is particularly connected and drawn to the natural world, which often acts as the mediator between him and the object of his affection. This kind of imagery works well with his instrumentation. Costa is interested in delving into the roots of American music, exploring country, folk, ...
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Editorial Reviews

All Music Guide - Marisa Brown
It makes sense why Brushfire Records co-founder Jack Johnson signed Matt Costa to his label. Costa's debut album, Songs We Sing, is acoustic guitar-based music, that, even when talking about sadder things, retains its lighter, happier character; music that could only be made in the Pacific sun, a lot like Johnson's. Costa's lyrics are all about love, either lost or found or forgotten, and he is particularly connected and drawn to the natural world, which often acts as the mediator between him and the object of his affection. This kind of imagery works well with his instrumentation. Costa is interested in delving into the roots of American music, exploring country, folk, rock, and blues while keeping the modern singer/songwriter sound. Though he is able to effectively incorporate all of these styles into his record, he does run into some problems. For one, he doesn't seem to be completely sure of his own sound, waffling between ideas from song to song. Almost every track could be directly attributed to a different artist's influence: "Sweet Thursday" sounds like Stephen Malkmus, "Oh Dear" like the later Beatles, "Ballad of Miss Kate" has a stunning resemblance to Fleetwood Mac's blues, and "Sweet Rose" is pure Buddy Holly, vocal hiccups, and all. Costa has also, sadly, fallen into the habit of changing his accent according to the feel or inspiration of the song, switching from his usual American pronunciation to a British one, in "Songs We Sing" for example, possibly in attempt to sound like Stuart Murdoch. He also has the unfortunate indie rock vocal affection of singing "back" like "bach," which just seems out of place. Yes, this is being picky, but only to a certain degree, because if Costa wants to play in so many styles -- which isn't a bad idea, he's clearly inspired a lot by them and has some written some nice songs -- he's going to have to be very careful to not go so far into them so that he loses himself and his own voice in attempts to honor his idols.
Entertainment Weekly - Michael Endelman
Sensitive sunbaked folk-pop, rich with Beatlesque arrangements. (B)
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Product Details

  • Release Date: 3/28/2006
  • Label: Imports
  • UPC: 602498518731
  • Catalog Number: 5003160
  • Sales rank: 87,391

Tracks

Disc 1
  1. 1 Cold December (4:15)
  2. 2 Astair (2:58)
  3. 3 Sweet Thursday (4:31)
  4. 4 Sunshine (2:36)
  5. 5 These Arms (4:10)
  6. 6 Ballad of Miss Kate (4:30)
  7. 7 Sweet Rose (2:39)
  8. 8 Songs We Sing (3:10)
  9. 9 Yellow Taxi (3:41)
  10. 10 I Tried (2:43)
  11. 11 Behind the Moon (3:35)
  12. 12 Oh Dear (2:12)
  13. 13 Wash Away (3:55)
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Album Credits

Performance Credits
Matt Costa Primary Artist, Bass, Guitar, Piano
Bob Thomson Bass
Tom Dumont Bass, Electric Guitar
Gabrial McNair Harpsichord
Adrian Young Drums
Brent Arnold Cello
Jen Kozel Violin
Adam Zuckert Drums
Technical Credits
Phil Ek Engineer
Tom Dumont Producer, Engineer
Cameron Webb Engineer
Andrew Alekel Engineer
Chris Fenn Management
Matt Costa Composer
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Customer Reviews

Average Rating 4.5
( 3 )
Rating Distribution

5 Star

(2)

4 Star

(1)

3 Star

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1 Star

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Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    A good album for all occasions

    Songs we Sing by Matt Costa are thirteen good, well balanced tracks. He is on Jack Johnson's label, but unlike Jack Johnson's laid back island feel Matt has a more contemporary sound. He reminds me of Teitur, Nickel Creek's Chris Thile, and slight touch of Modest Mouse. I like the whole album, though if I had to pick: Cold December for upbeat mood, Sunshine for a sing-a-long in the car type of day, and Astair for a reflective mood.

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  • Anonymous

    Posted May 22, 2009

    No text was provided for this review.

  • Anonymous

    Posted June 26, 2009

    No text was provided for this review.

Sort by: Showing all of 3 Customer Reviews