Sorcery and Cecelia or the Enchanted Chocolate Pot

Sorcery and Cecelia or the Enchanted Chocolate Pot

4.5 55
by Patricia C. Wrede, Caroline Stevermer
     
 

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In 1817 in England, two young cousins, Cecilia living in the country and Kate in London, write letters to keep each other informed of their exploits, which take a sinister turn when they find themselves confronted by evil wizards.  See more details below

Overview

In 1817 in England, two young cousins, Cecilia living in the country and Kate in London, write letters to keep each other informed of their exploits, which take a sinister turn when they find themselves confronted by evil wizards.

Editorial Reviews

From the Publisher
"Witty, light, and funny . . . Regency romance as well as fantasy fans are going to line up for it."—The Bulletin

"A cult epistolary fantasy . . . Beguiling."—Kirkus Reviews

"Older girls who have outgrown Harry Potter will like their slightly rebellious natures, the magical twists and turns, and especially the humor and quick pace."—The San Diego Union-Tribune

Publishers Weekly
Older fans of a certain young wizard may be interested in the fantastical goings-on in Sorcery & Cecelia, or The Enchanted Chocolate Pot by Patricia C. Wrede and Caroline Stevermer. This epistolary novel follows the adventures of two British girls in 1817 in an alternate reality where magic really works. Originally published in 1988, this edition contains some new material. Copyright 2003 Reed Business Information.
Children's Literature
Kate and Cecelia are cousins and best friends. Constantly writing letters back and forth, they exchange all the news and gossip nineteenth-century London has to offer. But when strange things begin to happen, the girls abandon the flightiness of the social scene and determine to delve into the mysterious circumstances. First, Kate walks into a trap meant for the dashing Marquis of Schofield and is nearly poisoned by hot chocolate. Then Cecelia stumbles upon magic meant to harm her. Both girls fearlessly search for clues, piecing together the evidence as they write back and forth. Their mystery centers upon a magical chocolate pot that somehow is linked to the Marquis. Spinning spells and side-stepping evil witches, the two girls manage to solve the mystery and find true love amidst the busy London social season. The innovative technique of having the characters write letters to one another allows the reader a part in a story as important as Kate and Cecelia's. As each girl turns up new evidence, the puzzle pieces of the mystery fall into place. Written by two authors who literally crafted the story by writing letters in character, this mystery is a perfect combination of Harry Potter's magic and Jane Austen's love stories. 2003, Harcourt,
— Leah Hanson
VOYA
Brought back into print and reminiscent in style of Jane Austen, this book consists of a correspondence between Kate and Cecelia. In reality, the two authors played the Letter Game, in which each takes on the persona of one of the characters. The first writer chooses the setting, time, and characters. Beginning the correspondence, Wrede becomes Cecelia, and Stevermer Kate. Kate is in London for her first "season," but her neighbor and best friend Cecelia has not been allowed to go. Missing each other dreadfully, they write to one another almost daily. Although the setting appears to be England during the Napoleonic Wars, there is a difference: Magic is prevalent-and legal. When Kate attends an investiture ceremony for Sir Hilary, one of their country neighbors, at the Royal College of Wizards, she stumbles into a small garden area and is bespelled by a frightening elderly woman. It turns out that this woman, Miranda, is an evil wizard who is trying to steal power from Thomas, marquis of Schofield. Kate and Cecelia become embroiled in the situation, attempting to prevent Miranda's success. The plot is fairly complex as the two girls manage to get themselves into precarious situations (á la Lucy and Ethel, although the consequences here are much more dangerous). This is a fun story that quickly draws in the reader. The story will be more appreciated by teen girls than boys, and they will soon be requesting the sequel that is promised at the end of this book. VOYA Codes: 5Q 5P S A/YA (Hard to imagine it being any better written; Every YA (who reads) was dying to read it yesterday; Senior High, defined as grades 10 to 12; Adult and Young Adult). 2003 (orig. 1988), Harcourt, 336p,
—Marlyn Roberts
KLIATT
Jane Austen meets Harry Potter in this romp through England immediately following the Napoleonic Wars. Kate and Cecelia are teenage cousins, best friends, and ladies of polite society. Kate is sent to London with her beautiful sister Georgina who is making her debut during the London social "season" while Cecelia remains at home in Essex. Through the letters they send back and forth, readers meet the mysterious and unnerving James Tarleton who spies on Cecelia and has motives that are less than noble. We see Kate rescue the magical Marquis of Schofield from an almost certain poisoning through a bewitched chocolate pot and in turn accept his engagement offer in an effort to fend off an evil plot against Dorothea, a lovely Tarleton cousin with a wicked stepmother. And we see the secrets of Sir Hilary Bedrick's family tree unravel and trap both Cecelia and her brother Oliver in a web of magic. The two authors took turns writing letters in character, and the result is this charming book told in voices that play off each other in a literary tennis match that pits English society life against the power of sorcery. KLIATT Codes: JS—Recommended for junior and senior high school students. 2003, Harcourt, 316p.,
— Michele Winship
Kirkus Reviews
Long out-of-print, a cult epistolary fantasy makes a welcome return. In an alternative 19th-century England touched by magic, Katherine and her beauteous younger sister are off to London. Kate has promised to keep in close touch with her cousin and bosom-bow Cecelia, and their beguiling correspondence comprises quite a tale. For Kate soon finds herself up to her ears in intrigue when the sorceress Miranda targets her for a spot of poisoning; meanwhile, back in the country, Cecy befriends the lovely Dorothea, who is reluctantly enchanting all the local swains. The two plots are entangled with the dastardly schemes of the wizard Sir Hilary regarding a certain chocolate pot, resulting in magical misadventures both comic and romantic. Kate and Cecy are witty, intelligent, and venturesome heroines, not above a bit of mendacity in a good cause, with nary a whiff of damsel-in-distress between them. Although Miranda and Sir Hilary exist mainly to be villainous, and the remaining characters serve mainly as plot devices or running jokes, this clever romp will appeal to fans of Regency romance and light fantasy. (Fantasy. YA)

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Product Details

ISBN-13:
9780152053000
Publisher:
Houghton Mifflin Harcourt
Publication date:
09/28/2004
Series:
Cecelia and Kate Series, #1
Edition description:
Reprint
Pages:
336
Sales rank:
245,803
Product dimensions:
4.50(w) x 7.00(h) x 0.89(d)
Lexile:
720L (what's this?)
Age Range:
12 - 17 Years

Read an Excerpt

8 April 1817
Rushton Manor, Essex

Dearest Kate,

It is dreadfully flat here since you have been gone, and it only makes it worse to imagine all the things I shall be missing. I wish Aunt Elizabeth were not so set against my having a Season this year. She is still annoyed about the incident with the goat, and says that to let the pair of us loose on London would ruin us both for good, and spoil Georgy's chances into the bargain. I think this is quite unjust, but there is no persuading her. (I believe the fact that she would have been obliged to share a house with Aunt Charlotte, should she and I have come to London this year, may have contributed to her decision.) So I rely on you, dearest cousin, to write and tell me everything! If I am not to be allowed to enjoy a Season of my own, I can at least take a vicarious delight in your and Georgina's triumph! I am quite convinced you will take London by storm.

Not that we are without amusement in Essex; quite the contrary! Aunt Elizabeth and I called at the vicarage yesterday and spent a stimulating afternoon listening to the Reverend Fitzwilliam discoursing on the Vanities of Society and the Emptiness of Worldly Pleasures. Aunt Elizabeth hung on every word, and we are to return and take tea on Thursday. I am determined to have the headache Thursday, if I have to hit myself with a rock to do it.

There is, however, a ray of hope. Lady Tarleton is to have a party for her niece next week. The invitation arrived this morning, and Papa says we are to go! And Aunt Elizabeth approves! She thinks it is to be an informal hop, as Lady Tarleton's niece is not yet out, but Patience Everslee told me in the greatest confidence that there is to be waltzing! I only hope Oliver will stay long enough to accompany us. He has been moping around the house like a sick sheep ever since you and Georgy left, and yesterday he asked Papa, very casually, whether Papa did not think it would be a good idea for him to go to Town this year for a week or two. He thinks he is being very sly, but if he puts off making his arrangements for another day or so Papa will have accepted Lady Tarleton's invitation and Oliver will be obliged to stay here until after the party. I have not, of course, pointed this out to him. Oliver has stated many times his dislike of hearing advice from his younger sister, so it is his own fault if he has not got sense enough to see which way the wind is blowing.

Aunt Elizabeth intends for the two of us to pay a call on Lady Tarleton and her niece on Monday, by way of improving our acquaintance before the ball (which is to say, she wants to have a look at the niece). I shall be on my best behavior, even if the niece turns out to be quite odious. There is no point in looking for difficulties the day before a party.

And there may be more excitement to come. Sir Hilary Bedrick has just been named to the Royal College of Wizards; the whole village is buzzing with the news. I suspect he was chosen because of that enormous library of musty old spellbooks at Bedrick Hall. He left yesterday for London, where he will be installed, but all of us expect great things when he returns. Except, of course, for Aunt Elizabeth, who looks at me sideways and says darkly that magic is for heathens and cannibals, not for decent folk. Perhaps that is why she holds Sir Hilary in such dislike. I would wager my best kid gloves that if it were not for Papa's interest in the historical portions of Sir Hilary's library, Aunt Elizabeth would have cut the connection ages ago.

Do, please, try to find me those silks I asked you about before you left, and if you should happen to see a pair of long gloves that would match my green crape, please, please send them at once! I should so like to look well at Lady Tarleton's party.

Give my love to Georgy and Aunt Charlotte, and do try not to let Aunt Charlotte bully you too much. And do, do write and tell me everything you are doing!

Your loving cousin,
Cecy

10 April 1817
11 Berkeley Square, London

Dear Cecy,

If you've been forced to listen to Reverend Fitzwilliam on the subject of the emptiness of worldly pleasures for hours together, I feel I ought to write something bracing to cheer you up. But after three days of a London Season I find it hard to come to the defense of frivolity with any spirit. Perhaps it will make Rushton seem more amusing to you if I complain vigorously. (Don't worry, I haven't said a word to anyone else, not even Georgina.)

First, there was our arrival in Berkeley Square, a very welcome event after a day spent in the coach with Aunt Charlotte complaining of her migraine and Georgina exclaiming, "Only look, a sedan chair!" at every opportunity. It was very late and we were very tired and soiled with our travels, too weary to feel the proper emotions on entering such a grand house for the first time. (Horace Walpole is by no means Aunt Charlotte's favorite author, but the opportunity to hire the genuine Mayfair town house he genuinely died in for the Season has given her a new appreciation of him and his works.)

Make no mistake, it is very grand. On the outside it is a high, narrow, polite-looking house built of brick. On the inside there is a high-ceilinged entrance hall with a marble staircase winding up two flights. On either side of the hall are reception rooms. The one on the right is called the blue saloon. It is very comfortable with a bow window overlooking the Square. On the left side of the hall is the drawing room, much grander than the blue saloon, furnished with lyre-back chairs, delicate sofas, and a spinet. There are velvet curtains in the windows and a highly polished marble floor, upon which I slipped and sat down hard as we were being shown about the house. This was my first piece of clumsiness in London, but I suspect it will not be my last. The general effect of the marble floor and ivory curtains is almost arctic. Only touches of primrose and black relieve the whiteness. At the top of the two flights of stairs are the bedrooms. Georgina's looks out over the Square and mine faces back into the lane behind the house. If I crane my neck I can see down into the kitchen garden-but there is nothing much to look at. Nothing to compare with the gardens at Rushton.

It seemed like a dream to me, following Georgina up and up the stairs-she like a kind of angel climbing to her proper place, her golden hair bright in the light from the lamps-me like a ramshackle shadow lurking after her, shedding hairpins and stumbling over the hem of my skirts.

The bedrooms are lovely, but that night they seemed grand and cold and I was a little dismayed to find myself in my own room all alone-can you credit it, after I schemed for years to get a room to myself? So I slipped in to Georgina to say good night and get my top buttons undone. Georgina was sitting at her window, trying to guess from the darkened glass what direction she was facing so she could say her prayers toward home. I turned her around and didn't tease her, even when I saw the lock of hair she had clenched in her moist little palm-Oliver's, tied up in a bit of pink ribbon. Can you believe it?

Well, as I say, I got her pointed in the right direction and she got me unbuttoned and told me that I had a smut rubbed clear across my forehead and a spot coming on my chin. (As if I hadn't been driven half-mad feeling it coming out all day long in the coach...) So we parted, she to her prayers and I to my bed, the highest, hardest, narrowest, dampest bed on four lion's paws (London would be grander still if they knew how to air their sheets).

Our first day in London was spent shopping, which means I kicked my heels while Aunt Charlotte and the modiste went into raptures over Georgina. The second day, we were taken to see the Elgin Marbles, which was interesting, and to listen to other people see the Elgin Marbles, which would make the eyes roll right back in your head with boredom. The third day, we went back to shopping and I was able to get gloves. Please find enclosed a pair that I think will suit your pomona green crape to perfection. I bought a pair for myself and have spilt coffee on them already. So you see London hasn't changed me yet.

I feel quite envious about Lady Tarleton's dance. Aunt Charlotte has spoken of Almack's but never yet without looking at me and giving a little shudder of apprehension. She intends to call on Lady Jersey tomorrow. If their acquaintance has been exaggerated (and you know that sometimes people do not care quite as much for Aunt Charlotte as she thinks they do), I don't know how we will obtain vouchers. It is plain, however, that without vouchers for Almack's Assembly, Georgy will never truly shine in Society, no matter how lovely she is. For my own sake, I hope I get to go, too. It would be a shame to have trodden Robert Penwood's feet black and blue learning to dance and then never to get a chance to put it to the test.

Do you think a wizard's installation would be a ladylike thing to attend? We passed the Royal College on the way to the Museum and I'm sure I could find my way.

Do tell me all about the dance and mention Oliver a little so Georgina doesn't sigh herself away entirely.

Love, Kate

Copyright © 2003 by Patricia C. Wrede and Caroline Stevermer

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher.

Requests for permission to make copies of any part of the work should be mailed to the following address: Permissions Department, Harcourt, Inc., 6277 Sea Harbor Drive, Orlando, Florida 32887-6777.

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What People are saying about this

From the Publisher
"Witty, light, and funny . . . Regency romance as well as fantasy fans are going to line up for it."—The Bulletin

"A cult epistolary fantasy . . . Beguiling."—Kirkus Reviews

"Older girls who have outgrown Harry Potter will like their slightly rebellious natures, the magical twists and turns, and especially the humor and quick pace."—The San Diego Union-Tribune

Meet the Author

PATRICIA C. WREDE has written many novels, including Sorcery and Cecelia or The Enchanted Chocolate Pot and The Grand Tour coauthored with Caroline Stevermer, as well as the four books in her own series, the Enchanted Forest Chronicles. She lives near Minneapolis, Minnesota.

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Sorcery and Cecelia or the Enchanted Chocolate Pot 4.5 out of 5 based on 0 ratings. 55 reviews.
CherieReads More than 1 year ago
Overall this was an enjoyable read. I didn't quite know what to expect from the cover and the title gave me the impression that this was more of a juvenile book. That was a very incorrect assumption. This book should be firmly placed in the YA category and would be especially enjoyable for older teenage girls or even adult women. The story is told in letters between Cecelia (Cecy) and her cousin, Kate. The interplay between the two is charming. They are both smart and witty among a slew of vapid women out to marry as well as possible. The element of magic is woven pretty seamlessly into early 1800's society. It's a main point to the plot but the author doesn't bash you over the head with big showy magic tricks. The plot is entertaining, but not surprising. I enjoyed it while reading but when I put it down I didn't feel like I had to immediately pick it back up. Perhaps that's because I had a pretty good idea what was going to happen next. The plot was predictable. Everything is tied up neatly at the end and it is satisfying although not unexpected. If there were some kind of twist or anything at all out of the ordinary I would have given an extra star. The real strength of this book is in it's dialogue. It is witty and funny and it's what I really liked best about the book.
Anonymous More than 1 year ago
This was a nice character driven story. It had a friendly, gossipy feel, and felt like a reading letters from high school friends. Kind of a light hearted Jane Austen, with a smattering of magic.
Anonymous More than 1 year ago
Grown adults will enjoy this tale, too. The letter game device as it was intended to be. Take it up, you won't be diappointed.
Anonymous More than 1 year ago
A clever way to write a book. Both authors are a delight and together they mix up lots of fun. I'm now reading the other books in the series and enjoying the lovely sillyness of them all.
Anonymous More than 1 year ago
looking forward for number 2
Anonymous More than 1 year ago
A fun, light-hearted novel that Jane Austen could have written if she had magic on her mind. The series of letters format could have been annoying, instead it is charming. At times hilarious, this is a great novel for escaping the mundane realities of everyday life.
Anonymous More than 1 year ago
One of my favorites that I never get tired of reading
Anonymous More than 1 year ago
What fun. Magic and manners. A pair of politely reared ladies prove their mettle against dastardly and ruthless villains while dancing along the edge of acceptable behavior. Quirky and entertaining. Looking forward to books 2 and 3.
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Anonymous More than 1 year ago
This is one of my favorite fluff reads; it's an enjoyable adventure through a Pride and Prejudice-like era. The two heroines tackle magical mysteries without blinking an eye, and refuse to become damsels in distress, ever. They are perfectly ready to lend their aid to any magician who runs afoul of villains.
rhonda1111RL More than 1 year ago
Review:Sorcery & Cecelia by Patricia C. Wrede 4 STARS This is an interesting background to writing a novel. They played a game called a letter game and would write letters back and forth in character and not mention plot. Now days if kids did that it would be short texts. I enjoyed it but would have been better if I read it instead of listening to my kindle. It broke and I could not look at screen if I was lost.(did not handle evacuating very well.) Thier is nothing in hear that is objectional unless you believe magic is wrong. The story two main characters never come in contact with each other except by letters. Kate and Cecelia are cousins and quite close till the summer of 1817. Kate was sent to come out for a season in London and Cecelia at home in her small country home. The two cousins tell each other everything that is going on. Thier is a world of magic that exists. This story is different and as an air of uniqueness to it. As they both battle in thier way against evil and find love along the way. I was given this ebook to read in exchange of honest review from Netgalley. 05/22/2012 PUB Open Road
MissPrint More than 1 year ago
Patricia C. Wrede and Caroline Stevermer first published Sorcery and Cecelia under that that title in 1988. In recent years, thanks to reprints with shiny new cover art by Scott M. Fischer in the case of the edition I read as well as two new sequels, this book has regained popularity and visibility. Aside from that, one of the most important things to know about this book is its alternate title: The Enchanted Chocolate Pot: Being the Correspondence of Two Young Ladies of Quality Regarding Various Magical Scandals in London and the Country. Wrede and Stevermer wrote this book as a writing exercise of sorts called the Letter Game. Patricia C. Wrede wrote as Cecelia while Caroline Stevermer responded with Kate's letters. They did not plan the plot before they began writing. Almost every review I have found online describes Sorcery and Cecelia as a cross between the books of Jane Austen and those of J. K. Rowling. The comparison does make sense, but I might venture to say I liked this book better than any of the Harry Potter series. The year is 1817 in an England where magic is as much a part of life as letter writing. The latter is of particular importance to Kate and Cecelia as the cousins spend the novel in separate parts of England. While Kate and her more glamorous sister Georgina are in London enjoying a proper Season, Cecelia, much to her consternation, is left to languish in the country with her brother Oliver for company (at least until he's turned into a tree). Problems begin for both cousins when Kate accidentally intercepts a rather nasty pot of chocolate in a London garden that was, apparently, meant for the eccentric Marquis of Schofield. If only he would explain exactly why. Meanwhile, in the country, Cecelia finds herself following a shady figure spying on Cecy's new (and surprisingly popular!) friend Dorothea. When Cecelia repeatedly catches him in the act of spying, James Tarleton repeatedly refuses to offer any information. As the girls learn more about these mysterious men, and the mysterious events, it becomes clear that something big is happening--big enough that evidence of the plan can be seen in both London and the country. The only question is what, exactly, is going on and if Kate and Cecelia can stop it in time. Being an homage to Jane Austen, this novel has not one but two romances. Which couple is better has been a hot topic since the book came out. The librarian who recommended the book to me feels very strongly that the Mysterious Marquis and Kate are a more enjoyable match to observe. For my part, I preferred Cecelia and James. This novel avoids all of the traps that can make an epistolary novel awful. There is no repetition, there is dialogue, the narrative reads like a, for lack of a better word, normal book in that the narrative flows in a fairly traditional way. There is neither too much information nor too little. And, most importantly, the novel is filled with suspense, action, humor and romance that shines through both Cecelia's and Kate's letters. But then from two talented and well-known fantasy writers, what else can a reader expect but perfection? Sorcery and Cecelia is the first in a series of books featuring Kate and Cecelia. Their stories continue in The Grand Tour (2004) and The Mislaid Magician of Ten Years After (2006).
L-space_Minder More than 1 year ago
If the phrase "Pride and Prejudice with magic in" intrigues you, read this book. It's whimsical, occasionally hilarious, and phrases from it will mysteriously appear in your mind the next time you watch a Jane Austen movie. Highly recommended if you enjoy Jane Austen, Susanna Clarke, or Patricia Wrede's Enchanted Forest Chronicles. (Also, if you like it, check out the sequels.)
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lolitaraven More than 1 year ago
I didn't like this book in particular. The writing is great, and the way the book is set up is very unique, but this book was just not my cup of tea. The story wasn't that interesting and I had difficulty getting into the book. The book itself might be interesting to someone else, but it just seemed boring to me. I couldn't remember most of the secondary character either.
NovelReaction More than 1 year ago
Sorcery and Celia, or the Enchanted Chocolate Pot by Patricia Wrede and Caroline Stevermer is the first book in a trilogy. The book takes place in Victorian England but magic exists. Most of the book is told through letters between two cousins, Celia and Kate. It took me a minute to get used to the writing style since both characters speak in first person because they are personal letters that are written but once I got used to it the story flowed easily. Kate is in London partaking of the London Season while Celia is in the country which is why the women are writing to each other. Right after Kate arrives in London she is mistaken for another character and is almost killed by poisoned chocolate. Kate and Celia spend the rest of the novel trying to figure out why she was almost poisoned and as they get closer to the answer both their lives are threatened numerous times. During the investigation both women meet men who start to play a large part in the mystery and in their own lives. I love the friendship the two women share and the bond that exists between them that is evident in their letters. It is nice to see such a friendship between two strong women. I also love the women's attitude toward their family members. It reminded me of my own crazy family, where an aunt drives everyone nuts but you love them anyway. The story brings to light the foibles and weaknesses the two women have in addition to their strengths and I couldn't help but think of the saying that we admire people for their strengths but love them for their weaknesses. It is the way the women handle their weaknesses, while acknowledging them, that make the characters so endearing (in addition to their great wit). This is one of my favorite series and I have read it several times. I highly recommend it the entire series.
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