Soren Kierkegaard: A Biography

Soren Kierkegaard: A Biography

by Joakim Garff
     
 

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"The day will come when not only my writings, but precisely my life--the intriguing secret of all the machinery--will be studied and studied." Søren Kierkegaard's remarkable combination of genius and peculiarity made this a fair if arrogant prediction. But Kierkegaard's life has been notoriously hard to study, so complex was the web of fact and fiction in his

Overview

"The day will come when not only my writings, but precisely my life--the intriguing secret of all the machinery--will be studied and studied." Søren Kierkegaard's remarkable combination of genius and peculiarity made this a fair if arrogant prediction. But Kierkegaard's life has been notoriously hard to study, so complex was the web of fact and fiction in his work. Joakim Garff's biography of Kierkegaard is thus a landmark achievement. A seamless blend of history, philosophy, and psychological insight, all conveyed with novelistic verve, this is the most comprehensive and penetrating account yet written of the life and works of the enigmatic Dane who changed the course of intellectual history.

Garff portrays Kierkegaard not as the all-controlling impresario behind some of the most important works of modern philosophy and religious thought--books credited with founding existentialism and prefiguring postmodernism--but rather as a man whose writings came to control him. Kierkegaard saw himself as a vessel for his writings, a tool in the hand of God, and eventually as a martyr singled out to call for the end of "Christendom." Garff explores the events and relationships that formed Kierkegaard, including his guilt-ridden relationship with his father, his rivalry with his brother, and his famously tortured relationship with his fiancée Regine Olsen. He recreates the squalor and splendor of Golden Age Copenhagen and the intellectual milieu in which Kierkegaard found himself increasingly embattled and mercilessly caricatured.

Acclaimed as a major cultural event on its publication in Denmark in 2000, this book, here presented in an exceptionally crisp and elegant translation, will be the definitive account of Kierkegaard's life for years to come.

Editorial Reviews

Publishers Weekly
This is the second major work on Kierkegaard to appear in recent years; Alastair Hannay's intellectual portrait Kierkegaard: A Biography approaches the religious philosopher's life and work in a thematic fashion, discerning behind the veils of Kierkegaard's pseudonymous writings his anxieties and hopes, failures and successes. Garff, associate professor at the S ren Kierkegaard Research Center at the University of Copenhagen, proceeds very differently in this biography, portraying a philosopher whose daily life formed the crucible in which his landmark works were written. Drawing not simply on Kierkegaard's most famous writings, Garff also examines in microscopic fashion the minute details of the Dane's life year-by-year from his birth to his death. Garff uses journals, letters, gossip and family conversations to present the portrait of an intense young man whose study of the philosophy and literature of his day turned him into both a romantic and an anti-romantic, a Christian and a rebel against Christendom. For example, Garff points out that Goethe's Faust heavily influenced the young Kierkegaard, as did his participation in a circle of friends who discussed romantic literature. Although some will accuse Garff of revealing salacious details of the philosopher's life-as in the chapters on Kierkegaard's relationship with his fiancEe Regine Olsen-this monumental and magisterial biography offers fresh glimpses into the sometimes-tortured life and work of this true philosophical genius. (Feb.) Copyright 2004 Reed Business Information.
Times Literary Supplement
For any reader of Kierkegaard, this book will have a theatrical effect. It is as though one has been listening to a long soliloquy: suddenly the curtain goes up and there is golden-age Denmark. The 'soliloquy' is now embedded in a vibrant and multi-faceted conversation. The book is written with confidence and verve; it has been beautifully translated into English by Bruce H. Kirmmse. If you are capable of being absorbed by the life of one who did little but think and suffer privately, this is an 816-page page-turner.
— Jonathan Lear
Weekendavisen
Praise for the orignial, Danish edition: Seven hundred extraordinarily exciting pages. . . . Joakim Garff's book about Søren Kierkegaard is not just a biography. It is a well thought-out synthesis of Kierkegaard's life and writings so exceptional . . . so concrete and rich with perspectives, that it has no equal in literature. Read, read, read.
Morgenavisen Jyllands-Posten
Praise for the orignial, Danish edition: A masterpiece in the genre of biography. It makes history. It will be read as a popular book of the highest merit. . . . [Garff] makes it outrageously exciting to read every last detail.
Information
Praise for the orignial, Danish edition: What rises from these pages is nothing less than a fully developed portrait of one of the most terrible and terribly fascinating beings in the history of Danish culture. . . . No more entertaining and enlightening novel will appear than Joakim Garff's grand biography of Søren Aabye Kierkegaard.
Politiken
Praise for the orignial, Danish edition: Joakim Garff tells stories with the passion and artistic effects of a novelist. . . . [He] places Kierkegaard in Copenhagen's Golden Age with such a wealth of personalities, topography, and atmosphere that this might be one of the best books ever written about the Golden Age. . . . This publication . . . will be discussed all over the world. It is a great book, really great.
Choice
Garff devotes much attention to what Kierkegaard's contemporaries thought of him and his writings. Kierkegaard was not the obscure, lonely writer that he himself would have one believe. This is a wonderful book for readers interested in Kierkegaard. It is very well written, well translated, and well organized.
Village Voice
The royal road to Kierkegaard is still the oblique road—his own writings—but Garff's biography makes an excellent traveling companion.
— Richard Polt
Washington Post Book World
As this brilliant new biography by Joakim Garff makes clear, [Kierkegaard] never thought of himself as a philosopher. . . . The appearance of Garff's biography in English is a momentous occasion. . . . He provides a dazzling account of Kierkegaard's comings and goings, his anxieties and hopes, and, above all, his invention of himself as the Kierkegaard that both his time and ours have come to know.
— Henry Carrington
Artforum International
Kierkegaard is an intellectual hero of the highest order, and Joakim Garff is his poet. Brilliantly translated from the Danish by Bruce Kirmmse, Søren Kierkegaard serves as a Baedeker to the Copenhagen that Kierkegaard both loved and cursed.
— Gordon Marino
First Things
In its historical scope and in the richness of its descriptions, Garff's Søren Kierkegaard sets a new standard for Kierkegaard scholarship. It has done more to help us understand Kierkegaard's social milieu than any other biography.
— Gregory R. Beabout
Crisis
No one ever played the misunderstood genius with the grandiose abandon of Søren Kierkegaard. . . . In his well-documented, entertaining, sympathetic life, Professor Garff helps readers understand a man who was in many respects his own worst enemy. No wonder Kierkegaard preferred being misunderstood.
— Edward Short
Magill's Literary Annual
There can be no doubt of [Joakim] Garff's success, and for once the adjective 'magisterial' seems fully appropriate.
— Frank Day
The New Yorker
Monumental. . . . Garff's informal voice enlists us in the village of gossip of Kierkegaard's time. . . . [H]is tone helps create a sense of excitement, of caring, of importance, of—locally and cosmically—scandal.
— John Updike
The Wall Street Journal
A superb portrait of the philosopher that offers drama, psychological insight and social history as well as a guide to his profound, if perplexing, ideas. . . . An assiduous researcher, Mr. Garff has been studying his subject for decades. Happily, he seems to possess something of Kierkegaard's divine ability to express deep insights into human nature with a subtle and aristocratic touch. His masterly biography is a page-turning story and a guide wire into the mind of a philosopher whose ideas, properly understood, will never lose their force or fall out of fashion.
— Gordon Marino
The Irish Times
This is an epic book, and truly a biography of the work as well as the man. . . . This book is a marvelous achievement.
— David Wheatley
The Christian Science Monitor
Garff . . . obviously has been marinating in Kierkegaard for years. . . . His beautifully written and translated biography is scholarship at its best, filled with witty observations, felicitous turns of phrase, and sharp analyses.
— Heller McAlpin
The Christian Century
Garff aims [to challenge] those concerned with Kierkegaard's theological and philosophical views to think about the life that produced the teachings.
— Richard Crouter
The Times Higher Education Supplement
Garff has a novelist's ability to make great capital from small details, and as a biography in the most straightforward sense—the story of a life - the book is hard to beat. It is a real page-turner.
— John Lippitt
Theological Studies
This is a book worthy of its subject—artful, comprehensive, paradoxical, informative. . . . [A] host of . . . questions will be discussed with renewed enthusiasm as a result of this magnificent biography.
— Ralph McInerny
The Philosophers' Magazine

Joakim Garff . . . has succeeded, not only in making Kierkegaard and his Copenhagen milieu live vigorously in this truly momentous book, but also in gripping the reader's attention. . . . A huge book about an eccentric philosopher turns out to be an enthralling and exciting read.
— Alison Ainley
The Philosopher's Magazine
Joakim Garff . . . has succeeded, not only in making Kierkegaard and his Copenhagen milieu live vigorously in this truly momentous book, but also in gripping the reader's attention. . . . A huge book about an eccentric philosopher turns out to be an enthralling and exciting read.
— Alison Ainley
European Legacy
I shall not hesitate to recommend this welcome book to my students as a textbook to help them acquire the necessary background for understanding Kierkegaard's multifarious, epoch-making authorship.
— Jacob Golomb
The New Yorker - John Updike
Monumental. . . . Garff's informal voice enlists us in the village of gossip of Kierkegaard's time. . . . [H]is tone helps create a sense of excitement, of caring, of importance, of—locally and cosmically—scandal.
Times Literary Supplement - Jonathan Lear
For any reader of Kierkegaard, this book will have a theatrical effect. It is as though one has been listening to a long soliloquy: suddenly the curtain goes up and there is golden-age Denmark. The 'soliloquy' is now embedded in a vibrant and multi-faceted conversation. The book is written with confidence and verve; it has been beautifully translated into English by Bruce H. Kirmmse. If you are capable of being absorbed by the life of one who did little but think and suffer privately, this is an 816-page page-turner.
The Wall Street Journal - Gordon Marino
Kierkegaard is an intellectual hero of the highest order, and Joakim Garff is his poet. Brilliantly translated from the Danish by Bruce Kirmmse, Søren Kierkegaard serves as a Baedeker to the Copenhagen that Kierkegaard both loved and cursed.
The Irish Times - David Wheatley
This is an epic book, and truly a biography of the work as well as the man. . . . This book is a marvelous achievement.
Village Voice - Richard Polt
The royal road to Kierkegaard is still the oblique road—his own writings—but Garff's biography makes an excellent traveling companion.
The Christian Science Monitor - Heller McAlpin
Garff . . . obviously has been marinating in Kierkegaard for years. . . . His beautifully written and translated biography is scholarship at its best, filled with witty observations, felicitous turns of phrase, and sharp analyses.
Washington Post Book World - Henry Carrington
As this brilliant new biography by Joakim Garff makes clear, [Kierkegaard] never thought of himself as a philosopher. . . . The appearance of Garff's biography in English is a momentous occasion. . . . He provides a dazzling account of Kierkegaard's comings and goings, his anxieties and hopes, and, above all, his invention of himself as the Kierkegaard that both his time and ours have come to know.
First Things - Gregory R. Beabout
In its historical scope and in the richness of its descriptions, Garff's Søren Kierkegaard sets a new standard for Kierkegaard scholarship. It has done more to help us understand Kierkegaard's social milieu than any other biography.
The Christian Century - Richard Crouter
Garff aims [to challenge] those concerned with Kierkegaard's theological and philosophical views to think about the life that produced the teachings.
Crisis - Edward Short
No one ever played the misunderstood genius with the grandiose abandon of Søren Kierkegaard. . . . In his well-documented, entertaining, sympathetic life, Professor Garff helps readers understand a man who was in many respects his own worst enemy. No wonder Kierkegaard preferred being misunderstood.
The Times Higher Education Supplement - John Lippitt
Garff has a novelist's ability to make great capital from small details, and as a biography in the most straightforward sense—the story of a life - the book is hard to beat. It is a real page-turner.
Magill's Literary Annual - Frank Day
There can be no doubt of [Joakim] Garff's success, and for once the adjective 'magisterial' seems fully appropriate.
Theological Studies - Ralph McInerny
This is a book worthy of its subject—artful, comprehensive, paradoxical, informative. . . . [A] host of . . . questions will be discussed with renewed enthusiasm as a result of this magnificent biography.
The Philosophers' Magazine - Alison Ainley
Joakim Garff . . . has succeeded, not only in making Kierkegaard and his Copenhagen milieu live vigorously in this truly momentous book, but also in gripping the reader's attention. . . . A huge book about an eccentric philosopher turns out to be an enthralling and exciting read.
European Legacy - Jacob Golomb
I shall not hesitate to recommend this welcome book to my students as a textbook to help them acquire the necessary background for understanding Kierkegaard's multifarious, epoch-making authorship.
From the Publisher
"Monumental. . . . Garff's informal voice enlists us in the village of gossip of Kierkegaard's time. . . . [H]is tone helps create a sense of excitement, of caring, of importance, of—locally and cosmically—scandal."—John Updike, The New Yorker

"For any reader of Kierkegaard, this book will have a theatrical effect. It is as though one has been listening to a long soliloquy: suddenly the curtain goes up and there is golden-age Denmark. The 'soliloquy' is now embedded in a vibrant and multi-faceted conversation. The book is written with confidence and verve; it has been beautifully translated into English by Bruce H. Kirmmse. If you are capable of being absorbed by the life of one who did little but think and suffer privately, this is an 816-page page-turner."—Jonathan Lear,Times Literary Supplement

"A superb portrait of the philosopher that offers drama, psychological insight and social history as well as a guide to his profound, if perplexing, ideas. . . . An assiduous researcher, Mr. Garff has been studying his subject for decades. Happily, he seems to possess something of Kierkegaard's divine ability to express deep insights into human nature with a subtle and aristocratic touch. His masterly biography is a page-turning story and a guide wire into the mind of a philosopher whose ideas, properly understood, will never lose their force or fall out of fashion."—Gordon Marino, The Wall Street Journal

"Although some will accuse Garff of revealing salacious details of the philosopher's life—as in the chapters on Kierkegaard's relationship with his fiancee Regine Olsen—this monumental and magisterial biography offers fresh glimpses into the sometimes-tortured life and work of this true philosophical genius."Publishers Weekly

Praise for the orignial, Danish edition: "Seven hundred extraordinarily exciting pages. . . . Joakim Garff's book about Søren Kierkegaard is not just a biography. It is a well thought-out synthesis of Kierkegaard's life and writings so exceptional . . . so concrete and rich with perspectives, that it has no equal in literature. Read, read, read."Weekendavisen

Praise for the orignial, Danish edition: "A masterpiece in the genre of biography. It makes history. It will be read as a popular book of the highest merit. . . . [Garff] makes it outrageously exciting to read every last detail."Morgenavisen Jyllands-Posten

Praise for the orignial, Danish edition: "What rises from these pages is nothing less than a fully developed portrait of one of the most terrible and terribly fascinating beings in the history of Danish culture. . . . No more entertaining and enlightening novel will appear than Joakim Garff's grand biography of Søren Aabye Kierkegaard."Information

Praise for the orignial, Danish edition: Joakim Garff tells stories with the passion and artistic effects of a novelist. . . . [He] places Kierkegaard in Copenhagen's Golden Age with such a wealth of personalities, topography, and atmosphere that this might be one of the best books ever written about the Golden Age. . . . This publication . . . will be discussed all over the world. It is a great book, really great."Politiken

"Garff devotes much attention to what Kierkegaard's contemporaries thought of him and his writings. Kierkegaard was not the obscure, lonely writer that he himself would have one believe. This is a wonderful book for readers interested in Kierkegaard. It is very well written, well translated, and well organized."Choice

"This is an epic book, and truly a biography of the work as well as the man. . . . This book is a marvelous achievement."—David Wheatley, The Irish Times

"The royal road to Kierkegaard is still the oblique road—his own writings—but Garff's biography makes an excellent traveling companion."—Richard Polt, Village Voice

"Garff . . . obviously has been marinating in Kierkegaard for years. . . . His beautifully written and translated biography is scholarship at its best, filled with witty observations, felicitous turns of phrase, and sharp analyses."—Heller McAlpin,The Christian Science Monitor

"As this brilliant new biography by Joakim Garff makes clear, [Kierkegaard] never thought of himself as a philosopher. . . . The appearance of Garff's biography in English is a momentous occasion. . . . He provides a dazzling account of Kierkegaard's comings and goings, his anxieties and hopes, and, above all, his invention of himself as the Kierkegaard that both his time and ours have come to know."—Henry Carrington, Washington Post Book World

"Kierkegaard is an intellectual hero of the highest order, and Joakim Garff is his poet. Brilliantly translated from the Danish by Bruce Kirmmse, Søren Kierkegaard serves as a Baedeker to the Copenhagen that Kierkegaard both loved and cursed."—Gordon Marino, Artforum International

"In its historical scope and in the richness of its descriptions, Garff's Søren Kierkegaard sets a new standard for Kierkegaard scholarship. It has done more to help us understand Kierkegaard's social milieu than any other biography."—Gregory R. Beabout, First Things

"Garff aims [to challenge] those concerned with Kierkegaard's theological and philosophical views to think about the life that produced the teachings."—Richard Crouter, The Christian Century

"No one ever played the misunderstood genius with the grandiose abandon of Søren Kierkegaard. . . . In his well-documented, entertaining, sympathetic life, Professor Garff helps readers understand a man who was in many respects his own worst enemy. No wonder Kierkegaard preferred being misunderstood."—Edward Short, Crisis

"Garff has a novelist's ability to make great capital from small details, and as a biography in the most straightforward sense—the story of a life - the book is hard to beat. It is a real page-turner."—John Lippitt, The Times Higher Education Supplement

"There can be no doubt of [Joakim] Garff's success, and for once the adjective 'magisterial' seems fully appropriate."—Frank Day, Magill's Literary Annual

"This is a book worthy of its subject—artful, comprehensive, paradoxical, informative. . . . [A] host of . . . questions will be discussed with renewed enthusiasm as a result of this magnificent biography."—Ralph McInerny, Theological Studies

"Joakim Garff . . . has succeeded, not only in making Kierkegaard and his Copenhagen milieu live vigorously in this truly momentous book, but also in gripping the reader's attention. . . . A huge book about an eccentric philosopher turns out to be an enthralling and exciting read."—Alison Ainley, The Philosophers' Magazine

"I shall not hesitate to recommend this welcome book to my students as a textbook to help them acquire the necessary background for understanding Kierkegaard's multifarious, epoch-making authorship."—Jacob Golomb, European Legacy

Product Details

ISBN-13:
9781400849604
Publisher:
Princeton University Press
Publication date:
10/31/2013
Sold by:
Barnes & Noble
Format:
NOOK Book
Pages:
896
File size:
4 MB

Read an Excerpt

Søren Kierkegaard

A Biography
By Joakim Garff

Princeton University Press

Princeton University Press
All right reserved.

ISBN: 0-691-12788-3


Chapter One

1813-1834

KIRKKEGAARD, Kirkegaard, Kiersgaard, Kjerkegaard, Kirckegaard, Kerkegaard, Kierckegaard, Kierkegaard.

The parish registers provide plenty of testimony that the name is a tricky and a volatile one. It of course has something to do with a churchyard [Danish: kirkegaard, "churchyard," usually in the sense of "cemetery"], but not in the usual sense. The name in fact stems from a couple of farms located next to the church in the village of Sædding in the middle of the Jutland heath, about a dozen miles southeast of Ringkøbing. In common parlance the two farms were termed "churchyards" because of their close proximity to the church. Michael was born on one of these farms on December 12, 1756, the son of tenant farmer Peder Christensen Kierkegaard, who had taken his farm's name as his surname in order to emphasize that this was where he and his family were from. In the beginning the normal spelling was simply "Kirkegaard," but after a time it evolved into "Kierkegaard," and this spelling perhaps contains a faint echo of how the name sounded in the dialect of Jutland.

Michael was the fourth child in a family that fourteen years later finally came to include nine children. The heath was a stingy provider and poverty gnawedat the family, so after several difficult years as a shepherd boy, eleven-year-old Michael left the farm of his forebears. In that district the west wind forces the trees to lean longingly toward the east, and Michael followed their lead. Accompanied by a sheep dealer from the town of Lem, he set out for the Copenhagen of King Christian VII, where his mother's brother, Niels Andersen Seding, who had a dry-goods shop in a cellar on Østergade, took him on as an apprentice. At first Michael served as an errand boy, then as a shop assistant, and just before Christmas in 1780 he was granted his own business license and could then establish an independent firm. The surviving account books indicate that Kierkegaard's selection of wares included lisle stockings, woven caps, leather gloves from the Jutland town of Randers, and various goods from Iceland, all of which he sold on short road trips to the northern Zealand towns of Hillerød and Elsinore. The energetic businessman must have learned how to spin gold from these fuzzy wares because by age twenty-nine he was able, with his business partner Mads Røyen, to purchase the building at 31 Købmagergade. Røyen moved into the building, while Kierkegaard himself settled in number 43, where he opened his own business in "Glazier Clausen's Cellar."

Not only was his shop located partly underground but his methods were also a bit shady. The business had hardly got off the ground before the city's silk and clothing merchants reported Kierkegaard and other wool dealers from Jutland to the master of their guild. The resulting raid on these businesses uncovered French linens and silk ribbons. Jutland wool dealers were not permitted to deal in such fine goods; therefore the master of the guild imposed severe fines upon the illegal importers. In turn the importers complained to the authorities that the legal regulations governing the trade had become so complex that no one could figure them out. The complaint hit its mark, and pursuant to a resolution of July 30, 1787, hosiers were permitted to trade in all sorts of cottage-industry woolen and linen goods, plus Danish felt and swanskin (a tightly woven, heavy flannel, teased only on one side). The following year Kierkegaard also received permission to trade in Chinese goods and West Indian wares: sugar, cane syrup, and coffee beans. Nonetheless, he pressed his case all the way to the Supreme Court, which found in his favor, and he was thereafter permitted to deal in such luxury articles as cottons and silks. The Jutland wool dealers had won the battle against the silken Copenhageners.

The economy was booming and Michael Kierkegaard was not one to miss an opportunity. He invested his money in various properties on Købmagergade, Peter Hvitfeldtsstræde, Kalveboderne, Sankt Pedersstræde, Knabrostræde, and Helsingørgade; miraculously, he suffered no losses from the great fire which ravaged Copenhagen in 1795. The following year he inherited the estate of his mother's well-to-do brother and bought a piece of property in Sædding on which he had a fine half-timbered home built for his elderly parents and three of his younger siblings, Karen, Sidsel Marie, and Peder. The house was made of oak and painted red, so everyone could see that Michael had done well, over there in the capital city. He himself never saw Sædding again, but he did correspond with his sister Else, who had been born the year he had left home.

During his first years in Copenhagen, Michael Kierkegaard's circle of friends and associates consisted primarily of fellow immigrants from Jutland who were employed in the same field. It was therefore no surprise to anyone when Michael married Røyen's sister, Kirstine Nielsdatter, on May 2, 1794. People thought it was about time, as Michael was by then thirty-eight years old and Kirstine only a year younger. With 568 rixdollars of her own money, Kirstine was a good match, but we have no idea how the two felt about one another-the registry of marriages merely listed the bare facts: "Michael Peter Kiærsgaard, hosier, and Kirstine Røyen, copulated on May 2 in Holy Spirit Church." The marriage was childless and lasted not quite two years. Kirstine died of pneumonia on March 23, 1796, and was buried in Assistens Cemetery three days later.

Less than a year later Michael entrusted his flourishing business to his cousin Michael Andersen Kierkegaard and to Christen Agerskov, a nephew of his former father-in-law. This decision caused general surprise among his colleagues and acquaintances, for although Michael had occasionally complained of various maladies, people thought it was just hypochondria as there was nothing physically wrong with him. But even if his motives for transferring his business are unknown, the move was part of a momentous episode in the life of the enterprising businessman: Heedless of all plan or principle, he had impregnated his serving maid, Ane Sørensdatter Lund, whom he consequently felt obliged to marry. Even though the ordinance, dating from 1724, that required a year of mourning before remarriage applied only to widows (widowers had to wait a mere three months), Kierkegaard's blunder was more than an embarrassing mistake, it was a potentially costly one as well. The marriage contract he submitted to his attorney Andreas Hyllested on March 10, 1797, made it clear that the couple would not cohabit. In the event of the death of the husband, the widow would inherit the household goods and two hundred rixdollars a year and would also receive an inheritance of two thousand rixdollars to be set aside for any possible children. The document stated further: "Should the unexpected event transpire that the temperaments of the couple show themselves to be incompatible, and it may be granted us to live separately, my future wife will receive her wearing apparel and her linens; in addition to this I will give her a one-time payment of three hundred rixdollars for the purchase of necessary household goods as well as an annual payment of one hundred rixdollars as long as she lives." It was further emphasized that should such an occasion arise, the children would reside with their father after attaining the age of three.

Attorney Hyllested refused to endorse the marriage contract. Not only were the husband's economic circumstances so glaringly superior to the terms offered to the wife and children, but it was unusual for a marriage contract to contain so many detailed provisions concerning divorce prior to entering into the marriage that Kierkegaard was asked to submit a new and less niggardly version. Kierkegaard deferred to his attorney, and the new papers were signed, whereupon the somewhat perplexed serving girl, who was by then four months pregnant, could promise her lord eternal fidelity in a quiet home wedding that was recorded in the marriage registry book with these affectionate words: "Widower Michael Kiersgaard, hosier, and Miss Ane Sørensd. Lund, copulated April 26 at Great Kiøbmagergade."

Ane had been born June 18, 1768, as the youngest daughter of Maren Larsdatter and her husband Søren Jensen Lund, who was said to have been a "cheerful and jocular" man, from Brandlund in central Jutland. The family owned a cow and four sheep and were further endowed with two sons and four daughters, of whom the first was named Mette and the remaining three were named Ane, Ane, and Ane. This choice of names could give rise to some confusion, so the youngest was simply called "little Ane." After she was confirmed she went off to Copenhagen to work as a servant in the home of her brother, Lars Sørensen Lund, who had married the widow of a distiller and was thus also wedded to a distillery situated on Landemærket in Copenhagen. The conditions there were so terrible, however, that Ane soon left to work instead for Mads Røyen, whose service she then left in 1794 to work in the household of the newly married Michael Kierkegaard. After this point, Ane does not seem to have had much connection with her own family. Although her brother Lars was one of the godparents when her first daughter was baptized, her second daughter's baptismal party two years later was of a better class, and her brother the distiller was not among them. To judge from the scanty sources available, she was a pleasant, chubby little woman with an even and cheerful temperament. She appears to have been unable to write; when she signed public documents, someone had to guide her hand. Perhaps she could read a bit, but the reading matter she owned was not particularly demanding. Two of the very few volumes in her possession were Hagen's Historic Hymns and Rhymes for the Instruction of Children and Lindberg's Zion's Harp: A Christmas Present to the Christian Congregation, containing hymns by Kingo, Brorson, Ingemann, Grundtvig, Lindberg himself, and others. Her unproblematic spirit has not inspired any literary or poetic portrayals and perhaps can only be glimpsed here and there in Søren Kierkegaard's writings, where a housewife is depicted as a useful, quiet factotum in her husband's home. In his journals, Søren Aabye did not mention her by name one single time, and he never dedicated to her anything he ever wrote-not even an edifying discourse.

Ane and Michael were thus in many respects an odd couple, but as time went on they probably learned to love one another. And at any rate they comported themselves like proper married folk. Three girls came along in the course of the first five years: Maren Kirstine on September 7, 1797; Nicoline Christine on October 25, 1799; and Petrea Severine (sharing a birthday with her eldest sister) on September 7, 1801. And when the paterfamilias wrote his will in 1802, he was far more generous than he had been at the time of the marriage contract. True, mention is still made of the consequences of divorce ("which God forbid"), but were this to happen Ane was now guaranteed twice as much annually as previously, while if the husband were to die she would now inherit one-third of his fortune, with the remainder divided among the children. In that same year Kierkegaard bought two houses in Hillerød with his former brother-in-law Mads Røyen. The names of the properties give an idea of their proportions: Røyen took up residence in "Peter's Castle," while the Kierkegaard family moved into "The Palace Inn," which had a splendid garden that inclined down to a lake. When the first boy, Peter Christian, came into the world on July 6, 1805, the family moved back to Copenhagen and settled into an apartment on Østergade, where Ane became pregnant with another son, Søren Michael, who was born March 23, 1807. Then, after Niels Andreas made his entrée on April 30, 1809, the family moved in the late summer of that year to a house on Nytorv located between the corner house at Frederiksberggade and the building that served both as a courthouse and as the city hall. The house at 2 Nytorv provided the backdrop for the Kierkegaard family for almost forty years. This was where they lived and died.

And this was where Søren Aabye Kierkegaard's life had one of its many beginnings.

The Little Fork

Michael Kierkegaard was fifty-six and Ane was forty-five when their seventh child entered the world on Wednesday, May 5, 1813, so it was a well-experienced married couple who held their late-born child over the baptismal font on Thursday, June 3, at a private baptismal service in Holy Spirit Church. The family pastor, resident curate J.E.G. Bull, blessed the former serving girl's youngest son and baptized him Søren Aabye Kierkegaard-Søren, just like his mother's merry father, and Aabye after a recently deceased distant relative whose widow, Abelone Aabye, was a member of the baptismal party.

Michael, a merchant, could look back upon some turbulent years. King Frederick VI had joined Napoleon in a doomed alliance against the English, who bombarded Copenhagen mercilessly in September 1807 and transformed large areas near Nytorv into ghost towns. In October of the same year, the English sailed out of the harbor with the captured Danish fleet, and an era in the history of Danish trade and navigation ended. The country was short of money, so Finance Minister Ernst Schimmelman set the printing presses at full speed, putting into circulation more and more banknotes for which there was no backing. Exactly four months before Søren Aabye's birth, the government decided that the so-called currency notes, which could be redeemed for hard silver, would be replaced by notes issued by the National Bank, worth only one-sixth of the face value of the original notes. State bankruptcy had arrived. Shares, mortgages, promissory notes, and other financial paper served as little more than proof of the bankruptcy of those who held them. And between 1814 (when Denmark was forced to cede Norway) and 1820, 248 firms in Copenhagen went broke, an average of about a firm every week.

The so-called royal obligations were the only financial instruments that escaped the drastic devaluation, and this was precisely where Michael Kierkegaard had placed his money. He had entrusted the management of his business to others, but he had not turned his back on the world of finance. In 1808, as part of a patriotic fund drive, Kierkegaard and his relatives paid out of their own pockets for the construction of a gunboat, and when his cousin Anders Andersen Kierkegaard's silk and textile firm, Kierkegaard, Aabye, and Co. went bankrupt in 1820, Michael undertook extensive damage control, writing off no less than eleven thousand rixdollars of debt owed him by the firm.

Although he was still described as a stocking dealer, hosier, or merely shopkeeper (sometimes with the prefix "former") in the parish registries of baptism and confirmation, when he himself signed up for communion he advanced socially and termed himself "merchant." Thanks to the economic catastrophe, he had become one of the richest men in the country. A generation later his youngest son took comic and self-conscious consolation in the circumstance that he had come into the world in this paradoxical fashion: "I was born in 1813, the year of bankruptcy, when so many other worthless notes were put in circulation. There is something of greatness about me, but because of the bad economic conditions, I don't amount to much. And a banknote of this sort sometimes becomes a family's misfortune."

(Continues...)



Excerpted from Søren Kierkegaard by Joakim Garff Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Meet the Author

Joakim Garff is Associate Professor at the Søren Kierkegaard Research Center at the University of Copenhagen. He is the author of numerous books and articles and is the coeditor of a project to publish definitive new Danish-language editions of all of Kierkegaard's writings. Bruce H. Kirmmse is Professor of History at Connecticut College. His previous works include "Kierkegaard in Golden Age Denmark" and "Encounters with Kierkegaard" (Princeton). He is the chairman of the editorial board of "Kierkegaard's Journals and Notebooks" (Princeton, forthcoming).

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