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| Lynwood Slim | Primary Artist, Primary Artist, Harmonica, Vocals |
| Bill Black | Bass |
| Leonard Caston | Piano |
| Larry Hayes | Bass |
| Rick O'Dell | Saxophone |
| James Smith | Guitar |
| Jimmy Hill | Organ |
| Donald Robertson | Drums |
| Dwight Dario | Drums |
| Dan Schwalbe | Guitar |
| Scott Johnson | Saxophone |
| Rick O'Dell | Producer |
| Richard Duran | Producer |
| Kii Arens | Artwork |
| Doug Myren | Artwork |
| Tim Bradach | Producer |
| Chris Niesen | Engineer |
| Tom Siler | Engineer |
Editorial Reviews
All Music Guide - Char Ham
Looking for harp blues without hype, and built with back-to-basics values? Look no further. Slim uses his instrument never relying on the grandiose statement, but goes straight to the point. This was recorded during his tenure in Minnesota; featured on some cuts is one of the "Big Three," pianist Leonard "Baby Doo" Caston, who lays out incredible riffs on solo instrumental "Doo's Groove." Blues like this makes it understandable why the best blues is built on basic fundamentals.