Unhappy with the slicker approach of
Setting Sons,
the Jam got back to basics, using the direct, economic playing of
All Mod Cons and
"Going Underground," the simply brilliant single which preceded
Sound Affects by a few months. Thematically, though,
Paul Weller explored a more indirect path, leaving behind (for the most part) the story-song narratives in favor of more abstract dealings in spirituality and perception -- the approach stemming from his recent readings of
Blake and
Shelley (who was quoted on the sleeve), but more specifically
Geoffrey Ash, whose
Camelot and the Vision of Albion made a strong impression. Musically,
Weller drew upon
Revolver-era
Beatles as a primary source (the bassline on
"Start," which comes directly from
"Taxman," being the most obvious occurrence), incorporating the occasional odd sound and echoed vocal, which implied
psychedelia without succumbing to its excesses. From beginning to end, the songs are pure, clever, infectious
pop -- probably their catchiest -- with
"That's Entertainment" and the should-have-been-a-single
"Man in the Corner Shop" standing out. ~ Chris Woodstra
