Sound Theory/Sound Practice

Sound Theory/Sound Practice

by Rick Altman
     
 

ISBN-10: 0415904579

ISBN-13: 9780415904575

Pub. Date: 06/28/1992

Publisher: Taylor & Francis

First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

Overview

First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

Product Details

ISBN-13:
9780415904575
Publisher:
Taylor & Francis
Publication date:
06/28/1992
Series:
AFI Film Readers Series
Edition description:
New Edition
Pages:
298
Product dimensions:
5.90(w) x 8.90(h) x 0.70(d)

Table of Contents

General Introduction: Cinema as Event 1. The Material Heterogeneity of Recorded Sound Part One: Theoretical Perspectives Introduction: Four-and-a-half Film Fallacies 2. Sound Space Rick Altman 3. Reading, Writing, and Representing Sound Jim Lastra

4. She Sang Live, but the Microphone was Turned Off: The Live, the Recorded, and the Subject of Representation Steve Wurtzler 5. Wasted Words Michel Chion Part Two: Historical Speculations Introduction: Sound/History 6. [Conversion to Sound] Alan Williams 7.

Translating America: The Hollywood Multilinguals 1929-1933 Natasa Durovicova 8. 1950s Magnetic Sound: The Frozen Revolution John Belton Part Three: Neglected Domains Introduction: Sound's Dark Corners 9. Women's Voices in Third World Cinema Amy Lawrence 10.

The Sound of Early Warner Bros. Cartoons Scott Curtis 11. Imagining the Sound(s) of Shakespeare: Film Sound and Adaptation Mary Pat Klimek 12. Conventions of Sound in Documentary Jeff Ruoff 13. Let There Be Sound: The Films of Andrei Tarkovsky Andrea Truppin

Afterword: A Baker's Dozen of New Terms for Sound Analysis Notes Works Cited

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