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| Swans | Primary Artist, Primary Artist |
| Jarboe | Keyboards, Vocals, Loops, Sounds |
| Michael Gira | Acoustic Guitar, Electric Guitar, Vocals, Sampling, Loops, Sounds |
| Algis Kizys | Musician |
| Larry Mullins | Percussion, Drums, Vibes |
| Bill Rieflin | Musician |
| Vudi | Acoustic Guitar, Electric Guitar |
| Norman Westberg | Musician |
| Kris Force | Viola |
| Joe Goldring | Bass, Bass Guitar, Electric Guitar |
| Larry Lame | Musician |
| Christopher Hahn | Musician |
| Martin Bisi | Engineer |
| Jarboe | Sound Effects, Producer |
| Michael Gira | Sound Effects, Producer, Concept |
| Clinton Steele | Contributor |
| Billy Anderson | Engineer |
| Norman Westberg | Contributor |
| P.M. Froehle | Photo Manipulation, Execution |
| Larry Lame | Engineer |
| Andy Ray | Engineer |
| Bill Fieflin | Contributor |
| Braden King | Execution |
| Chris Griffin | Engineer, Mastering, Collage |
Editorial Reviews
All Music Guide - Ned Raggett
Choosing to extinguish the band name under which Gira and Jarboe had worked together for so long must not have been an easy step, but when they decided to end Swans with one last studio release as a prelude to a farewell tour, they did so with what turned out to be their biggest and best album ever. Interestingly, the double-disc, two-and-a-half-hour long Soundtracks makes no pretensions at being a uniform creation like The White Album or Mellon Collie and the Infinite Sadness; Gira's own notes indicate the song sources as being from "hand-held cassette recordings to found sounds, to samples, to loops, to finished multitrack recordings," recorded with ten different ...