South Asian Media Cultures

Overview

‘South Asian Media Cultures’ examines a wide range of media cultures and practices from across South Asia, using a common set of historical, political and theoretical engagements.  In the context of such pressing issues as peace, conflict, democracy, politics, religion, class, ethnicity and gender, these essays explore the ways different groups of South Asians produce, understand and critique the media available to them.

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Overview

‘South Asian Media Cultures’ examines a wide range of media cultures and practices from across South Asia, using a common set of historical, political and theoretical engagements.  In the context of such pressing issues as peace, conflict, democracy, politics, religion, class, ethnicity and gender, these essays explore the ways different groups of South Asians produce, understand and critique the media available to them.

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Editorial Reviews

From the Publisher

‘‘South Asian Media Cultures’ provides great insight into the complex South Asian mediascape. It represents a critical, reflecting approach illustrating the recent trend of transnational and cross-disciplinary discussion.’ —Alexandra K. Schott, ‘Internationales Asien Forum’

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Product Details

  • ISBN-13: 9780857284099
  • Publisher: Anthem Press
  • Publication date: 10/1/2011
  • Series: Anthem South Asian Studies Series
  • Edition description: New Edition
  • Pages: 276
  • Product dimensions: 6.00 (w) x 9.00 (h) x 0.80 (d)

Meet the Author

Shakuntala Banaji, PhD, is a Lecturer in Media and Communication at the London School of Economics, UK.

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Table of Contents

Introduction; Talking Back to 'Bollywood': Hindi Commercial Cinema in North-East India; 'Adverts Make Me Want to Break the Television': Indian Children and their Audiovisual Media Environment in Three Contrasting Locations; Urdu for Image: Understanding Bangladeshi Cinema through its Theatres; Musical Media and Cosmopolitanism in Nepal's Popular Music, 1950-2006; Private Satellite Television and the Geo-Politics of Moderation in Pakistan; Forgetting to Remember: The Privatisation of the Public, the Economisation of Hindutva, and the Medialisation of Genocide; Myth – The National Form: Mission Istanbul and Muslim Representation in Hindi Popular Cinema; A Peace of Soap: Representations of Peace and Conflict in Popular Teledramas in Sri Lanka; Destigmatising Star Texts – Honour and Shame among Muslim Women in Pakistani Cinema; Through the Lens of a 'Branded Criminal': The Politics of Marginal Cinema in India; Pakistani Students' Uses of New Media to Construct a Narrative of Dissent; Expanding the Art of the Possible: Leveraging Citizen Journalism and User Generated Content (USG) for Peace in Sri Lanka; Conclusion; List of Contributors

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