South of Hell

Overview


Dig up the past. Pay the price.

With one phone call from a man he barely recalls meeting years ago, South Florida detective Louis Kincaid heads to the Michigan town of his college days to reopen a disturbing cold case — and finds himself confronting his own painful past secrets...secrets that risk his future with the woman he loves, detective Joe Frye.

Ann Arbor police ...

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South of Hell

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Overview


Dig up the past. Pay the price.

With one phone call from a man he barely recalls meeting years ago, South Florida detective Louis Kincaid heads to the Michigan town of his college days to reopen a disturbing cold case — and finds himself confronting his own painful past secrets...secrets that risk his future with the woman he loves, detective Joe Frye.

Ann Arbor police detective Jake Shockey wants Kincaid's help in the case of Jean Brandt, who went missing nine years ago — and whose husband, Owen, has since been paroled. Now, Owen Brandt's girlfriend appears to be at risk, and Shockey is desperate to get involved. Kincaid soon unearths the deeply personal reasons why...and with Joe Frye assisting, Kincaid links yesterday's jealousies with today's potentially lethal vengeance. It's only a matter of time before one will win out over the other — and before Kincaid's own shattering revelations will be forced out into the light of day.

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Product Details

  • ISBN-13: 9781476798455
  • Publisher: Gallery Books
  • Publication date: 8/9/2014
  • Pages: 400
  • Sales rank: 1,062,473

Meet the Author

P. J. Parrish is actually two sisters—Kristy Montee and Kelly Nichols—who pooled their talents and their lifelong love of writing to create the character of Louis Kincaid. Their New York Times and USA TODAY bestselling novels include An Unquiet Grave, A Killing Rain, Island of Bones, Thicker Than Water, Paint It Black, Dead of Winter, and Dark of the Moon. They are also the authors of a standalone thriller, The Killing Song.

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Read an Excerpt

Chapter One

It was just south of Hell. But if you missed the road leading in, you ended up down in Bliss. And then there was nothing to do but go back to Hell and start over again.

That's what the kid pumping gas at the Texaco had told her, at least. Since she had not been here for such a very long time, she had to trust him, because she had no memory of the place anymore.

A rain was threatening. She had been watching the gray clouds gather over the cornfields for the past half-hour.

"You sure you know where you're going, little lady?"

She looked over at the driver of the truck. He was an old man, with tufts of gray hair sprouting from his head and ears.

Back at the Texaco, she had watched all the big trucks racing past on the highway, too afraid to stop one of them for a ride. When the old man had pulled in, she had gotten into his truck only because the truck was small and he seemed so old and harmless. Still, she clutched the backpack tighter as she felt his eyes on her.

"Yes," she said. "Lethe Creek Road. It should be right up here somewhere."

The old man's red-rimmed eyes stayed with her for a moment, then he looked back at the road. She didn't look at him, because she didn't want to talk to him. She just wanted to get where she needed to go.

The backpack was heavy on her lap, and she shifted her thighs under its weight. It had been hard lugging it all this way, but she had no idea when she set out what she was going to need, or for how long, so she had put everything in it she could carry: cans of tuna fish and stewed tomatoes, tins of sardines, a half-empty box of Hershey's cocoa, and a carton of Premium saltines. Anything she could find in the house that would last. She had even thought to take an empty plastic milk carton to hold water. At the last minute, she had gone down into the cellar and taken the last four jars of plum preserves.

No one would know they were gone. No one would know she was gone.

"This the road?"

She glanced at the old man, then looked out the window. The fields were empty, still covered with their blankets of winter straw. She nodded, and they drove on.

A dull roll of thunder came from the gray sky over the fields.

"Looks like we got more rain coming," the old man said.

She closed her eyes. A different sound in her ears, a different storm in her head, a flashing memory of green curtains twisting in the wind.

Run! Run! Run!

Bursting through the green curtain. Feeling the corn stalks tearing at her bare legs. Kneeling in dirt, hands over her ears so she wouldn't hear.

The image made her go cold. It was new. It had never been there before. Or that voice, either. Others, yes, but not this one.

She felt a jolt as the truck left the blacktop for gravel, and she opened her eyes.

"Huh, look at that. I didn't even know there was a house down this road."

She didn't look at the old man. Her eyes were on the old house. It had always been so small in her memory because she had never really believed it existed. But now here it was, growing larger and larger and larger.

The truck stopped in front of a fence. She didn't move. She couldn't stop looking at the house.

"This it?"

She didn't hear the old man.

"Little lady? You sure this is the place you're looking for?"

She found her voice. "Yes." But she didn't take her eyes off the house, because she was sure if she did, it would slip away, just like it always did as she awoke from her fevered sleep. It was a while before the ticking of the truck's old engine drew her back. The house hadn't vanished.

She gathered the backpack to her chest and looked over at the old man. "Thank you for the ride," she said.

His mouth was a hard slash, but his eyes were gentle. "You shouldn't be takin' rides from strangers. Not right for a young girl to be hitchin'."

She nodded.

"Looks deserted. You got kin here?"

"Yes, sir."

He looked toward the house with doubt but then reached across her and opened the door. She jumped out, hoisting the backpack up onto one shoulder. The old man gave her a final look, thrust the truck in reverse, and was gone.

She looked around. The farm's other buildings registered in her consciousness — three small gray plank ones almost hidden in the tall weeds and, beyond, the barn, a looming hulk against the dark sky. She looked back at the old farmhouse.

It had always been there in her head, like a blurry picture, but now the details were coming into focus: red brick, green roof, long slits of windows. Everything angles, crags, points, and hard lines, like there was not a corner of comfort to be found anywhere inside.

It started to rain. It was so quiet the pop-pop-pop of the drops falling on the oak leaves overhead was the only sound she could hear. Even the voices were quiet, like they were all holding their breath, waiting.

She climbed the locked fence and walked to the porch. There was a padlock on the front door. It hadn't been visible from the truck. The old man would never have left her here if had he seen it.

You got kin here?

Yes, sir.

She had lied to him. There was no one here. Anybody could see that plain as day. Maybe she had always known it was going to be like this. But that was why she was here now, because she had to make sure.

Her heart was starting to pound, and she felt a choking feeling rising in her throat, that feeling she got sometimes that she couldn't catch her breath. She took a few deep, careful breaths to calm it, but something told her that this time it wasn't going to work. She was sweating, too, even in the cold rain.

She forced herself to start moving again. Walking slowly, the backpack heavy on her shoulder, she went around the east side of the house.

Another porch, this one crumbling and decrepit, with a rusting icebox shoved into a corner. There was a door but it was boarded over.

No way in — and she had to get in.

She was behind the house now, picking her way carefully through the waist-high weeds. Just more windows, too high for her to reach, some with boards nailed over them. By the time she made a full circle back to the side porch, her heart was racing, and her head hurt so much she had to close her eyes for a moment.

That's when it came. A flash of a new image — a blue wooden door. She opened her eyes. But where was it?

She returned to the back of the house, her eyes raking the thicket of weeds. The blue door was here, she knew it was.

No, wait, no. Two blue doors. But where?

She pushed her way through the brambles. Her hands began to bleed as she pulled at the thick wet growth. She drew back, gasping.

Cellar doors. Old wood boards cracked and bleached, the blue gone almost to gray.

She set the backpack in the weeds, grabbed one of the handles, and pulled. It opened with a groan and fell back against the weeds with a thud.

She stared down into the dark. Then, without another thought, she grabbed the backpack and went down.

Five steps down. She knew that!

And although there was no light in this place, she knew she had to go to the right. Because that was where the other stairs were, the ones that led up into the house.

Awful smells of dank stone and wet earth and the skittering whispers of animals, but she didn't stop to think about it, just moved slowly but surely through the darkness until her outstretched hand found the wood rail.

Ten steps up. She knew that, too.

At the top, she pushed the door open and stepped through.

Gray light, like a shroud, around her. Dim shapes floated at the edges of her vision — just furniture and boxes — and a wash of smells, dust and paper and something sickly sweet but so faint she almost thought she imagined it.

She dropped the backpack to the floor and moved slowly down a narrow hallway. It led to a small room with faded green wallpaper peeling away in damp layers. The next room was like the first but with yellow flowered paper, most of it in piles on the scuffed wood floor. A third room had light fixtures dangling bare wires and more moldering walls shedding their paper skins.

She stood in the center of the third room, a cold draft swirling around her. It felt like the house itself was moving around her and she was inside it, inside its heart, inside the heart of a dying animal.

Voices.

Where were they coming from? They had always been inside her head before, but now...

Outside her head now. Like they were just a step away in the next room. She went to the front of the house.

Another small room, this one with blue-patterned wallpaper and yellowed lace curtains. The voices were loud here, louder than the usual whisper. And they were —

She turned.

There, in the far corner, she saw it, a small upright piano, dark wood under a gray coat of dust, the top heaped with long, thin boxes.

The voices, so loud here, the same ones that came to her when she slept. She had never been able to make out what they were saying. But now...

She stared at the piano.

Suddenly, she could hear them perfectly. The voices were singing!

Catch Don set a seal Oh do you know so sweet You and me, Pearl, no matter hurt.
New rips in two in stormy. Sue lures while You pray on guard all day trembling a while.

The sting of tears in her eyes. The voices were real. She hadn't been crazy, she hadn't made them up. Those voices that always came to her in her dreams. They were real, and they were singing real words. The words made no sense, but she didn't care. The words were real, and so was this place, and so was she.

You and me, Pearl, no matter hurt.

She shut her eyes tight. The voices were getting louder.

You and me, Pearl, no matter hurt You and me Pearl no matter hurt youandmepearlnomatterhurt hurt hurt hurt hurt hurt hurt!

Suddenly, a loud bang. It felt like the floor was moving beneath her feet, like the walls were moving inward. She bolted from the room.

Another bang. Just thunder, just thunder. But it propelled her forward.

She was back in the kitchen. Rain was beating on the small window over the old sink. Or was the beating sound in her head? She couldn't tell anymore, because something bad was happening. Something was rising up inside her, worse than anything she had felt before, something bad beyond her heart when it beat too fast and beyond her skin when it grew slick with sweat and beyond her head when the voices shouted.

This place, this room. Something bad here.

A boom of thunder. She clapped her hands over her ears and shut her eyes.

But she could still see it, see it playing on the curtain of her lids. Red. So much red. A thick flow of red everywhere.

Run! Run! Run, Amy! Run! Hide!

She opened her eyes.

The cupboard. There, in the corner, near the sink.

She dropped to her knees, her fingers grasping the rusted handle. The door opened, and she crawled inside. She pulled the door closed and pressed into the dark corner. Tried to make herself small, smaller, smallest until she disappeared.

She started to cry.

Then. Then...

A whisper. That one soft voice that sometimes found her in her dreams, rising out of the screeches of the others, coming to her in this dark place now, soft around her like a blanket.

You and me, no matter how hurt You and me you and me

The other voices faded away. The banging stopped. It was quiet. The invisible blanket was still there, holding her.

You got kin here?

She hugged her knees and rocked herself in the dark.

"Yes," she whispered. "Yes, yes, yes."

Copyright © 2008 by PJ Parrish

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