Southern Cross (Andy Brazil Series #2)

Southern Cross (Andy Brazil Series #2)

2.3 50
by Patricia Cornwell

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Patricia Cornwell has a sixth sense about the men and women in blue. In Hornet's Nest, her page-turning novel about crime and police in Charlotte, North Carolina, Cornwell moved behind the badges of these real

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Patricia Cornwell has a sixth sense about the men and women in blue. In Hornet's Nest, her page-turning novel about crime and police in Charlotte, North Carolina, Cornwell moved behind the badges of these real-life heroes to uncover flesh-and-blood characters who strode through her pages to reveal vulnerable, passionate, brave, sometimes doubting, always fascinating figures.

In Southern Cross, Cornwell takes us even closer to the personal and professional lives of big-city police, in a story of corruption, scandal, and robberies that escalate to murder. This time, her setting is Richmond, Virginia, where Charlotte Police Chief Judy Hammer has been brought by an NIJ grant to clean up the police force. Reeling from the recent death of her husband, and resented by the police force, city manager, and mayor of Richmond, Hammer is joined by her deputy chief Virginia West and rookie Andy Brazil on the most difficult assignment of her career. In the face of overwhelming public scrutiny, the trio must bring truth, order, and sanity to a city in trouble.

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Editorial Reviews
The Barnes & Noble Review
Bestselling author Patricia Cornwell made her first foray into the tension-filled, fast-paced, and often irreverent world of police departments with Hornet's Nest. In the sequel, Southern Cross, Cornwell resurrects Police Chief Judy Hammer; Hammer's right-hand woman, Deputy Chief Virginia West; and West's much younger love interest, newspaper reporter turned police officer Andy Brazil. Only this time the trio has hauled their crime-fighting expertise and their weighty emotional baggage to a new location: Richmond, Virginia.

Still coming to terms with the death of her husband, Seth, and frustrated by her experiences with the Charlotte PD, Hammer has made a proposal to the National Institute of Justice to serve as a consultant to troubled police departments throughout the South. When she is hired by the city council to act as interim chief for a year to the much-beleaguered Richmond PD, she hauls West and Brazil along for the ride. Once there, they are greeted with as much enthusiasm as the second coming of the Civil War. But Hammer is nothing if not determined, and she makes a valiant effort to rally her force together with pep talks, motivational strategies, and COMSTAT -- a new computerized technology borrowed from the NYPD that monitors both crimes and the cops accountable for handling them.

Hammer's plans begin to unravel when she and West overhear part of a cell phone conversation between two men named Bubba and Smudge, who seem to be plotting a racially motivated, cold-blooded murder. Before Hammer has a chance to look into the ominous phone call, a number of other incidents focus her attention elsewhere. First, a hacker breaks into the COMSTAT system and renders it inoperable, leaving a fish-covered grid map of Richmond on the screen. Next, the city's populace grows restless over a string of increasingly daring ATM robberies, the most recent of which involves the execution-style murder of an innocent old woman. The final straw comes when a very talented graffiti artist sneaks into Hollywood Cemetery -- the much revered burial ground for Richmond's most famous and infamous -- and paints a statue of Civil War hero Jefferson Davis to look like a black basketball player. When the local press gets wind of what's going on, the pressure on Hammer and her colleagues increases.

As Hammer struggles to get both Richmond and her uncooperative police force under control, Brazil and West struggle with one another and the apparent death of their burgeoning love affair. Brazil's attention is diverted by the travails of 14-year-old Weed Gardener, a young man with a dark secret and an exceptional talent. Reeling from the tragic death of his beloved older brother and his mother's subsequent emotional withdrawal, Weed makes the tragic mistake of getting involved with a teenage sociopath named Smoke, the leader of a small but deadly gang known as the Pikes and the source of much of Hammer's troubles. As Smoke's thirst for mayhem and murder grows, it sets him on a collision course with Hammer and her crew, who find themselves in a race with death as they try to stop Smoke from committing mass murder.

Rounding out the cast of characters and adding to the fun by further hampering Hammer's every effort is a hapless redneck named Butner Fluck IV, or Bubba to his friends. Growing up with the name But Fluck has made Bubba overly sensitive, and when combined with his flair for being in the wrong place at the wrong time, Bubba's travails bring high hilarity to the story.

Cornwell's liberal use of real landmarks and her intricate knowledge of Richmond's eclectic and often eccentric residents offers a comical and, at times, scathingly satirical look at a city where some still believe the War of Northern Aggression never ended. Irreverence and fear walk hand-in-hand through the pages, toying with the reader's emotions in a delicious mix. There's even a little treat for sharp-eyed, die-hard Scarpetta fans.

With Southern Cross, Cornwell proves once again that she is a master storyteller who can balance a wicked sense of humor with chilling insight into the mind of the most frightening criminals. This book is a roller-coaster ride filled with terrifying plunges and spine-tingling fun. Watch out, Scarpetta. Hammer and her crew may just give you a run for your money.

--Beth Amos

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Product Details

Penguin Publishing Group
Publication date:
Andy Brazil , #2
Sold by:
Penguin Group
Sales rank:
File size:
539 KB
Age Range:
18 Years

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Chapter One

the last Monday morning of March began with promise in the historic city of Richmond, Virginia, where prominent family names had not changed since the war that was not forgotten. Traffic was scant on downtown streets and the Internet. Drug dealers were asleep, prostitutes tired, drunk drivers sober, pedophiles returning to work, burglar alarms silent, domestic fights on hold. Not much was going on at the morgue.

    Richmond, built on seven or eight hills, depending on who counts, is a metropolitan center of unflagging pride that traces its roots back to 1607, when a small band of fortune-hunting English explorers got lost and laid claim to the region by planting a cross in the name of King James. The inevitable settlement at the fall line of the James River, predictably called "The Fails," suffered the expected tribulations of trading posts and forts, and anti-British sentiments, revolution, hardships, floggings, scalpings, treaties that didn't work and people dying young.

    Local Indians discovered firewater and hangovers, and traded herbs, minerals and furs for hatchets, ammunition, cloth, kettles and more firewater. Slaves were shipped in from Africa. Thomas Jefferson designed Monticello, the Capitol and the state penitentiary. He founded the University of Virginia, drafted the Declaration of Independence and was accused of fathering mulatto children. Railroads were constructed. The tobacco industry flourished and nobody sued.

    All in all, life in the genteel city ambled along reasonably well until 1861, when Virginia decided to secede from the Union and the Union wouldn't go along with it. Richmond did not fare well in the Civil War. Afterward, the former capital of the Confederacy went on as best it could with no slaves and bad money. It remained fiercely loyal to its defeated cause, still flaunting its battle flag, the Southern Cross, as Richmonders marched into the next century and survived other terrible wars that were not their problem because they were fought elsewhere.

    By the late twentieth century, things were going rather poorly in the capital city. Its homicide rate had climbed as high as second in the nation. Tourism was suffering. Children were carrying guns and knives to school and fighting on the bus. Residents and department stores had abandoned downtown and fled to nearby counties. The tax base was shrinking. City officials and city council members didn't get along. The governor's antebellum mansion needed new plumbing and wiring.

    General Assembly delegates continued slamming desktops and insulting one another when they came to town, and the chairman of the House Transportation Committee carried a concealed handgun onto the floor. Dishonest gypsies began dropping by on their migrations north and south, and Richmond became a home away from home for drug dealers traveling along I-95.

    The timing was right for a woman to come along and clean house. Or perhaps it was simply that nobody was looking when the city hired its first female police chief, who this moment was out walking her dog. Daffodils and crocuses were blooming, the morning's first light spreading across the horizon, the temperature an unseasonable seventy degrees. Birds were chatty from the branches of budding trees, and Chief Judy Hammer was feeling uplifted and momentarily soothed.

    "Good girl, Popeye," she encouraged her Boston terrier.

    It wasn't an especially kind name for a dog whose huge eyes bulged and pointed at the walls. But when the SPCA had shown the puppy on TV and Hammer had rushed to the phone to adopt her, Popeye was already Popeye and answered only to that name.

    Hammer and Popeye kept a good pace through their restored neighborhood of Church Hill, the city's original site, quite close to where the English planted their cross. Owner and dog moved briskly past antebellum homes with iron fences and porches, and slate and false mansard roofs, and turrets, stone lintels, chased wood, stained glass, scroll-sawn porches, gables, raised so-called English and picturesque basements, and thick chimneys.

    They followed East Grace Street to where it ended at an overlook that was the most popular observation point in the city. On one side of the precipice was the radio station WRVA, and on the other was Hammer's nineteenth-century Greek Revival house, built by a man in the tobacco business about the time the Civil War ended. Hammer loved the old brick, the bracketed cornices and flat roof, and the granite porch. She craved places with a past and always chose to live in the heart of the jurisdiction she served.

    She unlocked the front door, turned off the alarm system, freed Popeye from the leash and put her through a quick circuit of sitting, sitting pretty and getting down, in exchange for treats. Hammer walked into the kitchen for coffee, her ritual every morning the same. After her walk and Popeye's continuing behavioral modification, Hammer would sit in her living room, scan the paper and look out long windows at the vista of tall office buildings, the Capitol, the Medical College of Virginia and acres of Virginia Commonwealth University's Biotechnology Research Park. It was said that Richmond was becoming the "City of Science," a place of enlightenment and thriving health.

    But as its top law enforcer surveyed edifices and downtown streets, she was all too aware of crumbling brick smokestacks, rusting railroad tracks and viaducts, and abandoned factories and tobacco warehouses with windows painted over and boarded up. She knew that bordering downtown and not so far from where she lived were five federal housing projects, with two more on Southside. If one told the politically incorrect truth, all were breeding grounds for social chaos and violence and were clear evidence that the Civil War continued to be lost by the South.

    Hammer gazed out at a city that had invited her to solve its seemingly hopeless problems. The morning was lighting up and she worried there would be one cruel cold snap left over from winter. Wouldn't that be just like everything else these days, the final petty act, the eradication of what little beauty was left in her horrendously stressful life? Doubts crowded her thoughts.

    When she had forged the destiny that had brought her to Richmond, she had refused to entertain the possibility that she had become a fugitive from her own life. Her two sons were grown and had distanced themselves from her long before their father, Seth, had gotten ill and died last spring. Judy Hammer had bravely gone on, gathering her life's mission around her like a crusader's cape.

    She resigned from the Charlotte P.D., where she had been resisted and celebrated for the miracles she wrought as its chief. She decided it was her calling to move on to other southern cities and occupy and raze and reconstruct. She made a proposal to the National Institute of Justice that would allow her to pick beleaguered police departments across the South, spend a year in each, and bring all of them into a union of one-for-all and all-for-one.

    Hammer's philosophy was simple. She did not believe in cops' rights. She knew for a fact that when officers, the brass, precincts and even chiefs seceded from the department to do their own thing, the result was catastrophic. Crime rates went up. Clearance rates went down. Nobody got along. The citizens that law enforcement was there to protect and serve locked their doors, loaded their guns, cared not for their neighbors, gave cops the finger and blamed everything on them. Hammer's blueprint for enlightenment and change was the New York Crime Control Model of policing known as COMSTAT, or computer-driven statistics.

    The acronym was an easy way to define a concept far more complicated than the notion of using technology to map crime patterns and hot spots in the city. COMSTAT held every cop accountable for everything. No longer could the rank and file and their leaders pass the buck, look the other way, not care, not know the answer, say they couldn't help it, were about to get around to it, hadn't been told, forgot, meant to, didn't feel well or were on the phone or off duty at the time, because on Mondays and Fridays Chief Hammer assembled representatives from all precincts and divisions and gave them hell.

    Clearly, Hammer's battle plan was a northern one, but as fate would have it, when she presented her proposal to Richmond's city council, it was preoccupied with infighting, mutiny and usurpations. At the time, it didn't seem like such a bad thing to let someone else solve the city's problems. So it was that Hammer was hired as interim chief for a year and allowed to bring along two talents she had worked with in Charlotte.

Hammer began her occupation of Richmond. Soon enough stubbornness set in. Hatred followed. The city patriarchs wanted Hammer and her NIJ team to go home. There was not a thing the city needed to learn from New York, and Richmonders would be damned before they followed any example set by the turncoat, carpetbagging city of Charlotte, which had a habit of stealing Richmond's banks and Fortune 500 companies.

    deputy Chief Virginia West complained bitterly through painful expressions and exasperated huffs as she jogged around the University of Richmond track. The slate roofs of handsome collegiate Gothic buildings were just beginning to materialize as the sun thought about getting up, and students had yet to venture out except for two young women who were running sprints.

    "I can't go much farther," West blurted out to Officer Andy Brazil.

    Brazil glanced at his watch. "Seven more minutes," he said. "Then you can walk."

    It was the only time she took orders from him. Virginia West had been a deputy chief in Charlotte when Brazil was still going through the police academy and writing articles for the Charlotte Observer. Then Hammer had brought them with her to Richmond so West could head investigations and Brazil could do research, handle public information and start a website.

    Although one might argue that, in actuality, West and Brazil were peers on Hammer's NIJ team, in West's mind she outranked Brazil and always would. She was more powerful. He would never have her experience. She was better on the firing range and in fights. She had killed a suspect once, although she wasn't proud of it. Her love affair with Brazil back in their Charlotte days had been due to the very normal intensity of mentoring. So he'd had a crush and she had gone along with it before he got over it. So what.

    "You notice anybody else killing himself out here? Except those two girls, who are either on the track team or have an eating disorder," West continued to complain in gasps. "No! And guess why! Because this is stupid as shit! I should be drinking coffee, reading the paper right now."

    "If you'd quit talking, you could get into a rhythm," said Brazil, who ran without effort in navy Charlotte P.D. sweats and Saucony shoes that whispered when they touched the red rubberized track.

    "You really ought to quit wearing Charlotte shit," she went on talking anyway. "It's bad enough as is. Why make the cops here hate us more?"

    "I don't think they hate us." Brazil tried to be positive about how unfriendly and unappreciative Richmond cops had been.

    "Yes they do."

    "Nobody likes change," Brazil reminded her.

    "You seem to," she said.

    It was a veiled reference to the rumor West had heard barely a week after they had moved here. Brazil had something going on with his landlady, a wealthy single woman who lived in Church Hill. West had asked for no further information. She had checked out nothing. She did not want to know. She had refused to drive past Brazil's house, much less drop by for a visit.

    "I guess I like change when it's good," Brazil was saying.


    "Do you wish you'd stayed in Charlotte?"


    Brazil picked up his pace just enough to give her his back. She would never forgive him for saying how much he wanted her to come with him to Richmond, for talking her into something yet one more time because he could, because he used words with clarity and conviction. He had carried her away on the rhythm of feelings he clearly no longer had. He had crafted his love into poetry and then fucking read it to someone else.

    "There's nothing for me here," said West, who put words together the way she hung doors and shutters and built fences. "I mean let's be honest about it." She wasn't about to paint over anything without stripping it first. "It sucks." She sawed away. "Thank God it's only for a year." She pounded her point.

    He replied by picking up his pace.

    "Like we're some kind of MASH unit for police departments," she added. "Who were we kidding? What a waste of time. I don't remember when I've wasted so much time."

    Brazil glanced at his watch. He didn't seem to be listening to her, and she wished she could get past his broad shoulders and handsome profile. The early sun rubbed gold into his hair. The two college women sprinted past, sweaty and fat-free, their muscular legs pumping as they showed off to Brazil. West felt depressed. She felt old. She halted and bent over, hands on her knees.

    "That's it!" she exclaimed, heaving.

    "Forty-six more seconds." Brazil ran in place like he was treading water, looking back at her.

    "Go on."

    "You sure?"

    "Fly like the wind." She rudely waved him on. "Damn it," she bitched as her flip phone vibrated on the waistband of her running shorts.

    She moved off the track, over to the bleachers, out of the way of hard-bodied people who made her insecure.

    "West," she answered.

    "Virginia? It's ..." Hammer's voice pushed through static.

    "Chief Hammer?" West loudly said. "Hello?"

    "Virginia ... You there?" Hammer's voice scattered more.

    West pressed a hand over her other ear, trying to hear.

    "... That's bullshit ..." a male voice suddenly broke in.

    West started walking, trying to get into a better cell.

    "Virginia ...?" Hammer's voice barely crackled through.

    "... can do it anytime ... usual rules apply ..." The male voice was back.

    He had a southern drawl and was obviously a redneck. West felt instant hostility.

    "... time to ... kill ... Got to ... or score ..." The redneck spoke in distorted blurts.

    "... an ugly dog not worth ... lead to shoot it ..." A second redneck suddenly answered the first redneck. "How much ...?"

    "Depends on ... Maybe a couple hundred ..."

    "... Just between us ..."

    "... If ... body ... finds ..."

    "... not invited ..."

    "What?" Hammer's voice surfaced and was gone.

    "... Use a ... cold nose ... Not your piece ... shit ... ! Blue ..."

    "Chief Hammer ..." West started to say more, then caught herself, realizing the rednecks might be able to hear them, too.

    "... coons ..." The first redneck came back. "... not one born too smart for ... Dismal Swamp ..."

    "... Got that right, Bubba ... We covered ... a blanket ..."

    "Okay, Smudge ... buddy ... early morning?"

    West was silently shocked as she listened to two men plan a homicide that clearly was racially motivated, a hate crime, a score to settle that involved robbery. It sounded as if the murder would go down early in the morning. She wondered if a cold nose was slang for a snub-nosed revolver and if blue referred to a gun that was blue steel versus stainless steel or nickel-plated. Clearly, the psychos planned to wrap the body in a blanket and dump it in the Dismal Swamp.


    "... Loraine ..." Bubba's fractured voice was back. "... At old pumps ... cut engine ... headlights off so don't wake ..."

    Static, and the cell cleared.

    "Chief Hammer?" West said. "Chief Hammer? Are you still there?"

    "Bubba ..." the second stranger crackled again. "Somebody's on ..."

    Static, scratch, blare, blip.

    "Goddamn it," West muttered when her phone went dead.

    bubba's real name was Butner Fluck IV. Unlike so many fearless men devoted to pickup trucks, guns, topless bars and the Southern Cross, he had not been born into the tribe of Bubbas, but rather had grown up the son of a theologian in the Northside neighborhood of Ginter Park, where old mansions were in disrepair and Civil War cannonballs on porches were popular. Butner came from a long line of Butners who always went by the nickname "But," and it was lost on his erudite father, Dr. But Fluck III, that calling his son But in this day and age set the child up for problems.

    By the time little But had entered the first grade, the slurs, the slander and the derision were on every tongue. They were whispered in class, shouted on buses and playing fields, and drawn on sheets of notebook paper slipped from desk to desk or left inside little But's locker. When he wrote his name it was But Fluck. In the teacher's grade books he was Fluck, But.

    Any way he looked at it, he was screwed, really, and of course his peers came up with any number of other renditions. Mother-But-Flucker, Butter-Flucker, But-Flucking-Boy, Buttock-Fluck, and so on. When he retreated into his studies and went to the head of the class, new pet names were added to the list. But-Head, Fluck-Head, Mother-Flucking-But-Head, Head-But-Head, et al.

    For But's ninth birthday he requested camouflage and several toy guns. He became a compulsive eater. He spent a lot of time in the woods hunting imaginary prey. He immersed himself in a growing stash of magazines featuring mercenary soldiers, anarchists, trucks, assault weapons, Civil War battlefields and women in swimsuits. He collected manuals on simple car care and repair, automotive tools and wiring, wilderness survival, fishing, and hiking in bear country. He sneaked cigarettes and was rude. His tenth year he changed his name to Bubba and was feared by all.

    This early Monday morning Bubba was driving home from third shift at Philip Morris, his CB and two-way radios turned on, his portable phone plugged into the cigarette lighter, Eric Clapton on the CD player. His stainless steel Colt Anaconda .44 with its eight-inch barrel and Bushnell Holo sight on a B-Square base was tucked under his seat within quick reach.

    Multiple antennas bobbed on his red 1990 Jeep Cherokee, which Bubba did not realize had been listed in the Used Car Buying Guide as a used car to avoid, or that it had been wrecked and had a hundred thousand more miles on it than the odometer showed. Bubba had no reason to doubt his good buddy, Joe "Smudge" Bruffy, who last year had sold the Jeep to Bubba for only three thousand dollars more than the Blue Book value.

    In fact, it was Smudge who Bubba had been talking to on the portable phone moments earlier when two other voices broke in. Bubba hadn't been able to make out what the two women were saying, but the name "Chief Hammer" had been unmistakable. He knew it meant something.

    Bubba had been raised in a Presbyterian atmosphere of predestination, God's will, inclusive language, exegesis and colorful stoles. He had rebelled. In college he had studied Far Eastern religions to spite his father, but none of Bubba's acting out had eradicated the essence of his early indoctrination. Bubba believed there was purpose. Despite all setbacks and personal flaws, he had faith that if he accumulated enough good karma, or perhaps if yin and yang ever got along, he would discover the reason for his existence.

    So when he heard Chief Hammer's name over the cell phone, he experienced a sudden release of gloominess and menacing persecution, a buoyant happiness and surge of power. He was transformed into the warrior on a mission he had always been destined to become as he followed Midlothian Turnpike to Muskrat's Auto Rescue, this time for another windshield leak. Bubba snapped up the mike of his two-way Kenwood radio and switched over to the security channel.

    "Unit 1 to Unit 2." He tried to raise Honey, his wife, as he followed the four-lane artery of Southside out of Chesterfield County and into the city limits.

    No answer. Bubba's eyes scanned his mirrors. A Richmond police cruiser pulled in behind him. Bubba slowed down.

    "Unit 1 to Unit 2," Bubba tried again.

    No answer. Some shithead kid in a white Ford Explorer was trying to cut in front of Bubba. Bubba sped up.

    "Unit 1 to Unit 2!" Bubba hated it when his wife didn't respond to him immediately.

    The cop remained on Bubba's tail, dark Oakleys staring straight into Bubba's rearview mirror. Bubba slowed again. The punk in the Explorer tried to ease in front of Bubba, right turn signal flashing. Bubba sped up. He deliberated over what form of communication to use next, and picked up his portable phone. He changed his mind. He thought about trying his wife again on the two-way and decided not to bother. She should have gotten back to him the first and second times. The hell with her. He snapped up the mike to his CB, eyeing the cop in his mirrors and keeping a check on the Explorer.

    "Yo, Smudge," Bubba hailed his buddy over the CB. "You on track come back to yack."

    "Unit 2," his wife's out-of-breath voice came over the two-way.

    Bubba's portable phone rang.

    "Sorry ... oh my ..." Honey sweetly said as she gasped. "I was ... oh dear ... let me catch my breath ... whew ... was chasing Half Shell ... she wouldn't come ... That dog."

    Bubba ignored her. He answered the phone.

    "Bubba?" said Gig Dan, Bubba's supervisor at Philip Morris.

    "Trackin' and yackin', buddy," Smudge came back over the CB.

    "Unit 2 to Unit 1?" Honey anxiously persisted over the two-way.

    "Yo, Gig," Bubba said into the portable phone. "What's goin' on?"

    "Need ya to come in and work the second half of second shift," Gig told him. "Tiller called in sick."

    Shit, Bubba thought. Today of all days when there was so much to do and so little time. It depressed the hell out of him to think about showing up at eight o'clock tonight and working twelve straight hours.

    "Ten-4," Bubba replied to Gig.

    "When you wanna shine on yellow eyes?" Smudge hadn't given up.

    Bubba didn't really like coon hunting all that much. His coon dog Half Shell had her problems, and Bubba worried about snakes. Besides, Smudge always got a higher score. It seemed all Bubba did was lose money to him.

    "Before slithers wake up, I guess." Bubba tried to sound sure of himself. "So go ahead and shake out a plan."

    "Ten-fo, good buddy," Smudge came back. "Gotcha covered like a blanket."

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Southern Cross (Andy Brazil Series #2) 2.4 out of 5 based on 0 ratings. 50 reviews.
Guest More than 1 year ago
While I liked Hornet's Nest a little more, I still found myself interested in this book. Patricia can do anything, and she adroitly handles a brand new genre: the police procedural. The dialogue is great, like it always is in PC's books, and the cast of characters is colorful and refreshing. Recommended!
Guest More than 1 year ago
This impossible dumb dialogue drips throughout the book like acid. Characters dull and plastic. I find myself being angry with Ms.Cornwell for allowing her formidable talent to be used in this type of "literature". If this had been her first book, I would never have bought another. So your tired of Kay? OK, just keep the keenness of the scalple and forget about trying police procedurals. A McBain your not. You can do it Patricia--we miss your talent.
Guest More than 1 year ago
This is very differnet from the 'Scarpetta' books by Cornwell. I did not like it nearly as well as those. I read the fly page and thought the book was about cleaning up a bad police force. Did not see much of that. It was about a small time hood named Smoke, and his very young gang. Smoke was into doing minor crimes until he kills an older lady. The last few pages of the book then tell how he is caught. I stayed confused a big part of the time and never did understand how the story was about the corrupt police force. Would not recommend you spend you money for this one.
Guest More than 1 year ago
I have read the majority of Patricia Cornwell's books, and enjoyed every one. That is until I read Southern Cross. It is so unlike her earlier books. I gave her the benefit of the doubt that it would get better and I read the entire book. It was not worth it. This book was a sorry follow-up to Hornet's Nest, which I did enjoy. I think she should stick to the Kay Scarpetta books.
Guest More than 1 year ago
I've read all of Patricia Cornwell's books, and I have to honestly say this has to be the worst book I've ever read. It drags on and on, with no plot. I can usually breeze through a book in a lofty 2 week period...but this one is so slow and boring it's taken me over a month.
Guest More than 1 year ago
This is a nice change from the Kay Scarpetti stories.It is so-oo southern;light hearted & easy reading.I found it to be a pleasant change.Hopefully,there are more creative ideas working so we can re-visit these characters.I found myself laughing out loud several times in this book.More , please!!!
Guest More than 1 year ago
From some of the other reviews it seems that some people just don't have a sense of humor. The book is not her usually writting, instead of a serious serial killer story, expect a dark comedy. She takes a pot shot at everybody and hits the nail on the head every time. The most important lesson to be learned from this book is that there are too many people out there hearing things that haven't been said and others who do not pay attention at all. The narrative gets a little disjointed at times. But the cast of characters are tied together in the end. On the serious side, there is a teenage gang leader and the kids he scares into the gang. One note: though very cute, I usually only like talking animals in fantasy novels.
Guest More than 1 year ago
I started reading this book(I've read all of the others) and would have thrown it away, but thought, no it will pick up. Well, it didn't, at all. It vacilated back & forth & was very boring. The last 45 pages were adequate but the highlight of the book. Had this been the first book she had ever written, I would never read another. & I am an avid reader. ( i usually read one of cornwell's books in one night.) this one took 4... sorry, but go back to your old style, this is not even in the same league as Hornet's Nest.
Guest More than 1 year ago
I kept wondering what Cornwell is trying to achieve while I was struggling to finish the book. The style is a total mess, the plot totally boring. It's irritating the the story line jumps back and forth - it's like reading a movie script or somthing. And what's with the cruel-wannabe-funny character names? i just don't see the humor. Don't waste your time in this series Cornwell - I think most of us want Kay back!
Guest More than 1 year ago
I don't know what I can say that hasn't already been said. It is the worst book she has ever written. If I had read the reviews first I would't have purchased the book. It was a complete waste of time.I would never recommend it to any one. I think she should continue to write about Dr Scarpetta.
Guest More than 1 year ago
Although I did like the Scarpetta novels more than this one, it was an enjoyable read. YES, it was not the same as Scarpetta, but, isn't that the point? When read without expectations of a 'Scarpetta clone', it is a good, (but not great) novel. I commend Patricia for having the courage to try something different from what she (and her readers) already know works. I hope she keeps Scarpetta, (of course!), but continues to experiment with other efforts.
Guest More than 1 year ago
Guest More than 1 year ago
I am an avid reader of Patricia Cornwell and this book does not come anywhere near any of the others. The characters are dull and lifeless. I wanted to put it down after the first three chapters but because I am a fan I finished it. I have not and will not recommend it to others.
Guest More than 1 year ago
I like all of Patricia Cornwell's books and although I know I am in the minority, my favorite two have been Hornet's Nest and Southern Cross. The style of writing in these two books is better and the plot isn't the same old same old! Good Job, Patricia. Hope we get more like this.
Guest More than 1 year ago
I thought I was in for a story similiar to the Scarpetta novels, which I thoroughly enjoy. Thankfully, I checked this book out from the library and did not waste my hard earned money on this trash. The story was disconnected, the attempts at humor feeble, and I see no rhyme or reason to the unbelievable names given to the characters such as 'But Fluck', 'Weed', and 'Smoke'. What kind of not so subtle demographic/political/Southern satirical points was Cornwell trying to make with names such as those? One couldn't even sell this book at a yardsale for a nickel.
Guest More than 1 year ago
This was my first AND LAST purchase of a Cornwell novel. I struggled to get through it and am sorry I wasted the time. The words 'dumb,' 'stupid,' and 'boring' come to mind. Character names Bubba, Weed, Smoke, Smudge, Divinity are so unimaginative and unbelievable. Give it up Patricia...
pgswthd More than 1 year ago
This series is a welcome change from the Scarpetta series. Laugh out loud humor!
wcu More than 1 year ago
If Hornet's Nest was a failure, its Andy Brazil sequel ,Southern Cross, is at best a misadventure. The main character, Andy Brazil, is again not developed as a character. Other characters such as Hammer, West, and Bubba are stereotypical to a fault. Cornwell overuses coincidence in all her novels. The Andy Brazil series is no exception.Further, there is no meaningful plot to this book. Cornwell should stick to Scarpetta novels.
Anonymous More than 1 year ago
I liked this book better than the first Andy Brazil novel!
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