Against terrible odds, Bhima must find the strength and the will to keep going. The tragedy is that there is so little to hope for. Which brings us to the implicit, pivotal question raised at the beginning and end of the book: Why survive at all in the face of continuous despair? The life of the privileged is harshly measured against the life of the powerless, but empathy and compassion are evoked by both strong women, each of whom is forced to make a separate choice. Umrigar is a skilled storyteller, and her memorable characters will live on for a long time.
Umrigar's schematic novel (after Bombay Time) illustrates the intimacy, and the irreconcilable class divide, between two women in contemporary Bombay. Bhima, a 65-year-old slum dweller, has worked for Sera Dubash, a younger upper-middle-class Parsi woman, for years: cooking, cleaning and tending Sera after the beatings she endures from her abusive husband, Feroz. Sera, in turn, nurses Bhima back to health from typhoid fever and sends her granddaughter Maya to college. Sera recognizes their affinity: "They were alike in many ways, Bhima and she. Despite the different trajectories of their lives-circumstances... dictated by the accidents of their births-they had both known the pain of watching the bloom fade from their marriages." But Sera's affection for her servant wars with ingrained prejudice against lower castes. The younger generation-Maya; Sera's daughter, Dinaz, and son-in-law, Viraf-are also caged by the same strictures despite efforts to throw them off. In a final plot twist, class allegiance combined with gender inequality challenges personal connection, and Bhima may pay a bitter price for her loyalty to her employers. At times, Umrigar's writing achieves clarity, but a narrative that unfolds in retrospect saps the book's momentum. (Jan.) Copyright 2005 Reed Business Information.
Journalist Umrigar (Bombay Time) evocatively describes daily life in two very different households in modern-day Bombay, where the traditions that separate the classes and the sexes still persist. The relationship between Sera Dubash, an upper-class Parsi housewife, and Bhima, her servant, is full of contradictions. They talk over cups of tea like girlfriends, but Bhima must squat on the floor using her own cup, while Sera sits on a chair. Bhima is loyal to Sera, but sometimes has to talk herself through minor humiliations and slights from her employer by reminding herself how generous this woman has always been to her. While money and class keep these two from fully bridging the gap between them, they remain closer than either of them can fully see, for as women, they suffer equally the abuse of men, the loss of love, and the joys and sorrows of motherhood. Umrigar beautifully and movingly wends her way through the complexities and subtleties of these unequal but caring relationships. Recommended for all fiction collections. [See Prepub Alert, LJ 9/15/05.]-Joy Humphrey, Pepperdine Univ. Law Lib., Malibu, CA Copyright 2005 Reed Business Information.
Set in contemporary Bombay, Umrigar's second novel (Bombay Time, 2001) is an affecting portrait of a woman and her maid, whose lives, despite class disparity, are equally heartbreaking. Though Bhima has worked for the Dubash family for decades and is coyly referred to as "one of the family," she nonetheless is forbidden from sitting on the furniture and must use her own utensils while eating. For years, Sera blamed these humiliating boundaries on her husband Feroz, but now that he's dead and she's lady of the house, the two women still share afternoon tea and sympathy with Sera perched on a chair and Bhima squatting before her. Bhima is grateful for Sera, for the steady employment, for what she deems friendship and, mostly, for the patronage Sera shows Bhima's granddaughter Maya. Orphaned as a child when her parents died of AIDS, Bhima raised Maya and Sera saw to her education. Now in college, Maya's future is like a miracle to the illiterate Bhima-her degree will take them out of the oppressive Bombay slums, guaranteeing Maya a life away from servitude. But in a cruel mirror of Sera's happiness-her only child Dinaz is expecting her first baby-Bhima finds that Maya is pregnant, has quit school and won't name the child's father. As the situation builds to a crisis point, both women reflect on the sorrows of their lives. While Bhima was born into a life of poverty and insurmountable obstacles, Sera's privileged upbringing didn't save her from a husband who beat her and a mother-in-law who tormented her. And while Bhima's marriage begins blissfully, an industrial accident leaves her husband maimed and an alcoholic. He finally deserts her, but not before he bankrupts the family and kidnapstheir son. Though Bhima and Sera believe they are mutually devoted, soon decades of confidences are thrown up against the far older rules of the class game. A subtle, elegant analysis of class and power. Umrigar transcends the specifics of two Bombay women and creates a novel that quietly roars against tyranny.
Umrigar is a perceptive and often piercing writer.... Her portrait of Sera as a woman unable to transcend her middle-class skin feels bracingly honest.” — New York Times Book Review
“[The Space Between Us ] is a great book; I love it.... I couldn’t stop reading until Bhima had her amazing epiphany of freedom at the edge of the sea. I am so happy for Thrity Umrigar! And proud of her as a woman, too.... It is so precious to have a book about a woman one rarely even “sees” in society, whether Indian or American.” — Alice Walker on THE SPACE BETWEEN US
“Remarkable.... What makes The Space Between Us so engrossing is its ability to make readers feel empathy for its subjects.... To read Umrigar’s novel is to catch a glimpse of a foreign culture, for better and for worse. Yet while the class divide between Bhima and Sera provides much of the conflict in The Space Between Us, it isn’t the only source of disagreement. Class colors everything, but in the end, Umrigar shows, every one of life’s ups and downs are available to us all.” — San Francisco Chronicle
“Thrity Umrigar has created two wonderfully sympathetic characters who do much to make [India’s] complex nature comprehensible.... This is a story intimately and compassionately told against the sensuous background of everyday life in Bombay.... The life of the privileged is harshly measured against the life of the powerless, but empathy and compassion are evoked by both strong women, each of whom is forced to make a separate choice. Umrigar is a skilled storyteller, and her memorable characters will live on for a long time.” — Frances Itani, Washington Post Book World
“With humanity and suspense, novelist Thrity Umrigar tackles love, loyalty, injustice - and survival.” — Marie Claire
“Umrigar renders a collection of compelling and complex characters, from kind, conflicted Sera to fiercely devoted Bhima. Sadness suffuses this eloquent tale, whose heart-stopping plot twists reveal the ferocity of fate.” — Booklist (starred review)
“Set in contemporary Bombay, Umrigar’s second novel is an affecting portrait of a woman and her maid, whose lives, despite class disparity, are equally heartbreaking.... A subtle, elegant analysis of class and power. Umrigar transcends the specifics of two Bombay women and creates a novel that quietly roars against tyranny.” — Kirkus Reviews
“Poignant.” — Entertainment Weekly
“Umrigar’s schematic novel illustrates the intimacy, and the irreconcilable class divide, between two women in contemporary Bombay.... Umrigar’s writing achieves clarity.” — Publishers Weekly
“From page one, Thrity Umrigar’s novel thrusts us into a story that’s at once heartbreaking and soothing. Chronicling the tumultuous lives of two women, The Space Between Us doesn’t flinch from its scrutiny of human suffering; then it gently, gently guides us toward healing.” — Samrat Upadhyay, author of The Royal Ghosts
“A deeply affecting novel about a wealthy widow and her maid, who form a bond across the gulfs of class and status in modern-day Bombay.” — Life magazine
“Sadness suffuses this eloquent tale, whose heart-stopping plot twists reveal the ferocity of fate.” — Booklist (starred review)
“Heartbreaking.... A subtle, elegant analysis of class and power... that quietly roars against tyranny.” — Kirkus Reviews
“Intimately and compassionately told.... Sensuous.... Umrigar’s memorable characters will live on for a long time.” — Frances Itani, Washington Post Book World
“Umrigar is a perceptive and often piercing writer.” — New York Times Book Review
“[The Space Between Us] is provocative and disturbing.” — Boston Globe
“Umrigar is a highly skilled storyteller...the novel’s plot and depth of characterisation provide irresistible momentum.” — Time Out New York
“Umrigar’s imagery, gorgeous yet unflinching in its realism, creates a rich picture of Indian society in Bombay, from slum to skyscraper. Her symbolism is lovely.” — Charlotte Observer
"The Space Between Us is a novel that is hard to forget." — The Times (London)
With humanity and suspense, novelist Thrity Umrigar tackles love, loyalty, injustice - and survival.
Remarkable.... What makes The Space Between Us so engrossing is its ability to make readers feel empathy for its subjects.... To read Umrigar’s novel is to catch a glimpse of a foreign culture, for better and for worse. Yet while the class divide between Bhima and Sera provides much of the conflict in The Space Between Us, it isn’t the only source of disagreement. Class colors everything, but in the end, Umrigar shows, every one of life’s ups and downs are available to us all.
Umrigar renders a collection of compelling and complex characters, from kind, conflicted Sera to fiercely devoted Bhima. Sadness suffuses this eloquent tale, whose heart-stopping plot twists reveal the ferocity of fate.
Booklist (starred review)
[The Space Between Us ] is a great book; I love it.... I couldn’t stop reading until Bhima had her amazing epiphany of freedom at the edge of the sea. I am so happy for Thrity Umrigar! And proud of her as a woman, too.... It is so precious to have a book about a woman one rarely even “sees” in society, whether Indian or American.
Alice Walker on THE SPACE BETWEEN US
Umrigar is a perceptive and often piercing writer.... Her portrait of Sera as a woman unable to transcend her middle-class skin feels bracingly honest.
New York Times Book Review
Poignant.
Remarkable.... What makes The Space Between Us so engrossing is its ability to make readers feel empathy for its subjects.... To read Umrigar’s novel is to catch a glimpse of a foreign culture, for better and for worse. Yet while the class divide between Bhima and Sera provides much of the conflict in The Space Between Us, it isn’t the only source of disagreement. Class colors everything, but in the end, Umrigar shows, every one of life’s ups and downs are available to us all.
[Umrigar] displays an impressive talent for conceiving multidimensional, sympathetic characters with life-like emotional quandaries and psychological stumbling blocks.
Washington Post Book World
Umrigar is a highly skilled storyteller...the novel’s plot and depth of characterisation provide irresistible momentum.
[The Space Between Us] is provocative and disturbing.
[A] powerful novel.
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