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She enters, deliberately, gravely, without affectation, circumspect in her motions (as she's been taught), not stamping too loud, nor dragging her legs after her, but advancing sedately, discreetly, glancing briefly at the empty rumpled bed, the cast-off nightclothes. She hesitates. No. Again. She enters. Deliberately and gravely, without affectation, not stamping too loud, nor dragging her legs after her, not marching as if leading a dance, nor keeping time with her head and hands, nor staring or turning her head either one way or the other, but advancing sedately and discreetly through the door, across the polished floor, past the empty rumpled bed and cast-off nightclothes (not glancing, that's better), to the tall curtains along the far wall. As she's been taught. Now, with a humble yet authoritative gesture, she draws the curtains open: Ah! the morning sunlight comes flooding in over the gleaming tiles as though (she thinks) flung from a bucket. She opens wide the glass doors behind the curtains (there is such a song of birds all about!) and gazes for a moment into the garden, quite prepared to let the sweet breath of morning blow in and excite her to the most generous and efficient accomplishments, but her mind is still locked on that image, at first pleasing, now troubling, of the light as it spilled into the room: as from a bucket.... She sighs. She enters. With a bucket. She sets the bucket down, deliberately, gravely, and walks (circumspectly) across the room, over the polished tiles, past the empty rumpled bed (she doesn't glance at it), to draw open the tall curtains at the far wall. Buckets of light come flooding in (she is not thinking about this now) and the room, as she opens wide the glass doors, is sweetened by the fresh morning air blowing in from the garden. The sun is fully risen and the pink clouds of dawn are all gone out of the sky (the time lost: this is what she is thinking about), but the dew is still on every plant in the garden, and everything looks clean and bright. As will his room when she is done with it.
He awakes from a dream (something about utility, or futility, and a teacher he once had who, when he whipped his students, called it his "civil service"), still wrapped in darkness and hugged close to the sweet breast of the night, but with the new day already hard upon him, just beyond the curtains (he knows, even without looking), waiting for him out there like a brother: to love him or to kill him. He pushes the bedcovers back and sits up groggily to meet its challenge (or promise), pushes his feet into slippers, rubs his face, stretches, wonders what new blunders the maid (where is she?) will commit today. Well. I should at least give her a chance, he admonishes himself with a gaping yawn.
Oh, she knows her business well: to scrub and wax the floors, polish the furniture, make the master's bed soft and easy, lay up his nightclothes, wash, starch, and mend the bedlinens as necessary, air the blankets and clean the bathroom, making certain of ample supplies of fresh towels and washcloths, soap, toilet paper, razor blades and toothpaste—in short, to see that nothing be wanting which he desires or requires to be done, being always diligent in endeavoring to please him, silent when he is angry except to beg his pardon, and ever faithful, honest, submissive, and of good disposition. The trivial round, the common task, she knows as she sets about her morning's duties, will furnish all she needs to ask, room to deny herself, a road (speaking loosely) to bring her daily nearer God. But on that road, on the floor of the bathroom, she finds a damp towel and some pajama bottoms, all puddled together like a cast-off mophead. Mop-head? She turns and gazes in dismay at the empty bucket by the outer door. Why, she wants to know, tears springing to the corners of her eyes, can't it be easier than this? And so she enters, sets her bucket down with a firm deliberation, leans her mop gravely against the wall. Also a broom, brushes, some old rags, counting things off on her fingers as she deposits them. The curtains have been drawn open and the room is already (as though impatiently) awash with morning sunlight. She crosses the room, past the (no glances) empty rumpled bed, and opens wide the glass doors leading out into the garden, letting in the sweet breath of morning, which she hardly notices. She has resolved this morning—as every morning—to be cheerful and good-natured, such that if any accident should happen to test that resolution, she should not suffer it to put her out of temper with everything besides, but such resolutions are more easily sworn than obeyed. Things are already in such a state! Yet: virtue is made for difficulties, she reminds herself, and grows stronger and brighter for such trials. "Oh, teach me, my God and King, in all things thee to see, and what I do in any thing, to do it as for thee!" she sings out to the garden and to the room, feeling her heart lift like a sponge in a bucket. "A servant with this clause makes drudgery divine: who sweeps a room, as for thy laws, makes that and th'action fine!" And yes, she can still recover the lost time. She has everything now, the mop and bucket, broom, rags and brushes, her apron pockets are full of polishes, dustcloths and cleaning powders, the cupboards are well stocked with fresh linens, all she really needs now is to keep—but ah! is there, she wonders anxiously, spinning abruptly on her heels as she hears the master relieving himself noisily in the bathroom, any water in the bucket—?!
He awakes, squints at his watch in the darkness, grunts (she's late, but just as well, time for a shower), and with only a moment's hesitation, tosses the blankets back, tearing himself free: I'm so old, he thinks, and still every morning is a bloody new birth. Somehow it should be easier than this. He sits up painfully (that divine government!), rubs his face, pushes his feet into slippers, stands, stretches, then strides to the windows at the far wall and throws open the tall curtains, letting the sun in. The room seems almost to explode with the blast of light: he resists, then surrenders to, finally welcomes its amicable violence. He opens wide the glass doors that lead out into the garden and stands there in the sunshine, sucking in deeply the fresh morning air and trying to recall the dream he's just had. Something about a teacher who had once lectured him on humility. Severely. Only now, in the dream, he was himself the teacher and the student was a woman he knew, or thought he knew, and in his lecture "humility" kept getting mixed up somehow with "humor," such that, in effect, he was trying, in all severity, to teach her how to laugh. He's standing there in the sunlight in his slippers and pajama bottoms, remembering the curious strained expression on the woman's face as she tried—desperately, it seemed—to laugh, and wondering why this provoked (in the dream) such a fury in him, when the maid comes in. She gazes impassively a moment (yet humbly, circumspectly) at the gaping fly of his pajamas, then turns away, sets her bucket down against the wall. Her apron strings are loose, there's a hole in one of her black stockings, and she's forgotten her mop again. I'd be a happier man, he acknowledges to himself with a wry sigh, if I could somehow fail to notice these things. "I'll start in the bathroom," she says discreetly. "Sir," he reminds her. "Sir," she says.
And she enters. Deliberately and gravely, as though once and for all, without affectation, somewhat encumbered by the vital paraphernalia of her office, yet radiant with that clear-browed self-assurance achieved only by long and generous devotion to duty. She plants her bucket and brushes beside the door, leans the mop and broom against the wall, then crosses the room to fling open (humbly, authoritatively) the curtains and the garden doors: the fragrant air and sunlight come flooding in, a flood she now feels able to appreciate. The sun is already high in the sky, but the garden is still bejeweled with morning dew and (she remembers to notice) there is such a song of birds all about! What inspiration! She enjoys this part of her work: flushing out the stale darkness of the dead night with such grand (yet circumspect) gestures—it's almost an act of magic! Of course, she takes pleasure in all her appointed tasks (she reminds herself), whether it be scrubbing floors or polishing furniture or even scouring out the tub or toilet, for she knows that only in giving herself (as he has told her) can she find herself: true service (he doesn't have to tell her!) is perfect freedom. And so, excited by the song of the birds, the sweet breath of morning, and her own natural eagerness to please, she turns with a glad heart to her favorite task of all: the making of the bed. Indeed, all the rest of her work is embraced by it, for the opening up and airing of the bed is the first of her tasks, the making of it her last. Today, however, when she tosses the covers back, she finds, coiled like a dark snake near the foot, a bloodstained leather belt. She starts back. The sheets, too, are flecked with blood. Shadows seem to creep across the room and the birds fall silent. Perhaps, she thinks, her heart sinking, I'd better go out and come in again....
At least, he cautions himself while taking a shower, give her a chance. Her forgetfulness, her clumsiness, her endless comings and goings and stupid mistakes are a trial of course, and he feels sometimes like he's been living with them forever, but she means well and, with patience, instruction, discipline, she can still learn. Indeed, to the extent that she fails, it could be said, he has failed. He knows he must be firm, yet understanding, severe if need be, but caring and protective. He vows to treat her today with the civility and kindness due to an inferior, and not to lose his temper, even should she resist. Our passions (he reminds himself) are our infirmities. A sort of fever of the mind, which ever leaves us weaker than it found us. But when he turns off the taps and reaches for the towel, he finds it damp. Again! He can feel the rage rising in him, turning to ash with its uncontrollable heat his gentler intentions. Has she forgotten to change them yet again, he wonders furiously, standing there in a puddle with the cold wet towels clutched in his fists—or has she not even come yet?
She enters once and for all encumbered with her paraphernalia which she deposits by the wall near the door, thinking: it should be easier than this. Indeed, why bother at all when it always seems to turn out the same? Yet she cannot do otherwise. She is driven by a sense of duty and a profound appetite for hope never quite stifled by even the harshest punishments: this time, today, perhaps it will be perfect.... So, deliberately and gravely, not staring or turning her head either one way or the other, she crosses the room to the far wall and with a determined flourish draws open the tall curtains, flooding the room with buckets of sunlight, but her mind is clouded with an old obscurity: When, she wants to know as she opens wide the glass doors to let the sweet breath of morning in (there are birds, too, such a song, she doesn't hear it), did all this really begin? When she entered? Before that? Long ago? Not yet? Or just now as, bracing herself as though for some awful trial, she turns upon the bed and flings the covers back, her morning's tasks begun. "Oh!" she cries. "I beg your pardon, sir!" He stares groggily down at the erection poking up out of the fly of his pajama pants, like (she thinks) some kind of luxuriant but dangerous dew- bejeweled blossom: a monster in the garden. "I was having a dream," he announces sleepily, yet gravely. "Something about tumidity. But it kept getting mixed up somehow with—" But she is no longer listening. Watching his knobby plant waggle puckishly in the morning breeze, then dip slowly, wilting toward the shadows like a closing morning glory, a solution of sorts has occurred to her to that riddle of genesis that has been troubling her mind: to wit, that a condition has no beginning. Only change can begin or end.
She enters, dressed crisply in her black uniform with its starched white apron and lace cap, leans her mop against the wall like a standard, and strides across the gleaming tile floor to fling open the garden doors as though (he thinks) calling forth the morning. What's left of it. Watching her from behind the bathroom door, he is moved by her transparent earnestness, her uncomplicated enthusiasm, her easy self-assurance. What more, really, does he want of her? Never mind that she's forgotten her broom again, or that her shoe's unbuckled and her cap on crooked, or that in her exuberance she nearly broke the glass doors (and sooner or later will), what is wonderful is the quickening of her spirits as she enters, the light that seems to dawn on her face as she opens the room, the way she makes a maid's oppressive routine seem like a sudden invention of love. See now how she tosses back the blankets and strips off the sheets as though, in childish excitement, unwrapping a gift! How in fluffing up the pillows she seems almost to bring them to life! She calls it: "doing the will of God from the heart!" "Teach me, my God and King, in all things thee to see," she sings, "and what I do in any thing, to do it as for thee!" Ah well, he envies her: would that he had it so easy! All life is a service, he knows that. To live in the full sense of the word is not to exist or subsist merely, but to make oneself over, to give oneself: to some high purpose, to others, to some social end, to life itself beyond the shell of ego. But he, lacking superiors, must devote himself to abstractions, never knowing when he has succeeded, when he has failed, or even if he has the abstractions right, whereas she, needing no others, has him. He would like to explain this to her, to ease the pain of her routine, of her chastisement—what he calls his disciplinary interventions—but he knows that it is he, not she, who is forever in need of such explanations. Her mop fairly flies over the tiles (today she has remembered the mop), making them gleam like mirrors, her face radiant with their reflected light. He checks himself in the bathroom mirror, flicks lint off one shoulder, smoothes the ends of his moustache. If only she could somehow understand how difficult it is for me, he thinks as he steps out to receive her greeting: "Good morning, sir." "Good morning," he replies crisply, glancing around the room. He means to give her some encouragement, to reward her zeal with praise or gratitude or at least a smile to match her own, but instead he finds himself flinging his dirty towels at her feet and snapping: "These towels are damp! See to it that they are replaced!" "Yes, sir!" "Moreover, your apron strings are dangling untidily and there are flyspecks on the mirror!" "Sir." "And another thing!" He strides over to the bed and tears it apart. "Isn't it about time these sheets were changed? Or am I supposed to wear them through before they are taken to be washed?" "But, sir, I just put new–!" "What? WHAT–?!" he storms. "Answering back to a reproof? Have you forgotten all I've taught you?" "I–I'm sorry, sir!" "Never answer back if your master takes occasion to reprove you, except–?" "Except it be to acknowledge my fault, sir, and that I am sorry for having committed it, promising to amend for the time to come, and to ... to ..." "Am I being unfair?" he insists, unbuckling his belt. "No, sir," she says, her eyes downcast, shoulders trembling, her arms pressed tight to her sides.
Excerpted from Spanking the Maid by Robert Coover. Copyright © 1982 Robert Coover. Excerpted by permission of Dzanc Books.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Posted March 9, 2003
I purchased this book online, if I had the opportunity to peruse it at a store it wouldn't have been in my hands more than 2 seconds. It states here that there's 102 pages .. seemed more like 20. The 'stories' of the maid's arrival each day were totally lacking in imagination. If you like reading the same story over and over and over again [as in: Groundhog Day the movie] then this book is for you.
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Posted December 23, 2014
Discovered this one years ago and loved it. A brilliant novella, which skillfully and beautifully teases erotic tropes, sentence by sentence, carefully chosen word by word, drawing out an extended feeling of anticipation and imminence, without ever crossing the line of cool & straight-laced sobriety.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.